a&e features
Remembering those we lost in 2023
World’s oldest drag performer, PR guru to the stars among those who died
The many acclaimed LGBTQ people and allies who died in 2023 include:
Frank Galati, an internationally acclaimed writer, director, and actor, known for directing “Ragtime” on Broadway and his Chicago theater work, which included his adaptation of “The Grapes of Wrath,” died on Jan. 2 in Sarasota, Fla. at 79 from complications of cancer.
Lily Chavez, a beloved D.C. nightlife figure, died on Jan. 8 at age 35 from complications of Lupus. Chavez was the box office cashier at D.C.’s Town Danceboutique, a bartender at Annie’s and Level 1 restaurants and the gay bar Cobalt, the Blade reported.
Sal Piro, a fan of “The Rocky Horror Picture Show,” who saw the camp classic some 1,300 times and founded “The Rocky Horror Picture Show” fan club, died at 72 on Jan. 22 at his Manhattan home from an aneurysm in his esophagus.
Everett Quinton, an actor, director, and leader of the Ridiculous Theatrical Company after his partner Charles Ludlam’s death in 1987, died on Jan. 23 in Brooklyn, Ny. at 71 from glioblastoma, a fast-moving cancer.
Albert Russell, an acclaimed organist and music director from 1966 to 1984 of St. John’s Episcopal Church on Lafayette Square in D.C. (often called the “Church of the Presidents”), died at 91 from complications of a fall on Jan. 23 at his Washington home.
Dr. Charles Silverstein, a psychologist, whose presentation as a graduate student helped to persuade the American Psychiatric Association to stop pathologizing being queer, died on Jan. 30 at age 87 at his Manhattan home from lung cancer. He founded the Institute for Human Identity, which provides mental health service to LGBTQ clients.
Shinta Ratri, an Indonesian transgender activist, who founded an Islamic boarding school that provides a safe space for trans women, died on Feb. 1 at 60 from a heart attack in Yogyakarta, a city on the Indonesian island of Java.
Adrian Hall, the founding artistic director of the Trinity Repertory Company in Providence, R.I., who revitalized regional theater in Dallas and other cities, died at 95 on Feb. 4 in a hospital in Tyler, Texas.
Donald Spoto, a biographer whose more than two-dozen subjects included Joan of Arc, Jesus, Alfred Hitchcock and Grace Kelly, died at 81 on Feb. 11 in Koege, Denmark from a brain hemorrhage.
Howard Bragman, a publicist who advised celebrities involved in scandals and queer clients who were coming out, died at 66 on Feb. 11 from leukemia in Los Angeles.
John E. Woods, an award-winning translator of Thomas Mann, died on Feb. 15 in Berlin at 80 from a lung ailment and skin cancer.
Royston Ellis, a British Beat poet whose spoken word performances accompanied the Beatles, Jimmy Page and other performers before they became rock stars, died on Feb. 26 at 82 from heart failure in Induruwa, Sri Lanka.
Georgina Beyer, believed to be the first transgender member of Parliament in New Zealand, died on March 6 at 65 in a Wellington, New Zealand hospice.
Ian Falconer, whose popular children’s books featuring Olivia, an endearing, charming pig, delighted kids and adults, died on March 7 at 63 in Norwalk, Conn., from kidney failure.
Julie Anne Peters, author of “Luna,” whose books were widely banned, died on March 21 at 71 at her Wheat Ridge, Colo. home. “Luna,” released in 2004, is believed to be the first young-adult novel with a transgender character to come out from a mainstream publisher.
Walter Cole, the world’s oldest drag performer known as Darcelle XV died March 23 at 92 at a Portland, Ore. hospital.
James Bowman, a British countertenor known for his performance as Oberon in Benjamin Britten’s opera “A Midsummer Night’s Dream” and Apollo in Britten’s opera “Death in Venice,” died at 81 on March 27 at his home in Redhill, south of London.
Raghavan Iyer, an American-born chef and author who introduced Americans to Indian cuisine, died on March 31 at 61 in San Francisco from pneumonia complicated by colorectal cancer that had metastasized to his lungs and brain.
Rachel Pollack, a transgender activist and authority on tarot, who created the first trans DC Comics superheroine, died at 77 on April 7 from non-Hodgkin’s lymphoma in Rhinebeck, N.Y.
Gail Christian, a trailblazing, acclaimed Black NBC News and PBS correspondent, died on April 12 at 83 in Los Angeles from complications of intestinal surgery.
Helen Thorington, a trailblazer in radio and internet art, died at 94 on April 13 from complications of Alzheimer’s disease in Lincoln, Mass.
Koko Da Doll, 35, a Black transgender woman, who was featured in “Kokomo City,” an award-winning documentary about four Black transgender sex workers, was killed in Atlanta on April 18.
Barry Humphries, the Australian-born actor and comic, who created the divine and beloved Dame Edna, died on April 22 in Sydney at 89 several days after having hip surgery.
Robert Patrick, a playwright whose 1964 play “The Haunted Host,” The New York Times has called “a touchstone of early gay theater,” died at 85 on April 23 from atherosclerotic cardiovascular disease at his Los Angeles home.
Harry Belafonte, a barrier-breaking singer, actor, civil rights activist and LGBTQ ally, known as the “King of Calypso,” died on April 25 at 96 from congestive heart failure at his Manhattan home.
David Miranda, an ally of Edward J. Snowden and an advocate for LGBTQ rights in Brazil’s Congress, who was born in the slums of Rio de Janeiro, died at 37 on May 9. He died in a Rio de Janeiro hospital intensive care unit after battling an abdominal infection for nine months.
Renowned queer, avant-garde artist Kenneth Anger, known for his surreal films, died at 96 on May 11 in a care facility in Yucca Valley, Calif. Anger wrote two “Hollywood Babylon” books, which were filled with gossip. These works were thought to be based on rumors, not facts.
Helmut Berger, an Austrian actor who was known for his work in films directed by the acclaimed filmmaker Luchino Visconti, died at 78 on May 18 at his Salzburg home.
Tina Turner, the legendary singer, who performed at the first Gay Games in 1982, died on May 24 at 83 at her home in Kusnacht, Switzerland after a long illness.
George Maharis, an actor who was a star in the iconic TV show “Route 66,” died at 94 on May 24 at his Beverly Hills, Calif. home.
Jon Haggins, a fashion designer, who was acclaimed for, what The New York Times called his “sinuous, sensuous” 1960s and early 70s designs, died on June 15 at 79 at his Queens, N.Y. home.
The drummer for the Texas acid-punk band Butthole Surfers, Teresa Taylor, died at 60 on June 18 from lung cancer. She was beloved by Gen-Xers for her appearance in the 1990 movie “Slacker.”
Robert Black, an acclaimed bassist and a founding member of the renowned Bang on a Can All-Stars ensemble, died at 67 on June 22 from colon cancer at his Hartford, Conn. home.
David Richards, a theater critic, who was a Pulitzer Prize finalist for his work for the The Washington Post, and, briefly, chief drama critic for The New York Times, died at 82 on June 24 in a Warrenton, Va. hospital. The cause of death was complications from Parkinson’s disease.
Michele Judith Ballotta, a.k.a. Mickie, a beloved advocate for the fight against breast cancer and other causes, died on June 24 at age 67 in Seaford, Md.
Lilli Vincenz, a groundbreaking LGBTQ rights activist, psychotherapist and documentary filmmaker, died at 85 on June 27 of natural causes at her residence at an Oakton, Va. assisted living center.
Dr. Susan Love, a surgeon, public health advocate, author, researcher and founder of the National Breast Cancer Coalition, died at 75 on July 2 from a recurrence of leukemia at her Los Angeles home. At the time of her death, she was chief visionary office of the Dr. Susan Love Foundation.
Minnie Bruce Pratt, an acclaimed lesbian poet, essayist and LGBTQ activist, died at 76 from an aggressive brain tumor on July 2 at a hospice in Syracuse, N.Y.
Cheri Pies, author of the landmark 1985 book “Considering Parenthood: A Workbook for Lesbians,” died at 73 from cancer on July 4 at her Berkeley, Calif. home.
The Rev. A. Stephen Pieters, a gay minister, who had AIDS and spoke about being gay and having the disease to church congregations in the 1980s when homophobia was the norm, died at 70 on July 8 from a sepsis infection at a Glendale, Calif. hospital. His memoir “Love Is Greater Than AIDS: A Memoir of Survival, Healing, and Hope” will be released in 2024.
Amos Badertscher, a photographer whose empathetic portraits of hustlers, sex workers and drag queens in Baltimore are in institutions devoted to queer art from the Leslie-Loman Museum of Art in New York to the ONE Archives in Los Angeles, died on July 24. He died in Baltimore at age 86 from complications from a fall.
Sinead O’Connor, the pop singer, who was acclaimed, but reviled for denouncing pedophilia in the Catholic Church, and, in 1992, tearing up a photo of Pope John Paul II on “Saturday Night Live,” died at 56 on July 26.
James “Hawk” Crutchfield, a U.S. Air Force veteran and U.S. Federal Communications Commission career program analyst, died at 77 of natural causes in his D.C. home on July 29. For more than four decades, Crutchfield was “devoted” to volunteer leadership to at least eight D.C.-area LGBTQ D.C. organizations, the Blade reported.
Paul Reubens, the actor and comedian who created and portrayed the iconic and beloved character Pee-Wee Herman, died at 70 on July 30 from cancer in a Los Angeles hospital.
Jess Search, a gender nonconforming producer of documentaries focusing on marginalized groups, died at 54 on July 31 in a London hospital from brain cancer. Search helped to start-up the Doc Society, a group that supports documentarians.
Carmen Xtravaganza, a ballroom legend and transgender activist, who was featured in the documentary “Paris Is Burning,” died at 62 on Aug. 4. Before her death, she had been struggling with stage 4 lung cancer.
Sarah Wunsch, a civil liberties lawyer known for her work on race, gender ,and free speech issues, died at 75 on Aug. 17 at her Brookline, Mass. home from complications of a stroke.
Janne Marie Harrelson, who had a 32-year career at Gallaudet University, died at 70 on Aug. 23 from Ovarian cancer while in hospice care in Rockville, Md. She held multiple leadership positions at Gallaudet, including director, National Mission Planning and director, Gallaudet University Regional Centers.
Michael Leva, an acclaimed 1980s fashion designer, who was on the cover of the (now defunct) weekly “7 Days” for its “Designers on the Verge” feature, and later a prominent fashion executive, died at 62 on Sept. 14 in Providence, R.I. from heart failure.
Erwin Olaf, a Dutch photographer acclaimed for his portraits of counterculture celebs and Dutch royalty died at 64 on Sept. 20 in Groningen, the Netherlands from complications of a lung transplant.
John F. Benton, 72, who worked in management at the Smithsonian Institution’s National Air and Space Museum and other government agencies for more than four decades, died on Sept 20 after a short illness at the Virginia Hospital Center in Arlington the Blade reported.
Pat Arrowsmith, 93, a British author, anti-war activist and Campaign for Nuclear Disarmament co-founder, who worked with Amnesty International, died on Sept. 27 at her North London home.
Rudy Perez, a choreographer and postmodern dance pioneer died at 93 on Sept. 29 from complications of asthma at his Los Angeles home.
Beverly Willis, a trailblazing, acclaimed architect, who advocated for omen striving to break through in the profession, died at 95 on Oct. 1 from complications of Parkinson’s disease at her Branford, Conn., home.
James Jorden, a writer and creator of the high culture, yet punk opera zine-turned-website Parterre Box, died at 69 on Oct. 2. He was found dead at his Sunnyside, Queens home, The New York Times reported.
Terence Davies, 77, a British director whose acclaimed films included “The House of Mirth,” “A Quiet Passion” and “Benediction,” died on Oct. 7, after what his manager said was “a short illness,” at his home in Mistley, Essex in England.
Margot Polivy, a lawyer, champion of women in college sports and a tireless advocate for Title IX, died at 85 on Oct. 7 at her Washington home.
Steven Lutvak, 64, a composer and lyricist whose show “A Gentleman’s Guide to Love & Murder” won the Tony Award for best musical, died on Oct. 9 from a pulmonary embolism at his Manhattan work studio.
Eva Kollisch, 98, in her teens, fled Nazi-occupied Austria. Kollisch, who grew up to be a prominent lesbian rights advocate, feminist studies scholar and memoirist, died from a chest infection on Oct. 10 at her Manhattan home.
Jack Anderson, a dance critic for The New York Times for five decades, died at 88 in a New York City hospital from sepsis on Oct. 20.
Amber Hollibaugh, 77, an activist, organizer, author of “My Dangerous Desires: A Queer Girl Dreaming Her Way Home” and self-educated public intellectual in the LGBTQ+, feminist, sexual liberation and economic justice movements, died from complications of diabetes on Oct. 20, the Blade reported.
David Del Tredici, a Pulitzer Prize-winning composer, acclaimed for his pieces that set parts of “Alice in Wonderland” to music, died at 86 from Parkinson’s disease on Nov. 18 at his Greenwich Village home.
Carlton D. Pearson, a pastor who was cast aside by his evangelical megachurch after he said he didn’t believe in hell and began advocating for LGBTQ+ rights, died at 70 on Nov. 19 from cancer in a Tulsa, Okla. hospice. Pearson, whose life story was told in a Netflix movie, moved on from his evangelical church to become a minister with the United Church of Christ, a liberal Christian denomination.
Brandon “RBC” Gordon, 41, a Greenbelt City Council member, who started the Greenbelt Pride festival in 2022, died on Nov. 26. Gordon, who worked to make the community more inclusive, identified as a “transamorous heterosexual man,” The Washington Post, reported.
LGBTQ ally Norman Lear, the TV writer and producer whose TV shows, from “All in the Family” to “Maude,” transformed the culture, died at 101 on Dec. 5 at his Los Angeles home.
a&e features
New book celebrates 1970s dance music icons
‘A Night at the Disco’ features interviews with Donna Summer, Debbie Harry, more
If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, “A Night at the Disco,” which revisits more than 90 interviews conducted with some of the biggest names in pop culture.
“A Night at the Disco” (ACC Art Books) was published on March 24, and distributed by Simon & Schuster. It celebrates more than 100 artists who sparked a phenomenon in dance music from 1970-1979 and features excerpts from interviews with everyone from Donna Summer to Debbie Harry.
Lost City Books (2467 18th St., N.W.) will welcome author Christian John Wikane for a book signing and conversation about “A Night at the Disco” on Thursday, April 16 at 6 p.m. Details at lostcitybookstore.com. Bird in Hand Coffee & Books in Baltimore (11 E. 33rd St.) )will also host a Q&A with the author on Wednesday, April 15 at 6 p.m. Details at theivybookshop.com.
Below is an excerpt from “A Night at the Disco.”
“I’ll let in anyone who looks like they’ll make things fun.” Steve Rubell is guiding a New York Times reporter through Studio 54 as resident DJ Richie Kaczor dazzles the crowd with records by CHIC, Odyssey, and T-Connection. “Disco, that’s where the happy people go,” The Trammps sing as dancers spin and twirl underneath tubes of flashing lights. Seven months since Rubell and co-owner Ian Schrager opened Studio 54 in April 1977, it’s welcomed untold numbers of “happy people” … at least those lucky enough to pass through the doors.
“We were part of the chosen few,” says André De Shields, who immortalized the title role in The Wiz on Broadway at the time. “We could show up at Studio 54 and the doorman at the velvet stanchion would look over everyone and point to us from The Wiz to come in, that kind of thing.” As the lead vocalist in the GRAMMY-nominated Dr. Buzzard’s Original Savannah Band, whose debut modernized big band sophistication for the discothèques, Cory Daye had carte blanche in the club. “The energy was like a New Year’s Eve party every night,” she says. “I would go up to the mezzanine and watch the mechanical light pillars go up and down, metallic confetti falling from the ceiling, the spoon and the moon. I was so fascinated and enamored by it.
“When a certain song came on, the people would just rush to the dance floor. There was no contact dancing — the hustle was pretty much on its way out — but it was just an amazing experience to see all the cultures together. It was a fusion of cultures, which described my life and my band, so I was right at home there.”
“Studio 54 was the place,” adds Linda Clifford. “Crazy parties. If you could think it, you would see it. It was like a circus. Just an amazing place to be. I worked 54 so many times. It was like a second home to me. The people there treated me so well. The crowd always seemed to enjoy my show. I always had a good time with them. That was the most important thing: making sure that they had fun.”
Well before Studio 54 opened, disco had become a business juggernaut. “A four billion dollar market and still growing,” Billboard announced in February 1977, with dance music offering more variety than ever. “There is no longer a single, readily identifiable disco beat, but a kaleidoscope of sounds that are melodic and danceable,” Tom Moulton told the magazine. In the clubs, records by veteran artists like Stevie Wonder and the Bee Gees were mixed in with a range of new acts like Grace Jones, Boney M., and The Ritchie Family, while everyone from ABBA to Marvin Gaye scored number one pop hits with songs that had club-centric storylines.
Beyond the charts, disco itself remained as idiosyncratic as ever, especially on several productions by Laurin Rinder and W. Michael Lewis, whose studio creations, El Coco (“Let’s Get It Together,” “Cocomotion”) and Le Pamplemousse (“Le Spank”), joined their own “Lust” from Seven Deadly Sins (1977) among the most tantalizing releases on AVI Records. Rinder & Lewis also produced acts for the newly hatched Butterfly Records in Los Angeles, where Saint Tropez (“On a Rien à Perdre”) and Tuxedo Junction (“Moonlight Serenade”) reflected the duo’s high gloss sound, spanning everything from European sophistication to a more literal translation of the ’40s sensibilities popularized by Dr. Buzzard’s Original Savannah Band.
12-inch singles had also grown as the preferred format to approximate the club music experience at home. Nearly a year after Atlantic Records introduced its series of promotional 12-inch singles for DJs, New York-based Salsoul Records released the industry’s first commercially available 12-inch single, “Ten Percent” by Double Exposure, in May 1976. A year later, T.K. Records was the first label to certify a gold record for a 12-inch single when Peter Brown’s “Do You Wanna Get Funky With Me” tallied one million sales.— Christian John Wikane
(From “A Night at the Disco” by Alice Harris & Christian John Wikane. Published by ACC Art Books.)
The Blade may receive commissions from qualifying purchases made via this post.
a&e features
Award-winning D.C. chef reaching new culinary heights
Anthony Jones of Marcus DC competing on ‘Top Chef’
In Anthony Jones’s kitchen, all sorts of flags fly, including his own. Executive chef at award-winning restaurant Marcus DC, Jones has reached culinary heights (James Beard Award semifinalist for Emerging Chef, anyone?), yet he’s just getting started.
Briefly stepping away from his award-winning station, Jones took a moment under a different set of lights. Recently, he temporarily gave up his post at the restaurant for a starring small-screen slot on the latest season of “Top Chef,” which debuted in March. (The show airs weekly on Bravo and Peacock).
Before his strategic slice-and-dice competition, however, Jones, who identifies as gay, draws from his deep DMV roots. In the years before “Top Chef” and the top chef spot at Marcus, he was born and raised in Sunderland, Md., in southern Maryland, near the Chesapeake.
Early memories were steeped in afternoons on boats with his dad bonding over fishing, and wandering the garden of his great-grandparents spread with fresh vegetables and a few hogs. “It was Southern, old-school ethics and upbringing,” he said. “Family and food went hand in hand.” Weekends meant grabbing bushels of crabs, dad and grandma would cook and crack them. Family members would host fish fries for extra cash. In this seafood-heavy youth, Jones managed time to sneak in episodes of the “OG” Japanese “Iron Chef” show, which helped inspire him to pursue a career in the kitchen.
Jones moved to D.C. after graduating from college, ending up at lauded Restaurant Eve, and met famed chef Marcus Samuelson, who brought him to Miami to be part of the opening team for Red Rooster Overtown. After three years, Jones moved back to D.C., where he ran Dirty Habit, reinventing and reimagining the menu, integrating West African flavors and ingredients.
Samuelson, however, wouldn’t let a talent like Jones stay away for too long. Pulling Jones back into his orbit, Samuelson elevated Jones to help him open his namesake restaurant Marcus DC, which has been named a top-five restaurant by the Washington Post. Since then, Jones has been nominated as a semifinalist for the RAMMYs Rising Culinary Star in 2026 and won the Eater DC’s Rising Chef award in 2025.
Samuelson’s Marcus is a tour de force interpreting the Black Diaspora on the plate, from the American South to West Africa, along with his signature “Swedopian” touches. Yet it’s Jones who has deeply informed the plate, elevating his own story to date. Marcus DC is primarily a seafood restaurant, which serves Jones well.
“Where I’m from is seafood heavy, and as I’ve progressed in my career, I’ve moved away from meat.” Veggies and fish are hero dishes. His own dish, Mel’s Crab Rice, was not only lauded by the Washington Post, but is framed by his youth carrying home the crustaceans from Mel’s crab truck. It’s a bowl of Carolina rice, layered with pickled okra, uni béarnaise, and crab. Jones also points to a dish on the opening menu, rockfish and brassica, paying respect to a landmark D.C. institution, Ben’s Chili Bowl. Jones reverse engineered a favorite bowl of chili that’s seafood instead of meat forward, leveraging octopus and rockfish along with different riffs of cauliflower: showing his intellectual, creative, and cultural sides.
While “Top Chef” is showing Jones’s spotlight side, he also lets his identity show at work. “In the kitchen, I make sure we’re inclusive. We don’t tolerate discrimination. Everyone that’s here should feel confident to express themselves. There are so many different flags in the kitchen.”
Jones says that he didn’t fully express his gay identity until fairly recently. He felt reluctant coming out to certain family members, “you’re scared to tell them about being different,” he says, and while that anxiety ate at him, “I’m lucky and fortunate to have unconditional love and that weight off my shoulders.”
Today, “I’m me all the time, Monday to Sunday. I’m honest with people, and my staff is honest with me.”
“Being a chef is hard,” he says, “and being a chef of color is even more difficult.”
Yet his LGBTQ identity is a juggling act, he says. “I need to keep that balance, because once someone finds out something about you, their opinion can change, whether you want it or not.”
Being on a whole season of TV cooking competition, however, might mean millions more might have an opinion of him (Jones has appeared on TV already, on an episode of “Chopped”). To prepare, he says, “I’ve just kept a level head. It’s just an honor to be on top chef with amazing people happy to be there.”
Plus, this season is set in the Carolinas, and Jones attended Johnson & Wales University in Charlotte, N.C. “It’s a full story of my life, now a monumental moment for me.”
Jones also recently was nominated for a James Beard Foundation Award. “JBF has been a north star, a dream for so long. I always had this goal on my wall.”
Being at the top spot at Marcus DC, making waves through his accolades, and cooking on Bravo means that Jones is highly visible. “I think that if someone has a similar background to me, and can see our story, trajectory, and success, they can have more ability to be themselves. This is my goal.”
Back at Marcus, Jones has plenty up his chef’s white’s sleeves. A new spring menu is in the works. He’ll be launching a new tasting menu “dining experience,” he says, and has plans to work on more events and collaborations with chefs and friends to bring in new talent and share the culinary wealth.
a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers
ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
Calendar: April 10-16
BLUF leather social set for April 10 in Rehoboth
Celebrations of life planned for Sean Bartel
The ‘X’ returns to court
LGBTQ community explores arming up during heated political times
Risking it all for love during World War II
D.C. is the place for the Democratic Socialists of America
PHOTOS: The Bonnet Ball
Trump budget would codify expanded global gag rule
