World
These eight autistic LGBTQ people are making a difference
June 18 is Autistic Pride Day
June 18 is Autistic Pride Day — a day for us, autistic people, to celebrate our existence despite a world that often tries to erase or change us. Most of us don’t see autism as a disorder to fight; it’s part of who we are — autism determines how we think, communicate, and see the world. That’s why rhetoric like RFK Jr.’s “War on Autism” feels so deeply offensive.
But today, in the face of growing attacks on both autistic and LGBTQI+ rights, it’s important to focus on something hopeful. There’s a strong overlap between the autistic and LGBTQI+ communities — and since Autistic Pride Day falls in the middle of Pride month, I want to celebrate that connection.
Here are eight incredible autistic LGBTQI+ people who have helped change how the world sees both communities, and who can inspire the next generation.
Jim Sinclair (activist)
Jim Sinclair is a founder of the modern neurodiversity movement; a movement based on the idea that the diversity of how the human brain works is a natural part of human variation, like skin color or sexual orientation. Jim Sinclair is a co-founder of the first autistic organization created by autistic people for autistic people: Autistic Network International. His essay “Don’t Mourn For Us” helped millions of parents worldwide to accept their autistic kids. Jim is also an asexual and intersex activist who was raised as a girl. Jim hadn’t spoken orally before the age of 12 but felt from early on that he was not a girl. He was almost institutionalized in a psychiatric facility for refusing to accept a female gender identity and role but was instead subjected to “conversion therapy.”
As an adult, Jim speaks for intersex rights in front of the Intersex Society of North America and refuses to accept the gender binary for himself.
Bella Ramsey (actress)
Bella is a world-famous British actress, best known for their roles as Lyanna Mormont in “Game of Thrones” and Ellie in “The Last of Us” TV series. They are also an openly nonbinary autistic person, and one of the most visible autistic queer people in the world.
Despite the hate Bella receives because of their political views and non-conventional appearance, they continue to openly support trans rights and refuse to accept the femininity assigned at birth.
Andrew Joseph White (writer)
Andrew is an American young adult author whose books “Hell Followed With Us,” “The Spirit Bares Its Teeth,” and “Compound Fracture” became bestsellers and received numerous awards. Born and raised in West Virginia, Andrew is openly bi, autistic, and trans. He writes stories about autistic trans kids — stories he needed when he was younger — often with speculative horror elements that deal with transphobia, ableism, family alienation, and religious bigotry.
Andrew’s first adult horror novel, “You Weren’t Meant To Be Human” about an autistic trans man, will be published in September 2025 and is inspired by trans people’s struggle for abortion rights.
Matt Cain (writer, broadcaster)
Matthew Cain is an openly gay British writer and broadcaster, mostly famous for his novels “The Madonna of Bolton,” “The Secret Life of Albert Entwistle,” “Becoming Ted,” and “One Love.” He was also Channel 4’s first culture editor and editor-in-chief of Attitude magazine and has judged the Costa Prize. In 2025, Matt was awarded a Member of the Order of the British Empire for his services to LGBTQI+ culture — a well-deserved recognition for someone who’s helped bring queer stories into the light.
In 2025, Matt announced that he had been diagnosed with autism, which was “eye-opening” for him and helped him to rethink his past. It also provided a new role model for autistic gay people around the globe.
Lý Xīnzhèn Zhāngsūn (activist, attorney)
Lý Xīnzhèn Zhāngsūn, formally and mostly known as Lydia X. Z. Brown, is a queer, nonbinary, East Asian American advocate, attorney, writer, educator, and community organizer whose work centers on disability justice — particularly for autistic and multiply marginalized people. Over the past 15 years, they’ve trained hundreds across academia, nonprofits, companies, and government on issues at the intersection of disability, race, gender, queerness, and migration. They are one of the most outspoken advocates for disabled people of color in the world, and their work has inspired autistic activists worldwide.
They co-founded the Autistic People of Color Fund and co-edited “All the Weight of Our Dreams: On Living Racialized Autism.” As an educator, they teach in the Disability Studies Program and the Women’s and Gender Studies Program at Georgetown University, as well as in the American Studies Program at American University’s Department of Critical Race, Gender, and Culture Studies.
Jarry (social media influencer)
Jarry is an autistic transgender activist and social media influencer from Russia, who created the first Russian-language YouTube channel about the specific presentation of autism among the majority of women, girls, and other individuals assigned female at birth — a topic still unknown not just to general public, but to many psychiatrists and experts in the post-Soviet region. Because of the Soviet colonial legacy, Russian remains a dominant language in Eastern Europe, so Jarry has influence beyond Russia.
Jarry also led online support groups for autistic folks — an important step in a region where there are no such groups in most of the cities. After Russia launched its full-scale war against Ukraine in 2022, Jarry became an outspoken supporter of Ukraine, and had to ask for political asylum in Europe.
Hannah Gadsby (comedian)
Hannah is an Australian comedian, actor, and writer who won the final of the Raw Comedy competition for new comedians in 2006. In 2018, their show “Nanette” on Netflix won the Primetime Emmy Award for Outstanding Writing for a Variety Special and a Peabody Award.
Hannah was assigned female at birth but identifies as genderqueer. Their wife is also their producer, and their queerness is an integral part of their professional life.
They found out they are autistic later in life, which helped them better understand their experiences. Hannah also made millions of people rethink the stereotype that autistic people don’t understand humor.
Akwaeke Emezi (writer)
Akwaeke Emezi is a Nigerian author, best known for their critically acclaimed novels “Freshwater,” “Pet,” and the New York Times bestselling “The Death of Vivek Oji.” In their novels, Akwaeke explores topics such as immigration and displacement, trauma (queerness, Blackness, and alienation. For example, while writing “Pet,” Akwaeke focused on creating the book they needed while growing up as a trans Black disabled person.
Born in Umuahia, Nigeria, like many Nigerian people, Akwaeke faced a lot of stigma in the West. They have struggled with mental health like many non-white, neurodivergent queer people living at the intersection of multiple identities.
They are a powerful role model for non-white autistic people seeking recognition and acceptance despite widespread stigma.
There are many more amazing autistic LGBTQI+ people around the world who are changing both communities every day. This list is extremely subjective and based on my own experience with autistic community in different countries and the way I saw the influence of specific people worldwide. Despite that in making this list, I tried to include as many different autistic people from various backgrounds as possible, unfortunately, many incredible autistic LGBTQI+ folks remain unseen due to regional and linguistic barriers that prevent their stories from reaching a wider audience.
Afghanistan
ICC issues arrest warrants for Taliban leaders over persecution of LGBTQ people, women
Groups ‘non-conforming’ with group’s gender policy targeted
The International Criminal Court on Tuesday issued arrest warrants for two top Taliban officials accused of targeting LGBTQ people, women, and others who defy the group’s strict gender norms.
The warrants are for Hibatullah Akhundzada, the Taliban’s supreme leader, and Afghanistan Chief Justice Abdul Hakim Haqqani.
“Based on evidence presented by the Office (of the Prosecutor), the judges found that there are reasonable grounds to believe that they have committed — by ordering, inducing, or soliciting — the crime against humanity of persecution, under article 7(1)(h) of the Rome Statute, on gender grounds, against girls, women, and other persons non-conforming with the Taliban’s policy on gender, gender identity or expression; and on political grounds against persons perceived as ‘allies of girls and women,’” reads an ICC press release that announced the warrants.
Karim Khan, the ICC’s chief prosecutor, in January announced a request for warrants against Taliban officials over their treatment of women and other groups since they regained control of Afghanistan in 2021. The request marked the first time the court specifically named LGBTQ people as victims in a gender persecution case before it.
“The issuance of the first arrest warrants in the situation in Afghanistan is an important vindication and acknowledgement of the rights of Afghan women and girls,” reads the press release the ICC released on Tuesday. “It also recognizes the rights and lived experiences of persons whom the Taliban perceived as not conforming with their ideological expectations of gender identity or expression, such as members of the LGBTQI+ community, and persons whom the Taliban perceived as allies of girls and women.”
A report that Outright International released in 2023 notes Taliban officials have systematically targeted LGBTQ people — especially gay men and transgender women.
Taliban officials have subjected them to physical and sexual assault as well as arbitrary detention. The Outright International report also notes Taliban authorities have carried out public floggings for alleged same-sex sexual relations, and have collected intelligence on LGBTQ activists and community members.
Artemis Akbary, executive director of the Afghanistan LGBTIQ Organization, praised the ICC.
“Today is a historic moment for LGBTIQ victims and survivors,” he said on social media.
El Salvador
#JusticiaParaKarla: una lucha por el derecho a la identidad en El Salvador
Karla Guevara inició su camino legal y personal en 2020
Cinco años han pasado desde que Karla Guevara inició un camino legal y personal para lograr que su nombre y género sean reconocidos en su Documento Único de Identidad (DUI). Cinco años de sentencias, apelaciones, puertas cerradas y vulneraciones que hoy se resumen en una sola palabra: resistencia.
En medio de un país que aún arrastra estructuras jurídicas y sociales poco sensibles a las realidades trans, Guevara se ha convertido en una voz visible. No solo por la denuncia pública de su caso, sino por su capacidad de transformar el dolor en acción: ha iniciado la campaña #JusticiaParaKarla, la cual acompaña con conversatorios llamados “Si tú fueras yo” en diferentes zonas del país.
Su historia se remonta al año 2018, cuando, junto a otras tres defensoras de derechos humanos —Mónica Hernández, Bianca Rodríguez y Verónica López— interpuso una demanda para lograr el cambio de nombre legal. La acción se inspiró en la Opinión Consultiva 24/17 de la Corte Interamericana de Derechos Humanos, que obligó a los Estados miembros de la OEA a garantizar los derechos de las personas trans, incluyendo el reconocimiento de su identidad.
A diferencia de sus compañeras, cuyo proceso fue resuelto favorablemente, Guevara fue la única a quien el Estado salvadoreño le negó el derecho, incluso tras contar con una sentencia favorable. El camino ha sido empinado, desgastante y doloroso, y ha implicado múltiples etapas legales con resoluciones contradictorias.
El 8 de enero de 2020, el juzgado declaró su demanda improponible. Guevara apeló el 22 de ese mismo mes, pero la Cámara de Familia desestimó su recurso. Aun así, perseveró. En abril de 2021 presentó una segunda apelación, y en septiembre se revocó la decisión del juzgado, ordenando admitir su demanda. Una pequeña luz parecía abrirse.
En agosto de 2022, después de varios peritajes que, según Guevara, incluyeron momentos donde se sintió expuesta y violentada, recibió una sentencia favorable: se autorizaba su cambio de nombre y género en la partida de nacimiento. Sin embargo, esta victoria fue parcial y breve. Aunque se ordenó marginar su partida, no se ordenó cancelarla como en otros casos similares.
El 4 de octubre de ese mismo año, la sentencia fue enviada al Registro del Estado Familiar. Pero la respuesta institucional fue sorprendente: el 3 de noviembre, la Alcaldía de San Salvador se negó a realizar el cambio. El jefe del registro y el registrador presentaron un amparo ante la Sala de lo Constitucional, paralizando el proceso.
“No solo me lo negaron, sino que ahora me exponen a un juicio aún mayor”, expresa Guevara. La frustración y la indignación fueron creciendo. En febrero de 2023, presentó una denuncia ante la Fiscalía General de la República, aunque lo hizo con poca esperanza. “Temía que no harían nada”, dijo. Y el 16 de abril de 2024, sus temores se confirmaron: la Fiscalía archivó el caso alegando que “no existe delito que perseguir”.
El 19 de noviembre de ese mismo año, Guevara decidió acudir a instancias internacionales y presentó su caso ante la Comisión Interamericana de Derechos Humanos. La CIDH ya notificó al Estado salvadoreño y le otorgó un plazo de cuatro meses para responder por qué no ha ejecutado el cambio ordenado por el juzgado.
“Obviamente no van a dar respuesta”, lamenta Guevara. Lo dice con la voz entrecortada, como quien ya ha llorado mucho, pero no ha perdido la voluntad de hablar. Reconoce que el proceso le ha afectado emocionalmente. “Cada vez que hablo de esto se me corta la voz”.
Las heridas no solo vienen de las oficinas estatales, sino también de las calles. Las miradas, los comentarios, el momento de presentar el DUI en cualquier trámite. “Es como si cada vez tuviera que explicar mi existencia. Es un juicio constante sobre quién soy”.
Guevara no está sola. Reconoce que hay otras personas trans en la misma situación. “Lo preocupante es que solo pasa en algunas zonas del país. En otras ha habido casos exitosos”, afirma. La disparidad en el trato revela una preocupante arbitrariedad institucional.
Uno de esos casos exitosos es el de Valeria Mejía, coordinadora de monitoreo y evaluación de ASPIDH. Su DUI ya refleja su nombre identitario, aunque no su género.
“Cuando recibí mi DUI con el nombre que me identifico pensé: aquí empieza una nueva vida”, relata.
Para Mejía, el cambio fue profundamente simbólico. “Uno ve pasar toda su vida frente a los ojos. Toda la discriminación, todos los rechazos. Sentí que algo sanaba”. A pesar de ello, su género asignado al nacer sigue apareciendo en el documento, lo que le genera inseguridad.
“El problema es que tengo que ir a todas las instituciones donde aparezco con mi nombre anterior. En el Seguro Social, por ejemplo, aún estoy registrada con el nombre masculino y no pueden atenderme, aunque el número del DUI sea el mismo”, explica.
Casos como los de Guevara y Mejía visibilizan una problemática estructural: el Estado salvadoreño no garantiza de forma uniforme el derecho a la identidad de las personas trans. Las resoluciones favorables son solo el primer paso. Su implementación efectiva aún tropieza con prejuicios, burocracia y omisiones.
Con la campaña #JusticiaParaKarla, la activista busca más que una solución a su caso personal. Busca generar conciencia, exigir coherencia legal y empujar una transformación cultural. En la marcha del 17 de mayo contra la LGBTIfobia, su presencia se hizo notar con camisetas, banners y mensajes que interpelan directamente al sistema.
Guevara ha hecho de su cuerpo, su voz y su historia una herramienta de resistencia. En cada conversatorio de “Si tú fueras yo”, invita a imaginar, a empatizar, a incomodarse.
“Lo que me pasa a mí le puede pasar a cualquier persona trans. Y si el Estado no nos reconoce, nos niega también la posibilidad de existir plenamente”, expresa.
Hoy, la resolución está en manos de la CIDH y el tiempo corre. La lucha de Guevara ya no es solo por una partida de nacimiento. Es por el derecho a ser, a vivir sin miedo, a que el nombre que la representa no siga siendo un motivo de juicio, burla o rechazo.
Mientras tanto, sigue esperando. Sigue alzando la voz. Sigue sembrando esperanza en quienes vienen detrás. Porque como ella misma dice: “Esto no se trata solo de mí. Se trata de justicia”.
China
Female writers arrested in Chinese crackdown on gay erotic fiction
Pingping Anan Yongfu arrested last month, detailed ordeal on Weibo
On China’s Weibo, a platform akin to a digital town square, a young woman using the handle Pingping Anan Yongfu laid bare a harrowing ordeal. She was arrested and subjected to a humiliating strip search for publishing gay erotic fiction. Her raw and unsparing account exposed a broader clampdown.
Since February, at least 30 other writers — mostly women in their 20s — have shared similar stories of law enforcement raids, their lives upended for crafting “danmei,” a genre of male-male romance often laced with explicit themes, on Haitang Literature City and other platforms.
”I will never forget it — being escorted to the car in full view,” posted Pingping. “Enduring the humiliation of stripping naked for examination in front of strangers, putting on a vest for photos, sitting in the chair, shaking with fear, my heart pounding.”
A wave of legal limbo engulfs the writers, with many released on bail or awaiting trial, their fates uncertain, according to a BBC. Others remain behind bars, their detention a stark reminder of the crackdown’s reach.
Beyond those arrested, a broader net has been cast: scores of contributors to Haitang Literature City have been hauled in for interrogations, their online words now a potential liability under China’s pornography laws for producing and distributing obscene materials.
China’s pornography laws cast a long shadow over writers, with those profiting from their work facing prison terms exceeding a decade for crafting “explicit descriptions of gay sex or other sexual perversions.” Yet, heterosexual erotica often escapes such scrutiny, slipping through the cracks of enforcement. Nobel Laureate Mo Yan, whose novels brim with graphic sexual scenes, and Jia Pingwa, known for vivid depictions in works like “Abandoned Capital,” and other acclaimed writers continue to publish freely, their books lining shelves without fear of raids. This stark disparity underscores a selective crackdown, where gay erotica bears the brunt of official censure.
Beijing’s unease with the online outcry was palpable, as the trending hashtag #HaitangAuthorsArrested, which amassed more than 30 million views on Weibo, vanished abruptly under censorship’s heavy hand. Posts offering legal advice to the embattled writers were scrubbed, and a detailed report on the crackdown by Caixin, a leading Chinese news outlet, was swiftly taken offline. Writers’ accounts, including some of their pseudonymous handles, have also begun to disappear, erased from the digital landscape as authorities tighten their grip.
As her post ricocheted across China’s digital sphere, Pingping abruptly deleted it, replacing it with a brief message expressing gratitude to supporters while conceding she had broken the law. The admission, tinged with resignation, marked her final act on Weibo before she erased her account entirely, vanishing from the platform amid mounting pressure from authorities.
“Danmei,” a vibrant subgenre of Chinese fiction, centers on romantic and often sexually explicit relationships between men, captivating a largely female readership through its blend of emotional depth, fantasy, and forbidden desire. Rooted in Japanese “yaoi” or “boys’ love,” but distinctly shaped by Chinese cultural sensibilities, it flourishes on Haitang Literature City and JJWXC and other platforms where writers craft sprawling tales of historical, fantastical, or modern love that often laced with themes of power and sacrifice.
Despite its popularity — bolstered by blockbuster adaptations like “The Untamed,” which amassed millions of fans — “danmei” faces intense scrutiny in China, where authorities deem its explicit content “obscene” under vague pornography laws. This tension reflects a broader cultural clash: while “danmei” offers a space for exploring queer identities and challenging traditional gender norms, its underground allure draws both devoted fans and the wary eye of censors seeking to uphold conservative values.
A sweeping crackdown in late 2024 saw Chinese authorities prosecute roughly 50 “danmei” writers, ensnaring them in a legal dragnet under the country’s 2004 obscenity laws. Among them, Yuan Shang Bai Yun Jian, a prominent author who earned 1.85 million yuan ($250,874.58) from her work on Haitang Literature City, was sentenced to nearly five years in prison, her success weaponized as evidence of “obscene materials for profit.”
The harsh penalties, which outstrip those for some violent crimes, sparked outrage online, with netizens decrying the disproportionate punishment for crafting stories that, while explicit, harmed no one.
Chinese media regulator banned ‘danmei’ TV dramas in 2022
Humiliation washed over Pingping as law enforcement stormed into her college classroom, recounted a writer using the Weibo handle “Tianxia Ju Da Bingyuan” or “The World Is a Vast Asylum.” Dragged from her lecture under the stunned gazes of her peers, she endured a public spectacle as officers trailed her to her dormitory, rifling through her belongings in a search for evidence of her “danmei” stories, leaving her exposed and her privacy shattered.
“Danmei” novels, centered on male-male romance have spurred numerous Chinese television dramas, but state censorship has sharply reduced their output. A 2021 Sixth Tone report identified more than 60 “danmei”-based dramas in development or slated for release, involving actors who include Chen Feiyu and Fan Chengcheng. Many of them, however, were halted following the 2022 National Radio and Television Administration ban on such adaptations.
MyDramaList records 16 aired series, including “The Untamed” (2019) and “Word of Honor” (2021), each with 30–50 actors, totaling approximately 480–800 performers. Lead actors, including Xiao Zhan and Wang Yibo, earned $1–3 million per series, per The China Project, while others made $50,000–$100,000, though precise figures remain limited due to private contracts. The 2021 “Internet Clean-up Campaign” and continued restrictions have significantly curbed new “danmei” adaptations.
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