a&e features
Cunningham’s ‘Snow Queen’
Gay Pulitzer-winning author on new book, impact of fame

Author Michael Cunningham says he’s encountered very little homophobia during his career. (Photo by Anneli Salo; courtesy Wikimedia Commons)
Michael Cunningham, one of the most talented and renowned novelists of his generation, has been on a whirlwind book tour since the recent publication of his newest novel, “The Snow Queen.”
Cunningham, who was born in 1952 in Cincinnati and grew up in Pasadena, Calif., is the author of the novels “A Home at the End of the World,” “Flesh and Blood,” “The Hours,” “Specimen Days” and “By Nightfall” as well as the non-fiction book “Land’s End: A Walk in Provincetown.” In 1999, he was thrust into the spotlight when “The Hours” won the Pulitzer Prize and the PenFaulkner Award. His many other honors include fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2011, Cunningham was a Lambda Literary Foundation award finalist for “By Nightfall.”
“The Snow Queen,” a lyrical, evocative, moving novel loosely based on the Hans Christian Andersen fairy tale of the same name, takes place in a run-down Bushwick, Brooklyn neighborhood over three different days between November 2004 (just before president George W. Bush is elected to a second term) to November 2008 (as the election returns in the Obama/McCain campaign are being tallied). Its story is centered on two middle-aged brothers – Barrett and Tyler Meeks and Tyler’s fiancee Beth. Barrett, who works in a vintage clothing store, searches for meaning and love after his boyfriend breaks up with him in a text message. Beth is gravely ill with cancer. Tyler, a musician, struggles to write music, kick his cocaine addiction and to care for Beth. One evening in Central Park, Barrett looks up at the sky and sees a celestial light. Though he’s not religious, Barrett feels that the “pale, translucent light” regards him in a godlike way.
In a wide-ranging e-mail interview with the Blade, Cunningham discussed the impact of fame, how music influences his writing, the political shift in his work and other topics.
Washington Blade: You’ve said that, as a teenager, you read “Mrs. Dalloway” [by Virginia Woolf] and that it reminded you of listening to Jimi Hendrix. Music, in a different way, runs through “The Snow Queen.” Would you talk about that?
Michael Cunningham: All of my books are related to music in a fairly literal way. When I get to my studio in the mornings I put on music, just for a little while, to get the dormant molecules of the air agitated again, after their night’s sleep. I just use the music as a starter-upper … But I do find that, with each new novel, I’m drawn to specific kinds of music. “The Hours” was pretty much entirely the Brahms requiem, and a lot of Schubert. “Snow Queen” was almost entirely Laurie Anderson, Steve Reich and John Cale. Oh, and some Clash.
Blade: In “The Snow Queen,” Barrett sees this spiritual, mystical “celestial” light. Some of your readers might be skeptical. How have readers reacted to the “celestial light?”
Cunningham: So far, no one has scoffed at Barrett’s vision or his subsequent search for some kind of spiritual life. I suspect that’s partly due to the fact that a lot of people are looking for some sort of spiritual life, if only a life that extends beyond working, shopping and eating. And frankly I was careful to avoid anything too specific in Barrett’s vision. I didn’t want … the Blessed Virgin Mary tap dancing in the sky for him. Or anything else that would have required dogmatic beliefs on the part of readers.
Blade: You won a Pulitzer Prize for “The Hours.” How did winning the Pulitzer affect your life?
Cunningham: Winning the prize was a strange experience. I was at first shocked. Then I was happy for about two days. And then, depressed for about six months. Depressed (this remains slightly mysterious to me) because I felt like it was probably all downhill from there, that no one will let me write any other kind of book, ever again (I’ll never, ever escape it). And partly – this is perverse, I know – some surprising reluctance about recognition. I’d always thought I’d wanted it. And was taken aback when I found it a little hard to tolerate.
But the depression passed, and I got back to work. Which is what a writer does, right? Sometimes the news is good, sometimes the news is bad, but either way, you get through it, and start on the next book.
Blade: Your novels delve into the inner mysteries of human personality. Not to get all Freudian, but do you ever feel, figuratively, like a psychoanalyst?
Cunningham: As opposed to what – novels that don’t delve into the inner mysteries of the human personality? I mean, isn’t that the point of novels? But yes, and it’s funny – I lived for years with a psychoanalyst, and we used to joke that we were essentially doing the same work, he with actual people and me with invented ones.
Blade: “The Snow Queen” seems more political than most of your work. Has there been some kind of a shift in your work toward being more political?
Cunningham: There has been a bit of a shift, in that I’m becoming increasingly aware of how apolitical much American fiction is. Most South American writers, most Eastern European writers, wouldn’t think of writing novels that didn’t incorporate the system in which their characters operated … American fiction tends to take place on some kind of blank field, as if it made no difference who the President is, how various corporations are manipulating us, etc.
For quite a while, including the AIDS epidemic in my fiction seemed liked politics enough. The AIDS epidemic is, of course, far from over. But I’m not on its front lines anymore. And so, no to other concerns.
Blade: You’re gay. Have you encountered homophobia in relation to your work?
Cunningham: Honestly, I’m amazed at how little homophobia I’ve encountered in my writing career. I suspect it’s mainly because the ludicrous, clueless, mean-spirited people who are homophobic don’t read novels at all.
Kathi Wolfe, a writer and poet, is a regular contributor to the Blade.
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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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