Arts & Entertainment
Can’t get her out of our head
Kylie on her new show, love of Britney and passion for pancakes
Some of us have been Kylie Minogue fans for longer than we care to remember, dating back to her days as a soap star on the Australian hit “Neighbours.” Others caught Kylie fever after her first hit single “Locomotion” landed at No. 3 on the U.S. charts in 1988. Still others in the U.S. never heard of her until 2001’s ubiquitous worldwide smash “Can’t Get You Out of My Head.”
There have been movie roles, a cancer scare, 60 million records sold and multiple tours, yet Kylie never quite reached the pop heights of Madonna or Janet in the U.S. But that doesn’t stop her from trying.
On Saturday, Minogue brings her latest show, “Aphrodite — Les Folies Tour,” to the Patriot Center. It’s a scaled back production compared to the over-the-top, Greek-themed, $25 million spectacle complete with “splash zone seating” that she’s delivered to adoring audiences in Europe.
“There are changes for the states,” Minogue said in a recent interview with the Blade. “I would love to bring everything, but that’s not possible so I’m bringing all I can to do a great show.”
Among the props she’s leaving behind are a giant Pegasus statue and fountains designed by the team responsible for the Bellagio’s in Vegas. And even though she’s a much bigger star overseas, Minogue said she enjoys performing in the United States.
“The energy is out of control, the passion of the audience [in the U.S.],” she said, adding that she would make up for the lack of props “with my passion and emotion.”
Of course, Minogue is keenly aware of her gay appeal and fan base and she’s rewarded them by including an entourage of muscled, leather-clad backup dancers in the show.
“Gays are a great influence in my life — I’m surrounded basically,” she said. “There’s a group of supporters who’ve been with me for a long time … but I’m so thrilled to share that history with you. It feels like we’re members of a secret society.”
What does she like best about touring the United States?
“I love really crappy diners in America, bad coffee and a stack of pancakes,” Minogue said. “And I can walk around without being recognized.”
The American artist she’s been listening to lately is Britney Spears. Minogue said she’d welcome the chance to do a duet with her and added that the song she can’t get out of her head right now is Spears’s “He About to Lose Me.”
As for the future, Minogue said she is considering an “anti-tour — no lights, dancers, just music and doing songs that are much loved by super fans but will never be heard anywhere in a live environment. B-sides and covers … it would be really cool to be in a tiny, tiny venue somewhere and just strip everything back and do songs that uber fans would cry for.”
And if that doesn’t pan out, she’d consider something splashier, like a Las Vegas residency.
“A Vegas residency could be out of control,” she said. “Imagine what it would be like if we had the luxury of being in one place … I would be excited to do something like that.”
Minogue will draw from her impressive catalogue of hits for Saturday’s D.C.-area show, including material from 2010’s “Aphrodite.” The show starts at 8 p.m. at the Patriot Center in Fairfax, Va. Tickets are still available at centerboxoffice.org.
JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.
(Washington Blade photos by Landon Shackelford)










The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.
(Washington Blade photos by Daniel Truitt)













Books
Liza’s book a tale that’s better than most celebrity memoirs
‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak
‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages
Twenty feet In front of you, and you can’t see a thing.
Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.
It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.
But her life wasn’t all starlight and happiness.
She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.
At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”
At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.
She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.
Her third husband was a stage manager.
She doesn’t have much good to say about her fourth, and last, husband.
Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”
Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.
Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.
That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.
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