Arts & Entertainment
Can’t get her out of our head
Kylie on her new show, love of Britney and passion for pancakes
Some of us have been Kylie Minogue fans for longer than we care to remember, dating back to her days as a soap star on the Australian hit “Neighbours.” Others caught Kylie fever after her first hit single “Locomotion” landed at No. 3 on the U.S. charts in 1988. Still others in the U.S. never heard of her until 2001’s ubiquitous worldwide smash “Can’t Get You Out of My Head.”
There have been movie roles, a cancer scare, 60 million records sold and multiple tours, yet Kylie never quite reached the pop heights of Madonna or Janet in the U.S. But that doesn’t stop her from trying.
On Saturday, Minogue brings her latest show, “Aphrodite — Les Folies Tour,” to the Patriot Center. It’s a scaled back production compared to the over-the-top, Greek-themed, $25 million spectacle complete with “splash zone seating” that she’s delivered to adoring audiences in Europe.
“There are changes for the states,” Minogue said in a recent interview with the Blade. “I would love to bring everything, but that’s not possible so I’m bringing all I can to do a great show.”
Among the props she’s leaving behind are a giant Pegasus statue and fountains designed by the team responsible for the Bellagio’s in Vegas. And even though she’s a much bigger star overseas, Minogue said she enjoys performing in the United States.
“The energy is out of control, the passion of the audience [in the U.S.],” she said, adding that she would make up for the lack of props “with my passion and emotion.”
Of course, Minogue is keenly aware of her gay appeal and fan base and she’s rewarded them by including an entourage of muscled, leather-clad backup dancers in the show.
“Gays are a great influence in my life — I’m surrounded basically,” she said. “There’s a group of supporters who’ve been with me for a long time … but I’m so thrilled to share that history with you. It feels like we’re members of a secret society.”
What does she like best about touring the United States?
“I love really crappy diners in America, bad coffee and a stack of pancakes,” Minogue said. “And I can walk around without being recognized.”
The American artist she’s been listening to lately is Britney Spears. Minogue said she’d welcome the chance to do a duet with her and added that the song she can’t get out of her head right now is Spears’s “He About to Lose Me.”
As for the future, Minogue said she is considering an “anti-tour — no lights, dancers, just music and doing songs that are much loved by super fans but will never be heard anywhere in a live environment. B-sides and covers … it would be really cool to be in a tiny, tiny venue somewhere and just strip everything back and do songs that uber fans would cry for.”
And if that doesn’t pan out, she’d consider something splashier, like a Las Vegas residency.
“A Vegas residency could be out of control,” she said. “Imagine what it would be like if we had the luxury of being in one place … I would be excited to do something like that.”
Minogue will draw from her impressive catalogue of hits for Saturday’s D.C.-area show, including material from 2010’s “Aphrodite.” The show starts at 8 p.m. at the Patriot Center in Fairfax, Va. Tickets are still available at centerboxoffice.org.

2025 D.C. Trans Pride was held at Martin Luther King, Jr. Memorial Library on Saturday, May 17. The day was filled with panel discussions, art, social events, speakers, a resource fair and the Engendered Spirit Awards. Awardees included Lyra McMillan, Pip Baitinger, Steph Niaupari and Hayden Gise. The keynote address was delivered by athlete and advocate Schuyler Bailar.
(Washington Blade photos by Michael Key)











a&e features
Looking back at 50 years of Pride in D.C
Washington Blade’s unique archives chronicle highs, lows of our movement

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies.
Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays.

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.
We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.
I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.






The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)





















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