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Queery: Mikey Torres

The Glitterlust lead singer answers 20 gay questions

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Mikey Torres (Washington Blade photo by Michael Key)

Mikey Torres (Washington Blade photo by Michael Key)

Mikey Torres and his boyfriend of five years Dan Sherwood are both into music, albeit of wildly different varieties — Torres is the front man of local band Glitterlust, a queer outfit he says is a cross between Marilyn Manson and Scissor Sisters. Sherwood is an opera singer.

“We don’t perform together or collaborate musically,” Torres says with a laugh. “He tries to educate me on things whereas I taught myself every instrument I know. He’s much more a musician. I see myself as an entertainer where it’s all about music, sets and costumes. In the band, we don’t take ourselves too seriously.”

Glitterlust, which formed last April and debuted at last year’s Phase Fest, is Torres, lesbian guitarist Liz Wooley and bi bassist Chris Roudiez. They perform mostly Torres’ originals but occasionally do covers. They have two upcoming appearances — look for them at Homopolitan at Velvet Lounge (915 U St., N.W.) on Feb. 18 where they’ll co-headline with burlesque outfit D.C. Gurley Show and lesbian R&B group the CooLots (Doors at 8, show at 9; $8 tickets available at the door, 21 and up). And on Thursday they’ll open ’80s night at Chief Ike’s Mambo Room (1725 Columbia Rd., N.W.) at 8 p.m.

Torres says he likes to explore the nuances of gay life, especially sex, from a queer perspective.

“I think it’s an artist’s job to question what’s put out there for us,” he says. “Ultimately art is not a statement, it’s a question mark. You can’t close everybody in the hetero-normative bubble.”

The band put out an EP last year called “Beautiful Noise” on Band Camp. They’re working on an indie album — tentatively called “Chaos Magic” — for release this year. All three members work day jobs — Torres is sous chef at Dupont Circle hotel The Beacon. They play in the region about three times per month.

“If success comes, we certainly won’t turn it down but I think we’re really lucky to live in a time when the record contract is not the ultimate goal,” he says.

Torres and Sherwood live together in Oxon Hill, Md. Torres enjoys music, cooking, sewing, crafts and “anything creative,” he says.

“I’m sort of a punk rock Martha Stewart.”

(Blade photos by Michael Key)

How long have you been out and who was the hardest person to tell?

I’ve been out pretty much my whole life, I wasn’t born, I sauntered out of the womb! The hardest person to tell was myself.

Who’s your LGBT hero?

Probably John Waters, while I love his sense of humor and creative quirkiness, he continues to be a pioneer and push the boundaries of American culture and cinema.

What’s Washington’s best nightspot, past or present? 

Past, I’d say The Edge circa 2000-2002, I was a big raver back then and that club picked up where Tracks left off. Present, the 9:30 club, I’ve seen shows in there that have literally changed me as a person.

Describe your dream wedding.

I don’t really think I’ll ever get married, but if I did, it would be an 80’s-themed wedding with drag queen ushers dressed as ’80s icons like Molly Ringwald, ’80s Madonna and Boy George!

What non-LGBT issue are you most passionate about

Agriculture and food processing/labeling in America. I think we should tax junk food, soda and fast food and it should be illegal to sell those items in the public school system.

What historical outcome would you change?

The birth of Jesus. While I think all religions begin with the best intentions, as a gay person I also believe that religion has done far more harm than good to our community. I understand that most of the time it’s the extremists who are misinterpreting the context, however I think society as a whole would be far more evolved if we put our faith into science and art.

What’s been the most memorable pop culture moment of your lifetime?

The acquittal of Michael Jackson in 2005. I was working as a bartender at a chain restaurant at the time and all the TVs were on when it was announced. All the black people in the bar cheered while most of the white people protested and sneered. It was the first time I’d seen such direct and unapologetic racism.

On what do you insist?

Good manners and punctuality.

What was your last Facebook post or Tweet?

“Back from Vegas, I’d tell you all about it, but you know what they say!”

If your life were a book, what would the title be?

Larger than life is just the right size”

If science discovered a way to change sexual orientation, what would you do?

Feel pity for those not strong enough to endure their true nature.

What do you believe in beyond the physical world? 

I believe that if there is a “God,” then it is an artist. I think to be creative is the closest you can get to really understanding God. I also believe that morality is a personal issue not a spiritual one. I don’t think any “spiritual” person has the right to tell you having sex or doing drugs is wrong.

What’s your advice for LGBT movement leaders?

To stop being afraid of offending some people. There are some great LGBT leaders out there, but most of them seem to be walking on political eggshells. We’re so worried about being seen as “normal,” the Human Rights Campaign wants the right wing to see us as heteronormative, monogamous white-picket fence-type families. I think it’s great that those types of gay families are out there, but we shouldn’t have to adapt to that ideal to get equal rights. There are plenty of successful non-monogamous couples, triads, open relationships, non-traditional families that are probably more “normal” and well adjusted than most straight families.

What would you walk across hot coals for?

The chance to go into space!

What LGBT stereotype annoys you most?

When someone thinks that because I’m gay I won’t fight back when you call me fag. I’m from P.G. County, I’m not afraid to stand up for myself.

What’s your favorite LGBT movie?

“The Trip.” I love how they weave in footage from critical moments in gay history.

What’s the most overrated social custom?

Saying “bless you” when someone sneezes. Just say “Shut up!”

What trophy or prize do you most covet?

Not really a prize, but I’d love to go on tour with my band and see the world while entertaining people.

What do you wish you’d known at 18?

Nothing. I think that everything happens for a reason and if you’re happy with where you are, you can’t bitch about how you got there!

Why Washington?

The more I travel, the more I realize how great D.C. is! We have so much history but also constantly evolving culture. In one day you can see the monuments, eat amazing Ethiopian food and see a great drag show! I love all the culture here, how you can meet people from all backgrounds and everyone has a story.

 

 

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Photos

PHOTOS: Gay Day at the Zoo

Smithsonian marks International Family Equality Day

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Gay Day at the Zoo (Washington Blade photo by Michael Key)

The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Taste of Point

Annual fundraiser held for LGBTQ youth scholarship, mentorship organization

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Taste of Point DC (Washington Blade photo by Michael Key)

The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.

(Washington Blade photos by Michael Key)

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Theater

Miss Kitty tackles classical mythology in ‘Metamorphoses’

Folger production seen through the lens of the African diaspora

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Miss Kitty (Photo by Sarah Laughland Photography)

‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.” 

She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.” 

Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill. 

At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche. 

“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.” 

The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds. 

In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty. 

Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue. 

“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?

The name “Miss Kitty” was born over a decade ago. 

Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”

Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”

Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.

But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her. 

“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.” 

Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before? 

Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger. 

Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno. 

After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production. 

A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor. 

“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says. 

For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem). 

It’s her first time nominated and first time attending. She’s thrilled. 

Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz. 

Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.” 

Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.  

“Having an all-Black ensemble opens all new worlds for everyone.”

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