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Arts & Entertainment

INTO apologizes for publishing ‘anti-queer’ Ariana Grande critique

The publication says it has cut ties with the writer

Published

7 years ago

on

Ariana Grande in ‘thank u, next’ music video. (Screenshot via YouTube)

LGBT website INTO, which is owned by the app Grindr, has apologized for publishing a think-piece on Ariana Grande’s “thank u, next” music video which deemed the video “surprisingly anti-queer.”

“thank u, next” became a viral sensation with the biggest debut ever on YouTube. People were clicking to see the references to Grande’s exes and to watch nostalgic recreations of the popular rom-com flicks “13 Going on 30,” “Bring It On,” “Legally Blonde” and “Mean Girls.”

Writer and transgender activist Eli Erlick wasn’t impressed by the video. In an op-ed penned for INTO, Erlick claims that the story is ultimately an “anti-queer/transmisogynistic video.”

“Her music video failed to support the basic dignity of queer and trans people,” the story reads. “Laden with transmisogyny, anti-queer jokes, and blackface, the video follows Ariana’s white feminist awakening through a celebrity-laden nod to several cult classics.”

Erlick cites moments from the video to validate these points. In one scene, Erlick says that a man in drag was meant to mock transgender women. In another scene singer Troye Sivan says of Grande “I heard she’s a lesbian now and dating some chick called Aubrey. It’s fucking sick.” The quote is a homage to a similar scene from “Mean Girls.” Erlick believed that the line was homophobic.

The end scene with Kris Jenner yelling “Thank you, next, bitch” was also criticized as a call out to Caitlyn Jenner.

“She simply shouts ‘Thank you, next, bitch!’ while holding a camera — the final line of the music video. As ‘bitch’ is generally directed at women and ‘thank you, next’ is in reference to relationships, this is likely aimed at Caitlyn Jenner… Perhaps this is in reference to Caitlyn’s far-right politics. Perhaps it’s a jab at her trans identity. We can’t be sure unless Kris Jenner speaks out about the line,” Erlick writes.

The take was confusing for many people including Sivan.

After the negative backlash, INTO removed the author’s name from the op-ed saying that the author had received “numerous death threats.”

“While I could go into the HOW/WHY of why the piece missed the mark and should not have been published as is, what I am going to focus on is this: We as editors failed the writer by not working with her to ensure the piece met our standards,” INTO Editor-in-Chief Zach Stafford wrote in a post.“We have decided to remove the author’s name from this piece after the editorial team was alerted that a high number of death threats were being made against the writer as a result of the opinions presented in this piece,” reads the editor’s note.“These opinions never warrant violence, and when a writer’s own life could potentially be at stake, we must take necessary steps to ensure their safety.”

On Tuesday, Stafford posted another update that the publication had cut ties with the writer over “concerning allegations.”

“Given the seriousness of these allegations, I personally spoke with the writer and immediately launched an internal investigation,” Stafford writes. “INTO was not aware of these until Monday after publishing. And the writer will not be contributing to INTO for the time being.

Stafford did not specify what the allegations are.

The Ariana Grande story is still currently published on INTO’s website.

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Books

Two new books on dining out LGBTQ-style

Visit nightclubs, hamburger joints, and a bathhouse that feeds customers

Published

37 minutes ago

on

June 28, 2025

By

(Book cover images courtesy of the publishers)

‘What is Queer Food? How We Served a Revolution’
By John Birdsall
c.2025, W.W. Norton
$29.99/304 pages

‘Dining Out: First Dates, Defiant Nights, and Last Call Disco Fries at America’s Gay Restaurants’
By Erik Piepenburg
c.2025, Grand Central
$30/352 pages

You thought a long time about who sits where.

Compatibility is key for a good dinner party, so place cards were the first consideration; you have at least one left-hander on your guest list, and you figured his comfort into your seating chart. You want the conversation to flow, which is music to your ears. And you did a good job but, as you’ll see with these two great books on dining LGBTQ-style, it’s sometimes not who sits where, but whose recipes were used.

When you first pick up “What is Queer Food?” by John Birdsall, you might miss the subtitle: “How We Served a Revolution.” It’s that second part that’s important.

Starting with a basic gay and lesbian history of America, Birdsall shows how influential and (in)famous 20th century queer folk set aside the cruelty and discrimination they received, in order to live their lives. They couldn’t speak about those things, he says, but they “sat down together” and they ate.

That suggested “a queer common purpose,” says Birdsall. “This is how who we are, dahling, This is how we feed our own. This is how we stay alive.”

Readers who love to cook, bake or entertain, collect cookbooks, or use a fork will want this book. Its stories are nicely served, they’re addicting, and they may send you in search of cookbooks you didn’t know existed.

Sometimes, though, you don’t want to be stuck in the kitchen, you want someone else to bring the grub. “Dining Out” by Erik Piepenburg is an often-nostalgic, lively look at LGBTQ-friendly places to grab a meal – both now and in the past.

In his introduction, Piepenburg admits that he’s a journalist, “not a historian or an academic,” which colors this book, but not negatively. Indeed, his journeys to “gay restaurants” – even his generous and wide-ranging definitions of the term – happily influence how he presents his narrative about eateries and other establishments that have fed protesters, nourished budding romances, and offered audacious inclusion.

Here, there are modern tales of drag lunches and lesbian-friendly automats that offered “cheap food” nearly a century ago. You’ll visit nightclubs, hamburger joints, and a bathhouse that feeds customers on holidays. Stepping back, you’ll read about AIDS activism at gay-friendly establishments, and mostly gay neighborhood watering holes. Go underground at a basement bar; keep tripping and meet proprietors, managers, customers and performers. Then take a peek into the future, as Piepenburg sees it.

The locales profiled in “Dining Out” may surprise you because of where they can be found; some of the hot-spots practically beg for a road trip.

After reading this book, you’ll feel welcome at any of them.

If these books don’t shed enough light on queer food, then head to your favorite bookstore or library and ask for help finding more. The booksellers and librarians there will put cookbooks and history books directly in your hands, and they’ll help you find more on the history and culture of the food you eat. Grab them and you’ll agree, they’re pretty tasty reads.

The Blade may receive commissions from qualifying purchases made via this post.

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Television

‘White Lotus,’ ‘Severance,’ ‘Andor’ lead Dorian TV Awards noms

‘Voters have a special affinity for stories of self-discovery’

Published

1 day ago

on

June 27, 2025

By

‘White Lotus’ received multiple nominations for the 16th annual Dorian TV Awards. (Photo courtesy of HBO Max)

As the Academy of Television Arts and Sciences wrapped up the voting for nominations in its annual race for the Emmy Awards this week, much of Hollywood (and countless fans with favorite contenders of their own) was buzzing with speculation about who and what will be included when the final slate of nominees is announced on July 15 – but just in time for Pride Month, GALECA (The Society of LGBTQ Entertainment Critics) has stolen a bit of its thunder.

The second largest entertainment journalists group in the world, GALECA is made up of 560 members who, as the group’s press release proudly states, ”write and work for some of the most respected and buzz-worthy media outlets in the U.S. and beyond.” Last week, the organization announced its list of nominees for the 16th Annual Dorian TV Awards, representing the “queer eye’s” choices for the best in television and streaming, among both mainstream and LGBTQ content – and the list of contenders includes an exciting mix of A-listers, icons, and up-and-coming stars. This year’s performance and tribute categories – all of which are non-gendered – recognize such established talent as Beyoncé, Jean Smart, Colin Farrell, Colman Domingo, Michelle Williams, Pedro Pascal, Natasha Lyonne, Uzo Aduba, Bella Ramsey, Noah Wyle, and current flavor-of-the-day “daddy” Walton Goggins, alongside such lesser-known names as Ncuti Gatwa, Katherine LaNasa, Owen Cooper, and (as GALECA puts it) “the actress who simply calls herself Holmes.” 

For those unfamiliar with GALECA, it’s not just an organization that gets together to give out awards – though it presents Dorians for film, television, and theater at separate times during the year, its stated mission is to “remind society that the world values the informed LGBTQ perspective on all things entertainment.” A nonprofit organization, they advocate for better pay, access, and respect for entertainment journalists (especially from underrepresented demographics), and provide scholarships for LGBTQ journalism students.

As for this year’s nominated shows, there’s an equally exciting mix of competitors. In the Best Drama categories, three critical and popular hits – the surreal and unpredictable Apple TV+ office drama “Severance,” the unabashedly anti-fascist and queer-inclusive Disney Plus “Star Wars” prequel series “Andor,” and HBO/Max’s irresistibly provocative hotel drama “The White Lotus” – are in the race with six Dorian nominations each, while two others – gritty medical drama “The Pitt” and video-game-inspired sci-fi zombie saga “The Last of Us” – are close behind them with five each.

In the comedy department: HBO/Max’s “Hacks,” already a two-time Dorian winner in the Best Comedy category, leads the pack with its own six nods, and the same streamer’s upbeat dramedy “Somebody Somewhere” grabbed four, while ABC’s “Abbott Elementary” (another two-time winner) pulled in three. Other contenders include the colorful new Apple TV+ Hollywood satire “The Studio” and season two of “The Rehearsal,” creator-star Nathan Fielder’s hard-to-categorize HBO/Max offbeat “societal experiment” that endeavors to teach “average folks” how to deal with various wildly-hypothetical life problems.

According to GALECA Executive Director Diane Anderson-Minshall: “By loving-up series like ‘Hacks,’ ‘Somebody Somewhere,’ and even ‘The Rehearsal’ and ‘Andor’ – a sci-fi story of the beginnings of a major rebellion – Dorian Award voters once again have shown they have a special affinity for stories of self-discovery and pushing for more. Like generations of LGBTQ+ people who took on the battle for the right to be who they are, these nominated programs underscore that solidarity, morality, and justice aren’t just for superheroes, but can be found in small daily actions.”

The same empathy for underdogs can be perceived behind one of GALECA’s other awards, the unique Best Unsung Series category, which amplifies shows its members believe deserve greater attention. This year’s contenders include quirky queer creator Julio Torres’ wickedly inventive and amusingly absurd HBO satire “Fantasmas” and the final season of Paramount+’s controversial-but-popular supernatural drama “Evil,” as well as Hulu’s irreverent “English Teacher” (from queer creator/star Brian Jordan Alvarez) and Amazon Prime’s “Overcompensating,” about a former high school jock and closeted college freshman, inspired by the college experiences of creator and star, social media and internet comedian Benito Skinner, who also received a Dorian nod for his acting in the show.

Of course, there’s also a category for the Best LGBTQ Series, which singles out television content of particular relevance to queer viewers. This year, crossover titles “Hacks,” “Somebody Somewhere,” and “Overcompensating” are nominated here, too, alongside the third season of Netflix’s beloved YA romance “Heartstopper” and the campy Disney+ Marvel spinoff “Agatha All Along,” which also scored a nod in the Musical Performance category for “The Ballad of the Witch’s Road.”

Speaking of camp, the Dorians would not be complete without GALECA’s most irreverent award. In the category of Campiest TV Show, “Agatha” is (surprisingly, perhaps) not among the nominees; however, Hulu’s exceptionally queer throwback sitcom “Mid-Century Modern,” which features stars Nathan Lane, Nathan Lee Graham and Matt Bomer as three gay besties who retire to Palm Springs together most deservedly is. The show – touted as a “gay ‘Golden Girls’” – also earned a posthumous Supporting Performance nod for beloved TV and Broadway legend Linda Lavin, who passed away before the series wrapped production late in 2024. Its competitors are Peacock’s deliciously dramatic Alan Cumming-led reality show “The Traitors,” Ryan Murphy’s over-the-top seafaring medical drama “Doctor Odyssey,” the aforementioned “Overcompensating,” and MTV’s eternal GALECA darling “RuPaul’s Drag Race.”

Among other award categories: Best TV Movie or Miniseries, which includes nominees like Netflix’s “Rebel Ridge” and HBO/Max’s “The Penguin”; Best Documentary and Best LGBTQ Documentary, both of which include HBO/Max’s heartfelt “Pee-wee as Himself”; Most Visually Striking Show, which highlights the design aesthetic of shows like “Andor” and “Agatha”; and Best Animated Show, which pits longtime favorites like “The Simpsons” and “Bob’s Burgers” against newer contenders like “Harley Quinn” and “Big Mouth.”

Finally, there are also some “honorary” awards to recognize the career-long impact and influence of their winners: the Wilde “Wit” Award, the TV Icon Award, and the LGBTQIA+ TV Trailblazer Award, each of which includes a host of groundbreaking talents among its nominees.

Clearly, though the Dorians don’t get the same glam treatment as many of the industry’s more “mainstream” award ceremonies, they have the impeccable taste one naturally expects from a panel of queer experts, and chances are good that – as is often the case – their choices will serve as a preview for what happens when the Emmys finally roll out their own red carpet.

Winners will be announced Tuesday July 8 at 8am PST. A full list of nominees is below.

2025 DORIAN TV AWARD NOMINATIONS—FULL LIST

BEST TV DRAMA

Andor (Disney+)

The Last of Us (HBO/Max)

The Pitt (Max)

Severance (Apple TV+)

The White Lotus (HBO/Max)

BEST TV COMEDY

Abbott Elementary (ABC)

Hacks (HBO/Max)

The Rehearsal (HBO/Max)

Somebody Somewhere (HBO/Max)

The Studio (Apple TV+)

BEST LGBTQ TV SHOW

Agatha All Along (Disney+)

Hacks (HBO/Max)

Heartstopper (Netflix)

Overcompensating (Amazon Prime)

Somebody Somewhere (HBO/Max)

BEST TV MOVIE OR MINISERIES

Adolescence (Netflix)

Bridget Jones: Mad About the Boy (Peacock)

Dying for Sex (FX on Hulu)

The Penguin (HBO/Max)

Rebel Ridge (Netflix)

BEST WRITTEN TV SHOW

Andor (Disney+)

Hacks (Max)

The Pitt (Max)

Severance (Apple TV+)

The White Lotus (HBO/Max)

BEST UNSUNG TV SHOW

English Teacher (FX on Hulu)

Evil (Paramount+)

Fantasmas (HBO/Max)

Mid-Century Modern (Hulu)

Overcompensating (Amazon Prime)

BEST NON-ENGLISH LANGUAGE TV SHOW

Threesome (ViaPlay)

My Brilliant Friend (HBO/Max)

One Hundred Years of Solitude (Netflix) (tie)

Elite (Netflix) (tie)

Pachinko (Apple TV+)

Squid Game (Netflix)

BEST LGBTQ NON-ENGLISH LANGUAGE TV SHOW

Becoming Karl Lagerfeld (Hulu)

The Boyfriend (Netflix)

Elite (Netflix)

The Secret of the River (Netflix)

When No One Sees Us (HBO/Max)

BEST TV PERFORMANCE—DRAMA

Colin Farrell, The Penguin (HBO/Max)

Stephen Graham, Adolescence (Netflix)

Cooper Koch, Monsters: The Lyle and Erik Menendez Story (Netflix)

Diego Luna, Andor (Disney+)

Cristin Milioti, The Penguin (HBO/Max)

Pedro Pascal, The Last of Us (HBO/Max)

Bella Ramsey, The Last of Us (HBO/Max)

Adam Scott, Severance (Apple TV+)

Michelle Williams, Dying for Sex (FX on Hulu)

Noah Wyle, The Pitt (HBO/Max)

BEST SUPPORTING TV PERFORMANCE—DRAMA

Owen Cooper, Adolescence (Netflix)

Carrie Coon, The White Lotus (HBO/Max)

Taylor Dearden, The Pitt (HBO/Max)

Erin Doherty, Adolescence (Netflix)

Walton Goggins, The White Lotus (HBO/Max)

Katherine LaNasa, The Pitt (HBO/Max)

Genevieve O’Reilly, Andor (Disney+)

Parker Posey, The White Lotus (HBO/Max)

Jenny Slate, Dying for Sex (FX on Hulu)

Tramell Tillman, Severance (Apple TV+)

BEST TV PERFORMANCE—COMEDY

Uzo Aduba, The Residence (Netflix)

Quinta Brunson, Abbott Elementary (ABC)

Ayo Edebiri, The Bear (FX on Hulu)

Bridget Everett, Somebody Somewhere (HBO/Max)

Nathan Fielder, The Rehearsal (HBO/Max)

Kathryn Hahn, Agatha All Along (Disney+)

Natasha Lyonne, Poker Face (Peacock)

Seth Rogen, The Studio (Apple TV+)

Benito Skinner, Overcompensating (Amazon Prime)

Jean Smart, Hacks (HBO/Max)

BEST SUPPORTING TV PERFORMANCE—COMEDY

Ike Barinholtz, The Studio (Apple TV+)

Colman Domingo, The Four Seasons (Netflix)

Hannah Einbinder, Hacks (HBO/Max)

Holmes, Overcompensating (Amazon Prime)

Janelle James, Abbott Elementary (ABC)

Kathryn Hahn, The Studio (Apple TV+)

Jeff Hiller, Somebody Somewhere (HBO/Max)

Linda Lavin, Mid-Century Modern (Hulu)

Catherine O’Hara, The Studio (Apple TV+)

Meg Stalter, Hacks (HBO/Max)

BEST TV MUSICAL PERFORMANCE

Beyoncé, “Cowboy Carter” medley, Ravens vs. Texans Halftime Show (Netflix)

Doechii, “Catfish” / “Denial Is a River,” 67th Annual Grammy Awards (CBS)

Cynthia Erivo, Ariana Grande, “The Wizard of Oz” / “Wicked” medley, 97th Academy Awards (ABC)

Kathryn Hahn, Patti LuPone, Ali Ahn, Sasheer Zamata, “The Ballad of the Witches’ Road,” Agatha All Along (Disney+)

Kendrick Lamar, “Squabble Up,” “Humble,” etc., Super Bowl LIX Halftime Show (Fox)

BEST TV DOCUMENTARY OR DOCUMENTARY SERIES

Deaf President Now! (Apple TV+)

Elizabeth Taylor: The Lost Tapes (Max)

Pee Wee as Himself (HBO/Max)

The Rehearsal (HBO/Max)

SNL50: Beyond Saturday Night (NBC)

BEST LGBTQ TV DOCUMENTARY OR DOCUMENTARY SERIES

Disco: Soundtrack of a Revolution (PBS)

Fanatical: The Catfishing of Tegan and Sara (Hulu)

Outstanding: A Comedy Revolution (Netflix)

Pee Wee as Himself (HBO/Max)

Queer Planet (Peacock)

BEST CURRENT AFFAIRS SHOW 

(Talk show or news/information program)

The Daily Show (Comedy Central)

Hot Ones (YouTube)

Everybody’s Live With John Mulaney (Netflix)

Late Night with Seth Meyers (NBC)

Last Week Tonight with John Oliver (HBO/Max)

BEST REALITY SHOW

The Amazing Race (CBS)

The Great British Baking Show (Netflix)

RuPaul’s Drag Race (MTV)

Top Chef (Bravo)

The Traitors (Peacock)

BEST GENRE TV SHOW

Agatha All Along (Disney+)

Andor (Disney+)

Black Mirror (Netflix)

The Last of Us (HBO/Max)

Severance (Apple TV+)

BEST ANIMATED SHOW

Big Mouth (Netflix)

Bob’s Burgers (Fox)

Harley Quinn (HBO/Max)

The Simpsons (Fox)

Star Trek: Lower Decks (Paramount+)

MOST VISUALLY STRIKING TV SHOW

Adolescence (Netflix)

Agatha All Along (Disney+)

Andor (Disney+)

Severance (Apple TV+)

The White Lotus (HBO/Max)

CAMPIEST TV SHOW

Doctor Odyssey (ABC)

Mid-Century Modern (Hulu)

Overcompensating (Amazon Prime)

RuPaul’s Drag Race (MTV)

The Traitors (Peacock)

WILDE WIT AWARD

Quinta Brunson

Alan Cumming

Hannah Einbinder

Cole Escola

Nathan Fielder

GALECA TV ICON AWARD

Gillian Anderson

Angela Bassett

Alan Cumming

Sarah Michelle Gellar

Jean Smart

GALECA LGBTQIA+ TV TRAILBLAZER AWARD

Jonathan Bailey

Greg Berlanti

Ncuti Gatwa

Bella Ramsey

Mike White

Bowen Yang

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Music & Concerts

Berkshire Choral to commemorate Matthew Shepard’s life

Concert held at Washington National Cathedral

Published

1 day ago

on

June 27, 2025

By

Craig Hella Johnson’s fusion oratorio ‘Considering Matthew Shepard’ will be performed at the Washington National Cathedral. (Washington Blade file photo by Michael Key)

Berkshire Choral International will present a concert performance of composer Craig Hella Johnson’s fusion oratorio “Considering Matthew Shepard” on Friday, July 11, 2025 at 7:30 p.m. at the Washington National Cathedral. 

The program will be guest conducted by Dr. Jeffrey Benson, a native of the DMV who currently serves as Director of Choral Activities at San José State University. The concert is a partial benefit for the Matthew Shepard Foundation. Notably, Matthew’s remains are interred at the National Cathedral and his parents, Dennis and Judy, will give opening remarks at the performance.

Tickets are $20 – $65, and 50% of ticket proceeds will be donated to the Matthew Shepard Foundation. Tickets are only available online at berkshirechoral.org. 

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