Arts & Entertainment
Same-sex couple wins final on Denmark’s version of ‘Dancing With the Stars’
In what seems to be fast becoming an international trend, Denmark’s version of “Dancing With the Stars” has made history by featuring a same-sex couple – and this time, they’re not only included, they’ve won the competition.
Jakob Fauerby, 42, and Silas Holst, 36, were paired together on the show – which is called “Vild med dans”- after Fauerby, an openly gay actor, decided he would ask to be paired with a man if he was selected for the show.
According to The Daily Mail, the judges responded to his request by saying that it was “something they could probably talk about.”
The pair are the first all-male combo in the history of the show, which has run for 16 seasons after debuting in spring of 2005. They have wowed audiences and judges with each performance, receiving the highest scores in four out of eight shows and topping it off by winning the final after what the Mail called a “show-stopping” paso doble.
Speaking with Danish news outlet BT, Fauerby said, ‘It’s a whole new experience. It is quite overwhelming. So many who write to me on social media with their own stories. I feel pretty privileged.’
He was quick to add praise for partner Holst, saying, “He makes sure you look good.”
Previously, in an interview with LGBT Nation before the win, Fauer said, “Not in my wildest dreams did I anticipate this,” and went on to discuss the inevitable controversy stirred by the same-sex pairing.
“We are a small country of only 5.6 million people, and every Friday more than a million people tune in to watch the show and many more watch it on-demand afterward,” the actor said. “There are very few shows that everyone sees, and this is one of them, so there are a lot of feelings connected to it.”
“For me, in my living room, when I dance at home, I dance with a man,” he continued. “When I was a child, I never saw representation […] So for me if a young boy, girl, or trans person has the opportunity to see that positive representation as part of a TV show that is empowering in itself.”
He also said that criticism dwindled after the couple’s initial appearances, quipping, ““What happened after the first two shows is that people saw weren’t going to have anal sex on stage… It is feelings. It is sensuality. But it is not sexuality. It’s just two people dancing.”
Holst, a former fan-favorite dancer on “Vild med dans,” returned to the show after a five-year break specifically to partner with Fauerby in representing the LGBTQ+ community. He told BT he was “absolutely delighted.”
Fauerby is best known as a member of the Danish satirical comedy troupe, Platt-Form. He and his husband, Anders, are fathers to two children.
Last month the UK’s “Strictly Come Dancing” included a full routine between two men out of competition for the first time in its history, and just last week, a male couple on the French version of “America’s Got Talent” brought audiences to their feet for a standing ovation after performing a tender dance duet together as a protest against homophobia.
The US version of “Dancing With the Stars” has yet to include a same-sex couple on the show, though Olympic skater Adam Rippon, partnered with female dancer Jenna Johnson, became the first openly gay person to win that competition in 2018.
The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.
(Washington Blade photos by Michael Key)
Covering Gay Day at the Zoo for @WashBlade . Here at @NationalZooDC pic.twitter.com/LqgGNOOAiM
— Michael Patrick Key (@MichaelKeyWB) May 5, 2024
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Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
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