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Worth the wait?

Cher drops first new album in more than a decade this week

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Cher, Closer to the Truth, gay news, music, Washington Blade
Cher, Closer to the Truth, gay news, music, Washington Blade

Age-defying Cher’s new album ‘Closer to the Truth’ packs massive dance tracks in its first half but takes a stylistic change of pace halfway through. (Photo courtesy Warner Bros.)

It’s been 12 long years since Cher’s last album.

Since 2001’s “Living Proof,” the mother of all divas has gone on a two-year farewell tour, had a stint in Vegas and a movie with Christina Aguilera. Meanwhile, the likes of Lady Gaga, Katy Perry and Kelly Clarkson have dominated the female pop music scene and, for better or worse, have changed the musical landscape for artists like Cher.

But Cher is a survivor, and like any good survivor, she adapts to change. Her “been there, done that” attitude garners her respect, her lustrous cornucopia of hits through six decades prove she’s somewhat impervious to pop culture shifts.

If anything, her latest album “Closer to the Truth,” which dropped this week, sends the message that she’s back and as good as she’s ever been. The bass thumping opener and first single, “Woman’s World” went to No. 1 on Billboard’s dance chart, but really ends up being one of the least exciting tracks when you compare it to everything else here.

“Take it Like a Man” may sound a bit dated and more suited for her preceding album, but ends up a fun dance romp with Scissor Sisters’ front man Jake Shears providing additional vocals.

“Red” is a club-ready dance hit waiting to happen, while the Lady Gaga-esque “Dressed to Kill” is catchy and sultry and just happens to be the namesake of her upcoming world tour (she stops by the Verizon Center on April 4).

The interestingly titled “Favorite Scars” shows that those pipes of hers are still hanging in there quite nicely. The country-sounding “Lie to Me” is one of two songs written by Pink and starts off with the cheeky lyric “Oh fuck, just lie to me tell me something sweet.” “Lovers Forever” was originally intended for the soundtrack to the 1994 film “Interview with a Vampire,” and makes a nice home smack in the middle of this lopsided album.

What starts off as a danceable continuation of “Living Proof” ends up being an album of surprisingly refreshing tracks. Don’t be fooled by the guilty pleasures on the first half of the album, all the gems are hidden in the latter half.

Standouts include Pink’s second writing contribution “I Walk Alone,” the lingering ballad “Sirens” that harkens back to her “Heart of Stone” days, and “I Hope You Find It,” currently being promoted as her next single.

While this is not quite the epic comeback album “Believe” was in 1999, it’s more varied and satisfying than the club-oriented “Living Proof.” The 11-track album can be purchased on its own or as a deluxe version with three additional tracks: The Timbaland-produced “I Don’t Have to Sleep to Dream,” “Pride,” which appears to be an uplifting shout out to her gay audience, and the powerhouse Diane Warren-penned ballad from her 2010 movie “Burlesque,” “You Haven’t Seen the Last of Me.”

“Pride” makes the deluxe version worth getting. An exclusive Target store deluxe version is available as well. It includes two unnecessary dance mixes of “Woman’s World” and the somber “Will You Wait for Me” which, if album singles still existed, would probably have ended up a lost B-side.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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Photos

PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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