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Worth the wait?

Cher drops first new album in more than a decade this week

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Cher, Closer to the Truth, gay news, music, Washington Blade
Cher, Closer to the Truth, gay news, music, Washington Blade

Age-defying Cher’s new album ‘Closer to the Truth’ packs massive dance tracks in its first half but takes a stylistic change of pace halfway through. (Photo courtesy Warner Bros.)

It’s been 12 long years since Cher’s last album.

Since 2001’s “Living Proof,” the mother of all divas has gone on a two-year farewell tour, had a stint in Vegas and a movie with Christina Aguilera. Meanwhile, the likes of Lady Gaga, Katy Perry and Kelly Clarkson have dominated the female pop music scene and, for better or worse, have changed the musical landscape for artists like Cher.

But Cher is a survivor, and like any good survivor, she adapts to change. Her “been there, done that” attitude garners her respect, her lustrous cornucopia of hits through six decades prove she’s somewhat impervious to pop culture shifts.

If anything, her latest album “Closer to the Truth,” which dropped this week, sends the message that she’s back and as good as she’s ever been. The bass thumping opener and first single, “Woman’s World” went to No. 1 on Billboard’s dance chart, but really ends up being one of the least exciting tracks when you compare it to everything else here.

“Take it Like a Man” may sound a bit dated and more suited for her preceding album, but ends up a fun dance romp with Scissor Sisters’ front man Jake Shears providing additional vocals.

“Red” is a club-ready dance hit waiting to happen, while the Lady Gaga-esque “Dressed to Kill” is catchy and sultry and just happens to be the namesake of her upcoming world tour (she stops by the Verizon Center on April 4).

The interestingly titled “Favorite Scars” shows that those pipes of hers are still hanging in there quite nicely. The country-sounding “Lie to Me” is one of two songs written by Pink and starts off with the cheeky lyric “Oh fuck, just lie to me tell me something sweet.” “Lovers Forever” was originally intended for the soundtrack to the 1994 film “Interview with a Vampire,” and makes a nice home smack in the middle of this lopsided album.

What starts off as a danceable continuation of “Living Proof” ends up being an album of surprisingly refreshing tracks. Don’t be fooled by the guilty pleasures on the first half of the album, all the gems are hidden in the latter half.

Standouts include Pink’s second writing contribution “I Walk Alone,” the lingering ballad “Sirens” that harkens back to her “Heart of Stone” days, and “I Hope You Find It,” currently being promoted as her next single.

While this is not quite the epic comeback album “Believe” was in 1999, it’s more varied and satisfying than the club-oriented “Living Proof.” The 11-track album can be purchased on its own or as a deluxe version with three additional tracks: The Timbaland-produced “I Don’t Have to Sleep to Dream,” “Pride,” which appears to be an uplifting shout out to her gay audience, and the powerhouse Diane Warren-penned ballad from her 2010 movie “Burlesque,” “You Haven’t Seen the Last of Me.”

“Pride” makes the deluxe version worth getting. An exclusive Target store deluxe version is available as well. It includes two unnecessary dance mixes of “Woman’s World” and the somber “Will You Wait for Me” which, if album singles still existed, would probably have ended up a lost B-side.

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Arts & Entertainment

Nominate your favorites for the Blade’s 25th annual Best Of LGBTQ DC Awards

Submit your picks now; top 5 vote getters move to the finals

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Nominate your favorites in our Best of LGBTQ DC categories through Sept. 24. The top 5 nominees from each category will become finalists with voting starting Sept. 28. Our 2026 Best of LGBTQ DC winners will be announced at the Best of LGBTQ DC Awards Party on Thursday, Oct. 22 and our special issue will come out on Friday, Oct. 23. One vote per email address per day. Good luck!

CLICK HERE TO NOMINATE OR USE THE FORM BELOW!

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Out & About

Blade Foundation to host fundraiser in Rehoboth on Sept. 12

Mayor-elect Stewart, state Rep. Snyder-Hall to give remarks

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Rehoboth Mayor-elect Susan Stewart will speak at the Blade Foundation fundraiser on Sept. 12.

The Washington Blade Foundation will host a fundraiser on Saturday, Sept. 12 in Rehoboth Beach featuring remarks from Rehoboth’s Mayor-elect Susan Stewart and Delaware state Rep. Claire Snyder-Hall.

The Foundation funds fellowships for aspiring queer journalists and enterprise journalism projects.

The event will be held at a private home in Rehoboth. Tickets are $100 and include open bar from Diego’s, catered appetizers from the Blue Moon, entertainment, guest speakers, and an auction. Tickets are available here.

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Books

New book examines fashionista Audrey Smaltz’s fabulous life

‘Every Inch a Lady’ reveals finding true love with another woman

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(Book cover image courtesy of Amistad)

‘Every Inch a Lady’
By Audrey Smaltz with Alina Mitchell
c.2026, Amistad
$27.99/256 pages

Snaps, zippers, buttons, ties.

Toss that garment on, pull it up, wrap it around, you know what you like and how to wear it. The color is perfect for your skin tone, the fabric enhances your form. Yep, you always look your best and, as in the new book “Every Inch a Lady” by Audrey Smaltz (with Alina Mitchell), that best is fabulous.

”Born, bred, toasted, buttered, jellied, and honeyed in Harlem” in 1937, Audrey Smaltz was a force to be reckoned with almost from the time she could walk. Her parents imbued confidence in her, they nurtured her creativity and sent her to charm school, but they never allowed her to create a stir.

“That,” says Smaltz, “is not what ladies did.”

By the time she was a teenager, Smaltz was modeling for New York City designers. Shortly thereafter, she started working for a married man with whom she had an affair, and whom she loved very much. She broke up with him, attended college, worked a series of jobs that taught her about fashion and jobs that didn’t seem to fit her. An ill-fated marriage took her to Chicago where she ultimately landed a position that sent her to work in Ebony magazine’s New York office.

Working at Ebony was a career-changer, in a way. Smaltz was able to travel the world and learn more about fashion, but she didn’t exactly get along with her boss.

Finally, seizing an opportunity, Smaltz decided to launch her own company, Audrey Smaltz, Inc., a “fashion production business,” but she couldn’t get any designers to take a chance on her. Undaunted, she reorganized, re-branded, hit the streets, and knocked on doors until she finally found one client, which led to many others.

Through it all, her personal life was a whirlwind. She dated “more men than you can shake a book at,” settling down occasionally, briefly. Fashion had always been her first love, but she accidentally found real love, “the love of a woman,” at a leadership course.

There’s an old saying that writers need to add lots of “color” into their stories. Read a little of “Every Inch a Lady,” and you’ll notice immediately that author Audrey Smaltz (with Alina Mitchell) quite literally takes that to heart by mentioning nearly every color of the spectrum here. Hmm.

That oddity aside, Smaltz is a wonderfully lively storyteller, speaking with the energy of a woman much younger to the heart of anyone who loves fashion. That glee extends to collectors of vintage clothing, who will be delighted to read about the industry long ago and the way things worked then. Smaltz says she experienced racism, which is not unusual for pre-Civil Rights America, but doors were surprisingly closed for other reasons that will astound anyone who’s savvy about the fashion industry, even today.

There’s quite a bit of name-dropping in this book but most of it belongs in the anecdotes, so you likely won’t mind. If you’re a fashionista, too, find “Every Inch a Lady,” and snap it up.

The Blade may receive commissions from qualifying purchases made via this post.

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