Arts & Entertainment

A place to call home

Wanda Alston House for LGBT youth to launch foundation

Published

13 years ago

October 4, 2013

Mariah Cooper

Brian Watson at the Wanda Alston House. (Washington Blade file photo by Henry Linser)

The Wanda Alston House has helped support homeless LGBT youth throughout the last five years. Now, with Transgender Health Empowerment’s (THE) bankruptcy, the Alston House needs some support of its own.

The Wanda Alston Foundation formed in July to financially aid the Alston House in the wake of THE’s collapse. The foundation hosts its official launch reception and first fundraiser at MOVA Lounge (2204 14th St., N.W.) Tuesday from 5:30-8 p.m. The kick-off reception also celebrates the Alston House’s fifth year anniversary.

Christopher Dyer, gay news, Washington Blade

Christopher Dyer (Washington Blade photo by Michael Key)

“It’s a unique program and we’d love to have as much support as we can from the community about this,” says Christopher Dyer, president of the Wanda Alston Foundation. “We’re getting grants, we’re up and running and we’d love to have as much support, in terms of volunteers and financially, as we possibly can.”

At the Alston House’s inception, the Department of Health and Human Services provided funding for the shelter combined with help from THE’s services to aid homeless LGBT youth. After THE’s bankruptcy, Alston House needed additional funding. Former THE Director of Programming Brian Watson oversees the Alston House and sought funding through a sponsor. The foundation was formed to administer the grants needed to keep the program running as well as the program itself.

“It’s a good foundation to start because it’s sourcing money more directly to Wanda Alston. There was some fundraising effort but it’s complicated to describe fundraising to donors. Now the foundation is pretty clear,” Dyer says.

Alston House, named after Wanda Alston, a lesbian activist who was murdered in Washington in 2006, is a renovated multi-bedroom house located in the Deanwood neighborhood of Northeast’s seventh Ward. It opened after THE noticed an increase of LGBT youth at its drop-in center. The house has assisted about 50 people ages 16-24 over the last five years. Eight people now reside in the home, the maximum amount allowed at one time. It is the only program designed to provide services for homeless at-risk LGBT youth in the District.

The house is always full excluding when rooms are being cleaned for new residents. Residents are required to go to school or have a job while staying in the house. They are allowed to stay up to 18 months. Former residents have gone on to attend college, move into their own places or returned home to their families. The board’s secretary, Xion Lopez, is a former Wanda Alston House resident. She lived there for about 13 months from the end of 2011 until January of this year. She joined the board last month after being told it would be advantageous to have the perspective of a former resident and transgender person on the board.

Xion Lopez, HIPS, Queery, gay news, Washington Blade

Xion Lopez (Washington Blade photo by Michael Key)

“This is a service that is definitely needed,” Lopez, 22, says. “Homelessness continues to grow and these are our children out there suffering through this. They’re forced into all kinds of things from drugs to prostitution to even jail, just to survive. Some don’t mind going to jail because they see that as a safety net. But we’re here to help. Do what you need to do to get on the waiting list. That’s what we’re here for.”

A paid staff that includes a full-time executive director, program director and administrator coordinator controls the day-to-day activities. The house also has trained adult supervisors qualified to oversee the special needs of a homeless shelter. The board approves each staff member hired.

The board focuses primarily on the fiscal and government oversight of the organization. The nine members work together to determine policies such as which grants are important and feasible to apply for and which are not. Approximately 90 percent of their revenue comes from D.C. administrated grants.

Lopez says she had an overall great experience at the Alston House. Among her fellow residents, several have moved on to school, one is studying abroad, two others are out on their own with full-time jobs, another got married and had a child.

“We have lots of success stories,” she says.

Now living on her own in Hyattsville, Md., Lopez says there were occasionally tensions within the house, but a high emphasis was placed on working through tension.

“You put eight LGBT young people in a house together, of course it’s not going to be all rainbows everyday,” she says. “There were some hormones and attitudes that collided but for the most part we had good relationships with each other and things that needed to be worked out were brought to the forefront. We never closed out a week with things not being addressed.”

Funding from the city has been steady over the years. The organization’s budget is about $400,000 per year. It includes the $60,000 spent on renting the house per year. The fundraising efforts have just begun and start with the reception on Tuesday. Dyer admits that the board is still figuring out how to organize “an infrastructure for donor maintenance.”

Dyer’s support for Alston House and his collaboration with Watson began five years ago when he worked as an LGBT liaison for former D.C. Mayor Adrian Fenty. Watson secured funding for the Alston House from the D.C. City Council while Dyer served under Fenty’s administration in 2007. He became president of the Wanda Alston House Foundation board during the foundation’s first meeting in August.

The board has already made strides as an organization as they recently moved their operation from inside the Alston House to an administrative office downtown. Eventually, the board would like to expand the program so more clients can find help.

“We’re so new our board is much more active as opposed to a board that meets once every two or three months and just writes checks,” Dyer says. “We’re more intimately involved in the strategic direction of the organization.”

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PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

10 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

16 hours ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

2 days ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.