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Hundreds shut out of Cherry circuit party at Howard Theatre

Organizers apologize, promise refunds

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A scene from the Flawless event last weekend in which possibly hundreds of patrons were barred from entering the party at the Howard Theatre. (Washington Blade photo by Michael Key)

Cherry Fund, the D.C.-based nonprofit organization that has raised money for HIV/AIDS, mental health, and LGBTQ organizations over the past 25 years through its annual weekend circuit party events, issued an apology this week for the abrupt cancellation of one of its events and a decision by the Howard Theatre to stop admitting people to a separate Cherry event at that location on grounds of overcrowding.

The Saturday night, April 9, event at the Howard Theatre, called FLAWLESS, was considered one of the main dance party events of the Cherry 2022 weekend, with prominent DJs, entertainers and more than 1,000 people from the D.C. area and other parts of the country in attendance.

“The Cherry Fund wants to apologize for the experience to our valued patrons received over this past weekend during our 25th Anniversary Benefit Weekend,” a statement released by the Cherry Fund on Tuesday says. “Cherry is now beginning the process of issuing refunds to the patrons for the cancelled Evolution event and Flawless event to those who were not permitted to enter the venue,” the statement says.

Allen Sexton, the Cherry Fund president, told the Washington Blade Howard Theatre officials stopped admitting people into the theater after claiming the building’s legal capacity limit of 1,242 people had been reached. But Sexton said Cherry Fund’s all-volunteer staff have carefully looked through the ticket sales records and determined the total number of tickets sold for the event was 1,178. He said the numbers show that the event was not overbooked.

Sexton said theater staff members told him they never took a full count of the number of people inside the theater on the night of the event. Instead, according to Sexton, one of the theater managers told him, “I can just look at the floor and tell” how many people are present.

People waiting to get into the theater reported on social media that as many as 300 or more people were forced to wait in line outside the theater in cold outdoor temperatures with the hope of getting in. According to social media reports, including on Facebook, many of those waiting on two lines went home after D.C. police officers on duty told them the theater was filled to capacity and few if any more people would be allowed inside.

D.C. police spokesperson Brianna Burch told the Blade members of the department’s LGBTQ Liaison Unit were on duty at the Howard Theatre event. 

“To ensure the security and safety of all patrons, MPD members notified patrons that the event was at capacity,” Burch said. “It is my understanding that eventually patrons who were waiting outside were let into the event.”

Howard Theatre did not respond to a request from the Blade for comment on the question of whether they incorrectly estimated the number of people at the theater as suggested by Sexton. Sexton, however, said it was possible that some of the people waiting to get into the theater did not have tickets and were hoping to be able to purchase tickets at the door.

He said a separate event scheduled for late Friday night, April 8, through the early morning hours of Saturday, April 9, until around 9 a.m. had to be cancelled when the city’s Alcoholic Beverage Regulation Administration denied an application by Decades nightclub on Connecticut Avenue, N.W. near Dupont Circle to extend its operating hours through the early morning hours to serve as host for the dance party event, called EVOLUTION.

The legally required closing time for most D.C. bars and nightclubs is 3 a.m. on weekends, although Decades’ weekend closing time is 4 a.m.

An ABRA spokesperson told the Blade the application for the extended operating hours was submitted by Sexton rather than by one of the owners of Decades nightclub as required under ABRA regulations. The spokesperson, Jared Powell, said ABRA emailed the Decades manager, Joe Aguila, on March 3 to inform him the application could not be accepted unless one of the owners signed their name on the required document.

“ABRA received no response to the email notification,” Powell said. Powell noted that under ABRA rules, the Alcoholic Beverage Control Board, which meets once a week on Wednesdays, must give final approval of a “substantial change” in operating hours for clubs licensed to sell alcoholic beverages.

Powell said that on Thursday, April 7, one day after the ABC Board’s last meeting before the Cherry events were scheduled to begin on April 7, the Decades’ manager came to the ABRA office to inquire about the status of the application. He said one day later, on April 8, Sexton came to the ABRA office asking about the application.

“Both parties were advised that they missed the required application window for timely ABC Board consideration,” Powell told the Blade in an email.

Sexton disputes this claim, saying he believes the Decades owner provided the required signed application in time for the ABC Board meeting on Wednesday morning, April 6, possibly through an email attachment.

According to Sexton, the negative fallout from the canceled dance party event on Friday night-Saturday early morning and the Howard Theatre’s refusal to admit patrons to the Saturday night FLAWLESS main event cast a negative light on an otherwise successful weekend, with eight other events taking place as scheduled.

“We are sorry,” says the Cherry Fund statement released on April 12. “In hindsight, we could have gone about producing this weekend in a more efficient manner. We did not and we are to blame,” it says.

“We will begin to investigate the details of failures within our own organization, as well as the shortcomings of venues,” the statement continues. “We will release additional details as they become available.”

The Cherry Fund website describes its annual Cherry weekend events as “one of the longest all volunteer non-profit LGBTQIA Dance Music Festivals” that it says has donated more than $1.3 million in “grants and support benefiting mental health and HIV/AIDS service organizations in the D.C. metropolitan region and beyond.”

In its statement released on April 12, Cherry Fund says its decision to refund the money for ticket sales for the cancelled event and the ticket holders unable to attend the Howard Theatre event “will most likely result in our inability to give money back to the HIV/AIDS and mental health community organizations in 2022.”

The statement adds, “We are in the process of working with TicketLeap to start the refund process. Please send your refund request to [email protected]. Refunds will be processed to only the individuals that purchased their tickets that were issued to them on the TicketLeap platform. All refund requests must be submitted by April 30, 2022.”  

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District of Columbia

Kennedy Center renaming triggers backlash

Artists who cancel shows threatened; calls for funding boycott grow

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Richard Grenell, president of the Kennedy Center, threatened to sue a performer who canceled a holiday show. (Washington Blade photo by Michael Key)

Efforts to rename the Kennedy Center to add President Trump’s name to the D.C. arts institution continue to spark backlash.

A new petition from Qommittee , a national network of drag artists and allies led by survivors of hate crimes, calls on Kennedy Center donors to suspend funding to the center until “artistic independence is restored, and to redirect support to banned or censored artists.”

“While Trump won’t back down, the donors who contribute nearly $100 million annually to the Kennedy Center can afford to take a stand,” the petition reads. “Money talks. When donors fund censorship, they don’t just harm one institution – they tell marginalized communities their stories don’t deserve to be told.”

The petition can be found here.

Meanwhile, a decision by several prominent musicians and jazz performers to cancel their shows at the recently renamed Trump-Kennedy Center in D.C. planned for Christmas Eve and New Year’s Eve has drawn the ire of the Center’s president, Richard Grenell.

Grenell, a gay supporter of President Donald Trump who served as U.S. ambassador to Germany during Trump’s first term as president, was named Kennedy Center president last year by its board of directors that had been appointed by Trump.    

Last month the board voted to change the official name of the center from the John F. Kennedy Memorial Center For The Performing Arts to the Donald J. Trump And The John F. Kennedy Memorial Center For The Performing Arts. The revised name has been installed on the outside wall of the center’s building but is not official because any name change would require congressional action. 

According to a report by the New York Times, Grenell informed jazz musician Chuck Redd, who cancelled a 2025 Christmas Eve concert that he has hosted at the Kennedy Center for nearly 20 years in response to the name change, that Grenell planned to arrange for the center to file a lawsuit against him for the cancellation.

“Your decision to withdraw at the last moment — explicitly in response to the Center’s recent renaming, which honors President Trump’s extraordinary efforts to save this national treasure — is classic intolerance and very costly to a non-profit arts institution,” the Times quoted Grenell as saying in a letter to Redd.

“This is your official notice that we will seek $1 million in damages from you for this political stunt,” the Times quoted Grenell’s letter as saying.

A spokesperson for the Trump-Kennedy Center did not immediately respond to an inquiry from the Washington Blade asking if the center still planned to file that lawsuit and whether it planned to file suits against some of the other musicians who recently cancelled their performances following the name change. 

In a follow-up story published on Dec. 29, the New York Times reported that a prominent jazz ensemble and a New York dance company had canceled performances scheduled to take place on New Year’s Eve at the Kennedy Center.

The Times reported the jazz ensemble called The Cookers did not give a reason for the cancellation in a statement it released, but its drummer, Billy Hart, told the Times the center’s name change “evidently” played a role in the decision to cancel the performance.

Grenell released a statement on Dec. 29 calling these and other performers who cancelled their shows “far left political activists” who he said had been booked by the Kennedy Center’s previous leadership.

“Boycotting the arts to show you support the arts is a form of derangement syndrome,” the Times quoted him as saying in his statement.

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District of Columbia

New interim D.C. police chief played lead role in security for WorldPride

Capital Pride says Jeffery Carroll had ‘good working relationship’ with organizers

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New interim D.C. Police Chief Jeffery Carroll (Screen capture via FOX 5 Washington DC/YouTube)

Jeffery Carroll, who was named by D.C. Mayor Muriel Bowser on Dec. 17 as the city’s  Interim Chief of Police, played a lead role in working with local LGBTQ community leaders in addressing public safety issues related to WorldPride 2025, which took place in D.C. last May and June

“We had a good working relationship with him, and he did his job in relation to how best the events would go around safety and security,” said Ryan Bos, executive director of Capital Pride Alliance.  

Bos said Carroll has met with Capital Pride officials in past years to address security issues related to the city’s annual Capital Pride parade and festival and has been supportive of those events.  

At the time Bowser named him Interim Chief, Carroll had been serving since 2023 as Executive Assistant Chief of Specialized Operations, overseeing the day-to-day operation of four of the department’s bureaus. He first joined the D.C. Metropolitan Police Department in 2002 and advanced to multiple leadership positions across various divisions and bureaus, according to a statement released by the mayor’s office.

“I know Chief Carroll is the right person to build on the momentum of the past two years so that we can continue driving down crime across the city,” Bowser said in a statement released on the day she announced his appointment as Interim Chief.

“He has led through some of our city’s most significant public safety challenges of the past decade, he is familiar with D.C. residents and well respected and trusted by members of the Metropolitan Police Department as well as our federal and regional public safety partners,” Bowser said.

“We have the best police department in the  nation, and I am confident that Chief Carroll will meet this moment for the department and the city,” Bowser added.

But Bowser has so far declined to say if she plans to nominate Carroll to become the permanent police chief, which requires the approval of the D.C. City Council. Bowser, who announced she is not running for re-election, will remain in office as mayor until January 2027.

Carroll is replacing outgoing Chief Pamela Smith, who announced she was resigning after two years of service as chief to spend more time with her family. She has been credited with overseeing the department at a time when violent crime and homicides declined to an eight-year low.

She has also expressed support for the LGBTQ community and joined LGBTQ officers in marching in the WorldPride parade last year.  

But Smith has also come under criticism by members of Congress, who have accused the department of manipulating crime data allegedly showing lower reported crime numbers than actually occurred. The allegations came from the Republican-controlled U.S. House Oversight Committee and the U.S. Justice Department 

Bowser has questioned the accuracy of the allegations and said she has asked the city’s Inspector General to look into the allegations.   

Meanwhile, a spokesperson for the D.C. police Office of Public Affairs did not immediately respond to a question from the Washington Blade about the status of the department’s LGBT Liaison Unit. Sources familiar with the department have said a decline in the number of officers currently working at the department, said to be at a 50-year low, has resulted in a decline in the number of officers assigned to all of the liaison units, including the LGBT unit.  

Among other things, the LGBT Liaison Unit has played a role in helping to investigate hate crimes targeting the LGBTQ community. As of early Wednesday an MPD spokesperson did not respond to a question by the Blade asking how many officers are currently assigned to the LGBT Liaison Unit.  

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District of Columbia

Imperial Court of Washington drag group has ‘dissolved’

Board president cites declining support since pandemic

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The Imperial Court of Washington announced that it has ended its operations by dissolving its corporate status. Pictured is the Imperial Court of Washington's 2022 Gala of the Americas. (Washington Blade file photo by Michael Key)

The Imperial Court of Washington, a D.C.-based organization of drag performers that has raised at least $250,000 or more for local LGBTQ and non-LGBTQ charitable groups since its founding in 2010, announced on Jan. 5 that it has ended its operations by dissolving its corporate status.

In a Jan. 5 statement posted on Facebook, Robert Amos, president of the group’s board of directors, said the board voted that day to formally dissolve the organization in accordance with its bylaws.

“This decision was made after careful consideration and was based on several factors, including ongoing challenges in adhering to the bylaws, maintaining compliance with 501(c)(3) requirements, continued lack of member interest and attendance, and a lack of community involvement and support as well,” Amos said in his statement.

He told the Washington Blade in a Jan. 6 telephone interview that the group was no longer in compliance with its bylaws, which require at least six board members, when the number of board members declined to just four. He noted that the lack of compliance with its bylaws also violated the requirements of its IRS status as a nonprofit, tax-exempt 501(c) (3) organization.

According to Amos, the inability to recruit additional board members came at a time when the organization was continuing to encounter a sharp drop in support from the community since the start of the COVID pandemic around 2020 and 2021.

Amos and longtime Imperial Court of Washington member and organizer Richard Legg, who uses the drag name Destiny B. Childs, said in the years since its founding, the group’s drag show fundraising events have often been attended by 150 or more people. They said the events have been held in LGBTQ bars, including Freddie’s Beach Bar in Arlington, as well as in other venues such as theaters and ballrooms.

Among the organizations receiving financial support from Imperial Court of Washington have been SMYAL, PFLAG, Whitman-Walker Health’s Walk to End HIV, Capital Pride Alliance, the DC LGBT Community Center, and the LGBTQ Fallen Heroes Fund. Other groups receiving support included Pets with Disabilities, the Epilepsy Foundation of Washington, and Grandma’s House.

The Imperial Court of Washington’s website, which was still online as of Jan. 6, says the D.C. group has been a proud member of the International Court System, which was founded in San Francisco in 1965 as a drag performance organization that evolved into a charitable fundraising operation with dozens of affiliated “Imperial Court” groups like the one in D.C.  

Amos, who uses the drag name Veronica Blake, said he has heard that Imperial Court groups in other cities including Richmond and New York City, have experienced similar drops in support and attendance in the past year or two. He said the D.C. group’s events in the latter part of 2025 attracted 12 or fewer people, a development that has prevented it from sustaining its operations financially. 

He said the membership, which helped support it financially through membership dues, has declined in recent years from close to 100 to its current membership of 21.

“There’s a lot of good we have done for the groups we supported, for the charities, and the gay community here,” Amos said. “It is just sad that we’ve had to do this, mainly because of the lack of interest and everything going on in the world and the national scene.”   

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