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Baltimore arts preview: John Waters, Tina Turner, and more

Busy season in Charm City with ‘Hamilton,’ Randy Rainbow among standouts

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Catherine Opie took this portrait-style of John Waters. (Image courtesy BMA)

What sort of art does gay writer and filmmaker John Waters collect? Does it reflect his subversive sense of humor and empathy for outsiders? How did he get to be such a savvy art collector?

Fans will get some answers from “Coming Attractions: The John Waters Collection,” an exhibit opening Nov. 20 at the Baltimore Museum of Art. It’s one of many shows and exhibits coming to Baltimore this fall, including the national touring productions of “Hamilton,” “Jagged Little Pill” and “Tina: The Tina Turner Musical,” and appearances by Randy Rainbow, Trixie Mattel, Chelsea Handler and others.

“Coming Attractions” will feature about 90 works of art selected from 372 works that Waters, a BMA trustee, plans to leave to the museum upon his death. When his donation was announced in 2020, representatives promised the museum would have a preview of what’s to come while Waters was still alive, and this show is it.

Although Waters’s donation to the museum includes works by himself and others, “Coming Attractions” will focus on art he has collected and displayed at his homes in Baltimore, New York City, and San Francisco.

The guest curators are photographer Catherine Opie and artist Jack Pierson, both of whom have been friends with Waters for years and are represented in his collection. The exhibit is organized by Leila Grothe, the museum’s Associate Curator of Contemporary Art.

Among the featured works are paintings, sculptures, photographs, and prints by Diane Arbus; Nan Goldin; Mike Kelley; Richard Prince; Cindy Sherman; Gary Simmons; Cy Twombly; Andy Warhol; Christopher Wool and others.

Part of the exhibit is a grouping of works that represent Waters’s relationships with people in the art and film worlds, such as Brigid Berlin; Colin de Land; Cookie Mueller and Warhol. There’s also the first work of art by a non-human that the BMA has ever agreed to display (or add to its collection) – a painting by Betsy the Chimpanzee, who lived and painted at the Maryland Zoo in Baltimore in the 1950s.

“We have both known John Waters for years as an auteur filmmaker, a writer, an artist, an art collector, and a friend. We are honored to have the opportunity to curate a presentation of his collection, which so richly reflects his personality and imagination,” Opie and Pierson, who both identify as queer, said in a statement.

“Our hope is to share with audiences another aspect of John’s creative vision by offering a glimpse into what he values: artists who are unafraid to take risks, who do not compromise, and who create their art on the margins.”

Waters’s last major show at the BMA was “John Waters: Indecent Exposure,” a retrospective of his own work as a visual artist, which ran from Oct. 7, 2018 to Jan. 6, 2019. “Coming Attractions” will be on view until April 16, 2023. 

Other major shows opening this fall at the Baltimore Museum of Art, 10 Art Museum Drive, include:

“Darrell Ellis: Regeneration,” from Nov. 20, 2022 to April 23, 2023. This is the first comprehensive museum exhibition devoted to the work of a multi-faceted artist who died of AIDS-related causes in 1992 at the age of 33. The show is co-organized with The Bronx Museum of the Arts.

“A Movement in Every Direction: Legacies of the Great Migration,” from Oct. 30, 2022 to Jan. 23, 2023. For this exhibition about Black Americans moving from the South to other parts of the United States starting around 1900 and continuing into the 1970s, the BMA and the Mississippi Museum of Art co-commissioned 12 artists to create works that examine the impact of the Great Migration on the social and cultural life in the United States. Participating artists include: Akea Brionne; Mark Bradford; Zoe Charlton; Larry W. Cook; Torkwase Dyson; Theaster Gates Jr.; Allison Janae Hamilton; Leslie Hewitt; Steffani Jemison; Robert Pruitt; James Richmond Edwards and Carrie Mae Weems.

“Baltimore, Addressed: Baker Artist Awards,” from Nov. 13, 2022 to March 12, 2023. Five past winners of the coveted Baker Artist Award — Laura Amussen; David Page; Ernest Shaw; Susan Waters-Eller and Pamela Woolford — respond to “the past, present and imagined future of the city.” 

“Omar Ba: Political Animals,” from Nov. 20, 2022 to April 2, 2023. This is the first U.S. museum exhibition of the work of painter Omar Ba, a leading contemporary African artist.

“Stanley Whitney: Dance with Me Henri,” from Nov. 20, 2022 to April 23, 2023. Works on paper by a Philadelphia-born artist whose compositions and use of color and light have strong parallels to the work of Henri Matisse.

More visual arts events:

American Visionary Art Museum: The next “mega exhibit” at the American Visionary Art Museum, 800 Key Highway, is “ABUNDANCE: Too Much, Too Little, Just Right (Championing good, honest work from the hand and the heart),” from Oct. 8, 2022 to Sept. 2023. The curator is AVAM curatorial and development curator Gage Branda. It’s the first major exhibit at AVAM under new director Jenenne Whitfield, who this month succeeded founding director Rebecca Alban Hoffberger, who retired in April.

Walters Art Museum, 600 North Charles St. After cancelling its fall gala last year, the Walters has scheduled its 2022 celebration and fundraiser, An Evening at the Walters, for Oct. 15 from 6 p.m. to midnight. More information about that event and others is on the museum’s website,  thewalters.org. Its current blockbuster, “Activating the Renaissance,” opened in April and continues until February 26, 2023.

The Peale, 225 Holliday St. After a five-year, $5.5 million renovation, Baltimore’s historic Peale Museum reopened in August as The Peale, Baltimore’s Community Museum. Inaugural exhibits include “Spark: New Light,” a collaboration between Towson University and the University of Maryland Baltimore County, featuring the work of more than 20 faculty members and MFA student artists celebrating the building’s reopening with “illuminated and illuminating works of art, until Sept. 25, and Peale Faces, until Aug. 13, 2023, featuring artist and “participatory history specialist” Lauren Muney’s hand-cut silhouette portraits of city residents.  More information about Peale events is at ThePealeCenter.org.

Maryland Center for History and Culture: 610 Park Ave. On Nov. 5, the Mount Vernon history center will open “Claire/McCardell,” a yearlong exhibit about Claire McCardell, an influential designer of women’s clothing from the 1930s to the 1950s and beyond. More information about the history center and its collections is on its website, mdhistory.org.

Performing arts events:

Hippodrome Theatre, 12 S. Eutaw St.: Fall shows include Hamilton, October 11 to 30; State Ballet of Ukraine – Swan Lake, November 5; Randy Rainbow: The Pink Glasses Tour, November 11; Tina: The Tina Turner Musical, November 15 to 20; Nutcracker! Magic of Christmas Ballet, December 7 and 8; Paw Patrol Live! The Great Pirate Adventure, December 10 and 11; Little Jagged Pill, December 13 to 18.

Lyric Baltimore, 140 West Mount Royal Avenue: CoComelon Live!, September 16; Trixie and Katya Live, featuring drag stars Trixie Mattel and Katya Zamolodchikova, September 19; Michael Blackson and Jess Hilarious, September 24;  The Price is Right Live, October 7; Baltimore Soul Jam; October 15; Disney Junior Live on Tour, October 21; and Whose Live Anyway?, featuring Ryan Stiles, Greg Proops, Jeff B. Davis and Joel Murray, October 29.

Also Joe Gatto Night of Comedy, November 4;  Taylor Tomlinson, The Have It All Tour, November 5; New Jack City Live On Stage, November 6; Spy Ninjas Live, November 18; Alton Brown Live: Beyond the Eats – the Holiday Variant, November 19; Disney Princess Concert, November 25; Cameo Featuring the Rolex Band, November 26; Steve-O (from Jackass) The Bucket List Tour, November 30; Steven Crowder and Dave Landau’s Rebel with a Cause Tour, December 3; Mannheim Steamroller Christmas by Chip Davis, December 4, Chelsea Handler, December 15; Eddie B. Teachers Only Comedy Tour, December 16.

Creative Alliance, 3134 Eastern Avenue: On October 6, drag performer Betty O’Hellno and friends will host two singalong presentations of a 1975 cult classic, The Rocky Horror Picture Show, at 7 p.m. and 10 p.m. Costumes are encouraged. The following two nights, October 7 and 8, Creative Alliance will present “Chocolate Covered Rocky Horror,” a musical performance that promises to take the Rocky Horror experience to “a whole different dimension.” A full calendar of events, including Sidewalk Serenades, Dr. Sketchy’s classes in “life drawing with a twist,” and the popular Art to Dine For series, is at creativealliance.org.

Baltimore Center Stage, 700 North Calvert Street: Our Town, September 15 to October 9; Kulu Mele African Dance and Drum Ensemble and the Osagyefo Dance Company, September 17; Baltimore Butterfly Sessions, September 19, November 7 and December 5;  BCS Sound Check with Michelle J. Rodriquez in Concert, October 21; Ain’t No Mo’ (in association with Woolly Mammoth Theatre Company), October 27 to November 20;  The Rocky Horror Picture Show, featuring EarlOrrin Productions’ Chocolate Covered Rocky Horror, in partnership with Creative Alliance, October 28 and 29; and BCS Sound Check with Eze Jackson in Concert, November 18.

Everyman Theatre, 315 West Fayette Street:  Dinner and Cake, September 6 to October 2; The Lion in Winter, October 18 to November 13; Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, December 6 to January 1, 2023.

Doors Open Baltimore: A popular annual program that allows participants to tour places that aren’t usually open to the public returns on October 1 and 2, with more than 40 sites open this year. Examples include the Arabber Preservation Society; the Bromo Seltzer Arts Tower; Chesapeake Shakespeare Theater; the H. L. Mencken House and Humanim at American Brewery. The complete list is at doorsopenbaltimore.org.

Baltimore Symphony Orchestra: One highlight of the BSO’s fall series is a celebration of the 40th anniversary of the opening of the Joseph Meyerhoff Symphony Hall in Baltimore on September 16, 1982. To mark the occasion, the BSO has planned a 40th Anniversary Season Opening Celebration for September 17, with Jack Everly as conductor and Ledisi as vocalist. More information about the symphony’s fall schedule is on its website at bsomusic.org.

Baltimore Soundstage, 124 Market Place: Madonna Gaga Britney Dance Party!, September 16; Shrek Rave, September 17; Old 97’s with Vandoliers, September 18; Pusha T, September 20; Wednesday 13, Bag of Humans, Space Lumberjacks, September 22; Dead Like Disco with Brothers Clair, September 23; Maddie & Tae with Sacha and Abbey Cone, September 24; The Get Up Kids, September 27; Nine Inch Naans Tour with Bloodywood, A Killer’s Confession and Iris Divine, September 29; and Japanese Breakfast, September 30.

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‘Hedda’ brings queer visibility to Golden Globes

Tessa Thompson up for Best Actress for new take on Ibsen classic

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Tessa Thompson is nominated for Best Performance by a Female Actor in a motion picture for ‘Hedda’ at Sunday’s Golden Globes. (Image courtesy IMDB)

The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.

Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert. 

But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.

“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”

She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”

Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”

“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”

DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.

“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.

“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.” 

It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.

“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.

“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”

Hoss actually played Hedda on stage in Berlin for several years previously.

“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”

The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.

“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’

Onscreen and offscreen, Thompson and Hoss loved working with each other.

“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”

Hoss said that’s what drew Eileen to Hedda.  

“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”

But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.

Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).

“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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