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J-Pop idol Shinjiro Atae comes out as gay

Singer lived in Los Angeles for seven years

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Shinjiro Atae (YouTube screenshot from the "Into the Light" music video)

In a rare move in this conservative nation, Shinjiro Atae, a J-Pop idol, announced on social media and during an in-person event Wednesday, standing in front of a few thousand fans onstage in a darkish auditorium in central Tokyo, that he was gay.

In a statement posted to his Instagram, the 34-year-old wrote:

“To all my fans, today was a very special day for me. For years, I struggled to accept a part of myself … But now, after all I have been through, I finally have the courage to open up to you about something. I am a gay man.

It has taken me a long time to be able to say I am gay. I could not even say it to myself. However, Iā€™ve come to realize it is better, both for me, and for the people I care about, including my fans, to live life authentically than to live a life never accepting who I truly am. I hope people who are struggling with the same feeling will find courage and know they are not alone.

I held this event today because I wanted to tell as many of you as possible directly. For those unable to attend I will be posting my full speech on my website tomorrow so you can hear the news in my own words. The link is in my bio (English subtitles available).

When I think of my work in the entertainment industry and the many things for which I am grateful, it is my relationship with my fans that first comes to mind. I thank you guys from the bottom of my heart for standing beside me over the years. Iā€™d also like to thank my family, friends, staff members and my fellow AAA members for providing me their full support throughout this process.”

Speaking to his fans in Tokyo, Atae, known simply as Shinjiro said: ā€œI respect you and consider you deserve to listen to this straight from me,ā€ he mentioned, studying from a letter he had ready. ā€œFor years, I struggled to just accept part of myself. However now, in any case Iā€™ve been via, I lastly have the braveness to divulge heartā€™s contents to you about one thing. Iā€™m a homosexual [gay] man.ā€

ā€œIt has taken me a long time to be able to say I am gay. I could not even say it to myself,ā€ he added.

Telling the fans his story, Shinjiro related that his decision to come out was based on the seven years he spent living and working in Los Angeles, he noticed how freely gay couples expressed affection in public and had such a intensively supportive community.

ā€œEverybody was so open,ā€ Shinjiro said. ā€œIndividuals would speak about their vulnerabilities. In Japan, folks assume itā€™s finest to not speak about these issues.ā€

There were drawbacks though he noted to living in Los Angeles. When he visited places common with the LGBTQ community in neighborhoods such as West Hollywood, and he bumped into Japanese vacationers and expats, there was the fear somebody may leak a photograph of him at a gay club or out with another guy on a date to the press back in Japan or on Japanese social media.

Shinjiro Atae (YouTube screenshot from the “Into the Light” music video)

ShinjiroĀ first entered the highly competitive J-Pop scene 18 years ago at age 14 as a dancer in 2005. Starting with J-Pop powerhouse AAA as a dancer he built his career as a performer singing in Japanese and then later in English. AAA quickly built a large and fiercely loyal group of followers, recording eight number one hits on Billboard Japanā€™s Prime 100 chart.

In 2016, as the members of AAA launched into solo acts, Shinjiro moved to Los Angeles and studied English, among his other music business pursuits.

Building on his Los Angeles experiences, Shinjiro realized that his need to be himself and accepting of his sexual orientation was not political. All he needed was to ā€œnormalizeā€ being a gay man. The first person though he noted that he needed to tell was his 66-year-old mother.

ā€œI used to be tremendous stunned, and I had by no means imagined it,ā€Ā she said to a reporter. Asking that her last name not be revealed fearing harassment as there is not wide-spread acceptance of LGBTQ people in Japan; she also noted that while she supported her son personally, she was opposed initially when he mentioned he needed to go public. She was anxious about the on-line attacks, bullying or even the resulting discrimination.Ā 

However she added; ā€œIā€™m 200 percent supportive.ā€

His AAA bandmates were shocked yet showed up on Wednesday to cheer him on. Misako Uno, 37, a AAA member, in a backstage interview told reporters; ā€œI need to be a great cushionā€ for him.

As the event drew to a close Shinjiro ended debuting his new single and video, ā€œInto the Light.ā€ The English-language song is in apparent reference to his decision to come out.

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John Waters released from hospital after car accident

Crash took place in Baltimore County

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John Waters (Washington Blade photo by Michael Key)

BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.

The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.

The rest of this article can be found on the Baltimore Banner’s website.

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More than 1 million people attend Madonna concert in Rio

Free event took place on Copacabana Beach on Saturday

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Madonna performs on Rio de Janeiro's Copacabana Beach on May 4, 2024. (Screen capture via Reuters YouTube)

An estimated 1.6 million people on Saturday attended Madonna’s free concert on Rio de Janeiro’s Copacabana Beach.

The concert, which was the last one as part of Madonna’s Celebration Tour, included a tribute to people lost to AIDS.

Bob the Drag Queen introduced Madonna before the concert began. Pabllo Vittar, a Brazilian drag queen and singer, and Anitta, a bisexual pop star who was born in Rio’s HonĆ³rio Gurgel neighborhood, also joined Madonna on stage.

Congresswoman Erika Hilton, a Black travesti and former sex worker, and Rio Municipal Councilwoman MĆ“nica BenĆ­cio, the widow of Marielle Franco, a bisexual Rio Municipal Councilwoman who was assassinated in 2018, are among those who attended the concert.

“Madonna showed that we fight important fights for the human rights of Black (people), young (people), women and LGBTQIA+ people, and against all injustice, discrimination, and violence,” saidĀ AssociaƧao Nacional de Travestis e Transexuais (National Association ofĀ TravestisĀ and Transsexuals), a Brazilian trans rights group known by the acronym ANTRA, on itsĀ X account.Ā “What they call identitarianism’ is our subversion to the retrograde and conservative tackiness that plagues the country.”

The Associated Press reported the concert was Madonna’s biggest ever.

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HRC releases ā€˜Queer Renaissance Syllabusā€™

BeyoncĆ©ā€™s hit album inspired curriculum

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BeyoncƩ performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that BeyoncĆ©ā€™s ā€œRenaissanceā€ album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on BeyoncĆ©’s Billboard 200-topping dance album, “Renaissance.”

BeyoncĆ©’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like ā€œBreak My Soulā€ and ā€œCuff It,ā€ the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of BeyoncĆ©’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRCā€™s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes BeyoncĆ©’s tribute to Oā€™Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to ā€œRenaissanceā€ songs at a gas station. HRC also includes a statement that condemns hate crimes.

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