Celebrity News
Wilson Cruz becomes new GLSEN board chair
Advocacy group is 33 years old
These days, when actor, producer and activist Wilson Cruz isn’t walking a picket line with the Screen Actors Guild and supporting the striking members of the Writers Guild, he’s busy getting up to speed as the new chair of the board at GLSEN, the organization that is also known as the Gay Lesbian Straight Education Network.
“It’s really a turning point for the organization,” Cruz told the Los Angeles Blade in a recent phone interview. For the first time in GLSEN’s 33-year history, its board chairs and executive director represent BIPOC, nonbinary and trans people. “And it’s a great time to set a new course for this organization, because if there’s ever been a need for a GLSEN, it is in this moment when education and queer kids and the relationships to their education is so fraught.”
Variety first broke the news on July 26, but as it turns out, the award-winning actor best known for “Star Trek: Discovery” and “My So-Called Life” and for his advocacy spilled the beans to the Blade way back on June 8. That evening, Cruz joined his “Star Trek” co-stars Anthony Rapp and Blu del Barrio for a Q&A with fans, following a performance of Rapp’s extraordinary one-man off-Broadway musical, “Without You.”
The Blade asked each of the stars on stage that night at the New Worlds Stages theater in Manhattan what their plans were for Pride Month, and Cruz let it slip that he was about to embark on this new adventure with GLSEN.
“Just between you and the 30 people who are in here, I’m taking over as the chair of the board of GLSEN,” Cruz revealed to wild applause. Rapp asked his “Star Trek” “space boo” about the group’s current name, which Cruz confirmed will soon be known only by its acronym. “It’s basically an organization that works around the country to make sure that every school in this country is a safe place for queer kids,” said Cruz. And then he turned to the Blade and added, “You can’t print that yet! It’s off the record!”
Although newsworthy items are not traditionally considered “off the record” when a newsmaker says it after the fact, the Blade agreed to hold the story in exchange for this exclusive, in-depth interview following the official news release on July 26.
“This has actually been in motion for six months,” Cruz said in our conversation that day. “Why I am doing it is because I really believe in our new executive director, Melanie Willingham-Jaggers, who just came on officially as our executive director after Eliza Byard left, And I really, truly believe in her leadership and in the vision that she has for GLSEN going forward. I really fought for her to become our executive director, and I wanted to support her in this role.”
As he prepares to celebrate his 50th birthday in a few months, Cruz reflected on his lifelong journey as an advocate: A trailblazer on television at just 15, his work supporting fellow Puerto Ricans, serving as GLAAD’s director of entertainment industry advocacy and as its national spokesperson, serving on the board at GLSEN and now as its chair.
“This is my opportunity to help create a better world for the generations that come after me,” Cruz told the Blade. “For 30 years now, I have been a voice for LGBTQ youth because of the fact that I was Ricky Vasquez. And so, it’s been a passion of mine to make sure that the school experience for queer students is better than the one that I had.”
Cruz’s father kicked him out of their Southern California house on Christmas Eve, and he spent three months living in his car and at the homes of friends, he revealed in a 2020 podcast. But as he told Variety, most of his high school peers bullied him.
“I don’t even know what it was like not to be bullied,” Cruz said. “I was called faggot every day. It got to the point where I didn’t even hear it anymore.”
Without a network to support him, Cruz turned to other queer students and to teachers. “I went to high school in the late ‘80s and early ‘90s, before there were gay-straight alliances,” he told Variety. “The only way I got through school was with my best friends — the other four gays kids I knew at school. I know because I had them in my life that I had a sounding board and that there was someone who could reflect back my own experience and make me feel like I was not ‘not normal.’ They saved my life. We saved each other’s lives.”
Cruz told the Blade that was another reason he is dedicating his time to GLSEN.
“One of the things that I did have, which GLSEN is at the forefront, is how students can support each other,” he said. “These student-led groups, where you can see others like you, who you can relate to, who can support you, who you can in turn support. And as we know, community is how we support each other, our children, our families, if you will. And GLSEN is also an amazing place for parents who have queer kids to come and be supported and have resources.”
Those resources are key at this time as LGBTQ children, their parents and healthcare providers as well as adults find themselves under attack across the nation. And GLSEN itself became a target earlier this year, because of its partnership with Target, as the Blade has reported.
The retail giant came under siege over its LGBTQ affirming “Pride Collection” of merchandise in May. Target moved some merchandise from display and purchase after physical assaults, verbal threats and bomb threats.
“That whole controversy, it was about us,” said Cruz. “We received death threats, which were taken very seriously by the FBI and by the police. One of the ways that we’re protecting our staff is having them work remotely.”
In a statement released in May, GLSEN called out Fox News and other conservative news media: “Right-wing media outlets have spread harmful and vicious lies about GLSEN — and these intentional and heinous attacks have spurred an onslaught of hateful messages and threats to our mission and the physical safety of our staff.”
Cruz noted that GLSEN is also committed to countering the hate that has spread to statehouses throughout 2023.
“There have been 650, I would say, anti-queer and anti-trans bills that have been introduced in the last year, I believe. And in terms of all of those legislative efforts, we rely on our core support, which is we work for more comprehensive policies both statewide but also on the federal level. So, we work with state leaders and federal leaders. We work with supported educators to make sure that there is at least one educator in every school that students can look to who they know is an ally and in their corner, we work all day to make sure that there is inclusive curriculum, because we want to make sure that students see themselves reflected in their education and know their history and how we gained the rights that we have gained and the intersectionality that lie within. And we support the GSAs, which used to be called Gay Straight Alliances and are now called Gender and Sexuality Alliances.”
Cruz said his decision to lead GLSEN’s board was also a result of the woman named vice chair: Imara Jones, an award-winning journalist named to Time magazine’s 2023 list of 100 Most Influential People and the creator of TransLash Media, a Black transgender-led nonprofit news organization and digital community.
“Imara has been on our board for a year now, and the moment she came on, she was a powerhouse,” said Cruz. “She was powerful in her views. She was a leader right away. She really made sure that we stayed on task and that we stayed true to our vision. I believe she’s probably the strongest trans activist voice that I know personally, and she does it with such joy and such reverence. And I love our working relationship.”
“Wilson is amazing because Wilson brings both tremendous heart and reach and star power,” Jones told the Blade in a phone interview Sunday. “And I think with that kind of combination, of the ability to be able to shine brightly in the world as a star, but also be deeply connected to community and what we’re trying to do and understanding what it is like for queer kids all across the country right now, I think that Wilson is the perfect chair.”
“She makes me feel stronger and I hope that I do the same for her,” added Cruz. “I think it’s a great pairing of minds. And her strength really filled in for my weaknesses.”
“I’ve served on a number of boards and I have a pretty strong grasp of parliamentary procedure and just a good idea about how boards are supposed to function,” Jones told the Blade. “And essentially it’s meant to be a committee and an organization of equals. The role of the people that are running it is to facilitate the ability of everyone to bring their talent. And for me, what I look to, more than anything, is to move everyone to consensus. I think we always want to be moving towards unanimity when it comes to what we’re trying to do.”
That self-deprecating comment absolutely required the Blade to press Cruz to enumerate his so-called weaknesses: “There are some things that I’m not great at, but I’m learning, right? As in, I’ve never been the chair of a board. So, I have to learn, you know, parliamentary rules of procedure. And Imara Jones is like a master at them, so I am learning from her here.”
Plus, Cruz expects that at some point Hollywood’s ongoing labor dispute will be settled and he will be back to work as an actor. Before the strikes, he spent almost a month filming in Phuket, Thailand, alongside actor Benjamin Bratt.
“If and when I have to go to work and not be available, she can take over for the time that I’m away,” Cruz said. “I was hesitant to do it at all because of my schedule. But with Imara there, I feel really confident that the three of us — for the first time in 33 years that the leadership of this organization is all people of color, nonbinary or trans, you know, queer people — that we really reflect who our students are, that need to be helped by GLSEN the most.”
“Mel is nonbinary, I’m trans and then there’s Wilson, who is gay, and we’re all people of color,” said Jones. “I think that it just reflects the need to expand the thinking about who is LGBTQ. I think that for so long we have had very narrow definitions of who we think are ‘our community.’ And especially at this time of, as you said, unprecedented attacks, I think that it’s really important that we have a wide lens of who our community is, so that we can begin to energize people in the way that we need to, and also be able to push for solutions that are going to help us get to another place, because they’re going to include all of us. So, I think that it just is reflective of where we are and is a really positive step forward.”
“We know from history, from our experience, from after 34 years, that when we do those four things,” said Cruz, meaning GLSEN’s work with state leaders, with federal leaders, with educators and with students. “When we keep a young Black trans girl at the forefront of our minds, we know if we work to make her school experience better, we make the school experience for every student better.”
You can watch an interview with Cruz as well as with the stars of Star Trek: Strange New Worlds and his Q&A with his Star Trek: Discovery co-stars by clicking here.
Celebrity News
Jonathan Bailey is People’s first openly gay ‘Sexiest Man Alive’
‘It’s a huge honor. And it’s completely absurd.’
Actor Jonathan Bailey made history Monday after he was named People magazine’s first openly gay “Sexiest Man Alive.”
Bailey is known for his starring role in “Wicked,” as well as well-received turns in “Bridgerton” and “Fellow Travelers,” for which he was nominated for an Emmy. He returns to the big screen on Nov. 21 in the “Wicked: For Good” sequel.
Bailey announced the news on the Nov. 3 “Tonight Show” with Jimmy Fallon.
“It’s the honor of a lifetime,” Bailey, 37, said. “I want to say, Jimmy, thank you so much for turning it down so that I could be here.”
Bailey told People, “It’s a huge honor. Obviously I’m incredibly flattered. And it’s completely absurd. It’s been a secret, so I’m quite excited for some friends and family to find out.”
People launched its popular “Sexiest Man Alive” issue in 1985 with inaugural winner Mel Gibson. Last year’s winner was actor John Krasinski.
Bailey came out publicly in 2018 and founded a nonprofit, Shameless Fund, which raises money for LGBTQ organizations and issues.
Celebrity News
The queerest moments of the 2025 VMAs
LGBTQ artists a central part of the music industry at this year’s award show
Whether it be sultry Frank Ocean performances or Madonna reminding everyone that drag queens run the world, the MTV Video Music Awards (VMAs) have always been an unofficial honoring of the LGBTQ community’s contributions to music. Yet many fans were nervous going into the 2025 ceremony; during a time when marginalized voices are being attacked across the country, would there still be a queer presence at this historic award show? Luckily, they weren’t disappointed, as the VMAs quickly reminded everyone of a very important fact: there is no music industry without queer artists.
And with that in mind, let’s take a closer look at the moments that made the 2025 VMAs one of the gayest award shows ever!
Before it even began, the ceremony’s red carpet hosted some of the entertainment industry’s biggest queer stars (and their impeccable fashion choices.) Whether it be the eviscerating Law Roach, hilarious comedian Megan Stalter, or renowned drag queens like Lexi Love and Symone, this crimson runway was a space for these icons to strut their stuff.
The invite list alone made it clear that LGBTQ artists would continue being an integral part of the VMAs — a fact that was taken to unimaginable heights when Lady Gaga won the award for ‘Best Artist of the Year!’
Even after countless wins, it can’t be overstated just how important a triumph for Lady Gaga is for the LGBTQ community, especially when she’s being awarded for the massive amount of work she’s done this year. Not only has her new album, “Mayhem,” been the soundtrack for every gay bar, but in the face of rising discrimination, she is constantly speaking up for queer and trans individuals across the country. It was so cathartic for her LGBTQ fans to watch Mother Monster accept the award, starting the show with an uplifting, quintessential queer energy that would only get better from there.
Not only did numerous LGBTQ artists perform — a huge shoutout to Lola Young and Conan Gray — but a portion of the night was focused on rewarding gay trailblazer Ricky Martin with the first-ever Latin Icon Award. He used his speech to encourage unity during this time of division, reminding listeners that music should be what brings us together during a time when people are literally trying to tear us apart. And he wouldn’t be the only LGBTQ artist going home with a Moon Man! Stans across the globe cheered when KATSEYE won the VMA for Push Performance of the Year, the inaugural award for a global girl group that is revolutionizing what it means to be an idol today. Not only are they breaking barriers, but with members Lara Raj and Megan Skiendiel, KATSEYE makes history as one of the only idol groups to openly feature two queer women!
Halfway through the VMAs, this award ceremony was already shaping up to be one of the queerest yet … but someone wanted to bring even more to the stage. Someone who used every moment she had to amplify LGBTQ artists and call for the respect these communities deserve. She was already regarded as an icon before the show, but with her performance and acceptance speech, Sabrina Carpenter solidified herself as one of the biggest advocates in music today.
While every VMAs performer brings a unique concept to their performance, few are as instantly captivating as Carpenter’s performance of “Tears.” The faux-city streets of her stage bring to mind moments from history like the Stonewall Riots, acts of resistance that fueled LGBTQ liberation and made the modern music industry possible. Then, as the camera panned out, audiences learned that Carpenter brought queer royalty onstage with her: “Drag Race” queens Denali, Willam, Symone, Lexi Love, and Laganja Estranja, along with Ballroom legends Dashaun Wesley and Honey Balenciaga. The entire group took part in some visually stunning choreography before each held up a cardboard sign, with their sayings ranging from “Protect trans rights” to “In trans we trust” and “Support local drag.” With this song, Carpenter fought transphobia and called for equity with more bravery than anyone else that night — and she wasn’t done.
“I do want to say: to my incredible cast and dancers and queens on stage with me tonight … this world, as we all know, can be so full of criticism and discrimination and negativity,” said Carpenter, as she accepted the award for “Best Album.” “So to get to be part of something so often, more than not, that is something that can bring you light, make you smile, make you dance, and make you feel like the world is yours … I am so grateful.” It’s an unfortunate truth that, while many celebrities enjoy featuring queer performers in their acts, too often these folks are treated as props rather than actual artists. Carpenter used every minute onscreen to show her love for these LGBTQ artists and grant them the national applause they deserve. It created many jaw-dropping, utterly LGBTQ moments throughout the night, and it gave everyone watching an exceptional model for how to be a true ally today.
There were so many amazing moments at the 2025 VMAs, it’s unfair to label one as the best! From Eyekons to short n’ sweet activists, the award ceremony was stacked with reminders to everyone that queer people built the music industry they love — and that we’re not going anywhere. But, while each of these resonated with different fans for different reasons, there was a single instant that touched every queer person watching.
When Ariana Grande accepted her award for “Video of the Year,” she succinctly surmised her appreciation for the LGBTQ community in a way that truly anyone can understand: “Thank you to my therapists, and gay people. I love you.”
Celebrity News
Lil Nas X and the cost of being seen
Queer rapper arrested, hospitalized for possible overdose
At a time when the world feels like it’s already choking on mouthfuls of disheartening news every day — genocide on the Gaza strip, climate crisis, political descent here and abroad – the last thing any of us want to hear about is another headline on a young star reportedly hospitalized following a possible overdose. Yet here we all are, watching a very familiar pattern unfold. This time, it’s our beloved queerby Lil Nas X.
According to TMZ, Lil Nas X, né Montero Lamar Hill, was reportedly hospitalized for a possible overdose mere months after he opened up publicly about how difficult the last few years of his career have been. He took to social media, stating, “I jumped straight into adulthood with extreme fame around me. So it was really nice to be just outside walking and meeting people in the streets and eating at restaurants, just even alone, spending a lot of alone time in solitude.”
Sound familiar? It should. The razzle-dazzling surface of fame seldom shows us the internal clutter and chaos, the pressure, the expectation to always be on, meanwhile mental health is brushed aside. And for our queer artists, particularly Black queer artists like Lil Nas X, the burden becomes that much denser.
We’ve seen this before. Demi Lovato. Aaron Carter. Whitney Houston. Talented, beloved artists who, for one reason or another, found themselves unraveling under the unrelenting scrutiny and chaos that comes hand in hand with fame. Some of them make it through. Some don’t. Many cry for help ages before things reach a breaking point. But what did we do? Did we listen? Did we leave Britney alone? Or are we the ones who light the match, pull out our phones, and film the flames? For once, please don’t tag me.
Lil Nas X sashayed onto the scene not just as a chart-topping artist, but as a cultural disruptor. Diva wore dresses to award shows. He clapped his cheeks on Lucifer in the music video for “Montero.” He vogued his way into the conversation on gender, sexuality, religion, and race that made a whole lot of folks uncomfortable, and that was the point. We were living for it, for him. We liked, we shared, and we reposted. We ate it tf up and licked our fingers clean. But did we ever truly care?
When a person like Lil Nas X steps out of the spotlight to say, “I’ve been having a hard time,” do we respond with any empathy, or just wait around for the next head turning lewk or satanic lapdance? It’s easy to forget that behind the headlines is a real human. One with a nervous system, a childhood, a family, and so much more. And, what most often goes ignored by all, a limit.
There is something particularly painful about seeing this happen to queer people in the public eye. We’re told that visibility is freedom. And to an extent, it is. Lil Nas X became a rare symbol of queer Black excellence in mainstream media, an unapologetic icon. But visibility without protection has the potential to be fatal. Fame doesn’t guarantee safety — not physically nor emotionally. As a matter of opinion, for queer people, it’s more often than not the opposite.
When you’re queer in the spotlight, you’re performing resilience first and music second. You’re expected to rise above, to remain unbothered, to smile at all times no matter the weight of the pressure, to be a walking teachable moment at every moment. And when you break down? People either turn their backs or turn you into a meme.
FACT: mental health in the queer community is already a crisis. Study upon study have consistently shown that LGBTQ identifying folks are at significantly higher risk for anxiety, depression, and suicide. Add international stardom to the mix, and you don’t get immunity from this. You get fast-tracked.
And yet, we continue to lap up these public struggles like entertainment. The media machine feeds on our thirst, and we keep clicking. Headlines about a “possible overdose” become the most clicked clickbait. Tweets become jokes. Vulnerability becomes viral.
So then we have the question, what does it mean to authentically support an artist like Lil Nas X, not just when he’s on stage, but when off stage as well? When the posts stop posting. When the glitter dulls. Are we prepared to support our icons through their harder times the way we do when they’re on top of the world?
We can start by changing how we engage. Honestly take a moment to ask yourself, are you clicking on these stories to gag or to understand? Are you giving compassion or commentary? Are you holding a mic to their cry for help, or are you fetishizing their struggle?
We also need to shine a light on the entertainment industry to offer real mental health resources and protections, especially for young and marginalized artists whose career they are both responsible for and profit immensely from. Care does not come hand in hand with fame. It’s often the reason care is a concern.
We don’t know the full story of what happened with Lil Nas X, and jumping to conclusions is like eating at Chick-fil-A: only those of low intellect are tempted. But what we do know is that someone allegedly ended up in the hospital after publicly saying they were struggling. That alone should be enough to warrant concern. Not for the gossip or clicks but for simple humanity.
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