Nightlife
Bigger is better at newly expanded Trade
10 years and still going strong, a space with ‘soul’
Celebrating its 10th anniversary this year, Logan Circle’s Trade has expanded its footprint this summer – and the updates are not yet complete.
Located along 14th Street south of P Street, Trade has been a gay bar mainstay since its debut in 2015. Launched as a dive-style spot in a slim, dimly lit space lined by booths surrounding a tight dance floor, Trade today is a nightlife staple.
Trade is owned by Ed Bailey, who also operates the bar Number Nine around the corner.
Trade has grown from this original into a powerhouse with four separate spaces: the original building, an expanded outdoor patio, a dedicated dance floor, and a subterranean lair.
Bailey says that over the years, he aimed to give Trade a bit of a refresh – however small – every two years. “I try to figure out how to reinvest in my spaces and renovate as often as every couple years to keep things fresh and exciting. I had been working to explore at Trade how to do that. Yet I was limited in what was available, as the small space did not lend itself to major change. Still, I had been able to update the patio and make some slight reno inside.”
This time was different.
When the real estate directly adjacent to Trade opened up, Bailey connected with the landlord at once. It was an opportunity not just to renovate but one that “could potentially change the nature of Trade dramatically.” He noted that his team signed the deal for the expansion – keeping it under wraps – more than two years ago. Permitting and administrative hurdles pushed back the opening, and construction began about a year ago.
He added that the expansion idea was conceived before an entirely new generation of D.C. LGBTQ bars had yet been born, like Bunker, LGP, Crush, Thurst, and District Eagle. “It’s really remarkable that at the time, none of these were open,”
Bailey said that “the main accomplishment was to give ourselves more room,” feeling that Trade had outgrown its original space, constricted in what it could offer thirsty guests. “Trade was limited.”
One primary goal was to place the patio in focus – now more than double in size. “It wasn’t, however, simply removing a fence,” he says, “there was significant design and construction.”
As with the rest of Trade, he leveraged reclaimed and upcycled materials. Trade aficionados will recall that the original DJ booth is a second coming of a church pulpit, reincarnated as a place to spin tunes. The original back bar is constructed from nearly 100-year-old cabinetry from a cruise ship that “we lucked into finding at a salvage yard.”
The patio, therefore, maintained this approach, using reclaimed and found wood for the seating and doors. He planted a tree in the middle to provide some shade and a central focus.
In the adjacent building, accessible only via doors from the patio, is a dedicated dance floor, responding to D.C.’s need for a dedicated dancing space. “Trade had previously offered dancing, but in a quirky way; it was not a true dance floor – almost dancing in a hallway.”
The new room has a dedicated bar, an elevated stage for performances, new bathrooms, and features a shimmering sea creature hung from the ceiling lovingly named “Sharka Khan.” Over the next couple weeks, Trade will complete an HVAC update, followed by extensive sound and lighting installation finalizations.
The last space, underground, echoes the original Trade, with its reclaimed-wood booths for quieter conversations in a “sexy, darker, broody” vibe, and a place to cool off.
Scheduled dance parties and additional programming will debut in the fall, including an upcoming party associated with the Flower Factory organizers. Otherwise, “For now, we’re letting guests experience Trade and give us feedback. We know now that it has been extremely well received, and it is very satisfying, given the time and effort we invested.”
Having been open for a decade, Trade has been an anchor of the city’s diverse, dynamic nightlife scene. Bailey says that his aim in crafting social destinations is to “build things that have a soul to them, some connection to authentic existence.”
Nightlife
Parties, dinners, concerts and more on tap for fall nightlife
Blade’s 25th Best Of party among highlights
The heat is on in the city this fall for gala season, culture, and nightlife, including many LGBTQ and ally artists. Select shows, parties, and events for the season are below.
September
9/18-20: Fuchsia Fest – The inaugural Fuchsia Fest is a new multi-day celebration created to highlight LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. Hosted by Capital Pride, Fuchsia Fests’s various events take place across the city throughout the weekend.
9/24: Katie Pruitt – The Americana/indie-fold singer-songwriter is known for her soaring vocals and deeply personal storytelling. She is on tour for her latest album, released Sept. 18, “Fools for the Fleeting.” She is part of the LGBTQ community.
9/25-27: All Things Go. This annual music festival at Merriweather Post Pavilion includes performers like Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many more beloved artists. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members. There are single-day and three-day tickets.
9/26: Human Rights Campaign National Dinner – This annual big-ticket fundraiser for HRC (black tie, of course) celebrates achievements and recognizes the road ahead for LGBTQ+ equality. Taking place at the Mayflower, look out for D.C. stars, like members of Congress, former first ladies, and Broadway actors.
9/26 Gorillaz – Two decades strong, this artistic group unites visuals, storytelling, and music across diverse genres, from rock to reggae to electronic, for a show at Capital One Arena.
9/29 Charli XCX – British singer-songwriter and pop diva known for her bold expression, mixes electronic, pop, and dance, will bring thrilled audiences to her show at Capital One Arena as part of her Music, Fashion, Film Tour.
Multiple dates: Smithsonian Festival – This fall, the Smithsonian Institutions is debuting a festival called Rhythms, Roots, Recipes: Community Stories of Food and Music. Across this five-part series, each session features cooking demos, discussions, and live music. All programs are free and open to the public, and take place in the demo kitchen at the National Museum of American History.
October
10/3: GLOW BLock Party – GLOW is back! After throwing a giant party this spring with 10,000-plus dancing fans dancing against the Capitol dome at sunset, GLOW returns with an even more epic lineup: legendary Grammy-winning DJ and producer Diplo leading a seven-hour party with vendors, activations, and a number of other huge acts like Westend, Anabel Englund, Monty Kiddo, and D.C.’s own Ratalina.
10/3: Home Rule Music Festival – Now in its fifth year, this is a free, all-day community-driven event of local music, food trucks, and vendors at the Parks at Walter Reed. The D.C.-focused event features bands playing go-go, soul, hip-hop, jazz, and more, plus a record fair and live art.
10/3: PRIDEtoberfest – Gay-owned Wunder Garten presents PRIDEtoberfest, marrying the festive spirit of Oktoberfest and the joy of the LGBTQIA+ community for an all-day celebration of Pride, community, live music, DJs, overflowing steins of beer, and entertainment. Food will be available from Little Miner Taco and CaliBurger, plus plenty of friendly men in lederhosen.
10/3: Power to the People Festival – The inaugural Power to the People Festival will take place at Merriweather Post Pavilion in Columbia, Md. The festival, curated by Rock & Roll Hall of Fame guitarist and acclaimed activist Tom Morello, is a celebration of peace, justice, solidarity, music, and community action.
10/10: Jessie Ware – British singer and songwriter fully embraced by the LGBTQ community brings her impassioned mix of pop, disco, and electronic genres to Capital One Arena supporting her latest album Superbloom,
10/19: Chefs for Equality – This annual dinner fundraiser for HRC remains in its remixed, diffused form this year. Under the theme of United Plates of America, there will be six different activations: four multi-course collab dinners (at CUT by Wolfgang Puck, Marcus DC, Moon Rabbit, and Centrolina); Drag Brunch for Dinner at Perry’s; and a lavish cocktail party at cocktail lounge Silver Lyan. In any form, Chefs for Equality is a signature benefit toward the fight for full LGBTQ+ equality.
10/20 Rodrigo y Gabriela – Grammy-winning Mexican acoustic guitar duo that blends flamenco, rock, and heavy metal is coming to The Anthem. They have been playing at 9:30 Club and sister venues since 2007.
10/22: Washington Blade Best of Party – Celebrate the best of LGBTQ DC at the Blade’s epic Halloween party: Murder on the Dance Floor. Winners of the Blade’s annual Best of DC will be announced at this party at Longview Gallery. This marks the 25th anniversary of the Blade’s Best Of competition. “Real Housewives” star Ashley Darby hosts.
10/31: Into the Shadows – An immersive, indoor/outdoor Halloween party actually on the spooky day itself at Berhta. With multiple stages across multiple rooms, there are various DJs and activations.
November
11/11: Whitman-Walker Gala – This annual fundraiser at the Ritz-Carlton is themed “A Celebration of Impact & Innovation.” It aims to showcase the impact of Whitman-Walker’s healthcare, research, and policy programs, and will include presentation of the Groundbreaker Award for Community Philanthropy.
11/20: Ilana Glazer – Comedian, actor, advocate, and creator best known for co-creating and co-starring in the acclaimed series Broad City brings her act to Lincoln Theater. Her first show is already sold out, but a second show has been added.
Nightlife
In D.C. comedy, be sure to shop local
A thriving patchwork of queer-friendly stages in Washington, Baltimore
Most people know stand-up comedy from Netflix specials or late-night sets on Comedy Central. The reality is far different for local working comics like me. A few times a month, I might get paid $50 for a 10-minute set and my photo on a bar flyer to show off to the ladies in my scrapbooking club.
Still, it’s a joy sharing laughs about my well-worn Washington career arc — from conservative reporter to openly trans organic grocery store worker and nightclub comedian. Or, as I like to say onstage, from Fox to foxy.
Stand-up is hard. Offstage, it’s even harder. It took more than a year and nearly 80 open mics to land my first paid set. Since then, I’ve performed in coffee shops, bars, restaurants and even on a city sidewalk. I once performed in the Catskills, which felt like a big deal — even if it was a bigger deal in the 1950s.
As an older trans comic in Washington, I’ve found it nearly impossible to get stage time — or even the courtesy of a returned email — at the big, corporate-owned comedy clubs. Fortunately, there’s a thriving patchwork of queer-friendly producers in Washington and Baltimore creating shows that reflect the diversity of our communities, instead of straight male-dominated lineups that look like the cast of “Ice Road Truckers.”
“There are so many kinds of funny people, but a lot of barriers exist for women and queer people because it’s a very masculine culture,” said Dana Fleitman, who runs the Just Kidding Comedy Collective and is helping produce the Woke Mob Comedy Festival in April, featuring many women and queer comics.
Full disclosure: I’m not performing in the festival. But I am proud to be one of more than 50 women and nonbinary comics Fleitman and her colleagues have helped “train up” through an incubator program she first ran through Grassroots Comedy and now through Just Kidding Comedy Collective.
Another trans comic, Charlie Girard, who splits time between New York and Washington, runs an incubator program called Queers Can’t Take a Joke. He has trained more than 100 comics in Washington.
Girard has one rule: no punching down.
“The best comics speak truth to power,” Girard said. “Making fun of marginalized communities is simple lazy writing based on tired, old stereotypes.”
Ultimately, Girard wants to prepare students not just for queer rooms, but to find their voice and expand into all kinds of spaces.
Comics trained by Girard and Fleitman have gone on to produce or help run shows like Clocked Comedy, Backbone Comedy, the Crackin’ Up open mic and Funny Side Up. Several have found a home on Barracks Row at As You Are — one of my favorite places to perform. In Washington, comic Jenny Cavallero’s show Seltzer is a sober comedy night frequently featuring local queer comics.
In Washington, performer and producer Arzoo Malhotra, who runs Zoo Animal Productions, said it’s a critical moment to support community-based comedy producers, often the first hit by worsening economic conditions.
“We’re losing spaces faster than we’re creating them,” Malhotra said. “We are in the use-it-or-lose-it stage. If there’s a restaurant you like or a performer you want to keep seeing, patronize them now — because they’re going away.”
I’m also grateful for producers in Baltimore, which has a thriving queer comedy scene. Comic Hannah Alden Jeffrey’s monthly “The Really Cool Open Mic,” created for women and trans performers but open to all, regularly draws up to 100 people.
Hannah’s mic and Kenny Rooster’s “Dramedy” open stage have provided safety and opportunity when other stages felt out of reach. Comedians Michael Furr and Jake Leizear also produce shows regularly featuring queer comics.
“We started the REALLY COOL Open Mic because every other mic in town catered toward straight dudes that dominated the Baltimore scene,” Alden Jeffrey said. “Contrary to the lineups of many shows today, people don’t want to see a show of eight guys being bigots. Go figure.”
One of the most important moments for me came when I attended a free showcase at a well-known Adams Morgan club. Like other big venues, it hadn’t responded to emails from a new comic looking for a shot. I sat in the back row thinking maybe these comics were just way funnier than I am.
Then a straight male comedian — with hair even more gorgeous than mine — launched into a long joke comparing eating pizza to performing oral sex on a woman.
At that moment, I walked out feeling better about myself. I remember thinking: nope. I absolutely deserve to be on that stage, too.
Lots of us do.
Jamie Mack is a stand up comedian, speaker and writer. Follow them on Instagram at @jamiemack_blt or email [email protected].
District of Columbia
Tatianna to headline National PrEP Day event at Crush
Medication dramatically reduces HIV risk among users
Crush Dance Bar will join a nationwide inaugural celebration of National PrEP Day during a Thursday event that will feature “RuPaul’s Drag Race” star Tatianna.
MISTR, the nation’s largest telehealth platform for sexual health, and its companion brand SISTR are together launching National PrEP Day on Friday. The campaign aims to end HIV in the U.S. by enrolling 10,000 people in PrEP within 10 days.
PrEP is a pill or injection that reduces the probability of HIV by up to 99 percent.
MISTR and SISTR provide free, discreet PrEP delivery regardless of insurance status. The brands aim to promote stigma-free PrEP access for LGBTQ men and women of color during the campaign.
“We already have the tools to end HIV: the science, the medication, and the technology. What’s missing is the will, the access, and the equity,” said Tristan Schukraft, the founder and CEO of MISTR.
More than 39,000 people were diagnosed with HIV as recently as 2023. Only one in four of individuals eligible for PrEP are current users.
The Washington event is one of 16 events being held across the country to celebrate PrEP access and sexual health equity.
In addition to national events, MISTR is also behind a social media campaign encouraging people to sign up for PrEP. The national campaign will end with a National PrEP Day blue carpet event at The Abbey in West Hollywood, Calif., on Thursday, featuring celebrities and drag queens, to count down to National PrEP Day.
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