Arts & Entertainment
From ‘snowmageddon’ to art exhibit
Photos inspire new business line for local designer
Sometimes inspiration comes in unexpected places.
Local gay designer Ernesto Santalla found it in the snow with his camera.
“It’s what I did for days as it snowed and snowed and then snowed some more,” Santalla, president of Studio Santalla, Inc., says. “I took black-and-white photos for years and didn’t stop using film until ‘snowmageddon’ last February, when all I could get my hands on was a point-and-click digital camera.”
Instant digital gratification became photographic disillusionment when the fruit of trekking through mounds of snow was a heap of mundane images.
“That’s when I got the idea to make collages,” Santalla says. “A single image is flipped and repeated four times. What emerges is a fascinating kaleidoscopic photograph, which gives the viewer a very personal interpretation, like inkblots.”
On Jan. 20, a show titled “Ernesto Santalla Symmetries” opens at Long View Gallery in Washington, which presents Santalla’s view of D.C. in the midst of the blizzard and buried under snow.
“I’ve incorporated my photography into Studio Santalla’s interior design projects in the past, but the collages created an area of expansion for my business,” he says. “In the design industry, the most logical area of expansion is for a designer to introduce a furniture line, or when an architectural firm is also the builder. … As a business strategy it is often referenced as ‘brand expansion’ or ‘white space,’ whereby a company adds a division in a related field to grow its business.”
As the interest in acquiring the photographs has increased since last year from individuals and corporations, Santalla started a new company, Ernesto Santalla Photography LLC, which sells limited, signed editions of the images.
“Because of the power of mega-pixels, the prints can be very large, which adds to the dramatic effect of the collages,” Santalla says.
“Ernesto Santalla Symmetries” runs through Feb. 13 at LongView Gallery.
CAGLCC Programs and Events
We want your opinions. Each year, CAGLCC recognizes outstanding individuals and organizations that have contributed to the economic, social and cultural fabric of the LGBT community in the Metro D.C. area. It is no small task to cull through the many accomplishments of members of our community and our allies.
This year, CAGLCC will recognize a select group of deserving honorees at CAGLCC’s annual Gala and Awards ceremony on April 8 at the Park Hyatt Hotel in Washington.
CAGLCC recognizes people and organizations based on their accomplishments: leadership, professional success and advocacy of LGBT economic and business issues. Past honorees have struggled to gain equality in the workplace for themselves and others, some demonstrate noteworthy success and professionalism in their careers, while others have been allies creating a supportive environment for LGBT employees.
The categories for the 2011 awards are Outstanding Business Person, Outstanding New or Young Business Person, Volunteer of the Year and Corporate Ally.
The Board of Directors of CAGLCC needs your help to identify qualified candidates for these honors. You can nominate individuals and organizations by providing a brief description of why you feel your candidate(s) deserves the award. Submit nominations to [email protected]. For more information on the awards, go here.
Member News
Congratulations to Gus Elfving, principal of Pet Peeps, who is celebrating five years providing professional in-home pet care services.
Christopher Brown, Esq. joined Ackerman Legal PLLC. His practice areas include commercial litigation, franchise and distribution and real estate.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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‘Amm(i)gone’ explores family, queerness, and faith
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