Arts & Entertainment
Out at the Olympics
Basketball player says being open was an easy decision for her
Out athlete Seimone Augustus is already a gold medal-winning Olympian. She hopes to add to her medal count in London. (Photo by Neil Enns; courtesy Dane Creek Photography)
With 12,602 athletes set to compete in the London 2012 Summer Olympics, it’s hard to believe that so few are openly gay or lesbian. Despite newfound presidential support for same-sex marriage and growing LGBT media visibility, the number of out athletes is really no more impressive than in the past two Summer Olympic games (11 in Athens 2004, 10 in Beijing 2008). Estimates this year range from nine to 20.
Some Olympic athletes decide to stay in the closet. However women’s basketball player Seimone Augustus is one openly gay Olympian whose reasons for going public with her identity outweigh those for keeping it concealed.
“Everybody’s been real receptive and real positive. To me it’s a big relief because people want to know who you are as an athlete and now as a person,” Augustus says during a phone interview. “It’s a big part of who I am.”
Augustus, a Baton Rouge, La., native, has shown tremendous talent in basketball since she was 3 years old and started playing on a junior team for 5-year-old boys. By 2006, she was the No. 1 WNBA draft pick for the Minnesota Lynx after playing for Louisiana State University. With her phenomenal record she was then named to the 2007-2008 USA Basketball Women’s Senior National Team. At the Beijing 2008 Summer Olympics, she became a gold medalist.
Other openly LGBT athletes who will compete in London this summer include German fencer Imke Duplitzer, American soccer player Megan Rapinoe, Australian diver Matthew Mitcham, Dutch field hockey players Marilyn Agliotti and Maartie Paumen, German cyclist Judith Arndt, Dutch equestrian Edward Gal and Swedish soccer player Jessica Landström. The U.S. women’s soccer head coach, Pia Sundage, is also openly gay.
“It’s 2012. Things are changing. People are more open-minded now. For your sanity and comfort it’s time to let people know who you really are,” Augustus says. “It’s a hard thing to do but you want to get that weight off the shoulder.”
Pride House 2012, a festival hosted by a number of LGBT sports organizations including Pride Sports UK and the LGBT consortium, will provide a gay-friendly venue for all athletes, staff and spectators of the London 2012 Olympics to celebrate LGBT involvement in sports from Aug. 3-7 at the CA House overlooking the Limehouse Basin Marina in London.
Pride House was a success at the 2010 Vancouver Winter Olympics and this year will feature live music from local LGBT organizations, exhibits, video presentations and various sports programs, including the “Football vs. Homophobia” football tournament. The event is an attempt to foster greater LGBT visibility in the Olympics and provide a comfortable space for Olympic athletes who are in or out of the closet and to educate anyone who is curious how the LGBT community has impacted sports.
“Being gay is just one part of being a human, and being able to be out in the sport that you really love and enjoy shows how complete a person you are,” Kurt Dahl, co-president of the Federation of Gay Games, says. “[Coming out] really allows a person to do what they love and put everything into it.”
The Federation of Gay Games is another of the organizations hosting Pride House 2012 to highlight LGBT Olympic involvement.
“The more people who are visible and participating, the easier it is for people who don’t have the rights and ability to do that,” Emy Ritt, the Games’ other co-president, says on coming out. “It shows that LGBT people are everywhere and is bringing the public to a better place.”
Seimone is happy to have found that place in her life where she feels ready to be out publicly as an athlete. Her engagement to girlfriend LaTaya Varner in May was one factor that facilitated this sense of comfort.
“She made me feel more comfortable with who I am. When someone gets engaged and they’re happy with their life it’s time,” Augustus says. “I’m really happy with where I am playing basketball and on the Olympic route. So many great things have happened in my life. I want everyone to know about it.”
The opening ceremony for the London 2012 Summer Olympics airs today (Friday) at 4 p.m. on NBC, and the games continue through Aug. 12.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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