Arts & Entertainment
Cerebral jazz
Patricia Barber brings her smart, able combo to D.C. this weekend

Patricia Barber wondered early on if coming out would affect her career. She says in the jazz clubs of her native Chicago, it was a non-issue. (Photo by Jimmy Katz)
Patricia Barber Trio
Blues Alley
1073 Wisconsin Ave., N.W.
Friday 8 and 10 p.m.
Saturday 8 and 10 p.m.
Sunday 8 and 10 p.m.
$27.50
patriciabarber.com
bluesalley.com
Jazz iconoclast Patricia Barber has a six-show run at Blues Alley slated for this weekend. She’s touring behind her newest album “Smash” (Concord), which was released in January. We spoke with the 57-year-old Chicago resident (and native) by phone last week from her summer home in Michigan. Her comments have been slightly edited for length.
WASHINGTON BLADE: The iPad seems to be increasingly replacing printed scores and lead sheets and I know you use one when you perform. Have you ever had it freeze up or die on you when you’re playing?
PATRICIA BARBER: No, it never has. I always carry a back-up flash drive with all my sheet music on it so at any hotel I could print out anything I needed, but I’ve never had any problem. It saves me a lot of weight. I don’t have to carry all those charts around.
BLADE: Jazz is, of course, more improvisatory than pop. To what degree do you think through your vocal inflections or piano variations before you go on stage versus what happens in the moment?
BARBER: I’ve never given any thought to that. It’s just part of improv. I never give any thought to trying to make it sound like the record. That’s for pop musicians to do. I just have a good sense of harmony and good technique. I practice a lot.
BLADE: Do you spend a lot of time in Michigan?
BARBER: Well, a lot in the summer. I stopped touring in the summer quite a few years ago. It’s just too hot and crowded. I have a big organic garden here. So we feed people, swim in the lake. It’s just wonderful. (Partner) Martha (Feldman) is an academic so she has summers off.
BLADE: Do you hate to leave for your upcoming dates?
BARBER: I get nostalgic but not right now. I’m feeling pretty good. Things have slowed down so it’s not the usual sense of dread I usually feel this time of year.
BLADE: Do you tour with your own piano?
BARBER: No. Most jazz musicians don’t unless it’s some kind of electronic.
BLADE: How do you ensure the quality is going to be where you need it to be?
BARBER: It’s all in the contracts. It’s all very finicky, that it has to be a certain quality type and tuning.
BLADE: How many of the players who travel with you played on “Smash”?
BARBER: Two out of the four. We’re sort of mixing it up. It doesn’t mean they weren’t good.
BLADE: Obviously you love music but I also sense some ambivalence about your musical career in other interviews you’ve given. Is that fair to say? You seem to have a love-hate relationship with the whole thing.
BARBER: My recording career, no. That’s fun and easy. Touring is very difficult so yeah, I think you hit it right on the head. Well, let me re-phrase that. Certainly not this sweet little tour to D.C. or a 10-day tour to Europe. But I’m pretty much done with the grueling 12-hour spans getting to a city.
BLADE: Now that “Smash” has been out for a while and had time to gestate, how do you feel about it? Is it hard to assess how well something worked when you’re still close to it? Has it been hard to find a way for it to live in a live setting?
BARBER: I still love it. I don’t know that my feelings have changed at all. I’m still finding ways to transpose, as you put it, to the stage. With jazz, you can’t stick to one performance so I’m purposefully trying not to sound like the recording. It’s interesting what you can do with a quartet vs. a trio. It’s slightly different each time. But I’m still in love with it.
BLADE: Is “Devil’s Food” a political statement?
BARBER: It’s my first gay song … It’s definitely coming from the DOMA political situation. That whole court case was coming up and my feelings about it. It isn’t obviously gay until you’re listening to it. It’s fun to watch people’s faces because it turns into a disco song. Jazz is usually very serious but this is just gay fun.
BLADE: Do you feel the press has focused too much on your sexual orientation throughout your career?
BARBER: Yes. It’s the first thing on Wikipedia. I’m a lesbian jazz musician. To me, that’s not a category but OK. I’m hoping as we’ve all grown older that being gay continues becoming just part of the normal fabric of everything and people will focus on the music more but you have to remember years ago, we weren’t anywhere close to where we are now on that.
BLADE: You were out pretty early on though. Were you just pretty much organically out or was it a conscious decision at some point to be out?
BARBER: I had a whole issue with that. I was working at a pretty famous club in Chicago that was very popular. We had lines around the block and I worked there six nights a week with a trio. And yeah, at the beginning — this was many, many years ago — I wondered if they would have hired me if I’d been out. It was such a hetero scene there so I definitely worried about it but then I came out to my boss and … he thought it was sexy and kind of cool in a sort of perverted way. But it hasn’t ended up affecting my audience at all. They’ve always been mixed — straight, gay, black, white, young, old.
BLADE: You’re playing six shows in D.C. Is it designed to be something people can see over a few nights or is it pretty much the same show?
BARBER: I don’t expect that people would see it twice. That would be unusual. It will pretty much be the same set.
BLADE: Do jazz fans bring expectations with them the way people expect pop acts to always do certain hits?
BARBER: I think they want to hear stuff from “Smash” and they sometimes have old favorites they want to hear. Sometimes they send me notes. If it’s easy to do, sure, I’ll do it. I have a huge repertoire by now. I’m happy to try it if I can or if I just want to sit and play “Autumn Leaves” for an hour and a half, I’ll do that.
Celebrity News
Outright International honors Cyndi Lauper at annual NYC gala
Singer, long-time ally spoke with Blade on red carpet
NEW YORK — Cyndi Lauper on Monday said LGBTQ Americans and their allies cannot give up in the fight for equality.
“We need to band together. We need to stand together, and we need to speak out, and we need to help each other,” she told the Washington Blade during an interview after she arrived at Outright International’s Celebration of Courage gala that took place at Pier 60 in Manhattan’s Chelsea neighborhood. “Otherwise, we’re dead.”
Outright International honored the singer and long-time ally at the gala that raised nearly $1.5 million for the global LGBTQ and intersex advocacy group. Levi Strauss and VoteLGBT, a group that seeks to increase LGBTQ representation in Brazilian politics, also received awards at the event that Laverne Cox emceed.
“These people have courage — you have the courage to stand up,” said Lauper in her acceptance speech, specifically referring to VoteLGBT and its work in Brazil.
‘I just saw a lot of things that weren’t right’
Lauper’s LGBTQ advocacy spans decades.
She co-founded True Colors United, which seeks to end homelessness among LGBTQ youth, in 2008. Gregory Lewis, who co-founded True Colors United alongside Lauper, introduced her at the Outright International gala.
Lauper in 2010 created the “Give a Damn” campaign through True Colors United that specifically encouraged straight people to support LGBTQ rights. She raised funds for True Colors United and the Stonewall Community Foundation when she was a contestant on President Donald Trump’s “The Celebrity Apprentice” the same year.
Lauper headlined the WorldPride 2019 opening ceremony in New York. She received the first U.N. High Note Global Prize for her LGBTQ rights advocacy later that year.
Lauper in 2022 performed at the White House ceremony during at which then-President Joe Biden signed the Respect for Marriage Act, which codified marriage rights for same-sex couples into federal law. Lauper last year was inducted into the Rock and Roll Hall of Fame.

Lauper in her Outright International speech talked about her decision to support LGBTQ rights.
“I just saw a lot of things that weren’t right,” she said.
“Because I’m friend and family, I thought it would be important to show up here and be with you guys,” added Lauper.
She told gala attendees and honorees that they inspire her.
“Tonight was a big inspiration for me because I was feeling kind of down about how things are going,” said Lauper. “I know that we need to stand together in any civil rights movement — and that’s what it fucking is!”
Lauper reiterated that message when she spoke with the Blade. She also criticized those who “weaponize religion” in their opposition to LGBTQ rights in the U.S. and around the world.
“That’s very sad,” said Lauper. “Religion is supposed to be about humanity and love and understanding each other.”
Lauper urged gala attendees to vote and to encourage their families and friends to do the same. She also told them not to “give up.”
“We can never give up,” said Lauper. “Even though it might look like we’re not going anywhere, you guys made me see that we are.”
“That inspires people,” she added. “You make ripples and you change right before your eyes. It don’t look like much, but it is and it gets bigger and bigger and bigger.”
Celebrity News
Why Michelle Visage needs you to get ‘PrEP Wise’
‘RuPaul’s Drag Race’ judge speaks about new ViiV Healthcare campaign
If you ask an LGBTQ person what Michelle Visage is known for, you’re likely to get a few similar answers. Most people will say that they know her as the co-judge on “RuPaul’s Drag Race,” with the woman serving looks (and scathing critiques) for more than a decade on this seminal program. Others may bring up her time awing audiences on the West End, or her initial star turn in the hit girl group Seduction. There are a few answers you may get when asking about Michelle Visage, but there’s one part of the performer’s career that not enough people bring up today: her advocacy.
Before the record deals and hit TV shows, Michelle Visage was a tough teenager from New Jersey. A girl who knew she was meant for fame but was still figuring out how to get there. Eventually, the search for stardom brought her to 1980s New York, a thriving home of queer nightlife that taught Visage how her voice could be used to fight against hatred. And while she flexes that skill every day as a fierce advocate, she’s excited to be louder than ever through ViiV Healthcare’s new ‘PrEP Wisdom Campaign.’
Michelle Visage sat down with the Los Angeles Blade to discuss this campaign and how it feels to speak up about this important issue. But before we could get to the present, she stressed that if people wanted to know about her current work, they first had to understand how it all began.
Visage detailed her youth in New Jersey, her no-nonsense parents, and the many times she snuck into nightclubs hoping to be ‘discovered.’ It was in these clubs that she found the thriving ballroom scene of 1980s New York, saying, “I felt like Dorothy [from the ‘Wizard of Oz’] when she clicked her heels! [Except] Dorothy clicked her heels three times, and she ended up in Kansas — I ended up on Christopher Street with 30 or 40 of the weirdest, craziest looking misfits I’d ever seen in my life.” Michelle smiled widely as she remembered those early moments. “I was like, ‘Oh my god … I think I found my people.”
“I met Willie Ninja and Caesar Ninja Valentino, and they took me in as one of their own and started teaching me how to vogue. And that’s how life began for me in the ballroom!” She began to walk as a member of the House of Valentino — specifically Face, Body, and Femme Vogue — and found a second home amidst this thriving subculture of marginalized artists. “When I didn’t have anybody or a group or a clique to speak of, the queer scene in New York City took me in as one of theirs — and I became ‘Michelle Magnifique.’”
Through this community, Visage got to see the birth of our modern LGBTQ rights movement — as well as just how much the AIDS crisis would come to terrorize these people she’d begun to call her family.
“Because I was so deep in this scene, I was affected greatly by the AIDS crisis and the lack of any kind of support from anything around us,“ said Michelle, speaking candidly about her many days spent at the bedsides of those suffering from this disease, acting as a source of comfort for folks whose blood family had abandoned them long ago. “I was standing by their side and holding their hand and being with them … I didn’t know what I was doing. But I knew that I needed to show up, and I knew that I needed to be there.”
Even when her career took Michelle from New York, she always carried those memories of standing by community members when nobody else would. This, when paired with her massive singing and acting talents, is what made her one of pop culture’s staunchest advocates for LGBTQ rights in the 90s and early 2000s. This earned her a massive queer following, and today, it’s what makes her the perfect partner for ViiV’s new PrEP Wisdom Campaign.
“Viiv Healthcare is the only pharmaceutical company solely focused on preventing, treating, and ultimately curing HIV,” Michelle explained. “Their goal is to help end the HIV epidemic for all — and that, to me, is music to my ears.”
It’s a goal that’s only become more important since the company was founded back in 2009. The only large-scale pharmaceutical company focused on ending the HIV epidemic, ViiV, not only fights cultural stigma but also saves thousands of lives daily by connecting folks to the treatment and prevention resources they need. Especially as we’re seeing numerous states — including California — begin to slash HIV funding, their work through campaigns like this one is becoming more important than ever.
“The PrEP Wisdom Campaign, first and foremost, is intended to encourage conversations between people who could benefit from PrEP, and [why they should] talk to their doctors to help determine which injectable PrEP might be right for them,” said Visage. She discussed how the campaign is information-oriented, with ViiV developing easy-to-understand pathways for folks to become more aware of injectable PrEP services as well as general HIV/AIDS-related resources.
“More than 2 million Americans could benefit from PrEP to help prevent HIV [according to the] CDC — yet only 25 percent of them are currently using it!” She understands that there were many things holding people back from getting PrEP, ranging from cultural stigma to discriminatory doctors to a lack of awareness that these resources even exist. But she emphasizes that people cannot let social judgment hold them back from their health and safety! “If you’re not clicking with your health care provider, please find a new one. You don’t have to settle … there are plenty of people to choose from. Plenty of healthcare providers, plenty of doctors who want to work with you, who want to give you the information about PrEP, who want you to be on PrEP so you are protected.”
“Listen, we have come a long way since I started [back in] 1986], and we’ve got so much further to go,” Visage said, reflecting on her lifelong role as an HIV advocate, first as a teenager, and now as an acclaimed performer. But while she may have grown since then, she still carries the commitment to fighting against injustice that the queer community of 80s New York instilled in her. “I will fight forever on this platform. [Discrimination hasn’t] changed, so I don’t plan on changing.”
Michelle Visage knows that change doesn’t happen by being silent — it happens by staying informed and keeping yourself healthy so that you can speak out for what you know is right. In honor of the many lives she fought for in 1980s New York, Visage wants to help as many people as she can today get the PrEP resources they need. And through her new PrEP Wisdom campaign with ViiV, she’s excited to do exactly that.
Hagerstown Hopes held the Hagerstown Pride Festival outside Hub City Brewery on Saturday, May 30.
(Washington Blade photos by Landon Shackelford)













