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Cerebral jazz

Patricia Barber brings her smart, able combo to D.C. this weekend

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Patricia Barber, jazz, music, gay news, Washington Blade
Patricia Barber, jazz, music, gay news, Washington Blade

Patricia Barber wondered early on if coming out would affect her career. She says in the jazz clubs of her native Chicago, it was a non-issue. (Photo by Jimmy Katz)

Patricia Barber Trio
Blues Alley
1073 Wisconsin Ave., N.W.
Friday 8 and 10 p.m.
Saturday 8 and 10 p.m.
Sunday 8 and 10 p.m.
$27.50
patriciabarber.com
bluesalley.com

Jazz iconoclast Patricia Barber has a six-show run at Blues Alley slated for this weekend. She’s touring behind her newest album “Smash” (Concord), which was released in January. We spoke with the 57-year-old Chicago resident (and native) by phone last week from her summer home in Michigan. Her comments have been slightly edited for length.

WASHINGTON BLADE: The iPad seems to be increasingly replacing printed scores and lead sheets and I know you use one when you perform. Have you ever had it freeze up or die on you when you’re playing?

PATRICIA BARBER: No, it never has. I always carry a back-up flash drive with all my sheet music on it so at any hotel I could print out anything I needed, but I’ve never had any problem. It saves me a lot of weight. I don’t have to carry all those charts around.

 

BLADE: Jazz is, of course, more improvisatory than pop. To what degree do you think through your vocal inflections or piano variations before you go on stage versus what happens in the moment?

BARBER: I’ve never given any thought to that. It’s just part of improv. I never give any thought to trying to make it sound like the record. That’s for pop musicians to do. I just have a good sense of harmony and good technique. I practice a lot.

 

BLADE: Do you spend a lot of time in Michigan?

BARBER: Well, a lot in the summer. I stopped touring in the summer quite a few years ago. It’s just too hot and crowded. I have a big organic garden here. So we feed people, swim in the lake. It’s just wonderful. (Partner) Martha (Feldman) is an academic so she has summers off.

 

BLADE: Do you hate to leave for your upcoming dates?

BARBER: I get nostalgic but not right now. I’m feeling pretty good. Things have slowed down so it’s not the usual sense of dread I usually feel this time of year.

BLADE: Do you tour with your own piano?

BARBER: No. Most jazz musicians don’t unless it’s some kind of electronic.

 

BLADE: How do you ensure the quality is going to be where you need it to be?

BARBER: It’s all in the contracts. It’s all very finicky, that it has to be a certain quality type and tuning.

 

BLADE: How many of the players who travel with you played on “Smash”?

BARBER: Two out of the four. We’re sort of mixing it up. It doesn’t mean they weren’t good.

 

BLADE: Obviously you love music but I also sense some ambivalence about your musical career in other interviews you’ve given. Is that fair to say? You seem to have a love-hate relationship with the whole thing.

BARBER: My recording career, no. That’s fun and easy. Touring is very difficult so yeah, I think you hit it right on the head. Well, let me re-phrase that. Certainly not this sweet little tour to D.C. or a 10-day tour to Europe. But I’m pretty much done with the grueling 12-hour spans getting to a city.

 

BLADE: Now that “Smash” has been out for a while and had time to gestate, how do you feel about it? Is it hard to assess how well something worked when you’re still close to it? Has it been hard to find a way for it to live in a live setting?

BARBER: I still love it. I don’t know that my feelings have changed at all. I’m still finding ways to transpose, as you put it, to the stage. With jazz, you can’t stick to one performance so I’m purposefully trying not to sound like the recording. It’s interesting what you can do with a quartet vs. a trio. It’s slightly different each time. But I’m still in love with it.

 

BLADE: Is “Devil’s Food” a political statement?

BARBER: It’s my first gay song … It’s definitely coming from the DOMA political situation. That whole court case was coming up and my feelings about it. It isn’t obviously gay until you’re listening to it. It’s fun to watch people’s faces because it turns into a disco song. Jazz is usually very serious but this is just gay fun.

 

BLADE: Do you feel the press has focused too much on your sexual orientation throughout your career?

BARBER: Yes. It’s the first thing on Wikipedia. I’m a lesbian jazz musician. To me, that’s not a category but OK. I’m hoping as we’ve all grown older that being gay continues becoming just part of the normal fabric of everything and people will focus on the music more but you have to remember years ago, we weren’t anywhere close to where we are now on that.

 

BLADE: You were out pretty early on though. Were you just pretty much organically out or was it a conscious decision at some point to be out?

BARBER: I had a whole issue with that. I was working at a pretty famous club in Chicago that was very popular. We had lines around the block and I worked there six nights a week with a trio. And yeah, at the beginning — this was many, many years ago — I wondered if they would have hired me if I’d been out. It was such a hetero scene there so I definitely worried about it but then I came out to my boss and … he thought it was sexy and kind of cool in a sort of perverted way. But it hasn’t ended up affecting my audience at all. They’ve always been mixed — straight, gay, black, white, young, old.

 

BLADE: You’re playing six shows in D.C. Is it designed to be something people can see over a few nights or is it pretty much the same show?

BARBER: I don’t expect that people would see it twice. That would be unusual. It will pretty much be the same set.

 

BLADE: Do jazz fans bring expectations with them the way people expect pop acts to always do certain hits?

BARBER: I think they want to hear stuff from “Smash” and they sometimes have old favorites they want to hear. Sometimes they send me notes. If it’s easy to do, sure, I’ll do it. I have a huge repertoire by now. I’m happy to try it if I can or if I just want to sit and play “Autumn Leaves” for an hour and a half, I’ll do that.

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Sports

Attitude! French ice dancers nail ‘Vogue’ routine

Cizeron and Fournier Beaudry strike a pose in memorable Olympics performance

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Team France's Guillaume Cizeron and Laurence Fournier Beaudry compete in the Winter Olympics. (Screen capture via NBC Sports and NBC News/YouTube)

Madonna’s presence is being felt at the Olympic Games in Italy. 

Guillaume Cizeron and his rhythm ice dancing partner Laurence Fournier Beaudry of France performed a flawless skate to Madonna’s “Vogue” and “Rescue Me” on Monday.

The duo scored an impressive 90.18 for their effort, the best score of the night.

“We’ve been working hard the whole season to get over 90, so it was nice to see the score on the screen,” Fournier Beaudry told Olympics.com. “But first of all, just coming out off the ice, we were very happy about what we delivered and the pleasure we had out there. With the energy of the crowd, it was really amazing.”

Watch the routine on YouTube here.

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Italy

Olympics Pride House ‘really important for the community’

Italy lags behind other European countries in terms of LGBTQ rights

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Joseph Naklé, the project manager for Pride House at the Milan Cortina Winter Olympics, carries the Olympic torch in Milan, Italy, on Feb. 5, 2026. (Photo courtesy of Joseph Naklé)

The four Italian advocacy groups behind the Milan Cortina Winter Olympics’ Pride House hope to use the games to highlight the lack of LGBTQ rights in their country.

Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano organized the Pride House that is located in Milan’s MEET Digital Culture Center. The Washington Blade on Feb. 5 interviewed Pride House Project Manager Joseph Naklé.

Naklé in 2020 founded Peacox Basket Milano, Italy’s only LGBTQ basketball team. He also carried the Olympic torch through Milan shortly before he spoke with the Blade. (“Heated Rivalry” stars Hudson Williams and Connor Storrie last month participated in the torch relay in Feltre, a town in Italy’s Veneto region.)

Naklé said the promotion of LGBTQ rights in Italy is “actually our main objective.”

ILGA-Europe in its Rainbow Map 2025 notes same-sex couples lack full marriage rights in Italy, and the country’s hate crimes law does not include sexual orientation or gender identity. Italy does ban discrimination based on sexual orientation in employment, but the country’s nondiscrimination laws do not include gender identity.

ILGA-Europe has made the following recommendations “in order to improve the legal and policy situation of LGBTI people in Italy.”

• Marriage equality for same-sex couples

• Depathologization of trans identities

• Automatic co-parent recognition available for all couples

“We are not really known to be the most openly LGBT-friendly country,” Naklé told the Blade. “That’s why it (Pride House) was really important for the community.”

“We want to use the Olympic games — because there is a big media attention — and we want to use this media attention to raise the voice,” he added.

The Coliseum in Rome on July 12, 2025. (Washington Blade photo by Michael K. Lavers)

Naklé noted Pride House will host “talks and roundtables every night” during the games that will focus on a variety of topics that include transgender and nonbinary people in sports and AI. Another will focus on what Naklé described to the Blade as “the importance of political movements now to fight for our rights, especially in places such as Italy or the U.S. where we are going backwards, and not forwards.”

Seven LGBTQ Olympians — Italian swimmer Alex Di Giorgio, Canadian ice dancers Paul Poirier and Kaitlyn Weaver, Canadian figure skater Eric Radford, Spanish figure skater Javier Raya, Scottish ice dancer Lewis Gibson, and Irish field hockey and cricket player Nikki Symmons — are scheduled to participate in Pride House’s Out and Proud event on Feb. 14.

Pride House Los Angeles – West Hollywood representatives are expected to speak at Pride House on Feb. 21.

The event will include a screening of Mariano Furlani’s documentary about Pride House and LGBTQ inclusion in sports. The MiX International LGBTQ+ Film and Queer Culture Festival will screen later this year in Milan. Pride House Los Angeles – West Hollywood is also planning to show the film during the 2028 Summer Olympics.

Naklé also noted Pride House has launched an initiative that allows LGBTQ sports teams to partner with teams whose members are either migrants from African and Islamic countries or people with disabilities.

“The objective is to show that sports is the bridge between these communities,” he said.

Bisexual US skier wins gold

Naklé spoke with the Blade a day before the games opened. The Milan Cortina Winter Olympics will close on Feb. 22.

More than 40 openly LGBTQ athletes are competing in the games.

Breezy Johnson, an American alpine skier who identifies as bisexual, on Sunday won a gold medal in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, on the same day helped the U.S. win a gold medal in team figure skating.

Glenn said she received threats on social media after she told reporters during a pre-Olympics press conference that LGBTQ Americans are having a “hard time” with the Trump-Vance administration in the White House. The Associated Press notes Glenn wore a Pride pin on her jacket during Sunday’s medal ceremony.

“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking ‍about being decent — human rights and decency,” said Glenn, according to the AP. “So that was really disappointing, and I do think it kind of lowered that excitement for this.”

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Puerto Rico

Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga

Puerto Rican activist celebrates half time show

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Bad Bunny performs at the Super Bowl halftime show on Feb. 8, 2026. (Screen capture via NFL/YouTube)

Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.

Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.

“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”

La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.

“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”

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