Arts & Entertainment
Best of Gay D.C. 2017: MEDIA
Winners from the Washington Blade’s annual poll
(Photo of Jim Vance by Robin Fader; Washington Blade photo of DCist reporters by Tom Hausman; photo of a D.C. Metro stop by Peter French courtesy Flickr)
Best Local Website
DCist
News, food, arts and events.
Editor’s choice: Popville
(Washington Blade photo by Tom Hausman)
Best Local Social Media Channel
Editor’s Choice: @alexmorash
@unsuckdcmetro has been chronicling D.C. Metro’s mishaps and disasters since January, 2009.
The anonymous founder, who says he is a journalist and LGBT ally, started using Metro as part of his commute. After experiencing problems he decided to start a blog to complain. He says he didn’t think the blog would get as popular as it did but noticed he wasn’t the only disgruntled one.
“One thing that got me thinking that it might have a chance to become useful was noticing the faces of fellow passengers when a train offloads or whatever problem it might be. Everyone just looks like, “Geez, this Metro is so bad,’” he says.
What started as a blog to vent frustrations about the daily commute evolved into Facebook and Twitter pages with thousands of followers united by their common annoyance of public transportation.
The founder recalls that one of his biggest posts on his now-defunct blog was on the June 22, 2009 metro crash. It was the first time he noticed the power of social media in the news as tweets poured in tracking the tragedy.
Now besides his own posts, other passengers tag @unsuckmetrodc their issues with Metro from offloading to uncleanliness.
While @unsuckmetro is the founder’s passion project, he says he would much rather the Metro be reliable.
“At the very foundation of the problem is the way it’s governed. Nobody is accountable. It’s set up to protect everyone involved from being accountable. People let things slide when they’re not accountable,” he says. (MC)
(Photo by Peter French; courtesy Flickr)
Best Local TV Personality
Jim Vance
Runner up: Chuck Bell, NBC 4
Many Washingtonians can recall growing up seeing Jim Vance report the news from the screens in their living rooms. The NBC4 news anchor became entrenched in D.C. culture just as much as “the Godfather of Go-Go” Chuck Brown, former D.C. Mayor Marion Barry and radio DJ Russ Parr, who all join Vance on Ben’s Chili Bowl mural wall.
Vance, who died from cancer in July at age 75, worked at NBC4 for more than 40 years making him the District’s longest serving TV anchor. Born in Ardmore, Pa., Vance was a reporter for the Philadelphia Independent newspaper and WHAT-AM radio station while also teaching English. He joined WRC-TV (NBC4) in 1969 as a reporter before moving to the anchor desk in 1972.
His coverage spanned some of the most talked about moments in D.C.’s history.
In 1977, he reported on the Hanafi Siege on three D.C. buildings by 12 gunmen which resulted in 149 hostages and the death of radio host Maurice Williams. He also covered the Air Florida Flight 90 crash in the Potomac River, which killed 78 people, in 1982.
More recently, he called out the Washington Redskins over the controversial use of their name despite being a longtime fan.
“Back in the day, if you really wanted to insult a black man, an Italian, a Jew, an Irishman, and probably start a fight, you threw out certain words. They were, and are pejoratives of the first order, the worst order, specifically intended to injure. In my view, ‘Redskin’ was and is in that same category,” Vance said during a 2013 broadcast of “Vance’s View.”
Over the course of his career, Vance received 19 local Emmy awards. In 2007, he earned the honor of being inducted into the National Association of Black Journalists Hall of Fame.
He gained recognition as a news anchor outside of D.C. thanks to a viral video that reached millions of views. In a 2006 segment on Paris Fashion Week, Vance and sports anchor George Michael couldn’t control their laughter over a model who fell twice on the runway. The Foo Fighters even paid tribute to Vance by using the video in a promo for their concert at RFK stadium.
While his professional life was widely praised, his personal life was also colorful. He went to the Betty Ford Clinic in 1984 to recover from a cocaine addiction that he battled throughout the ‘70s and ‘80s. Barry asked Vance for advice when he was dealing with his own addiction to crack cocaine which led to his 1990 arrest.
“Why did he ask me? Because what he, like everyone else who’s been around Washington for a while knows, is that for more than four years I have been in recovery. The mayor thought that I might be able to advise him. I did so,” the Washington Post quotes Vance telling viewers.
He was also candid about his struggles with depression and a suicide attempt at Potomac River at Great Falls in 1987 for which he sought therapy.
Vance died at his Silver Spring, Md. home. He is survived by his wife Kathy McCampbell Vance and three children Dawn, Amani and Brendon. (MC)
Jim Vance (Photo by Robin Fader)
Best Radio Station
WAMU 88.5
Public radio station serving the D.C. metro area.
Editor’s choice: Hot 99.5
The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.
(Washington Blade photos by Michael Key)
Covering Gay Day at the Zoo for @WashBlade . Here at @NationalZooDC pic.twitter.com/LqgGNOOAiM
— Michael Patrick Key (@MichaelKeyWB) May 5, 2024
Photos
PHOTOS: Taste of Point
Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
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