Arts & Entertainment
Best of Gay D.C. 2017: NIGHTLIFE
Winners from the Washington Blade’s annual poll

(Photo of Dylan Knight by David Claypool; Washington Blade photo of Distrkt C by Ben Keller; Washington Blade photos of DJ Tezrah and Ophelia Heart by Tom Hausman)
Best Dance Party
Distrkt C
D.C. Eagle
Second Saturday of the month
D.C. Eagle
3701 Benning Rd., N.E.
Editor’s choice: Gay Bash, Trade

Distrkt C (Washington Blade photo by Ben Keller)
Best Bartender
Dusty Martinez, Trade
Also won in 2014; last year’s runner-up.
1410 14th St., N.W.
Runner-up: Tommy Honeycutt, Nellie’s

Dusty Martinez (Washington Blade photo by Michael Key)
Best Burlesque Dancer
Ophelia Hart
Runner-up: GiGi Holliday
Ophelia Zayna Hartis a belly dancer and drag and burlesque performer hailing from Washington.
“I am thunder thighs, sinful curves, and fiery spirit,” she says.
She made her debut at Washington’s 2015 Burlypicks, where she won the title of Master of Lip-sync, and she has been shimmying and shaking across the East Coast since then. Always true to her Arab roots, Hart celebrates the fusion of classic and neo-burlesque and her homeland’s cultural riches.
Hart, who is known for dancing with grace, seducing with elegance and jiggling with abandon, has some advice for performers working on a new act: “When you’re crafting a number — brainstorming a concept, working on your choreography, creating a costume and rehearsing your act — ask yourself, what story am I telling, and is it mine to tell?” (BTC)
facebook.com/opheliahartburlesque

Ophelia Hart (Washington Blade photo by Tom Hausman)
Best Avion Tequila Margarita
Winner: Lauriol Plaza
1835 18th St., N.W.
Editor’s pick: Rito Loco

Avion Tequila Margarita at Lauriol Plaza (Washington Blade photo by Michael Key)
Best DJ
DJ Tezrah
Runner-up: The Barber Streisand
Tezrah has a delightfully eclectic background and an amazing sound.
A native of Fairfax, Va., Tezrah says she “learned to play classical piano at age 5, which laid the foundation for future investigation into computer music programs.” She graduated with a pre-medical degree in Neuroscience from William & Mary, attended the Harvard School of Design Summer Program, and was accepted into the Graduate Architecture Program at Catholic University.
She also played semi-pro soccer.
Then, she says, “on a whim I tried turning my musical hobby into a profession.”
Now Tezrah reigns in her fourth year of DJing in the D.C. area, specializing in Top 40, electronic dance music, hip hop and other genres. Formerly known as DJ Deedub, she is hailed as one of D.C.’s and the LGBT community’s brightest stars. Her sound is eclectic, combining the newest music seamlessly with older classic songs. Winner of the DJ Battle for Her HRC for 2014 and 2015, headliner at the 9:30 Club, and headliner for a crowd of about 5,000 at Hampton Roads Pride 2016, she has garnered a solid local following. (BTC)

DJ Tezrah (Washington Blade photo by Tom Hausman)
Best Drag King
Roman Noodle
Runner-up: Avery Austin
Roman Noodle, real name Shay, first started doing drag in May 2016 as a way to escape being herself.
“Roman was created so I could kind of be myself without people judging me for being myself. Because they think I’m just being Roman. It turned into an avenue where in doing drag it made me completely myself,” Noodle, a dog walker by day, says.
The D.C. native kicked off her drag career as a choir boy for Pretty Boi Drag’s Sunday Service shows. At first she was unsure how to craft her drag persona and experimented with different genres and concepts. Eventually she settled on Roman, “a basic dude, no gimmicks.”
Even though Noodle has performed for other groups including D.C. Gurly Show and Girl Power in Baltimore, she still considers Pretty Boi Drag her family.
She also credits the art of drag with giving her, and countless others, a safe space to be who they are.
“I love that it gives everyone a place to be themselves, to feel safe, to express themselves creatively. Whether they are male-bodied or female-bodied, they’re able to present themselves the way they want without any issues or questions,” Noodle says. (PF)

Roman Noodle (Washington Blade photo by Chris Jennings)
Best Drag Queen
Sasha Adams
Runner-up: Tatianna
Drag performer Sasha Adams, whose real name is Richard Christmas, says “I’m the Clydesdale of D.C. drag. I’m plus sized but I dance. You’ll get the kicks, the splits, the hair flips and all that. Clydesdale are big, graceful, beautiful but most importantly, they’re work horses.”
Though he maintains a day job as a contractor with the federal government, Christmas performs as Sasha four or five times a week. His drag career is two-pronged: performing at clubs and brunches and competing in national drag pageants. “Sasha isn’t modeled after anyone in particular,” Christmas says. “I lip sync R&B and hip-hop. I like old school Janet, Missy and Mariah. And Donna Summer if the venue calls for it. I do contemporary top 20 artists too.”
Christmas grew up in a small-town outside of Charlottesville, Va. He did choir in high school but not a lot of acting. He graduated from James Madison University where he majored in finance and minored in dance and music. The Eagle Scout’s foray into drag began when he won amateur drag night at Freddie’s Beach Bar in 2010. Gigs and bookings followed.
When the wig is off and he’s untucked, Christmas can be found at home in Columbia Heights lying on the couch watching “Law & Order.” As a performer, he finds relationships difficult. He’s single but likes a guy who has his shit together.
Town Danceboutique
2009 8th St., N.W.

Sasha Adams (Photo by Bobby DeCanio)
Best Drag Show
Ladies of Town
Fridays and Saturdays at 10:30 p.m. Sixth win in this category!
Town Danceboutique
2009 8th St., N.W.
A perennial favorite in this category!
Editor’s choice: Pretty Boi Drag

Ba’Naka and Tatianna perform at Town. (Washington Blade photo by Hugh Clarke)
Best Singer or Band
Wicked Jezabel
Also won this award in 2013!
Runner-up: Homo Superior

Wicked Jezebel at NOVA Pride (Photo by Bobbie English)
Best Transgender Performer
Phoenix King
Runner-up: Salvadora Dali
Performer Phoenix King, real name Benny Rodriguez, identifies as trans.
“I’ve been a drag king in Washington for about four years,” he says. “Entertaining has translated into different kinds of performance art including burlesque. Being trans is a big part of my life but it’s not my entire performance persona.”
Rodriquez got into drag performance in 2013 while working at the now-defunct lesbian hot spot Phase 1 in Dupont Circle. “They had a drag show with drag kings and queens and I asked if I could perform,” he says. “The experience was totally exhilarating and ties into my trans identity. To see myself as a masculine-presenting person for the first time was shocking and exciting to me.”
By all accounts, Rodriguez’s drag debut was a resounding success. Over the last two years, he’s attracted an enthusiastic following and for the last two year he has been performing mostly at Bier Baron Tavern in D.C. He’s also performed in clubs and burlesque.
“Initially I perceived drag as a hobby but increasingly I’ve come to see it as a money-making venture,” says Rodriguez, 26. “Over this year, I’ve become increasingly focused on where I perform and for whom I perform. This experience has opened doors all over town. There’s no telling where it might lead.” (PF)

Phoenix King (Photo courtesy of Benicio Rodriguez)
Best Gay-Friendly Straight Bar
Dacha Beer Garden
Third consecutive win in this category!
1600 7th St., N.W.
202-524-8790
Editor’s choice: DC9

Dacha Beer Garden (Photo by Ted Eytan; courtesy Flickr)
Best Go-Go Dancer/Stripper
Dylan Knight
Runner-up: Eddie Danger
Dylan Knight started gyrating lasciviously at Town about 2010 after seeing other go-go dancers there. This is his second consecutive win in this category.
He’s a regular at Town and performs there and elsewhere, never taking himself too seriously.
“I just try to be entertaining and cute,” the 26-year-old D.C. resident, who also does gay porn, says. (JD)

Dylan Knight (Photo by David Claypool; courtesy Knight)
Best Absolut Happy Hour
Number Nine
Two-for-one happy hour is 5-9 p.m. Monday-Thursday and 2-9 p.m. on weekends. This is Nine’s fifth Best Of award.
1435 P St., N.W.
Editor’s choice: Trade

Number 9 happy hour (Washington Blade photo by Daniel Truitt)
Hottest Bar Staff
The Dirty Goose
913 U St., N.W.
Editor’s choice: Trade

The Dirty Goose bar staff (Washington Blade photo by Tom Hausman)
Best Live Music
9:30 Club
A perennial favorite in this category!
815 V St., N.W.
Editor’s Choice: Wolf Trap

Troye Sivan performs at the 9:30 Club (Photo by Katherine Gaines)
Best Neighborhood Bar
Trade
1410 14th St., N.W.
Editor’s choice: JR.’s

Trade (Washington Blade photo by Daniel Truitt)
Best Outside-the-District Bar
Freddie’s Beach Bar
This is Freddie’s 20th Best Of win, a Washington Blade record. Freddie’s has won this award every year since 2002 in addition to several others.
555 S. 23rd St.
Arlington, Va.
Editor’s choice: Baltimore Eagle

Freddie’s Beach Bar (Washington Blade photo by Hugh Clarke)
Best Outdoor Drinking
Town Patio
Third consecutive win in this category!
Town Danceboutique
2009 8th St., N.W.
Editor’s choice: Dascha Beer Garden

Town Patio (Washington Blade photo by Michael Key)
Best Place for Guys Night Out
Crew Club
1321 14th St., N.W.
Editor’s choice: DC Bear Crue: Bear Happy Hour

Crew Club (Washington Blade photo by Pete Exis)
Best Place for Girls Night Out
Pretty Boi Drag
Editor’s choice: BARE by LURe
Take a break from the numerous drag queen brunches and parties to have fun with the boys.
Pretty Boi Drag is D.C.’s newest drag king troupe that features daytime and nighttime parties and events throughout the city. The troupe started in 2016 and since then has expanded into a staple in the D.C. drag community.
Perhaps their best known event is Pretty Boi Sunday Service at the Bier Baron Tavern (1523 22nd St., N.W.). Described as “a parody drag church for the non-religious,” the kings entertain with heavy influences of hip-hop and R&B. The event is hosted by the troupe’s co-producer, Pretty Rik E.
Other events include happy hours, brunches and variety shows at different locales around town. Their performers are a diverse mix of characters and acts including Best Drag King winner, Roman Noodle.
“Pretty Boi Drag creates a fun, safe and unique atmosphere for queer women to see drag kings like they’ve never seen them before,” their website states. “Our events are drag show meets dance party meets a queer woman’s version of ‘Magic Mike.’ Our audience isn’t there to just watch what happens on stage, they also get to be a part of the show.” (MC)

(Washington Blade photo by Chris Jennings)
Best Rehoboth Bar
Purple Parrot
134 Rehoboth Ave.
Rehoboth Beach, Del.
Editor’s choice: Blue Moon

Purple Parrot (Washington Blade photo by Daniel Truitt)
Best Rehoboth Bartender
Holly Lane, Cafe Azafran
18 Baltimore Ave.
Rehoboth Beach, Del.
Runner-up: Jamie Romano, Purple Parrot

Holly Lane (Washington Blade photo by Daniel Truitt)
Best Rooftop
Uproar Lounge & Restaurant
Second consecutive win in this category!
639 Florida Ave., N.W.
Editor’s choice: Nellie’s

UpRoar Lounge (Washington Blade photo by Hugh Clarke)
To see winners in other categories in the Washington Blade’s Best of Gay D.C. 2017 Awards, click here.
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)












Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
