Arts & Entertainment
Social Agenda of Feb. 12
Friday, Feb. 12
Gay organist David Christopher plays a free recital today at 12:15 p.m. at National City Christian Church as part of its “Magical, Mystical, Musical Machine” organ recital series. Organists Stephen Harouff and NCCC’s Charles Miller, who are both gay, play on the 19th and 26th respectively. The recitals are a half hour each. The church is at 5 Thomas Circle, N.W.
Apex has a Mardi Gras party tonight with a costume contest, balloon drop, prizes and “King of Apex” contest. Beads and masks will be given out. DJ Yainnis spins. Doors open at 9. Cover is $6. The club is located at 1415 22nd St., N.W. Visit www.apex-dc.com for more information.
Women in their Twenties meets at the D.C. Center tonight at 8. The group is a social discussion group for lesbian, bi and trans D.C.-area women. Discussions are followed by dinner at a nearby restaurant. The Center is located at 1810 14th St., N.W.
Saturday, Feb. 13
Metropolitan Community Church of Washington, the District’s largest mostly gay church, has its annual Valentine’s dance tonight at 7 p.m. at the church. Refreshments will be served. A $7 donation is suggested. Call 202-638-7373 or e-mail [email protected] for more information. The church is located at 474 Ridge St., N.W.
“Love,” a concert by the Gay Men’s Chorus of Washington, is today with shows at 5 and 8 p.m. at Church of the Epiphany located at 1317 G Street N.W. Tickets are $35 and can be purchased at www.gmcw.org/tickets, by phone at 202-293-1548 or at the HRC shop at 1633 Connecticut Ave., N.W. The concert will feature a chorus transcription of Brahm’s “Liebeslieder Waltzes” by chorus member Robert T. Boaz and a performance by the Rock Creek Singers, a chamber ensemble of Chorus members.
The 38th annual Scarlet’s Bake Sale is today at the Eagle, which is co-sponsoring the event with Green Lantern, another D.C. gay bar. Cake donations will be accepted from 2 to 4 p.m. They’ll be auctioned off from 5 to 9 p.m. Awards will be given for various categories. Several gay non-profits will receive proceeds. The Eagle is at 639 New York Ave., N.W. For more information, call Stephen Decker at 202-210-7553 or Patrick Grady at 703-863-7295.
DJ Scotty Thompson is at Town tonight and a Universal Gear fashion show will be held. Doors open at 10. Drag show starts at 10:30. DJ Wess spins downstairs. Cover is $8 from 10 to 11 p.m. and $12 after 11. Town is at 2009 8th Street, N.W.
Burgundy Crescent, a gay volunteer group, volunteers from 9:30 a.m. to noon today for Books Plus at MLK Library and later in the week at D.C. Central Kitchen, Human Rights Campaign, National Gay & Lesbian Task Force and more. Visit www.burgundycrescent.org for a schedule of opportunities or to register to volunteer.
Sunday, Feb. 14
A gay alumni group of George Mason University, the Lambda Alumni Chapter, is participating in the school’s homecoming festivities today and throughout the week. Contact Rob Pilaud at [email protected] or 202-258-5476 for more information.
Local drag queen Shi-Queeta Lee hosts drag brunch every Sunday at Nellie’s Sports Bar, located at 900 U Street, N.W. Brunch buffet is $20. Miss Lee performs at 11 a.m. and 2 p.m. Visit www.nelliessportsbar.com for more information.
Monday, Feb. 15
A youth support group for gay, lesbian and bi teens meets today from 4:30 to 6 p.m. at the GW Center Clinic located at 1922 F St., N.W., suite 103. It’s designed to be a safe space for young adults to discuss coming out, discrimination, identity and other issues. It meets every Monday and is facilitated by Sonia Khan, a psychology grad student. Fees for therapy and the group are on a sliding scale.
Metropolitan Community Church of Washington, the District’s largest mostly gay church, has an HIV-positive support group for people of faith every Monday at the church. For more information, contact Matt Senger at 202-546-2159 or e-mail him at [email protected]. MCC-DC is located at 474 Ridge Street, N.W. Visit www.mccdc.com for more information about the church.
Freddie’s Beach Bar, located at 555 S. 23rd St. in Crystal City, Va., has disco trivia every Monday at 8 p.m.
Tuesday, Feb. 16
The United ENDA Coalition meets on Tuesdays and Wednesdays from 6 to 9 p.m. at the National Gay and Lesbian Task Force headquarters to encourage LGBT supporters to help pass the Employment Non-Discrimination Act. Training and pizza are provided. The Task Force is at 1325 Massachusetts Ave., N.W., sixth floor. For more information, contact Aaditi Dubale at [email protected].
D.C.’s HIV Working Group assembles safer sex kits with its “packing parties” every Tuesday at EFN Lounge. Those who volunteer their time get drink discounts. The events are held from 7 to 10:30 p.m. at Motley Bar, located above EFN, which is at 1318 9th St., N.W. Visit www.fighthivindc.org for more information.
Cobalt has “Flashback,” a retro night, every Tuesday at 10 p.m. Rail vodka drinks are free from 10 to 11 p.m. Cobalt, a gay bar and dance club, is at the corner of 17th and R streets, N.W.
Wednesday, Feb. 17
Tegan and Sara, a band comprised of lesbian twins, play Warner Theatre tonight. Tickets are $33. Visit www.ticketmaster.com for tickets.
Metropolitan Community Church of Washington, the District’s largest mostly gay church, has Ash Wednesday services today at noon and 7 p.m. at the church, which is located at 474 Ridge Street, N.W.
The D.C. Center has LGBT career development with Washington-specific information today from 3 to 4:30 p.m. at the Center’s new location at 1810 14th St., N.W.
Ladies First night is tonight and every Wednesday at Fab Lounge, located at 1805 Connecticut Ave., N.W. For more information, visit www.myspace.com/ladiesfirst.
Thursday, Feb. 18
D.C. Lambda Squares, a local gay square dancing group, meets every Thursday for square dancing. Those who’ve taken the group’s “Mainstream” and “Plus” classes dance on the first and third Thursdays. “Plus” and “Advanced” classes are on the second and fourth Thursdays. For more information about the group or to find out when beginner classes are available, visit www.dclambdasquares.org.
Friday, Feb. 19
Bet Mishpachah, a gay synagogue located at the D.C. JCC at 16th and Q streets, N.W., holds Ereve Shabbat services every Friday at 8:30 p.m. followed by an Oneg Shabbat social. Morning services are held on the second and fourth Saturdays of each month at 10 a.m. followed by Kiddush luncheon. Visit www.betmish.org for more information.
Gay District meets tonight. The group was formerly known as the Twenties Group but has expanded its age range for gay, bi, trans and questioning men from 18 to 35. The group meets for weekly discussion from 8:30 to 9:30 every Friday at St. Margaret’s Church located at 1830 Connecticut Ave. Members dine afterwards then go dancing. The group is changing its contact information but for now, those interested can visit the group on Facebook under the name “GD: Gay District.”
A new Friday night drag show at Ziegfeld’s has started with a new hostess. The Ladies of Illusion hosted by Kristina Kelly has performances every Friday at 11 p.m. and 1 a.m. Ziegfeld’s is celebrating its one-year anniversary this weekend.
Saturday, Feb. 20
A concert by members of D.C.’s Different Drummers, a gay ensemble, called “Intimate Winds” is today at 2 p.m. in the Adirondack Room at Hillwood Museum Estate. Fischer Tull’s “Liturgical Symphony,” Richard Strauss’ “Serenade,” and more will be performed. Tickets are $20 ($10 for seniors and students) and are available at the door. Visit www.dcdd.org for more information.
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
Television
‘Big Mistakes’ an uneven – but worthy – comedic showcase
In the years since “Schitt’s Creek” wrapped up its six season Emmy-winning run, nostalgia for it has grown deep – especially since the still painfully recent loss of its iconic leading lady, Catherine O’Hara, whose sudden passing prompted a social media wave of clips and tributes featuring her fan-favorite performance as the deliciously daft Moira Rose. Revisiting so many favorite scenes and funny moments from the show naturally reminded us of just how much we loved it, even needed it during the time it was on the air; it also reminded us of how much we miss it, and how much it feels now like something we need more than ever.
That, perhaps more than anything else, is why the arrival of “Big Mistakes” – the new Netflix series starring, co-created and co-written by Dan Levy – felt so welcome. We knew it wouldn’t be the Roses, but it seemed cut from the same cloth, and it had David Rose (or at least someone who seemed a lot like him) in the middle of a comically dysfunctional family dynamic, complete with a mother who gets involved in town politics and a catty sibling rivalry with his sister, and still nebbish-ly uncomfortable in his own gay shoes. Only this time, instead of running a charmingly pretentious boutique, he’s the pastor of the local church, and instead of a collection of kooky small town neighbors to contend with, there are gangsters.
As it turns out, it really does feel cut from the same cloth, but the design is distinctly different. Set in a fictional New Jersey suburb, it centers on Nicky (Levy) and his sister Morgan (Taylor Ortega) – he openly gay with an adoring boyfriend (Jacob Gutierrez), yet still obsessive about keeping it all invisible to his congregation, and she drudging aimlessly through life as an underpaid schoolteacher after failing to achieve her New York dreams of show biz success – who inadvertently become enmeshed in a shady underworld when a gesture for their dead grandmother’s funeral goes horribly awry.
They’re surrounded by a crew of equally compromised characters. There’s their mother Linda (Laurie Metcalf), whose campaign to become the town’s mayor only intensifies her tendency to micromanage her children’s lives; Yusuf (Boran Kuzum), the Turkish-American mini-mart operator who pulls them into the criminal conspiracy yet is himself a victim of it; Max (Jack Innanen), Morgan’s live-in boyfriend, who pushes her for a deeper commitment and is willing to go to couples’ therapy to prove it; Annette, his mother (Elizabeth Perkins), who lends her society standing toward helping Linda’s campaign against a misogynistic opponent (Darren Goldstein); and Ivan (Mark Ivanir), the seemingly ruthless crime boss who enslaves the siblings into his network but may really be just another slave himself. It’s a well-fleshed out assortment of characters that helps our own loyalties shift and adapt, generating at least a degree of empathy – if not always sympathy – that keeps everyone from coming off as a merely “black-and-white” caricature of expectations and typecasting.
To be sure, it’s an entertaining binge-watch, full of distinctive characters – all inhabiting familiar, even stereotypical roles in the narrative – who are each given a degree of validation, both in writing and performance, as the show unspools its narrative. At the same time, it makes for a fairly bleak overall view of humanity, in which it’s difficult to place our loyalties with anyone without also embracing a kind of “dog eat dog” morality in which nobody is truly innocent – but nobody is completely to blame for their sins, anyway.
In this way, it’s a show that lets us off the hook in the sense that it places the idea of ethical guilt within a framework of relative evils, as it permits us to forgive our own trespasses by accepting its “lovably” amoral characters, each of whom has their own reasons and justifications for what they do. We relate, but we can’t quite shake the notion that, if all these people hadn’t been so caught up in their own personal dramas, none of them would have ended up in the compromised morality that they’re in.
However, it’s not some bleak morality play that Levy and crew undertake; rather, it’s more an egalitarian fantasy in which even “bad” choices feel justified by inevitability. Everybody’s motivations make enough sense to us that it’s hard to judge any of the characters for making the choices – however unwise – that they do. In a system where everyone is forced to compromise themselves in order to achieve whatever dream of self-fulfillment they may have, how can anybody really blame themselves for doing what they have to do to survive?
Of course, all things considered, this is more a relatable comedy than it is a morality play. As a comedy of errors, it all works well enough on its own without imposing an ideology on it, no matter how much we may be tempted to do so. Indeed, what is ultimately more to the point is how well this pseudo-cynical exercise in the normalization of corruption – for that is what it really about, in the end – succeeds in letting us all off the hook for our compromises.
In the end, of course, maybe all that analysis is too deep a dive for a show that feels, in the end, like it’s meant to be mostly for fun. Indeed, despite its focus on being dragged into the shady side of life, the arc of its messaging seems to be less about a moralistic urge toward making the “right” choice than it is a candid recognition that all of us are compromised from the outset, often by choices we only force upon ourselves, and that’s a refreshing enough bit of honesty that we can easily get on board.
It helps that the performances are on point, especially the loony and wide-eyed fanaticism of Metcalf – surely the MVP of any project in which she is involved – and the directly focused moral malleability of Ortega; Levy, of course, is Levy – a now-familiar persona that can exist within any milieu without further justification than its own queer relatability – and, in this case, at least, that’s both the icing on the cake and substance that defines it. That’s enough to make it an essential view for fans, queer or otherwise, of his distinctive “brand,” even if he – or the show itself – doesn’t quite satisfy in the way that “Schitt’s Creek” was able to do.
Seriously, though, how could it?
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Inside the lonely world of MAGA gay men
PHOTOS: National Champagne Brunch
PHOTOS: Night of Champions
‘Big Mistakes’ an uneven – but worthy – comedic showcase
Science said stop; the Supreme Court said no
Response to a personal attack against me
Queery: Meet artist, performer John Levengood
Charlie Kirk Act advances in Tenn.
