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Gay Georgetown designer says homes should be efficient and calming

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Ernesto Santalla is being honored with a minority business leader award from Washington Business Journal this month. (DC Agenda photo by Michael Key)

Walking into the upstairs offices of Studio Santalla in Georgetown on a warm, sunny spring day this week, itā€™s clear that different people designed the exterior and interior. You climb an almost fire escape-like set of outside steps to get to the nondescript door but upon entering the spacious office a different vibe emerges. There’s one mammoth room with a day bed and coffee table in the entry way, a conference table nearby and a fleet of desks on one side of the room while large protruding bookcases built into the walls on the other side jut outwards in perfect synchronization.

Owner Ernesto Santalla emerges from a rear corner with a soft-spoken greeting. Over the course of a nearly two-hour conversation, the unflappably calm gay architect and interior designer explains his philosophies, peppering his postulates with biographical rabbit trails and side projects that reveal a modern-day renaissance man.

Without a trace of ego, it emerges from the natural flow of conversation that he’s also a writer and photographer who speaks four languages. Even with piles of work paraphernalia around ā€” backdrops he’s planning for the gay chamber of commerce dinner, mammoth enlargements of his photos propped against a desk ā€” the office doesn’t look like a mess, though he apologizes for the slight disarray.

Santalla, whose work is contemporary, uses the office to illustrate one of his design principles: welcoming rooms should create a sense of calm. He points to blinds on the windows that form large white rectangles. They’re echoed on the floor in swatches of white carpet that divide the room. They appear again as doors on the ends of the bookshelves.

“It doesn’t hit you over the head, but your mind reads it and it’s unconscious and you say, ‘Oh, this is a well-organized space,'” Santalla, 49, says. “And so that’s part of how we use colors and materials to create a sense of calm. You’ve come in from the outside where you’re on information overload. In here is more of an oasis.”

One imagines ā€” though it isn’t discussed ā€” Santalla has been just as careful planning and arranging the intersections of lines and planes on his face. Impeccably manicured eyebrows peer above tiny but severe rectangular silver glasses. He’s a striking presence and much more soft-spoken than one might guess.

Santalla ā€” who was profiled in the Washington Post in February and is getting a minority business leader award from Washington Business Journal this month ā€” is a local entrepreneurial success. He and a former boyfriend moved here immediately after finishing college at Cornell in 1984. He worked for a local architectural firm for 10 years, then started Forma Design Company with his former colleague Andreas Charalambous in 1994. In 2001 he started Studio Santalla and has stayed busy with it ever since. He usually has between eight and 10 projects on the table at once. Spring and fall are his busiest seasons. He’s rebounded nicely from the recession, though there was a rough period.

“One fine day the phone just stopped ringing,” he says. “The summer had been slow, but it’s always slow. Or slower. But then people start calling in September. Well in 2008, they didn’t. And of course it kept going down, down, down, down, down until April of last year because the luxury business was affected immediately. It’s the first thing people give up. But we started to rebound last year.”

Santalla was born in Cuba but immigrated with his family to the U.S. 11 days before the missile crisis in 1962. He was 2. They lived in St. Louis where they had family until Santalla was 10 when they moved to San Juan, Puerto Rico where he stayed until college. It was a tough move, he says. He and his sister had been completely assimilated into U.S. culture and then had to radically switch gears. He found it a blessing in retrospect, though.

He knew he had an artistic drive early on but found few outlets for it in school. He was discouraged from taking an art elective course in junior high and opted for French instead.

“There was a stigma with it,” he says. “You either took one or the other, French or art, so it was kind of like, ‘Oh, well you can’t do French, then you do art.”

It came in handy years later though. Six years of French study proved advantageous for the biggest project of his career ā€” renovating a 700-year-old, five-story second home of his clients Holly and Jan Grent in the south of France. He’d already done two houses for them in Gainesville, Va., where they live about half the year. He imagined a radical redesign that incorporated nearly all facets of his architectural and design skill, knocking down walls, taking out staircases, building new rooms, installing a swimming pool and a patio and terrace.

“He did a complete redesign and an architectural miracle on this place,” Holly Grent says. “Everyone who comes to the house in France, even just people selling magazines, the minute they walk in the door, they say, ‘Oh, I love the way your house is.'”

She describes his work as “simple yet elegant, straightforward and contemporary.”

He elicits similar raves from another former client who became a friend. Nancy Penczner was getting her nails done shortly after moving to Potomac, Md., from Nashville where she and her husband, Marius, directed country music videos. She knew she wanted some radical work done on her new house but didn’t know where to begin. She and Santalla clicked immediately.

“He said, ‘You know, Nancy, the most important thing in the room should be you,'” Penczner remembers with a laugh. “I said, ‘You’re hired.'”

She says the renovations, completed five years ago, haven’t aged at all and she still loves her home.

“I just admired his style and I wanted a clutter-free home,” she says. “I think you have to find somebody whose style you admire but he was also good at collaborating with me. My furniture was in a jumble. I had inherited a lot of stuff. He did a great job of understanding where I came from. It’s modern and sleek, but it also has charm.”

Grent says it’s amazing to watch Santalla at work.

“I’m not exaggerating ā€” he can walk onto a room. He puts his hand on his chin. I know because I’ve seen him do this so many times. He pans the room and he starts seeing things and starts verbalizing and then Jan and I see it also once he describes it. And really, like 99 times out of 100, we agree with him.”

Santalla’s motto is “sustainable space for life.” He’s committed to moving toward sustainable living and work spaces and believes houses and offices should be designed so all their space is used. He loathes big McMansions in which certain rooms or spaces sit empty. He says his architectural training gives him an edge other designers don’t have.

“They’re one in the same in a way,” he says. “Architecture doesn’t end at one certain place where design picks up. It’s our unique selling point, this whole integrated approach.”

So how true is the stereotype that all interior designers are gay?

“The word on the street is yes,” Santalla says with a chuckle. But he quickly points to several famous architects who were straight. He says it’s not a big deal and most of his clients have been straight.

“I know a lot of artists, they might be straight or gay. I don’t really care one way or the other. It’s like there’s this big thing now, ‘Oh, Ricky Martin’s gay.’ So? It’s not like I stand a chance anyway or any of my female friends did, so what does it matter to me?”

One of Santallaā€™s gay clients ended up becoming his partner ā€” local attorney Glen Ackerman, whose condo Santalla renovated when Ackerman relocated here from Florida in 2006. They’d both been in long-term previous relationships but were single and bonded during the project, which was featured in the Post in February. They live together now with their two dogs.

“We’re just a same-sex couple,ā€ Santalla says. ā€œWe live together and we’re part of society in general. ā€¦ I don’t segregate myself. I’ve been invited to join people of color groups and that’s fine, it’s my heritage. But it should really come down to am I good or not. Hire me because I’m good, not because you think it’s going to be cheap, because it’s not, or because you want to work with a Hispanic or a gay. Work with me because I’m good and you like me.”

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Real Estate

Your holiday home journey

Real estate decisions often tap into our deeper desires for connection

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Real estate decisions often tap into our deeper desires for connection, stability, and legacy ā€” values closely tied to the spirit of Thanksgiving.

Thanksgiving and real estate share an essential theme: the importance of home. It is traditionally a time of gratitude, togetherness, and reflection. While its hallmark symbols may include turkey dinners, family gatherings, and autumnal dĆ©cor, it also invites us to think deeply about our values and who and what we hold dear. 

For some people, the family home connotes a place of safety, comfort, and community. For others, visiting with family over the holiday can be a contentious and stressful ordeal best avoided. Countless of my friends have severed toxic relationships that can rival an exploding, deep-fried turkey. They have opted instead for dining out or hosting a gathering of food and football with like-minded people.

During Thanksgiving, the idea of ā€œhomeā€ becomes particularly poignant. It is more than just a physical structure; itā€™s where people gather, memories are made, and traditions are passed down. For those involved in real estate ā€” whether as professionals or as individuals embroiled in the market ā€” this emotional dimension of home is a driving force.

When buying a house, itā€™s not just about square footage or the number of bedrooms. It’s about envisioning a Thanksgiving dinner in the dining room, imagining children playing in the backyard, or hosting friends in the cozy living space. Real estate decisions often tap into our deeper desires for connection, stability, and legacy ā€” values closely tied to the spirit of Thanksgiving.

Thanksgiving falls in the quieter part of the real estate calendar, with spring and summer being the traditionally hot seasons for buying and selling. Yet, for those who choose to list their homes in November, the holiday offers unique opportunities. Sellers can use Thanksgivingā€™s warm, inviting atmosphere to their advantage, staging homes with seasonal touches like autumn wreaths, a cornucopia of fruits and nuts, the sparkle of a dining room chandelier, and the scent of freshly baked pies.

A well-decorated home during this time can evoke an emotional connection with potential buyers. A cozy environment can help them imagine spending their future holidays in that very space. Additionally, homes listed during the Thanksgiving season often face less competition, as fewer properties are on the market. This can lead to more serious offers from motivated buyers.

For buyers, Thanksgiving can function as a reminder of why they are on the hunt for a new home in the first place. Perhaps they are looking for a bigger space for a growing family. They may be downsizing to retire or to simplify life. They might be looking for home to accommodate both children and aging parents simultaneously. The holiday season underscores the importance of finding a home that aligns with lifestyle needs and future goals.

In our tight real estate market, buyers still face challenges such as limited inventory and higher interest rates; however, Thanksgiving encourages a shift in perspective. Itā€™s a time to focus on gratitude for what is within reach ā€” whether itā€™s finding a starter home, securing a dream property, or taking incremental steps toward long-term, financial goals.

Interestingly, Thanksgiving weekend has become an increasingly popular time for real estate research. Families can gather around the table and begin discussing the future, including moving to a new city, upgrading their home, or purchasing an investment property. Digital tools like web searches and virtual tours can help buyers and sellers stay connected to the real estate market without disrupting their Thanksgiving traditions.

Whether you are buying or selling, Thanksgiving offers an opportunity to reflect on the role of gratitude in real estate. For buyers, itā€™s about being thankful for the chance to find a home that meets their needs, even if the journey is challenging. For sellers, itā€™s a moment to appreciate the memories made in a home while looking forward to new opportunities. 

For real estate agents and other industry professionals, Thanksgiving is a time to express gratitude to clients and colleagues, build stronger relationships, and highlight the human aspect of a business often driven by transactions alone.

If you are staying put this Thanksgiving, you have a chance to celebrate your current home, no matter its size or condition. Simple gestures like decorating with fall colors, rearranging furniture for a cozy feel, or preparing a special meal can deepen your connection to your space. Inviting neighbors, friends, or family to share in the festivities can reinforce the sense of community that makes a house a home.

Whether itā€™s the home you currently have, the one youā€™re searching for, or the one you are leaving behind, each holds a unique place in your life story. Take stock of the journey so far, recognize the progress made, and look forward to the possibilities ahead.

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Digital Media

LGBTQ youth love TikTok. Does TikTok love them back?

Platformā€™s algorithm found to promote homophobia, violence

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A google search bar that says "is TikTok" with several suggested searchers: "... getting banned" "... shutting down" "... banned in us" "... getting taken down" "... going to be deleted" "... going to be banned" "... getting banned in America"

When Jocelyn was stuck inside during most of 2020, they did what any high school senior would do: scrolled through TikTok. They found themself on the hashtag #tiktokmademegay a lot. (To protect privacy,Ā the BladeĀ is opting to only use Jocelynā€™s first name).

ā€œAt the time, I didn’t give it a lot of thought,ā€ they say, acknowledging that most users viewed it as ā€œmore of a joke.ā€ 

Now a senior in college, where Jocelyn will graduate with a degree in Womenā€™s, Gender, and Sexuality Studies and Computer Science this spring, they have a more nuanced perspective. Nuanced enough to embark on a year-long independent thesis on the topic.

They still get that the hashtag is a joke, but probe into what lies behind it, noting a tension between the ā€œthe born-this-way narrative of sexuality essentialismā€ to the idea that ā€œsexuality is socially constructed.ā€ They also question the power this narrative gives to TikTok in its ability to surveil user data and identity. 

What got Jocelyn so interested in it in the first place was the fact it was a conservative talking point being replicated by the queer community. Because, what amounts to a joke or an intellectual query for some, is a point of anxiety and fear-mongering for others.

The conservative think tank known for writingĀ Project 2025, the Heritage Foundation wroteĀ ā€œHow Big Tech Turns Kids Transā€Ā arguing that ā€œDigital spaces are ever more designed to promote sexual and transgender content.ā€ This argument has incredible staying power and has been echoed by numerous far-right pundits likeĀ Oli LondonĀ andĀ Charlie Kirk.

It has also been referenced by lawmakers. Tennessee Sen. Marsha Blackburn (R) stated theĀ Kids Online Safety ActĀ (KOSA), bi-partisan legislation she co-sponsored restricting youth access to social media, was meant to “protect minor children from the transgender [sic] in our culture.”

TikTok has faced numerous challenges over the years. From Montanaā€™sĀ currently unsuccessfulĀ ban on use in its state to theĀ ā€œdivest-or-ban billā€Ā signed by President Joe Biden in April or theĀ lawsuitĀ brought by more than a dozen attorneys general in Octoberā€”it is clear there is a broad coalition of U.S. lawmakers concerned about the app.Ā 

These actsā€”which cite both national security and youth mental healthā€”come in conjunction with a larger movement to limit youth access to social mediaā€”locallynationally, and internationally.

Data security experts and some legislators state that the national security risk of the app is onlyĀ hypothetical due to the fact TikTok houses U.S. user data in the states. There are pressing concerns about the safety of user data, explains Shae Gardner, the policy director at LGBT Tech. Focusing those concerns entirely on one platform due to a hypothetical risk rather than the widespread, real risks across multiple platforms is disingenuous.

ā€œProponents [of this ban] have been saying that this is urgent and necessary to protect the data of Americans,ā€ says Gardner, ā€œBut we have been asking for years for nationwide data privacy protections, and watching the efforts die over and over again on the legislative vine.ā€

In fact, Gardner argues, ā€œRegulating one application is both legally dubious and will ultimately be ineffective in doing so.ā€ Gardner explains that though LGBT Tech is not involved in any legislation against the ban, which other tech policy groups are, they hold the shared belief that it is unconstitutional to target a single platform rather than the wider ecosystem.

The risk to youth mental health, which has also been cited as a major concern, is more complicated. Best sellers like theĀ highly critiquedĀ ā€œThe Anxious Generationā€ argue that all youth mental illness is linked to social media. The data doesnā€™t back this up,Ā argueĀ numerous experts.

Amid the panic,Ā LGBTQ advocatesĀ have passionately argued that queer youthā€™s access to technology is uniquely beneficial due to a lack of education and community in the physical world. The Trevor Project identified TikTok as the platform whereĀ LGBTQ youthĀ felt most ā€œsafe and understood.ā€Ā 

Data largely backs this up. A systematic review from 2022 found that ā€œsocial media may support the mental health and well-being of LGBTQ youths through peer connection, identity management, and social support.ā€ The review noted that more research is needed, noting that their results may be limited by weak evidence due to factors like small sample sizes. 

Celia B. Fisher, the Marie Ward Doty University Chair in Ethics at Fordham University, was able to gather a larger sample by conducting a national survey of more than 500 on Instagram. With that reach, explains Fisher, ā€œyou’re more likely to get a fuller view of what’s going on nationally.ā€

ā€œThere’s an anonymity with national surveys,ā€ adds Fisher, ā€œ[It] brings different people to answer questions that they may not want to talk about to somebody in person.ā€

In March 2024, she published the peer-reviewed article ā€œSocial media: A double-edged sword for LGBTQ+ youthā€ in the Journal ā€œComputers in Human Behavior.ā€ Many results agreed with the larger narrative of online spaces as refuges and community-building spaces. ā€œIt’s a wonderful place when they can find the appropriate sites,ā€ says Fisher.

Jocelyn, the student researcher, echoes this. ā€œMany of the videos I have come across discuss how the comfortability of the queer spaces on TikTok was part of the reason they felt comfortable enough to come out and explore their sexuality.ā€

When youth drift into non-welcoming territory, the story is different.

Fisherā€™s research finds that more than 80% of youth are exposed to discrimination either directly or vicariously (watching others being discriminated against) in the last month. Fisher wrote, ā€œbetween 40% and 63% of all youth met the criteria for moderate levels of depression, anxiety, and substance use disorder (SUD).ā€ Youth who described high exposure to discrimination had higher levels of depression, anxiety, and SUD.

The hate does not simply come from the run-of-the-mill bully finding a classmate online. ā€œAlgorithms expose them to these things,ā€ says Fisher.

ā€œIf an algorithm sees that you’re interested in RuPaulā€¦ Then it begins its work on figuring out other sites that may be attached to similar interests. But as it moves on, it begins to add the heterosexist and transphobic types of posts.ā€

The fact that the algorithms that govern our tech can be sexist, racist, and homophobic is old news and highly studied, but it continues to have compounding impacts. Media Matters for America found in 2021 that TikTokā€™s algorithm specifically promotes homophobia and anti-trans violence.

Jocelyn also worries about handing over the power of identification and community to an algorithm. In addition to the #tiktokmademegay, other users promote the idea that ā€œTikTok knows things about themself before they know it.ā€ This rhetoric is ā€œscaryā€ says Jocelyn, because ā€œhanding over the keys of self-identification to an algorithm that we have no idea how it works is not something that feels right.ā€

Gardner echoes the complex views on the state of social media. Outside of her day job as a policy maven, Gardner is a TikToker under the handle @shaeitaintsoo, where she shares educational content about LGBTQ issues. 

ā€œThese spaces also allow for a lot of queer joy and a lot of authenticity in a way that makes me proud to be a part of this community,ā€ she says. At the same time, backlash is part of the job. The success of TikTokā€™s moderation has ebbed and flowed during her four years as a public figure on the app.  

Gardner emphasizes that ā€œhatred and harassment do not live in algorithms.ā€ The discrimination faced online is replicated bigotry from offline spaces. Social media can amplify and distribute the bigotry in new ways. ā€œIt is the responsibility of the platforms to be making significant efforts to ensure that the replication is not then also multiplied and made ten times worse.ā€

Gardner sees the backlash as a ā€œtale as old as timeā€ that has been replicated without much evidence onto emerging technology. ā€œI’m not saying that tale is not rooted in some element of truth. But this, this didn’t start with TikTok, I would push back against language that seems to think it will end with TikTok.ā€ 

In the meantime, Gardner implores those worried to not lose sight of the most important concerns. 

ā€œIf your concern is that [kids and teens] are spending too much time in online spaces. What are you doing to create safe, physical ones for them?ā€ Gardner asks. 

(This story is part of the Digital Equity Local Voices Fellowship Lab through News is Out. The lab initiative is made possible with support from Comcast NBCUniversal.)

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Autos

Fun holiday gifts for car fans

A trunkful of ideas for the gay gearheads in your life

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Dodge Igloo Kool Tunes Cooler

Mixing beats with brews, Dodge offers a combined cooler and boombox ($296), with two built-in speakers, LED status indicator, charging port and Bluetooth pairing. You can rock your tunes for up to 10 hours on a single charge. Capacity: 26 (12-ounce) cans. 

Lexus Flask and Tumblers

Add some spiritā€”or spiritsā€”to the holidays with a Lexus High Camp Parkside Flask ($140). The stainless steel, vacuum-insulated container has a chic cypress-green finish and can hold the temperature of a full bottle of wine for up to 24 hours. Two tasteful tumblersā€”inspired by classic stemless wine glassesā€”fit on the top and bottom of the flask. 

Ferrari Baby Romper Outfit

For swaddling any newborns in the family, thereā€™s a festive Ferrari romper ($150). This outrĆ© outfitā€”made of 100% cottonā€”has the automakerā€™s famous Prancing Horse emblem on the front and comes with matching baby bib. Expect plenty of pitstops ahead!

Ferrari Plush Pump Shoes

For more prancing, though this time as an adult, Ferrari has a pair of patent-leather pump shoes ($1,291). Available in black, red, or cream, these preening pumps are designed with a square toe, red lining and natty-looking red pull at the heel. Made in Italy, naturalmente! 

How to up your sartorial game even more? Spirit of Ecstasy cufflinks ($900) from Rolls-Royce are crafted in 925 sterling silver, with choice of either a rhodium-plated or dark-ruthenium finish. And pricing is a bargain, considering the average MSRP of a brand-new Rolls today is $500,000. 

Kia Flashlight and Electric Lighter

For outdoor adventures, Kia has a waterproof, rechargeable LED flashlight with built-in electric lighter ($38). The compact flashlight is less than four inches long and come in three modes: full power, half power orā€”for all of us disco queensā€”pulsing strobe. And the tail of the flashlight opens up into a windproof lighter. Lanyard and micro-USB cord included. 

Cadillac Cabana Towel

Some automakers see everything in black and white ā€” literally. The Cadillac cabana towel ($37), with retro-groovy yarn-dyed stripes, is made of 100% microfiber polyester and measures 60×72 inches.

Cadillac Crew Socks

Cadillac also has a pair of sporty, fully knitted black-and-white crew socks ($59). Bonus: the classy cardboard presentation box. 

Ford Warriors in Pink Mug

The Warriors in Pink Mug ($20) from Ford is part of the automakerā€™s longtime initiative to help fight breast cancer. Both the Susan G. Komen and Pink Fund each receive 5% of the purchase price of the mug, as well as any other Warriors in Pink merchandise.

Maserati Aero Pen

Need some motivation to start writing holiday cards? Maserati has the Pininfarina Aero pen ($140), with a futuristic design that evokes the infinity symbol. Made of aerospace aluminum, this super cool pen comes with an attractive base in unrefined concrete, along with a customized box. 

Dodge Dodgeball

Let off some steam and release your inner Ben Stiller or Vince Vaughn with this aptly named Dodge ball ($17). Made of performance rubber and measuring 8.5-inches wide, this red dodgeball comes with the automakerā€™s logo emblazoned in white. 

Bentley Napkin Rings

Ringing in the New Year just got a lot more la-di-da with a pair of Bentley napkin rings ($97). The diamond-shaped knurling pattern echoes the elegant design on the grillwork, console and upholstery of glam Bentleys. The automakerā€™s emblem is laser-engraved on the underside of the napkin rings. Available in nickel-plated metal or gold-plated zinc alloy.

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