Bars & Parties
Exploring the mysteries of Leonardo
Exhibit reveals a ‘superhuman’ artist, inventor
“His mind and personality seem to us superhuman, the man himself mysterious and remote.”
Thus wrote art historian Helen Gardner about the archetype of Renaissance Man, Leonardo da Vinci. But is there a mystery still about Leonardo’s sexual orientation?
This giant polymath of the High Renaissance — painter, sculptor, scientist, civil and military engineer, architect, mathematician, musician, anatomist, botanist and writer — appears to have no close relationships with women, except for one. He kept his private life indeed quite secret.
His sexual orientation has been the subject of analysis and speculation and even satire.
He has been thought by many, including Sigmund Freud, to have been gay, but Freud believed him to have merely been latent — gay-oriented but that those desires were unfulfilled.
Some have concluded that he was chastely gay, traumatically stung into sexless celibacy after a charge against him of sodomy with a male prostitute in 1476 when he was 24.
Or instead, as the art historian Kenneth Clark supposed, was Leonardo intimate with two of his pupils? One of them confided to Leonardo’s brothers after his death that the great man’s feelings for his young students were “sviscerato et ardentissimo” (“deeply felt and most ardent love”).
And then there are Leonardo’s private, erotic drawings of one of those pupils, also his ward, the notorious boy known by his well-deserved nickname “Salai” (the little unclean one), who came to live with Leonardo when he was a 10-year-old in 1490 when the painter was 38, and lived with him for 30 more years. Other paintings, especially “John the Baptist” and “Bacchus,” depict androgyny and homoeroticism.
An exhibit at the National Geographic Museum, “Da Vinci – the Genius,” which closes there on Sept. 12, should help to sweep away some of the mysteries surrounding da Vinci, the man who was perhaps the most diversely talented person ever to have lived, whose unquenchable curiosity was equaled only by his vast powers of invention.
The exhibit, which concentrates on his scientific and engineering side as much as his artistic scope, illustrates the point made by the historian Marco Resci who declared of Leonardo that his vision of the world was cooly rational and empirical and not mysterious at all.
For example, in the National Geographic exhibit, which offers a stunning catalogue of the range of da Vinci’s epic genius, consider the section on flight, summed up by Leonardo himself in these words: “There shall be wings! If the accomplishment be not for me, t’is for some other.” For Leonardo was the first to look at the science of flight and in the process to create the engineering of aeronautics.
Leonardo began this study working on the design for flying machines based on wing movements he observed closely by analyzing the flight patterns of birds and bats and dissecting them to study the anatomy of their wings. Later, however, he realized that humans — with less than a quarter of their weight in their arms and chest muscles — would simply never have the strength to fly like birds.
So he began instead to investigate flight without wing movement, by careful study of wind velocity and ways to use air currents to reach great heights. And his ideas, sketched in his many notebooks using his striking mirror-image cursive (being left handed, it was easier for him to write from right to left), foreshadow the use of gliders, airplanes and helicopters and also parachutes of today.
The genius of the National Geographic Exhibit is how it demonstrates the full scope of Leonardo’s genius. It is a comprehensive traveling presentation that required more than a decade to complete and features a vast array of full-scale machine inventions built according to his personal “codices” (or notebooks). It also includes reproductions of his most famous paintings, including the “Mona Lisa.”
To understand the mystery and the genius of Leonardo da Vinci, this is an opportunity not to be missed.
Bars & Parties
Lesbian Bar Project co-founder: purity politics could destroy our remaining spaces
Last Ditch’s decision to lift its mask requirement for one night a week has sparked intra-queer controversy
Uncloseted Media published this story on Sept. 29
By ERICA ROSE and THE LESBIAN BAR PROJECT | As a professional lesbian and Massachusetts native, I’ve recently been asked by a lot of folks what I think about the saga unfolding at Last Ditch. The now-viral story, first reported by the Boston Globe, centers on a Western Massachusetts lesbian bar that lifted its mask requirement for one night a week to help drum up business.
The decision ignited an intra-queer controversy that has been feasted on by media outlets across the political spectrum — from the New York Post to LGBTQ Nation — and is even reportedly being eyed for a Hollywood adaptation. Apparently nothing is more entertaining than a bunch of lesbians and queers fighting with each other over KN-95s.
What has been lost in all of the chatter and media coverage is the very real possibility that Last Ditch, which just opened in April 2025, will have to close its doors. The venue’s one remaining founder, Jackie Matellian, revealed in a community Zoom meeting that she’s working four jobs, is now solely responsible for the bar’s $50,000 business loan and is struggling to keep up with the bills. So as we laugh about the controversy’s similarity to a “Portlandia” skit and how one of the bar’s founders left to enroll in clown school, we forget that yet another lesbian bar is facing an existential crisis — and this time the call is coming from inside the house.
In 2020, my friend Elina Street and I created The Lesbian Bar Project, an Emmy-, Webby- and GLAAD Media Award-winning docuseries and initiative that tells the stories of lesbian queer bars around the world. We were moved to act because at the time there were only an estimated 16 lesbian bars in the United States, and the pandemic threatened to bring that number down even further.
There are now more sapphic bars than there were just before the pandemic — about 36 of them in total — but this is down from approximately 200 in 1980. Maybe that doesn’t mean much to you, but for the millions of sapphics living in the U.S., this number is calamitous.
As the world laughs at lesbians and sapphics, I want to take a second and tell you what I feel when I walk into one of these bars, which are all unique and irreplaceable in their own way: I feel seen.
Sometimes I think Cubbyhole in New York City’s West Village neighborhood knew I was gay before I did. When I walked in there for the first time, before I was even out, I was transfixed by the colorful array of tchotchkes hanging from the ceiling and how the women standing next to me were completely unafraid to express their desire for one another. I knew the minute I was ready to come out, I had a home. I also felt the joy of a new couple falling in love at Seattle’s Wildrose, the quiet confidence of a short king lining up her shot at the pool table at Ginger’s in Brooklyn and the kick of cayenne pepper in Julie Mabry’s crawfish at Houston’s Pearl Bar.
Lesbian bars don’t just serve lesbians; they serve queer folks across the spectrum, including bisexual, pansexual and trans people. As Elina and I traveled across the U.S. and Europe and to parts of Latin America to document the bar owners, staff and patrons that make up the ecosystems of these spaces, we also became uniquely acquainted with the factors that threaten their existence: gentrification, wage gaps, sexism, environmental disasters, gun violence, rising insurance premiums and political administrations working to annihilate queer people and their families.
Lesbian bar owners, like all leaders and entrepreneurs, are imperfect. There have been significant issues over the years at lesbian bars: employee harassment, racism, lack of accessibility, sexual assault and transphobia. All bar owners should be held accountable and should listen to their communities to evolve into safer and more equitable spaces. I also acknowledge my privilege: I am able-bodied, white, cis and from a family system that loves me for who I am. Not everyone has that.
Queer people, especially trans and bisexual people, are suffering from disproportionately high levels of depression, and our mental health system isn’t equipped to support them. Immunocompromised people and long COVID are real, and many of my friends are suffering to this day. The people with the least safety net are often the ones for whom a bar closing costs the most. And yet, as we’re seeing with Last Ditch, the queer community often lashes out at each other. It’s also the mainstream media taking the internal conflict and making a mockery out of it, distracting from the real possibility that this bar could close due to financial pressures. A bar that many people loved and needed is facing extinction. Perhaps it’s safer to dissent with one another than with the larger forces trying to eradicate us, but in doing so, we risk destroying the few spaces we have left.
Due to the constraints of purity politics — some in good faith, some not so much — lesbian bar owners, almost all of whom are queer women themselves, are forced to be everything for everyone, similarly to how women are forced to be everything for everyone. By asking these bars to uphold impossible standards — standards very few other third spaces are asked to consider — we all end up losing.
I want to move as a community toward dialogue, compassionate dissent and collaboration to make our spaces better with the goal of keeping them OPEN and thriving, rather than destroying them from the inside with expectations that are arguably unattainable.
While I have your attention — for this fleeting second of the news cycle — may I urge us to spearhead a way to keep these small businesses afloat without attacking our own community along the way? Bar owners are left with an impasse: They want to be community-centered, but they also have to make money to keep their doors open. Sometimes they might make business decisions that don’t work for everyone — and that’s partly because different patrons have different priorities and want different things — but these owners deserve the opportunity for productive dialogue. We have to work with them and with each other to keep our spaces open, to keep them growing.
Lesbian bars raised me into the queer woman I am today. One thing I think about as I reflect on the six years of work we’ve done to document these spaces is that shared, unspoken language I have with a stranger the moment we both walk into one of these bars: the nod, the ease, the not having to explain ourselves. I don’t want to lose that, and neither should you.
Celebrate the start of Pride month at the Queer Magic Dance Party at the Black Cat on Saturday, June 6. Doors open at 9 p.m.
There will be pole performances and demonstrations, a free photo booth with glitter bar, a queer vendor market, tarot readings by Skye Marinda Tarot, a drag performance by Sapphica, and dancing to a blend of smooth R&B, Afrobeats, hip-hop and pop by Slammer & Saba. Tickets are $20 at the door or $15 (plus fees) in advance, purchased here.
Bars & Parties
Here’s where to watch ‘RuPaul’s Drag Race’ with fellow fans
Entertainers TrevHER and Grey host event with live performance
Spark Social Events will host “Ru Paul’s Drag Race S18 Watch Party Hosted by Local Drag Queens” on Friday, Jan. 23 at 8 p.m.
Drag entertainers TrevHER and Grey will provide commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. The watch party will take place on a heated outdoor patio and cozy indoor space.
This event is free and more details are available on Eventbrite.
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