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Down by the seashore

Studio’s one-man show a clever exploration of longing and passion

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‘The History of Kisses’
Through July 3
The Studio Theatre, 1501 14th St. NW
202-332-3300
www.studiotheatre.com

‘Purge’
Through July 3
SCENA Theatre
at H Street Playhouse, 1365 H St. NE
703-683-2824 begin_of_the_skype_highlighting
www.scenatheater.org

David Cale in ‘The History of Kisses,’ a piece he also wrote and directs. (Photo by Carol Pratt)

Standing on a stage disguised as a stretch of sandy beach, a lone actor dressed in casual street clothes breaks out into his rendition of an old English seafarer’s chantey. He beckons his listeners to follow him to unknown places and because his song is so full of longing, promise and mystery, we gladly go along for the journey.

“The History of Kisses” — David Cale’s terrific one-man show making its world premiere at Studio Theatre — is a collection of interconnected monologues detailing mostly random erotic encounters that take place close to and on the ocean. The work’s central and most likable character James (a gay writer like Cale) is temporarily holed-up in a seaside California motel working on a collection of stories about desire and epiphany. His motel neighbors and a few more established friends are the subject of his intimate sketches.

Slim and bald, Cale (who not only performs but wrote the show) wholly inhabits his characters whether it’s Julie, a generally sensible woman who happily recalls her brief but memorable affair with a sexy fat man she picked up on a flight from New York to San Francisco; or Artie, an old married builder from New York who shares about a long ago, chance romantic encounter with Judy Garland on the beach in Malibu.

Moments move from funny to poignant. In a dream sequence, Cale transforms into an Australian surfing Adonis who doubles as the motel’s front desk clerk and funnily gives pointers on how to physically please a “Sheila” (i.e. woman in his Aussie jargon). That same surfer is later brokenhearted when his new married girlfriend dumps him, but ultimately finds dramatic renewal from the sea when he’s literally uplifted by a herd of whales. Love-weary James shares his own chance encounter with a middle-aged dentist who has recently come out.

Cale is a masterful storyteller. His long and impressive bio includes films, Broadway and music. He’s written lyrics for Elvis Costsello and Deborah Harry.  “The History of Kisses” is his fourth solo work he’s done at Studio. While here and there British-born Cale’s American accents are a little shaky, the way in which he captures his characters’ physicality is uncanny — he can play both older women and young studs convincingly.  His quirky, vulnerable subjects are finely drawn. The material is personal, fun, and even a little heartbreaking. Ultimately, Cale offers an inspiring testimony to human resilience.

Across town at the H Street Playhouse where SCENA is presenting Finnish-Estonian playwright Sofi Oksanen’s “Purge,” life is dangerous and memories are more painful. Set in both 1991 Estonia as well 1950s Estonia under Soviet rule, the bold drama tells the story of three generations of women who are the victims of sexual violence and the ongoing trauma that ensues.

Tucked away in her rustic, neatly tended dwelling old Aliide (Kerry Waters) bides her time in a changing world. Despite misgivings, she gives refuge to Zara (Colleen Delaney), a badly beaten woman on the run from pimps. In flashbacks we learn the old woman’s younger self (Irina Koval) and her young niece were once abused by Soviet soldiers.

While most of the work’s horrific violence is implied, interestingly the work’s most combative scene is a knock down drag out fight pitting Zara against old Aliide. The altercation, which includes Zara shoving the old woman’s heads in a full bed chamber, actually leads to the two women fully understanding one other, forging a bond and in the end, redemption.

To portray the tale’s strong women, director Robert McNamara has assembled an impressive trio: Waters and Koval are equally strong yet flawed as young and old Aliide.  Delaney is known for giving theatergoers their money’s worth, and her emotionally strung out Zara is no exception. Eric Lucas offers some comic relief as Aliide’s communist doctrinaire husband, and Lee Ordeman is appropriately handsome and restless as young Aliide’s unrequited love. Stas Wronka and Armand Sindoni play the heavies (Soviet soldiers and pimps).

The playwright Oksanen identifies as bisexual. In 2009 she received an award from the organizers of Helsinki Pride for her activism on behalf of LGBT people in the Baltic states (Estonia, Latvia, Lithuania) and Russia. “Purge” also exists as a novel and a French film version is set to be released in 2012.

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Galleries

BMA celebrates enduring influence of Henri Matisse

Exhibit features iconic works juxtaposed with gay artist’s paintings inspired by French legend

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‘Tom’ by Louis Fratino (left) and ‘Large Reclining Nude’ by Henri Matisse (right) reveal the ways in which the legendary French visual artist influenced the young American painter, from the use of light and pattern to the choice to focus on everyday subjects.

The Baltimore Museum of Art is on a roll. 

After landing the coveted Amy Sherald “American Sublime” exhibit (through April 5) when the National Portrait Gallery attempted to censor her work, the BMA is debuting a breathtaking and thought-provoking new exhibit, “To See This Light Again” featuring master works by Henri Matisse paired with new paintings by Louis Fratino, who is inspired by the French modernist legend.

Fratino, who’s gay, was born in Annapolis and studied at Baltimore’s Maryland Institute College of Art. As an art student, he found himself spending lots of time in the BMA’s Matisse galleries, the largest collection of his works in the world, encompassing more than 1,600 paintings, drawings, and illustrations. At just 33, Fratino has enjoyed a “meteoric” rise in the art world, according to BMA Director Asma Naeem, who introduced Fratino at an event previewing the exhibit last week. This is Fratino’s first major U.S. exhibition, but he was featured in the 2024 Venice Biennale and his paintings can be found at the Rhode Island School of Design Museum, the Whitney Museum of American Art, and elsewhere. 

The exhibit aims to explore Matisse’s lasting influence by juxtaposing his works with Fratino’s. 

“It’s the idea that art manifests a kind of attention or a vision for your life, that it can be a beautiful life despite certain circumstances that may be happening around you,” Fratino said in a statement released by the BMA. “In Matisse’s case, he lived through the First and Second World Wars. Painting can confirm that life is beautiful and that it’s worth looking at.”

The influences are apparent, from the use of light and pattern to the choice to focus on everyday objects and subjects. And the exhibit is unabashedly queer with male couples depicted in a couple of paintings. Fratino told the Blade that as an out gay man, it was important to embrace that visibility. 

He describes a “joy of looking” at the male form, just as Matisse portrayed female figures that often celebrated the tradition of painting nudes. 

In “Tom,” Fratino captured his subject in casual repose that includes a bowl and spoon in the foreground. It is presented alongside Matisse’s iconic “Large Reclining Nude.” Tom’s checkered shirt echoes the blue and white grid background of the Matisse work and both figures are holding casual, relaxed poses. 

“Fratino and Matisse: To See This Light Again” runs through Sept. 6 at the Baltimore Museum of Art (artbma.org.)

For Matisse lovers, the BMA has another exhibit debuting March 29 titled, “Matisse in Vence: The Stations of the Cross” featuring more than 80 drawings revealing how the artist “shaped his late‑career masterpiece, the Stations of the Cross mural, for the Chapel of the Rosary in Vence, France.”

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Books

Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

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Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

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Music & Concerts

Gaga, Cardi B, and more to grace D.C. stages this spring

Shake off your winter doldrums at a local concert

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Lady Gaga plays Capital One Arena on March 23. (File photo courtesy of Might Real Agency)

D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.

March

3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.

3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.

April

4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”

4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.

4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.

4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”

4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.

4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP. 

4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.

4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.

May

5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.

5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.

5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.

5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.

June

6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.

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