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Gay couple takes stage at Renaissance Festival

Marylanders relive 1544 England each weekend

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The year is 1544. The location is Revel Grove, a small village in the county of Oxfordshire, England. The Royal Court of King Henry VIII is paying a visit to this village as part of its annual summer progress. Attending on His Majesty is the Archbishop of Canterbury, Thomas Cranmer, and his partner, the diplomat Sir Ralph Sadler.

Wait a minute! If you donā€™t remember reading that in a history book, perhaps some clarification is needed. Revel Grove is a fictitious name given to the site at The Maryland Renaissance Festival. And while no history book mentioned a relationship between the Archbishop and Sir Ralph, the actors who portray those characters have been together for 17 years.

Steven Edward Kirkpatrick (Archbishop Cranmer), and Charles Boyington (Sir Ralph), currently live in Hyattsville but make the drive to 16th century England each weekend as part of the acting company of the Maryland Renaissance Festival.

Not surprisingly, theater is what drew the couple together. They met in Memphis, Tenn., while working at the Playhouse on the Square. Charles was directing the play, ā€œMarvinā€™s Room,ā€ and Steven was supposed to audition but someone had told him there was no role for him in the play.

ā€œIt worked out for the best since I would not have been open to dating him if I was also directing him at the time,ā€ says Charles.

ā€œLooking at pictures of those years, we look like mere kids,ā€ muses Steven. ā€œThe amazing thing is that it doesnā€™t seem like that long.ā€

Both have been performing for more than 20 years but do not often act together.

ā€œMore often than not we do our own thing,ā€ says Charles. ā€œWe were in a production of Jekyll and Hyde, which was written for us. I was Jekyll and Steven was Hyde.ā€

ā€œWe havenā€™t performed together in several years,ā€ notes Steven, ā€œso the festival has been fun. Once we did play the same role in the same show. There was a period back in Memphis when Charles somehow ended up being my unofficial understudy for several roles. He took over for me as Sebastian in The Tempest when I had to step in as Prospero. Itā€™s amusing to see photos of us playing the same role and wearing the same costume, but I will say he always played the character very differently from me.ā€

While both feel a major benefit for a couple performing in the same show is the ability to carpool, is there ever a strain to being in the same production?

ā€œTheater has always been a primary bond between us, so it is far more positive than a negative. If we donā€™t get a chance to perform regularly we both suffer, so this way weā€™re both getting an important need met,ā€ says Steven.

ā€œMost of the time it is great fun,ā€ says Charles. ā€œThe only issue is I like to arrive early to rehearsals and performances and then stay later than necessary to hang out. Steven wants to arrive later and leave earlier. This is true in just about everything we do though.ā€

Actors can be sensitive regarding their work. Shelley Winters claimed her husband, Vittorio Gassman, once gave her a black eye when she confessed she preferred Olivier’s Hamlet to his.Ā  As a couple, do they ever critique each otherā€™s work?

ā€œAs the years have gone by, we have learned how to critique each other without tripping on toes,ā€ laughs Steven.

Steven first performed at the Festival in 2002, and Charles in 2008. Steven was on a hiatus for a few seasons, so this is the first year they have performed together at the venue. As a gay couple, they have they found the Renaissance Festival a positive performing environment.

ā€œIt can appear different on the surface since there is an emphasis on machismo by some of the guys in the cast,ā€ says Charles. ā€œBut most of that is just trying to play up the time period. Once you get to know these folks, they are perhaps the most accepting people on the face of the earth.Ā  They come from all walks of life and have a ā€˜live and let liveā€™ philosophy.ā€

Stephen agrees, ā€œBecause so many actors love this venue and are given a chance to return, there is definitely a sense of this being like a second family. Iā€™ve always felt that I can truly be me in all of my many aspects and have complete acceptance in this venue. And I donā€™t always feel that way in certain sectors of the gay community! The cast and vendors are wonderful, so itā€™s been great.ā€

Steven and Charles will be performing at The Maryland Renaissance Festival weekends through Oct. 23.

 

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Photos

PHOTOS: Walk to End HIV

Whitman-Walker holds annual event in Anacostia Park

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The 2024 Walk to End HIV is held in Anacostia Park on Saturday, Dec. 7. (Washington Blade photo by Michael Key)

Whitman-Walker Health held the 38th annual Walk and 5K to End HIV at Anacostia Park on Saturday,Ā Dec. 7. Hundreds participated in the charity fundraiser,Ā despite temperatures below freezing. According to organizers, nearly $450,000 was raised for HIV/AIDS treatment and research.

(Washington Blade photos by Michael Key)

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PHOTOS: The Holiday Show

The Gay Men’s Chorus of Washington performs at Lincoln Theatre

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The Gay Men's Chorus of Washington perform 'The Holiday Show' at Lincoln Theatre. (Washington Blade photo by Michael Key)

The Gay Men’s Chorus of Washington performed “The Holiday Show” at Lincoln Theatre on Saturday. Future performances of the show are scheduled for Dec. 14-15. For tickets and showtimes, visit gmcw.org.

(Washington Blade photos by Michael Key)

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Books

Mother wages fight for trans daughter in new book

ā€˜Beautiful Womanā€™ seethes with resentment, rattles bars of injustice

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(Book cover image courtesy of Knopf)

ā€˜One Day I’ll Grow Up and Be a Beautiful Womanā€™
By Abi Maxwell
c.2024, Knopf
$28/307 pages

“How many times have I told you that…?”

How many times have you heard that? Probably so often that, well, you stopped listening. From your mother, when you were very small. From your teachers in school. From your supervisor, significant other, or best friend. As in the new memoir “One Day I’ll Grow Up and Be a Beautiful Woman” by Abi Maxwell, it came from a daughter.

When she was pregnant, Abi Maxwell took long walks in the New Hampshire woods near her home, rubbing her belly and talking to her unborn baby. She was sure she was going to have a girl but when the sonogram technician said otherwise, that was OK. Maxwell and her husband would have a son.

But almost from birth, their child was angry, fierce, and unhappy. Just getting dressed each morning was a trial. Going outside was often impossible. Autism was a possible diagnosis but more importantly, Maxwell wasn’t listening, and she admits it with some shame.

Her child had been saying, in so many ways, that she was a girl.

Once Maxwell realized it and acted accordingly, her daughter changed almost overnight, from an angry child to a calm one ā€“ though she still, understandably, had outbursts from the bullying behavior of her peers and some adults at school. Nearly every day, Greta (her new name) said she was teased, called by her former name, and told that she was a boy.

Maxwell had fought for special education for Greta, once autism was confirmed. Now she fought for Greta’s rights at school, and sometimes within her own family. The ACLU got involved. State laws were broken. Maxwell reminded anyone who’d listen that the suicide rate for trans kids was frighteningly high. Few in her town seemed to care.

Throughout her life, Maxwell had been in many other states and lived in other cities. New Hampshire used to feel as comforting as a warm blanket but suddenly, she knew they had to get away from it. Her “town that would not protect us.”

When you hold “One Day I’ll Grow Up and Be a Beautiful Woman,” you’ve got more than a memoir in your hands. You’ve also got a white-hot story that seethes with anger and rightful resentment, that wails for a hurt child, and rattles the bars of injustice. And yet, it coos over love of place, but in a confused manner, as if these things don’t belong together.

Author Abi Maxwell is honest with readers, taking full responsibility for not listening to what her preschooler was saying-not-saying, and she lets you see her emotions and her worst points. In the midst of her community-wide fight, she reveals how the discrimination Greta endured affected Maxwell’s marriage and her health ā€“ all of which give a reader the sense that they’re not being sold a tall tale. Read this book, and outrage becomes familiar enough that it’s yours, too. Read “One Day I’ll Grow Up and Be a Beautiful Woman,” and share it. This is a book you’ll tell others about.

The Blade may receive commissions from qualifying purchases made via this post.

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