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Calendar: Nov. 4

Concerts, parties, exhibits and more through Nov. 10

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Lesbian singer Brandi Carlile plays the Birchmere next week. (Photo courtesy Columbia Records)

TODAY (Friday)

The D.C. Center (1318 U St., N.W.) is holding its monthly open mic night tonight from 8 to 10 p.m., featuring guests Eryca Kasse, a Jewish lesbian, writer and social worker, and Jessica Genia Simon, who has been writing poetry since she was 7 and has been published in “New Voices: National Jewish Student Magazine.” The event is hosted by Mike Brazell.

Green Lantern (1335 Green Court, N.W.) presents Fahrenheit tonight from 9 p.m. to 3 a.m. featuring music by DJ Joey-O. There’s a $5 cover after 10 p.m. and free rail vodka on the second floor from 10 to 11 p.m.

Busboys & Poets presents First Fridays: A Local Arts Exploration tonight at 5:30 p.m. in the Zinn room at its Hyattsville location (5331 Baltimore Ave., Suite 104). This event combines a reception, artist talk and the opportunity to meet other local artists, and see their work. This month’s presenters are Chanel Compton, Charles A. Sessoms, J.J. McCracken, Bensonn Anspach and Brooke Kidd.

Strathmore presents Friday Night Eclectic featuring D.C.-based world funk ensemble Funk Ark and special guest Fort Knox Five’s Mustafa Akbar, tonight at 8 p.m. at the Mansion (10701 Rockville Pike) in North Bethesda. Tickets are $10 in advance and $12 at the door. For more information and to purchase tickets, visit strathmore.org.

Town (2009 8th St., N.W.) is having its weekly Bear Happy Hour tonight starting at 6 p.m. There is no cover for this 21 and older event.

Saturday, Nov. 5

Blowoff, a dance party featuring gay DJs Bob Mould and Richard Morel, will be at 9:30 club (815 V St., N.W.) tonight. Doors open at 11:30 p.m. Attendees must be 21 or older. Tickets are $12 and can be purchased at 930.com.

The Capital Pride Symphonic Band is having its fall concert Architects of Music tonight at the Columbia Heights Education Campus Auditorium (3101 16th St., N.W.) at 8 p.m. The concert will be emceed by Martin Moeller, author of the AIA Guide to the Architecture of Washington D.C., and conducted by Nancy Plantinga.3

Phase 1 (525 8th St., S.E.) is hosting a Deaf Women’s Happy Hour tonight from 7 to 10 p.m. There is a $5 cover and all proceeds will go toward the Deaf Abused Women’s Network. All attendees must be 21 or older.

Tayisha Busay, an electro-dance band from Brooklyn, will be at The Islander (1201 U St., N.W.) followed by a dance party. Tickets are $6 in advance, $10 at the door and $5 after midnight for the dance party only. Doors open at 8:30 p.m. and all attendees must be 21 or older.

Code has its monthly installment tonight at Green Lantern (1335 Green Court, N.W.). Gear, rubber, skin, uniform or leather dress code will be strictly enforced. Music provided by DJ Frank Wild. Admission is $10. All attendees must be 18 or older. There will be an open bar from 9 to 10 p.m.

Sunday, Nov. 6

The Bet Mishpachah Education Committee is hosting a brunch today from 11 a.m. to 3 p.m. at the DCJCC (1529 16th St., N.W.) featuring a screening of the 1977 film, “Word is Out: Stores of Some of Our Lives.” The film was the first feature-length documentary about gay and lesbian identity made by gay filmmakers. For more information and to RSVP, visit betmish.org.

Signature Theatre (4200 Campbell Ave.) in Arlington, is hosting a CD launch party for local gay composer Matt Conner from 5 to 7 p.m. to celebrate the release of his second Christmas CD, “Snow.” The wine and cheese reception will take place in the lobby and will feature Conner performing selections from his album, including classics as well as two original compositions. The party is free and open to the public.

Busboys & Poets presents Photoworks Photo SLAM tonight at 8 p.m. in the Langston Room at its 14th and V. streets location (2021 14th St., N.W.). The slam will feature photo artists projecting their portfolios in front of a panel of celebrity judges and the winner gets an exhibit at Photoworks gallery during FotoWeek 2012. This is a free event.

A new gay-welcoming Catholic church, St. Hedwig’s Old Catholic Church, has Mass today at 9 a.m. The church meets each Sunday morning at Palisades Community Church (5200 Cathedral Ave., N.W.) in Washington. The church, not affiliated with the Vatican, describes itself as one with “progressive Catholic values” that welcomes those “disaffected by mainstream traditions” and what some consider “politically distorted teachings of Christ” in other faith traditions. Bishop Michael Seneco, who’s gay, is the pastor. Visit sainthedwigs.org for more information. All are welcome.

Monday, Nov. 7

The D.C. Center (1318 U St., N.W.) is having its monthly volunteer night tonight from 6:30 to 8:30 p.m. Tonight’s activities could range from sorting through book donations, cleaning up around the center and taking inventory for Fuk!ts, as well as socializing. Pizza will provided.

Green Lantern (1335 Green Court, N.W.) hosts Bears Do Yoga from 6:30 to 7:30 p.m. upstairs followed by Queer Pong hosted by Andy from 8 p.m. to midnight.

Tuesday, Nov. 8

D.C. Bi Women will have its monthly dinner at Dupont Italian Kitchen (1637 17th St., N.W.) tonight from 7:30 to 9:30 p.m.

Today is Digital Capital Week’s Fashion Day at the Washington Economic Partnership (1495 F St., N.W.) with three panels discussing the different aspects of life in the fashion industry in D.C. starting at 1 p.m. The first panel will include Daniella Kallmeyer, winner of Bravo’s “The Fashion Show,” discussing the role of technology in creativity and design. The second panel will be about business and retail development, while the third panel will focus on the role of social media. The day will end with a fashion show held at Bloomingdales. This is a free event. To RSVP, visit dcweekfashionday.eventbrite.com.

Nellie’s (900 U St., N.W.) is hosting a City Dogs Rescue fundraiser during Drag Bingo this week from 6:30 to 11:30 p.m. with $1 from every Nellie beer sold going to City Dogs, an organization formed to rescue adoptable dogs in high-kill shelters where resources are limited. For more information on the organization, visit citydogsrescue.org.

Wednesday, Nov. 9

Rainbow Response is holding its monthly meeting tonight at the D.C. Center (1318 U St., N.W.) from 7 to 8 p.m.

Green Lantern (1331 Green Court, N.W.) will host the weekly Poz D.C. happy hour upstairs from 8 p.m. to midnight.

Bet Mishpachah, GLO, Nice Jewish Girls, Nice Jewish Boys and Gayyim join up at a free happy hour tonight from 6 to 8 p.m. at the Dirty Martini (1223 Connecticut Ave., N.W.) to celebrate Mautner Project. RSVP at freehappyhourmautner.eventbrite.com.

Brandi Carlile plays the Birchmere (3701 Mt. Vernon Ave.) in Alexandria tonight at 7:30 p.m. Tickets are $45 and can be purchased online at ticketmaster.com.

Thursday, Nov. 10

Helping Our Brothers and Sisters is holding its annual fundraiser dinner tonight at the Eatonville Restaurant (2121 14th St., N.W.) at 6 p.m. with a social hour followed by the dinner and program at 7:30 p.m. The event will also celebrate the life of Frank Kameny. Tickets are $150 and can be purchased online at helpingourbrothersandsisters.com.

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the Night of Champions Awards Gala at the Georgetown Marriott on Saturday, April 18. (Washington Blade photo by Michael Key)

The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.

(Washington Blade photos by Michael Key)

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Television

‘Big Mistakes’ an uneven – but worthy – comedic showcase

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Taylor Ortega and Dan Levy in ‘Big Mistakes.’ (Photo courtesy of Netflix)

In the years since “Schitt’s Creek” wrapped up its six season Emmy-winning run, nostalgia for it has grown deep – especially since the still painfully recent loss of its iconic leading lady, Catherine O’Hara, whose sudden passing prompted a social media wave of clips and tributes featuring her fan-favorite performance as the deliciously daft Moira Rose. Revisiting so many favorite scenes and funny moments from the show naturally reminded us of just how much we loved it, even needed it during the time it was on the air; it also reminded us of how much we miss it, and how much it feels now like something we need more than ever.

That, perhaps more than anything else, is why the arrival of “Big Mistakes” – the new Netflix series starring, co-created and co-written by Dan Levy – felt so welcome. We knew it wouldn’t be the Roses, but it seemed cut from the same cloth, and it had David Rose (or at least someone who seemed a lot like him) in the middle of a comically dysfunctional family dynamic, complete with a mother who gets involved in town politics and a catty sibling rivalry with his sister, and still nebbish-ly uncomfortable in his own gay shoes. Only this time, instead of running a charmingly pretentious boutique, he’s the pastor of the local church, and instead of a collection of kooky small town neighbors to contend with, there are gangsters.

As it turns out, it really does feel cut from the same cloth, but the design is distinctly different. Set in a fictional New Jersey suburb, it centers on Nicky (Levy) and his sister Morgan (Taylor Ortega) – he openly gay with an adoring boyfriend (Jacob Gutierrez), yet still obsessive about keeping it all invisible to his congregation, and she drudging aimlessly through life as an underpaid schoolteacher after failing to achieve her New York dreams of show biz success – who inadvertently become enmeshed in a shady underworld when a gesture for their dead grandmother’s funeral goes horribly awry.

They’re surrounded by a crew of equally compromised characters. There’s their mother Linda (Laurie Metcalf), whose campaign to become the town’s mayor only intensifies her tendency to micromanage her children’s lives; Yusuf (Boran Kuzum), the Turkish-American mini-mart operator who pulls them into the criminal conspiracy yet is himself a victim of it; Max (Jack Innanen), Morgan’s live-in boyfriend, who pushes her for a deeper commitment and is willing to go to couples’ therapy to prove it; Annette, his mother (Elizabeth Perkins), who lends her society standing toward helping Linda’s campaign against a misogynistic opponent (Darren Goldstein); and Ivan (Mark Ivanir), the seemingly ruthless crime boss who enslaves the siblings into his network but may really be just another slave himself. It’s a well-fleshed out assortment of characters that helps our own loyalties shift and adapt, generating at least a degree of empathy – if not always sympathy – that keeps everyone from coming off as a merely “black-and-white” caricature of expectations and typecasting.

To be sure, it’s an entertaining binge-watch, full of distinctive characters – all inhabiting familiar, even stereotypical roles in the narrative – who are each given a degree of validation, both in writing and performance, as the show unspools its narrative. At the same time, it makes for a fairly bleak overall view of humanity, in which it’s difficult to place our loyalties with anyone without also embracing a kind of “dog eat dog” morality in which nobody is truly innocent – but nobody is completely to blame for their sins, anyway.

In this way, it’s a show that lets us off the hook in the sense that it places the idea of ethical guilt within a framework of relative evils, as it permits us to forgive our own trespasses by accepting its “lovably” amoral characters, each of whom has their own reasons and justifications for what they do. We relate, but we can’t quite shake the notion that, if all these people hadn’t been so caught up in their own personal dramas, none of them would have ended up in the compromised morality that they’re in.

However, it’s not some bleak morality play that Levy and crew undertake; rather, it’s more an egalitarian fantasy in which even “bad” choices feel justified by inevitability. Everybody’s motivations make enough sense to us that it’s hard to judge any of the characters for making the choices – however unwise – that they do. In a system where everyone is forced to compromise themselves in order to achieve whatever dream of self-fulfillment they may have, how can anybody really blame themselves for doing what they have to do to survive?

Of course, all things considered, this is more a relatable comedy than it is a morality play. As a comedy of errors, it all works well enough on its own without imposing an ideology on it, no matter how much we may be tempted to do so. Indeed, what is ultimately more to the point is how well this pseudo-cynical exercise in the normalization of corruption – for that is what it really about, in the end – succeeds in letting us all off the hook for our compromises.

In the end, of course, maybe all that analysis is too deep a dive for a show that feels, in the end, like it’s meant to be mostly for fun. Indeed, despite its focus on being dragged into the shady side of life, the arc of its messaging seems to be less about a moralistic urge toward making the “right” choice than it is a candid recognition that all of us are compromised from the outset, often by choices we only force upon ourselves, and that’s a refreshing enough bit of honesty that we can easily get on board.

It helps that the performances are on point, especially the loony and wide-eyed fanaticism of Metcalf – surely the MVP of any project in which she is involved – and the directly focused moral malleability of Ortega; Levy, of course, is Levy – a now-familiar persona that can exist within any milieu without further justification than its own queer relatability – and, in this case, at least, that’s both the icing on the cake and substance that defines it. That’s enough to make it an essential view for fans, queer or otherwise, of his distinctive “brand,” even if he – or the show itself – doesn’t quite satisfy in the way that “Schitt’s Creek” was able to do.

Seriously, though, how could it?

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