Arts & Entertainment
‘Billy’ the kid
Hit-and-miss Elton John-scored musical has soaring moments, spirit
‘Billy Elliot the Musical’
Through Jan. 15
The Kennedy Center
$25-$150
202-467-4600
kennedy-centre.org

Lex Ishimoto as Billy (flying) with Maximilien A. Baud playing the character as an adult in ‘Billy Elliot the Musical,’ on the boards now at the Kennedy Center. (Photo by Michael Brosilow; courtesy the Kennedy Center)
When promoting “Billy Elliot the Musical,” Sir Elton John routinely explains his attachment to the show’s title character.
During a presentation of the film version (on which the musical is based) at Cannes in 2000, the gay superstar recognized aspects of his own life reflected on the screen. Like Billy, a small town boy who follows his dream to dance ballet despite his miner father’s initial misgivings, John’s passion for rock n’ roll was met with equal reservations by his own father.
John so loved the film that he agreed to write the music for the stage adaptation. Directed by Stephen Daldry, the show was a hit when it premiered in London’s West End in 2005 and triumphed on Broadway three years later, earning a truckload of awards along the way. And now a national tour of “Billy” has come to the Kennedy Center Opera House where it will remain through mid-January.
Set in northern England during the bleak UK miners’ strike of 1984-‘85, the action begins when 11-year-old Billy (Lex Ishimoto) ditches after-school boxing lessons for an all girls’ ballet class where he discovers his talent and passion for dance. Billy keeps coming back and even after his family’s remonstrations he continues attending in secret.
Billy’s ballsy ballet teacher Mrs. Wilkinson (the terrific Leah Hocking), a chain smoker in hot pink leg warmers, recognizes her sole male student’s ability and believes in his future. She also sees the writing on the wall: their small mining town is dying and dancing is Billy’s only ticket out.
Librettist and lyricist Lee Hall has pretty much stacked the odds against dance crazy Billy: His loving mother is dead; his father (Rich Hebert) and older brother Tony (Cullen R. Titmas), also a miner, are disdainful of the arts, specifically one that requires boys to wear tights (though Billy typically dances in gym shorts). Luckily, the boy finds some respite in his dotty grandmother (Cynthia Darlow), as well as the occasional visit from his dead mother’s sad sack apparition (identifiable by particularly bland street clothes and bad Princess Diana wig) who occasionally wanders on stage, says or sings a few kind words, then makes a hasty exit.
There’s also Billy’s loyal friend Michael (Ben Cook) — a self-described “poof” — who likes to dress up in his mother’s clothes. After persuading Billy to don a skirt too, their private little drag show explodes into “Expressing Yourself,” a glittery production number with the two boys tapping their hearts out in silver heels backed by a collection of 10-foot dancing dresses.
Despite Elton John’s ardor for the source material, this score is not his most memorable work. But what is unforgettable about the show is Billy’s dancing (thrillingly choreographed by Peter Darling). He unrealistically transforms from awkward novice to the prince of pirouettes in a matter of weeks, but who’s counting? Ishimoto (who performed on press night and shares the demanding role with four other young dancers) sings and acts OK, but he dances phenomenally: Whether back flipping off a table and tap/jump roping in “Born to Boogie” or leading the show’s huge cast in “Company Celebration,” a spirited dancing curtain call, he’s virtually flawless. The second acts’ gorgeous, dreamy Swan Lake sequence pairs Billy with his older self (beautifully danced by Maximilien A. Baud) and he literally soars high above the stage.
At more than three hours, it’s a long evening. Hall’s book is peppered with F-bombs and groan-worthy, cornball humor. Sometimes the show strains to connect the ongoing strike with dance. Case in point: a well-choreographed but improbable number (“Solidarity”) involving miners, cops and pubescent ballerinas dancing together in the same small space.
In the end, Billy’s family and the community get behind the young dancer. Prime Minister Margaret Thatcher (represented here in monstrous effigy at the miners’ Christmas party) has broken the union, destroying their way of life. It’s time to make way for new dreams.
Though hardly perfect, this “Billy Elliot the Musical” has a lot of glitz, grit and heart going for it.
Egypt
Iran, Egypt object to playing in Seattle World Cup ‘Pride Match’
Game to take place on June 26
Iran and Egypt have objected to playing in a “Pride Match” that will take place in Seattle during the 2026 World Cup.
The Egyptian Football Association on Tuesday said it told FIFA Secretary General Mattias Grafström in a letter that “it categorically rejects holding any activities related to supporting (homosexuality) during the match between the Egyptian national team and Iran, scheduled to be held in Seattle, USA, on June 26, 2026, in the third round of the group stage of the 2026 World Cup.” Football Federation Islamic Republic of Iran President Mehdi Taj told ISNA, a semi-official Iranian news agency that both his country and Egypt “protested this issue.”
The 2026 World Cup will take place in the U.S., Canada, and Mexico. The draw took place at the Kennedy Center on Dec. 5.
Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death.
The State Department’s 2023 human rights report notes that while Egyptian law “did not explicitly criminalize consensual same-sex sexual activity, authorities regularly arrested and prosecuted LGBTQI+ persons on charges including ‘debauchery,’ prostitution, and ‘violating family values.’” Egyptian authorities “also reportedly prosecuted LGBTQI+ individuals for ‘misuse of social media.’”
“This resulted in de facto criminalization of same-sex conduct and identity,” notes the report.
The 2024 human rights report the State Department released earlier this year did not include LGBTQ-specific references.
Soccer has ‘unique power to unite people across borders, cultures, and beliefs’
The June 26 match between Iran and Egypt coincides with Seattle Pride. The Washington Post reported the Seattle FIFA World Cup 2026 Local Organizing Committee decided to hold the “Pride Match” before last week’s draw.
“As the Local Organizing Committee, SeattleFWC26’s role is to prepare our city to host the matches and manage the city experience outside of Seattle Stadium,” said SeattleFWC26 Vice President of Communications Hana Tadesse in a statement the committee sent to the Washington Blade on Wednesday. “SeattleFWC26 is moving forward as planned with our community programming outside the stadium during Pride weekend and throughout the tournament, partnering with LGBTQ+ leaders, artists, and business owners to elevate existing Pride celebrations across Washington.”
“Football has a unique power to unite people across borders, cultures, and beliefs,” added Tadeese. “The Pacific Northwest is home to one of the nation’s largest Iranian-American communities, a thriving Egyptian diaspora, and rich communities representing all nations we’re hosting in Seattle. We’re committed to ensuring all residents and visitors experience the warmth, respect, and dignity that defines our region.”
The 2034 World Cup will take place in Saudi Arabia.
Consensual same-sex sexual relations remain punishable by death in the country. The 2022 World Cup took place in neighboring Qatar, despite concerns over the country’s anti-LGBTQ rights record.
Television
‘Heated Rivalry’ is the gay hockey romance you didn’t know you needed
Spoiler alert: It’s not really about hockey
Spoiler Alert: “Heated Rivalry” is not about hockey.
The new limited series, produced for the Canadian streaming service Crave and available in the U.S. on HBO Max, may look from its marketing like a show about hockey. It definitely contains a lot of scenes involving hockey – being played, being watched, being talked about – and the story is surrounded by hockey; its two main characters are professional hockey players, and their competition as opposing hockey champions (the “rivalry” of the title) is a major factor that moves the plot.
Even so, if you’re a hockey fan who knows nothing about it, and you stumble across it while looking for something to watch, be warned before you press “play” that you are probably in for a big surprise.
Adapted from “Game Changers,” a popular book series by Canadian author Rachel Reid, the show follows the two above-mentioned hockey pros – Canadian Shane Hollander (Hudson Williams) and Russian Ilya Rozanov (Connor Storrie), each of whom is a star player for their respective team – as they compete against each other with puffed-up “alpha” swagger, on the ice and in the media. When the skates (and cameras) are off, however, there’s a different story going on. Despite the jocular animosity of their public relationship, there’s something else brewing between them in private, and it comes to a head when a commercial shoot leads to an unexpected rendezvous in a hotel room.
Well, unexpected for them, at least. We in the audience have seen it coming since that first smoldering glance across the rink.
From there, “Heated Rivalries” continues over a course of years as the two secret lovers use every match, tournament, or Winter Olympics where they compete against each other as an opportunity for more rendezvous in more hotel rooms. But while their meetings may be all about a release of pent-up passion, the bond between them is based on something more. In the high-stakes world of professional hockey, there’s not much they can do about that – publicly, at least – without killing their careers; in Ilya’s case, as a Russian citizen and the son of a prominent government official, the situation carries the potential for even graver consequences.
That’s just at the end of the first two episodes, though. The show, which drops an episode weekly through December, leaves us hanging there to explore the story of another hockey player, Scott (François Arnaud), teammate and best friend to Shane, who becomes entangled with smoothie barista Kip (Robbie G.K.) in a whole secret gay life of his own.
If you’re thinking that the idea of a gay love story between two butch hockey players is a preposterous premise for romance fiction, think again – or at least redefine your idea of “preposterous.” It’s a genre that has exploded in popularity among a surprisingly large demographic of romance literature fans who also love hockey, combining the thrill of forbidden love with the drama and excitement of their favorite sport to catapult numerous writers, including Reid, onto the bestseller lists, which was surely a factor in the choice to translate her “Games Changers” books to the screen, courtesy of the show’s queer creator/writer/director Jacob Tierney.
The latter (also co-creator of “Letterkenny,” another popular and queer-friendly Canadian show with a strong hockey presence) delivers it with all the glossy, high-charged passion one would expect – and more – from a romance about world-class athletes in love. Set within the rarified world of wealth and privilege that is professional sports, the drama takes place against a backdrop of packed arenas, awards ceremonies, elegant fundraisers, and luxury hotels, where the protagonists must play at being enemies while secretly planning their next hook-up with each other.
Which brings us to the thing that really makes “Heated Rivalry” the buzziest queer show of late 2025: the sex. The show takes full advantage of its story’s obvious sex appeal – as well as its leading actors’ sculpted, athletic bodies – to serve up some of the hottest onscreen trysts in gay TV memory. Though they stop just short of being “explicit,” they’re the kind of sex scenes that push the limits of “softcore” right to the edge and make sure we know exactly what’s happening, even if we can’t see the details. Tierney turns those steamy private meetings between Shane and Ilya into set pieces and centers entire episodes around them, because he knows they’re what the audience is there for. Like we said, this is not really a show about hockey.
That said, it’s not really just a story about sex, either. In between those steamy scenes of athletic carnality, there’s a lot of percolating emotion happening – and thanks to the exquisitely tuned performances of Williams and Storrie, whose electric chemistry doesn’t just spark during their lovemaking scenes, but crackles through their every moment together on screen, it all comes across with elegant clarity. Shane and Ilya may want each other’s bodies, but there’s something more they want, too. There’s a tenderness in the way they look at each other, even when they’re smack-talking on the rink, and it infuses their scenes of passion, too, which arguably makes them even more blistering hot. More than that, it calls to us with its fond familiarity; it’s that heady feeling to which most of us, if we’re lucky, can relate, a sense of yearning, of needing another person so keenly that it feels like a physical sensation. In other words, it feels like being in love.
Of course there’s another layer too, which hangs over everything and ultimately fuels all the conflict in the plot: the pervasive homophobia that exists in professional sports, creating an atmosphere in which players are pressured to present nothing but a masculine, definitively “straight” image and any hint of non-heterosexual leanings is enough to destroy a career. That’s not a situation limited only to pro athletes, of course; many of us in the wider world also face the same dilemma, which is why we can all relate to this aspect of their love story, too.
Still, it would be misleading to say that “Heated Rivalry” is really about social commentary either, though it certainly brings those issues into the mix. With only half the six-episode season released so far, it’s hard to draw a certain conclusion, but what stands out most about the series so far is the way it captures the palpable joy of being in love – and yes, that includes the joy of expressing that love physically. These joys come with pain, too, when they can only be shared in secret, and it’s that obstacle that Shane and Ilya – and apparently, with the side trip of episode three, Scott and Kip as well – must find a way to overcome if they want their real yearning to be fulfilled.
For now, we’ll have to wait to find out if they can all make it. In the meantime, you know we’ll all be watching each new installment with our full attention, waiting to see what happens during Shane and Ilya’s next match-up.
And no, we’re not talking about hockey.
The umbrella LGBTQ sports organization Team DC held a holiday party at Trade on Monday, Dec. 8. Attendees brought clothes and coats for a clothing drive.
(Washington Blade photos by Michael Key)









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