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Drives and desires

War-injured photojournalist ponders work vs. domesticity in new Studio production

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‘Time Stands Still’
Through Feb. 12
The Studio Theatre
1501 14th  Street, NW
$35-$69
202-332-3300

 

In “Time Stands Still” (now at Studio Theatre) playwright Donald Margulies takes us to war zones without ever leaving his characters’ Brooklyn loft.

After being seriously injured by a roadside bomb in Iraq, photojournalist Sarah (Holly Twyford) goes home to New York to heal. The angry red scars on her face aren’t her main worry. She’s more concerned about getting back on her feet and returning to the Middle East where she can continue bearing witness with her Nikon. But when Sarah’s reporter boyfriend James (Greg McFadden) asks her to join him in a quieter, safer life (a potential novelty for both), she is forced to consider doing things differently.

Holly Twyford and Greg McFadden in Studio Theatre’s production of ‘Time Stands Still.’ (Photo by Scott Suchman; courtesy Studio)

While Sarah is unparalleled at capturing the difficult images of war, she is less adept at navigating emotional battles on the home front. For years she and James traveled to the world’s most dangerous conflict zones chronicling atrocities, but after James saw one too many civilians blown up in Iraq, he suffered a sort of breakdown and called it quits. Weeks later Sarah was injured.

At home, she resists James’ coddling and feels trapped and bored by domesticity. But she loves him and is in her way very invested in the relationship. She owes it to herself to try and make things work despite having never signed on for a normal life.

Like Margulies’ Pulitzer-winning play “Dinner with Friends,” this newer work’s cast is also comprised of two straight couples. James and Sarah are visited by their worldly editor Richard (Dan Illian) and his much younger new girlfriend Mandy (a delightful Laura C. Harris) who mistakenly thinks jaded, grouchy Sarah might appreciate a tacky bunch of “get well” balloons and a barrage of small talk. An unlikely addition to the sophisticated friends’ longtime circle, Mandy acknowledges that she’s an intellectual lightweight while making it clear that she’s a lot more than Richard’s mid-life crisis.

Mandy also questions Sarah on the ethics of her profession. How can she stand by and photograph death and destruction without somehow intervening or offering some kind of assistance? Sarah responds rather mechanically that photojournalists are there to record life and not to change it; but later in the play, Sarah reconsiders her reply more emotionally, wondering if it’s somehow indecent to make a living from the suffering of others.

Timely, thought provoking and entertaining, Margulies’ nuanced script is wonderfully written. Sarah and James’ pitch-perfect dialogue is subtly infused with affecting and sometimes disturbing references to people they’ve encountered in Iraq, most especially Sarah’s translator and sometime lover Tarek. The play gives a bit of humanity to the tens of thousands of faceless civilian Iraqi casualties about whom Americans seldom hear anything.

Helmed by New York director Susan Fenichell, the thoughtful production is smartly staged and well acted by a splendid cast. On Broadway, Laura Linney created the part of Sarah. At Studio, Twyford (openly gay) makes the role of the brave, witty, complicated woman her own. Twyford’s approach to Sarah’s physicality is particularly memorable — whether she’s walking tentatively on her painfully broken leg or clenching her good hand from the intense anxiety brought on by being away from the action.

Sarah and James’ loft — realistically rendered by John McDermott from its fully functioning kitchen sink to raindrops hitting the skylight — serves as both refuge and starting gate. It’s up to Sarah whether to stay or go.

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the Night of Champions Awards Gala at the Georgetown Marriott on Saturday, April 18. (Washington Blade photo by Michael Key)

The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.

(Washington Blade photos by Michael Key)

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