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Drives and desires

War-injured photojournalist ponders work vs. domesticity in new Studio production

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‘Time Stands Still’
Through Feb. 12
The Studio Theatre
1501 14th  Street, NW
$35-$69
202-332-3300

 

In “Time Stands Still” (now at Studio Theatre) playwright Donald Margulies takes us to war zones without ever leaving his characters’ Brooklyn loft.

After being seriously injured by a roadside bomb in Iraq, photojournalist Sarah (Holly Twyford) goes home to New York to heal. The angry red scars on her face aren’t her main worry. She’s more concerned about getting back on her feet and returning to the Middle East where she can continue bearing witness with her Nikon. But when Sarah’s reporter boyfriend James (Greg McFadden) asks her to join him in a quieter, safer life (a potential novelty for both), she is forced to consider doing things differently.

Holly Twyford and Greg McFadden in Studio Theatre’s production of ‘Time Stands Still.’ (Photo by Scott Suchman; courtesy Studio)

While Sarah is unparalleled at capturing the difficult images of war, she is less adept at navigating emotional battles on the home front. For years she and James traveled to the world’s most dangerous conflict zones chronicling atrocities, but after James saw one too many civilians blown up in Iraq, he suffered a sort of breakdown and called it quits. Weeks later Sarah was injured.

At home, she resists James’ coddling and feels trapped and bored by domesticity. But she loves him and is in her way very invested in the relationship. She owes it to herself to try and make things work despite having never signed on for a normal life.

Like Margulies’ Pulitzer-winning play “Dinner with Friends,” this newer work’s cast is also comprised of two straight couples. James and Sarah are visited by their worldly editor Richard (Dan Illian) and his much younger new girlfriend Mandy (a delightful Laura C. Harris) who mistakenly thinks jaded, grouchy Sarah might appreciate a tacky bunch of “get well” balloons and a barrage of small talk. An unlikely addition to the sophisticated friends’ longtime circle, Mandy acknowledges that she’s an intellectual lightweight while making it clear that she’s a lot more than Richard’s mid-life crisis.

Mandy also questions Sarah on the ethics of her profession. How can she stand by and photograph death and destruction without somehow intervening or offering some kind of assistance? Sarah responds rather mechanically that photojournalists are there to record life and not to change it; but later in the play, Sarah reconsiders her reply more emotionally, wondering if it’s somehow indecent to make a living from the suffering of others.

Timely, thought provoking and entertaining, Margulies’ nuanced script is wonderfully written. Sarah and James’ pitch-perfect dialogue is subtly infused with affecting and sometimes disturbing references to people they’ve encountered in Iraq, most especially Sarah’s translator and sometime lover Tarek. The play gives a bit of humanity to the tens of thousands of faceless civilian Iraqi casualties about whom Americans seldom hear anything.

Helmed by New York director Susan Fenichell, the thoughtful production is smartly staged and well acted by a splendid cast. On Broadway, Laura Linney created the part of Sarah. At Studio, Twyford (openly gay) makes the role of the brave, witty, complicated woman her own. Twyford’s approach to Sarah’s physicality is particularly memorable — whether she’s walking tentatively on her painfully broken leg or clenching her good hand from the intense anxiety brought on by being away from the action.

Sarah and James’ loft — realistically rendered by John McDermott from its fully functioning kitchen sink to raindrops hitting the skylight — serves as both refuge and starting gate. It’s up to Sarah whether to stay or go.

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Theater

Rorschach stages ‘Dragon Play’ in unlikely, raw space

Out sound designer Madeline ‘Mo’ Oslejsek notes ‘sound is my bag’

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Madeline 'Mo' Oslejsek (Photo courtesy of Oslejsek)

‘Dragon Play’
Through May 17
Rorschach Theatre
The Stacks @ Buzzard Point
101 V St., S.W.
$50 ($35 for students and seniors)
Rorschachtheatre.org

Celebrated for its site-specific, immersive productions, Rorschach Theatre puts on plays all over town. The unlikely spots have included greenhouses, church vestibules, closed retail spaces (including a vacant downtown big and tall men’s store) and historic locales like Rock Creek Cemetery’s Adams Memorial. 

For its current offering “Dragon Play” (through May 17), a tale of love and longing, Rorschach is using a raw space in The Stacks at Buzzard Point, a new mixed-use neighborhood situated where the Anacostia and Potomac rivers meet. 

Out sound designer Madeline ‘Mo’ Oslejsek considers all sites – whether traditional theatrical spaces or not – specific, particularly in terms of sound. She says, “Part of my practice is if you’re creating a soundscape for a theatrical production you’re also working with sound that already exists with the space.”

For instance, The Stacks space comes with its own unique qualities. It’s a large cement room that has a different reverberation, an echo.

“Some sounds (a car, dog bark) are planted or they might just happen. What starts as a live sound might be heard again as something recorded.”

Whip smart with a ready laugh, Oslejsek never set out to be a sound designer. She was going to direct. And now, the 2025 Helen Hayes Award nominee for Outstanding Sound Design (“Astro Boy and the God of Comics” at Flying V,) says, “Sound is my bag. Sometimes it seems that I’m the only one in the room thinking about it.” 

As an undergrad studying theater at Ohio Wesleyan University, she was first exposed to sound design, but it didn’t make a big impression. 

In grad school at Royal Central School of Speech and Drama, University of London, she was interested in direction. But when students were offered a choice of three more specific tracks to choose from (performance, composition, and scenography, which includes sound design), Oslejsek was swayed. 

“An introduction to scenography by the department head radically changed the course of my life,” she says.  

What struck her most about sound was the subjectivity: “The core of my practice is that sound has no meaning until it’s experienced. All sound is noise. It’s just a pitch, active, or vocalization. It becomes real when you hear it and apply meaning to it. That’s very exciting to me.”

Today, Oslejsek and partner Caitlin Hooper, an actor and intimacy choreographer, are based in Baltimore but work primarily in D.C.

“It feels good to be in a place where art and queerness in art are celebrated. It’s not like that everywhere, and making that kind of work down the street from this White House where that’s not the vibe, is real resistance. That feels really meaningful.”

Also important to Oslejsek (who identifies alternately as queer and lesbian) is “queer as a practice,” a concept suggesting that a queer identity or practice does not seek to replace other identities but to encompass and bridge them.

“I’m queer because I like women, but the work is more about making room for what everyone in the room hears,” she says. “Never do I want to come into a space thinking I have all the answers. That’s no fun.”

As its title might suggest, Jenny Connell Davis’ play directed by Rorschach’s Randy Baker is filled with magic. “Dragon Play,” blurs the past and present; one world bleeds into the next; and, of course, there are dragons. At 80 minutes with no intermission, the play moves in and out of different timelines; increasingly things start to overlap. 

And it’s also about the magic of relationships – all kinds. There’s a line where the dragon girl asks a Texas boy what he dreams about and he replies “you, always you.” 

Oslejsek, 30, is touched by those words: “In my little gay heart, I cried. It makes me think of my partner. This play is about the idea of people who strike a match in your heart that never really goes away.”

In creating a layered soundscape, she brings her own brand of magic to the production. Her big goal was “not to play with how we think a dragon might sound, but rather with how does the world sound to a dragon.” 

Sometimes sound design takes the lead, but in some productions, sound is purposely subtle or secondary, she says. Either way, sound can be monumental in shaping theater.

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Calendar

Calendar: April 17-23

LGBTQ events in the days to come

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Friday, April 17

Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

Trans and Genderqueer Game Night will be at 7:00p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website

Saturday, April 18

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.

Sunday, April 19

Go Gay DC will host “LGBTQ+ Community Lunch” at 11 a.m. at Federico Ristorante Italiano. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Monday, April 20

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, April 21

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Senior Self Defense Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website

Wednesday, April 22

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Asexual and Aromantic Group will meet at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected]

Thursday, April 23

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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Out & About

Team DC’s annual gala set for this weekend

LGBTQ sports organization to hold annual ‘Night of Champions’

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(Washington Blade photo by Michael Key)

Team DC will host “Night of Champions Gala” on Saturday, April 18 at 6 p.m. at the Georgetown Marriott.

This will be an evening of celebration and inspiration as Team DC honors remarkable individuals and supports the next generation of LGBTQ student-athletes.

There will be opportunities to support Team DC through auctions. The Silent Auction items will offer an array of unique goods and experiences. Additionally, Team DC will feature an exclusive selection of live auction items for those looking to make a significant impact.

This year, Team DC will recognize six outstanding awardees who have made significant contributions to the LGBTQ community and sports:

  • Trailblazer Award – Adam Peck, District Wrestling
  • Most Valuable Person Award – Sean Bartel (posthumously)
  • Champion Award – Dan Martin
  • Clark Ray Horizon Award – Manuel Montelongo, aka Mari Con Carne
  • Bernard Jude Delia Award – Dr. Sara Varghai
  • Platinum All Star Award – Centaur Motorcycle Club

To purchase tickets, visit Team DC’s website

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