Arts & Entertainment
A melodic farewell
Locals lament closure of Dupont Circle record shop
Suzy and Jack Menase, owners of Melody Record Shop. (Blade photo by Michael Key)
With the rising popularity of downloading music from places like iTunes and online stores like Amazon, more and more record stores are closing, surrendering to the convenience of not having to leave the house to get both new and old albums.
Melody Records, an institution in Dupont Circle since the late ‘70s, is just another casualty in that unfortunate trend. Local gays are lamenting its impending closure. It was always popular with Blade readers — it won several “Best of Gay D.C.” awards in the early ‘00s, which still hang in the store above the new releases.
“Melody Records was one of my first discoveries when I moved to D.C. more than 11 years ago,” Michael Collins, a gay D.C. resident, says. “I stopped there about once a week, sometimes more often than that, and I seldom left empty handed.”
The owners, Suzy and Jack Menase, opened the store in 1977 before moving to Dupont two years later after having to vacate their previous location on E Street when developers wanted to redevelop the area.
“We just found Dupont Circle to be a busy area and thought it would be a good location for us,” Suzy Menase says.
They’ve been in the business so long, they’ve always tried to stay on top of things, and seen all the trends come and go, then come again.
“It’s been like a full circle. We started with vinyl and now we’re ending with vinyl,” Suzy says. “It’s neat to see young kids coming in … they’re not excited about CDs but they’re excited about vinyl.”
“I think the sound quality that they heard made it very attractive,” Jack Menase says.
The store has always held a wide selection of genres, including large sections of seemingly less popular genres such as opera, new age and more.
“The opera queens would squeal while the uber cool disco boys looked for the German imports of what would later be called ‘industrial’ in the specialty bins,” says Stephen Yasko, general manager of WTMD 89.7 in Baltimore.
The Menases have always worked to make sure they have a full selection with a little bit of something for everyone.
“If we don’t have it in stock, we order it for them,” Jack Menase says.
“With CDs, if you can’t sell something, you can return it,” Suzy says. “It’s not one person deciding what we carry.”
The Menases announced they were closing through a letter on their website, saying, “technology, the internet and the economy has taken its toll.”
“In the past two or three years, sales have been declining … we saw it coming, but we were just trying to hold on,” Suzy says. “We have such a strong, loyal customer base, we wanted to stay as long as possible.”
They both remember a time when there was an abundance of record stores in the D.C. area that all survived until the early 90s.
“One by one, everybody closed down,” Jack says.
Being in Dupont, the store automatically became a favorite spot for gay customers.
“Where else could you run across a copy of Ethel Merman’s disco album from the ’70s?” Collins says.
Also, Lambda Rising — a gay bookstore and staple of Dupont Circle — used to be next door.
“We were very sorry to see them go,” Jack says.
“Whoever came to them, whoever came to us went to them,” Suzy says. “They were great neighbors to have.”
Some music lovers continued to purchase CDs — at least in some genres — even into the digital music era.
“I loved Melody,” says Kevin Lees, a gay Washington resident. “I still typically buy classical and sometimes jazz in physical CD format for the copious liner notes and anytime I was looking for something in particular, I would always look at Melody first as my contribution to local stores in the face of Amazon. I’m surprised it lasted so long and that it outlasted Lambda Rising but sadly, the record store is clearly destined to be a thing of the past.”
There are a few members of the staff who have been working at the store for years, including a few who have been around for more than 10 years.
There are a lot of people who have been going to the store for years and some are even on a first-name basis with the Menases.
“They know my whole family and I know theirs,” Suzy says. “It’s not customers, they’re family.”
“I was heartbroken when I saw the going-out-of-business sign on the window,” Collins says. “What a regrettable loss for Dupont Circle and for all Washington music lovers.”
The shop is at 1623 Connecticut Ave., N.W. No firm closing date has been set. For now, it’s open seven days a week from 11 a.m. to 8 p.m.
Arts & Entertainment
Teyana Taylor, Erin Doherty have big night at Golden Globes
“Heated Rivalry” stars Connor Storie and Hudson Williams among presenters
Honoring Tinseltown’s finest actors and actresses in film and television, the 83rd annual Golden Globes awards had a myriad of memorable LGBTQ moments from throughout the show.
The prestigious A-list event had first time winners like LGBTQ ally Teyana Taylor, taking home the award for Best Supporting Female Actor – Motion Picture for her mesmerizing portrayal of Perfidia Beverly Hills in “One Battle After Another.”
Addressing the audience she said: “To my brown sisters and little brown girls watching tonight, our softness is not a liability. Our depth is not too much. Our light does not need permission to shine. We belong in every room we walk into, our voices matter, and our dreams deserve space. Thank you so much, everybody.”
Another first-time winner was Rhea Seehorn, who won Best Female Actor in a Drama Series for her portrayal as Carol, a queer woman in the Apple TV+ series “Pluribus.”
Created by Vince Gilligan, known for“Breaking Bad”and “Better Call Saul,” Seehorn said it was important “to honor getting the chance to play anybody from the LGBTQ community,” adding that she loves that this is not “the remarkable thing” about Carol.
“It is part of who she is as a human being, and her relationship with her wife that she’s lost is given so much weight because it is a partnership of love,” she said backstage in the pressroom.
“Vince is not trying to make a political statement. He’s actually just trying to say something about being human and what real love is. And so, it makes me very proud that it just happens to be a queer woman.”
Also, lesbian actress Erin Doherty was thrilled to be a first-time winner, receiving the award for best performance by a female actor in a supporting role on television, for Netflix’s “Adolescence.”
“I didn’t want to assume, but I feel like we all know therapists,” Doherty said. “Life can be tough. Mental health is everything. Thank you to therapists, and it was an honor to play one.”
Doherty received the accolade from the stars of the gay Canadian hockey series, “Heated Rivalry,” Hudson Williams and Connor Storrie. Experiencing an overnight success, the dynamic duo were first time attendees and presenters at the Globes.
In a fun comedy bit, Storrie, who was pretending to be shy on stage, said: “It’s a little nerve-wracking here, being at our first Golden Globes!” Williams replied: “Just take a deep breath and picture everyone in the audience … you know,” referring to the idea that in order to get over stage fright, you have to picture the audience with no clothes on.
“I don’t really know if that works since everyone’s seen us … you know,” Storrie quipped. Williams then asked if he thought everyone in the Hilton Ballroom had seen their show.
Storrie replied, “That’s a maybe, but their trainers have and their moms have and their daughters have!”
“Rivalry” is based on the gay romance book series by Rachel Reid called “Game Changers.” Earlier in the week, the Washington Blade caught up with Williams, who said it was “truly a dream come true” to be at the Globes. “I had no idea the show would be received so warmly, it has made my heart happy.”
Another phenomenon that won at the Globes was Netflix’s hit animated film, “KPop Demon Hunters,” which received three Golden Globe nominations, including best animated film, cinematic and box office achievement and best original song for “Golden,” with gay co-songwriter Mark Sonnenblick.
A controversial moment in the show was when presenter/comedian/LGBTQ activist Wanda Sykes presented the award for best stand-up comedy performance on TV. “Shoutout to the Golden Globes for having me. You know there’s some people pissed off that a queer Black woman is up here doing the job of two mediocre white guys.”
As she made jokes about each of the nominees, Sykes had a few terse words to say to Ricky Gervais, who was not present. The British comedian got in trouble for his jokes about the transgender community in his 2022 Netflix special.
“I love you for not being here. If you win, I get to accept the award on your behalf, and you’re going to thank God and the trans community.”
While Gervais did win for his stand-up comedy special, “Mortality.” Sykes had a swift reply, asking Taylor if she could borrow her (acceptance) speech.
“Because [Ricky] would like to thank God and the trans community.”
Photos
PHOTOS: ‘ICE Out For Good’ Sunday protests
Northern Virginia demonstrations among nationwide protest
“ICE Out For Good” demonstrations were held in the Northern Virginia municipalities of Haymarket, Annandale and Arlington, among others, on Sunday, Jan. 12.
Nearly 1,200 similar actions were scheduled nationwide over the weekend, according to a statement from organizers.
Demonstrations in D.C. against ICE included a protest march on Friday and a march around the White House on Saturday.
(Washington Blade photos by Michael Key)
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Theater
Ford’s ‘First Look’ festival showcases three new productions
A chance to enjoy historical dramas for free before they’re completed
The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org
When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings.
“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”
This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.
The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp.
“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo.
Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping.
“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves.
Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026.
“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.”
At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored.
For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”
One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season.
Increasingly, the readings at Ford’s have become popular with both artists and audiences.
At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone.
Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work.
Is this year’s festival queer influenced? Yes, both by those involved and the topics explored.
Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us.
“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”
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