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A melodic farewell

Locals lament closure of Dupont Circle record shop

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Suzy and Jack Menase, owners of Melody Record Shop. (Blade photo by Michael Key)

With the rising popularity of downloading music from places like iTunes and online stores like Amazon, more and more record stores are closing, surrendering to the convenience of not having to leave the house to get both new and old albums.

Melody Records, an institution in Dupont Circle since the late ‘70s, is just another casualty in that unfortunate trend. Local gays are lamenting its impending closure. It was always popular with Blade readers — it won several “Best of Gay D.C.” awards in the early ‘00s, which still hang in the store above the new releases.

“Melody Records was one of my first discoveries when I moved to D.C. more than 11 years ago,” Michael Collins, a gay D.C. resident, says. “I stopped there about once a week, sometimes more often than that, and I seldom left empty handed.”

The owners, Suzy and Jack Menase, opened the store in 1977 before moving to Dupont two years later after having to vacate their previous location on E Street when developers wanted to redevelop the area.

“We just found Dupont Circle to be a busy area and thought it would be a good location for us,” Suzy Menase says.

They’ve been in the business so long, they’ve always tried to stay on top of things, and seen all the trends come and go, then come again.

“It’s been like a full circle. We started with vinyl and now we’re ending with vinyl,” Suzy says. “It’s neat to see young kids coming in … they’re not excited about CDs but they’re excited about vinyl.”

“I think the sound quality that they heard made it very attractive,” Jack Menase says.

The store has always held a wide selection of genres, including large sections of seemingly less popular genres such as opera, new age and more.

“The opera queens would squeal while the uber cool disco boys looked for the German imports of what would later be called ‘industrial’ in the specialty bins,” says Stephen Yasko, general manager of WTMD 89.7 in Baltimore.

The Menases have always worked to make sure they have a full selection with a little bit of something for everyone.

“If we don’t have it in stock, we order it for them,” Jack Menase says.

“With CDs, if you can’t sell something, you can return it,” Suzy says. “It’s not one person deciding what we carry.”

The Menases announced they were closing through a letter on their website, saying, “technology, the internet and the economy has taken its toll.”

“In the past two or three years, sales have been declining … we saw it coming, but we were just trying to hold on,” Suzy says. “We have such a strong, loyal customer base, we wanted to stay as long as possible.”

They both remember a time when there was an abundance of record stores in the D.C. area that all survived until the early 90s.

“One by one, everybody closed down,” Jack says.

Being in Dupont, the store automatically became a favorite spot for gay customers.

“Where else could you run across a copy of Ethel Merman’s disco album from the ’70s?” Collins says.

Also, Lambda Rising — a gay bookstore and staple of Dupont Circle — used to be next door.

“We were very sorry to see them go,” Jack says.

“Whoever came to them, whoever came to us went to them,” Suzy says. “They were great neighbors to have.”

Some music lovers continued to purchase CDs — at least in some genres — even into the digital music era.

“I loved Melody,” says Kevin Lees, a gay Washington resident. “I still typically buy classical and sometimes jazz in physical CD format for the copious liner notes and anytime I was looking for something in particular, I would always look at Melody first as my contribution to local stores in the face of Amazon. I’m surprised it lasted so long and that it outlasted Lambda Rising but sadly, the record store is clearly destined to be a thing of the past.”

There are a few members of the staff who have been working at the store for years, including a few who have been around for more than 10 years.

There are a lot of people who have been going to the store for years and some are even on a first-name basis with the Menases.

“They know my whole family and I know theirs,” Suzy says. “It’s not customers, they’re family.”

“I was heartbroken when I saw the going-out-of-business sign on the window,” Collins says. “What a regrettable loss for Dupont Circle and for all Washington music lovers.”

The shop is at 1623 Connecticut Ave., N.W. No firm closing date has been set. For now, it’s open seven days a week from 11 a.m. to 8 p.m.

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Photos

PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

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