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Back with a ‘Bang’

New Madonna album is upbeat campy fun, but also packs emotional punch with deluxe cuts

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Madonna's new album dropped this week. (Image courtesy Liz Rosenberg Media)

It seems to take a few years to fully assess a new Madonna album. That may be true for many recording artists, but there’s always so much excitement and anticipation around a new Madge disc, it’s only after that’s died down a bit can one determine how it stands up to her best projects.

The downside to being such a consistent hitmaker is that she has no “Tapestry,” “Jagged Little Pill” or “Miseducation” to her name. All her albums have several great songs, but there’s always a dud or two — “Words” from “Erotica,” “Mer Girl” from “Ray of Light,” “I Love New York” from “Confessions” or “Spanish Lesson” from “Hard Candy” — that keep her from having a start-to-finish masterpiece. Even “Like a Prayer,” which many consider her most consistent effort, gets derailed slightly by the clunky “Love Song,” a Prince duet.

The new “MDNA,” out this week on new label Interscope after Madonna spent decades at Warner Bros., is refreshingly clunker free. Only a couple tracks — the throwaway “Turn Up the Radio” and nursery rhyme-ish “I’m a Sinner” — sound like they could have been B-sides. As expected, there are several killer batches of smoking dance songs — more on those in a sec — but the biggest surprise is the bonus material on the deluxe edition.

Get the no-frills version and you’re missing out on some mind-blowing stuff. “Beautiful Killer” is the most traditional bonus cut here, an old-fashioned pop song with a strings topcoat, but then things get really interesting. “I Fucked Up” sounds a little ho-hum at first, even though it’s a great idea for a song. It kicks into high gear with a killer middle section that slowly works up a nice lather. “B-day Song” is cute and silly with a late ‘60s vibe. The whole project simmers to a shattering climax with “Best Friend,” a mid-tempo barn burner that beautifully captures the mixed emotions of a shattered relationship courtesy of some of Madonna’s all-time most insightful lyrics and the Benassi production duo.

Madonna, acknowledging (presumably) the complicated relationship she shared with ex-husband Guy Ritchie, sums things up cleverly when she suggests they were “driving with two hands on the clutch.” She gets the anger out elsewhere — on the campy, crunchy “Gang Bang” and rap-doused “I Don’t Give A,” which veers into high drama with its “Carmina Burana”-esque outro. But once the anger subsides, “Friend” is the more cathartic experience, both musically and emotionally.

It didn’t take a genius to realize these two had a complicated marriage — fans sensed they were a mis-match from the “I’m Going To Tell You a Secret” documentary and the last album’s melancholy “Miles Away.” But it’s refreshing to hear the seemingly invincible Madonna address and assess her own disappointments. She’s never so much as acknowledged that her brother wrote an unflattering memoir; at least with her marriage, “MDNA” brings insight and closure. She can pose for glamorous photos, pull off tour acrobatics and craft mindless dance pop til the end of time, but all that resonates more when we have a sense of the woman behind the face, and “MDNA” brings us that.

Though more notable for its eye-popping video, album opener “Girl Gone Wild” is light, catchy fun as is “I’m Addicted,” first single “Give Me All Your Luvin’,” and the aforementioned “Killer.” The Golden Globe-winning ballad “Masterpiece,” the theme from the “W/E” movie Madonna directed, brings things to a lovely finish along with the refreshingly lush “Falling Free,” which doesn’t even have a rhythm track, giving the beat-heavy album a nice change of pace.

It’ll take awhile for all this to sink in, but regardless of whether U.S. radio gives its singles the time of day (though “Luvin” did briefly crack the U.S. top 10), “MDNA” is a resoundingly solid effort. Helmed by producers new (Martin Solveig) and old (William Orbit), “MDNA” is a more unified, less trend-influenced album than “Hard Candy” and that bodes well for its ultimate place in her increasingly vast canon.

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Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups

Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.

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Screenshot of Pattie Gonia's viral video now has over 600k likes and 31k shares. (Screenshot courtesy of Pattie Gonia Instagram)

Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.

“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.

The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.

Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”

Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.

Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.

Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.

Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.

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PHOTOS: Remove the Regime rally and march

Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial

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The Dropkick Murphys perform at the Remove the Regime rally outside of the Lincoln Memorial in Washington, D.C. on Saturday, Nov. 22. (Washington Blade photo by Michael Key)

The Remove the Regime rally and march was held on Saturday, Nov. 22.

(Washington Blade photos by Michael Key)

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PHOTOS: Transgender Day of Remembrance

Observance held at Metropolitan Community Church

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Transgender Day of Remembrance was observed at Metropolitan Community Church of Washington, D.C. on Nov. 20. (Washington Blade photo by Michael Key)

Transgender Day of Remembrance was observed at the Metropolitan Community Church of Washington, D.C. on Thursday, Nov. 20. The event was emceed by Rayceen Pendarvis and Dwight Venson. Musical selections were provided by Agape Praise and Dynamic Praise. Proclamations from the D.C. Council and the D.C. Office of the Mayor were presented. The Pouring of the Libation was conducted by Rev. Elder Akousa McCray and Rev. Paul Fulton-Woods of Unity Fellowship Church.

Remarks were given by trans survivors of violence. Family members of slain trans woman Dream Johnson were featured speakers. Prayers were given by Rev. Cathy Alexander and Rev. Dwayne Johnson of Metropolitan Community Church of Washington, D.C. Yael Shafritz gave a Jewish prayer through a video presentation. Closing remarks were given by community leader, Earline Budd.

(Washington Blade photos by Michael Key)

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