Arts & Entertainment
Cherry blossoms under new leadership
D.C.’s trademark gay dance weekend returns with series of events
This year marks the 15th anniversary of Cherry and the Cherry Fund, which is now under new management.
The Cherry Fund has raised and provided about $980,000 in grants since its start in 1997 and 90 percent of that comes directly from ticket sales to Cherry, Washington’s trademark gay dance party. James Decker, a member of the Fund’s board, says this year’s goal is to raise $20,000, which could be double what was raised last year and would bring the organization over the $1 million milestone.
“There’s definitely something symbolic behind it,” Decker says of hitting that milestone on this anniversary. “That would be a significant achievement given the economy and a lot other factors, but there’s no reason why they couldn’t reach that goal.”
Last year’s beneficiaries were The Metro D.C. Center, Capital Pride, Us Helping Us, Whitman-Walker Health, Metro TeenAIDS, Pediatric AIDS/HIV Care, Women’s Collective, La Clinica del Pueblo, Youth Pride Alliance, Capital Trans Pride, Latino GLBT History Project (Latino Pride), API Queers United for Action and D.C. Black Pride.
“We try to spread the wealth,” Decker says.
This year’s beneficiaries will not be announced for another couple months.
“We get a lot of people from out of town,” Decker says. “That’s how the circuit works. A lot of people will just go from party to party.”
There are some new venues this year, including Phase 1 Dupont (1415 22nd St., N.W.), Ibiza Nightclub (1222 1st St., N.E.) and Warehouse Loft (411 New York Ave., N.E.).
While Fund organizers think the local DJs are great, they try to recruit those who don’t come to the D.C. area that often, making their events a bigger draw. There are many DJs who ask about participating and this year, all the opening DJs are volunteers.
Tonight’s (Friday) events start with a welcome center at No. 9 (1435 P St., N.W) from 5 to 9 p.m. followed by two events. There will be a women’s event at Phase 1 Dupont from 9 p.m. to 3 a.m. and “Boys on Fire” with DJ Paulo from Los Angeles at Warehouse Loft from 9 p.m. to 4 a.m. with DJ David Merrill (check out his Queery profile on page 32) spinning the opening set and DJ Bryan Yamasaki in the back room.
Saturday brings the “Moody Horror Picture Show,” a birthday celebration for party pioneer, Moody Mustafa featuring DJ Joe Gauthreaux from New York City at Town (2009 8th St., N.W.) from 2 to 7 p.m.
Town is also hosting that night’s “Blossom” with DJ Mark Anthony from Montreal from 10 p.m. to 4 a.m. DJ Timothy Mykael will provide the opening set. There will also be a special performance by Circuit Mom. Attendees are asked to wear red to this event.
The festival ends on Sunday with “Momentum” with Cherry alum DJ Alyson Calagna from Miami at Ibiza Nightclub from 4 to 9 a.m. with an opening set by DJ BennyK.
“She’s great, a real sweetheart and an awesome DJ,” Decker says of Calagna. “We’re honored to have her back.”
That will be followed by a brunch and tea dance at Cobalt from noon to 6 p.m. with DJ Tim e. The final event is “Ovation” with DJ Eddie Elias from New York City at Ultra Bar (911 F St., N.W.) from 9 p.m. to 2 a.m. with DJ Sean Morris opening.
“They give us that club for the night,” Decker says of Ultra Bar. “They are very generous, very supportive of our event.”
Tickets for individual events range from $17 to $50. The 2012 Cherry Host Pass is $120 and includes entrance to all six major events, access to VIP lounge at Ibiza, goodie bag, complimentary day pass to VIDA Fitness, two-hour open bar at Sunday tea, T-shirt and CD, but it does not include admission to “Moody Horror Picture Show.”
For more information and to purchase tickets visit cherryfund.org.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

