Arts & Entertainment

A heroic effort

SLDN co-founder declined Army money to come out, help others serve openly

Published

14 years ago

May 24, 2012

Will Owen

Michelle Benecke (Blade photo by Michael Key)

Most students are eager to take any scholarship money they can get their hands on, but for Michelle Benecke, this was not her greatest concern.

The former Army officer and co-founder of Servicemembers Legal Defense Network (SLDN), the leading group behind the repeal of “Don’t Ask, Don’t Tell,” forfeited an Army-funded fellowship to law school because it would have required her to stay in the closet. It may have required her to turn on fellow gay service members.

“I would have to lie about who I was,” Benecke says. “I could not fathom coming back and having to prosecute other gay people [as an Army lawyer].”

Benecke is one of five local LGBT activists being honored as a Capital Pride Hero this year. The other four are Andrew Barnett, executive director of the Sexual Minority Youth Assistance League; Eboné Bell, founder of B.O.I. Marketing and Promotions; Kevin Platte, founder of the D.C. Cowboys Dance Company; and Justin B. Terry-Smith, blogger of “Justin’s HIV Journal.”

“It’s wonderful to have one’s contributions recognized by one’s own community, and I feel especially honored to be in the company of the other honorees,” Benecke says.

The recipients of the 37th annual Capital Pride Heroes award will be honored at the Capital Pride Heroes Gala and Silent Auction. The event is Wednesday, from 6:30-9:30 p.m. at LivingSocial (918 F St. NW). Tickets are $50 and are limited to 200 guests. The Gala will include an open bar, hors d’oeuvres and live entertainment. Business or cocktail attire is required. Tickets can be purchased online through capitalpride.org.

Long before she was recognized as a Pride Hero, Benecke began her career as a commissioned officer in the U.S. Army. She excelled, but was highly critical of the military’s policies toward gays.

“When I served, witch hunts were the way that the military implemented its gay ban,” she says. “While I was serving, I vowed to myself that I would form an organization that would get rid of the gay ban.”

Benecke was recognized by the military for her excellent leadership, and was selected for the prestigious fellowship to law school that she then forfeited. She enrolled in Harvard Law School in 1989, and began her fight against the military’s gay ban before graduating. She published law journal articles about the issue and testified in various panels on behalf of gay service members.

The day after President Clinton announced “Don’t Ask, Don’t Tell,” Benecke co-founded SLDN with Dixon Osburn.

“We felt that if something wasn’t done, the plight of military members would be pushed under the rug,” Benecke says. SLDN was pivotal in the effort to repeal the policy. The organization provided legal assistance to thousands of military members, fostered a national movement against it, secured numerous military reforms and has been Capitol Hill’s go-to source for information about the issue.

SLDN continues to provide legal services to gay service members and veterans as America transitions to a post-“Don’t Ask” military and advocates against the exclusion of transgender people in the military.Although she is no longer SLDN’s CEO, Benecke continues to advise activists and military officials on how to shift to a policy of inclusivity in the military. She currently is a civil servant for the federal government, but is unable to reveal her position.

“I do see and have always seen the military as the linchpin to our freedom,” Benecke says. “In our country, the history has been that when exclusions hold in the military, it also sums up the other civil freedoms.”

“These award winners have demonstrated an extensive breadth and depth of experience and commitment to the LGBT community and beyond,” says Bernie Delia, board president of Capital Pride. “Michelle Benecke, in particular, is being honored this year for her work as a co-founder of the Servicemembers Legal Defense Network in light of all that she has done in this area and in particular because of the successful repeal of DADT.”

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Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

19 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

1 day ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

2 days ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.