Arts & Entertainment
Writing and ruminating
Center gives queer authors forum with Outwrite Book Fair
Outwrite LGBT Book Fair
Friday and Saturday
Various times
D.C. Center
1318 U St., N.W.
Readings and discussions are scheduled throughout the event
Visit thedccenter.org/outwritedc for times
Lesbian writer and performance artist Kimberly Dark is one of the performers at this weekend’s OutWrite LGBT Book Fair. (Photo by Roni Galgano; courtesy Dark)
Even in a culture-rich town like Washington, there are always a few pockets of time — usually in the dead of winter after the holidays or right about now when the novelty of summer has worn off but nobody’s ready for fall yet either — when there’s almost nothing going on.
Organizers at the D.C. Center think the “dog days” are a perfect time for the OutWrite Book Fair, which is back this weekend for a second installment. Organizers guess between 200-300 attended last year’s maiden event and say it’s important, even with book sales having migrated mostly online, for queer authors and readers to have a place to gather.
“Literature is one of the many ways in which we express ourselves and find echoes of our own lives,” says Lin Wang, a Center intern who helped organize the event. “Hosting an LGBT book fair is one way to affirm queer identities and give them an empowering environment where they can keep creating and celebrating their art.”
Several readings, performances, discussions and spoken word events are planned throughout today and Saturday. Many new and used LGBT-themed books will be available.
Among the highlights:
• Gay author and former stripper Rick McGranahan will read from his memoir “The Ghost of Puppyboy,” which tells of his years in the ‘90s working at the former D.C. gay strip club WET, where he found what he calls “microcelebrity” status, good money but also drugs and alcohol. His reading will be Saturday at 11 a.m.
“I kept journals during all of my dancing years,” he says. “The relationships, people, places and endless nights. I would revisit the journals and read them over and over and end up with insomniac attacks from the memories.”
• Lesbian poet and mother Brittany Fonte of Annapolis, Md., will read from her book “Buddha in My Belly,” a prose poetry collection, Saturday at 5 p.m. She says having two kids, now 2 and 6, made novel writing too time consuming. She found the shorter windows of time she had available more conducive to writing poetry. Her book just came out two weeks ago.
“I think when I was a kid, I didn’t see any gay or lesbian authors,” she says. “We heard about Walt Whitman and Langston Hughes in school but we didn’t know anything about them being gay. … Teens coming out now have so much more experience with being able to find role models and people to talk to … there’s less suppression and bullying.”
• Gay poet and novelist Rashid Darden, a life-long Washingtonian, will be part of a poetry reading with several other poets dubbed “head/heart/soul” Saturday at 6:30 p.m.
He says with Lambda Rising no longer in business in D.C. and precious few mainstream bookstores remaining anywhere, it’s important for writers to have a place to gather.
“There’s a chance to do some of that at Pride events, but that’s not the kind of thing where you can have much of a niche market either,” he says. “I think it’s really important for the Center to provide an alternative to the existing constructs, as a sort of replacement for the bookstores that no longer exist.”
• Saturday night at 8:15, performance artist Kimberly Dark will close the festival. The San Diego-and-Hawaii-based lesbian has been performing for LGBT audiences in arenas of all sorts since the mid-‘90s. She says issues of sexual orientation and gender, which largely inform her work, provide almost endless fodder for observation and discussion.
“Everyone’s lives matter and even today, we still have a really narrow image of who’s who in the world,” she says. “It’s very hard for many people to see their own lives reflected on stage or TV.”
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
Why trans suffering is more palatable than trans ambition
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