Arts & Entertainment
Emerging epidemic
Belgian researcher recounts AIDS discoveries
Author and epidemiologist Peter Piot knows what it’s like to be on the ground floor of something important. He was there when two previously unknown viruses were identified and in “No Time to Lose,” he explains what that was like.
The package arrived in a blue plastic thermos. It wasn’t wrapped well; in fact, one of the vials inside had broken, mixing glass with blood that had been taken from a Belgian nun who bled to death in Zaire for reasons no one could explain.
Peter Piot was an infectious disease researcher in Antwerp, Belgium, and this kind of mystery made his “heart beat faster.” When his boss sent him to Kinshasa, along the river Congo, to learn more about the crisis, Piot was even more excited. He became part of a team that teased out the root of the sickness and how it traveled from patient to victim.
The virus, highly contagious and almost always deadly, was later named after a river in Africa. Piot is still aghast at the careless, cavalier attitude given to that initial, highly dangerous flask of Ebola he encountered.
After his work in Africa ended, Piot went to Swaziland to work with a colleague assigned to eliminate sexually transmitted disease there. The endeavor was, of course, ill-fated, but this led him to work with STD patients in Antwerp. There, an alarming situation was just starting to appear in the city’s gay population. It “seemed to be a new syndrome” and it seemed to be on the rise.
It was a virus that didn’t care “whether the sex is good, or about the color or gender of the person.” Researchers called it GRID at first, then renamed it AIDS.
Almost from the opening pages, “No Time to Lose” immerses readers in excitement. Author Peter Piot does such a fine job in describing his African surroundings and the people there that you can almost hear the surrounding jungle.
But Piot’s story is not meant for entertainment. There’s a heightened sense of urgency and force here; in fact, Piot repeatedly admits regret that he didn’t do enough, soon enough. Looking through a backward lens, though, readers will wonder why he questions himself. He writes of fighting bureaucracy and politics, establishing organizations to study and prevent of infection and the now-outrageous beliefs he battled.
That makes this a triumphant book with a coda of sadness for a job that seemed, to the author, unfinished.
This book is serious stuff and it’s filled with scientific terms, acronyms and world politics — but don’t let that scare you away. If you’ve got the time to give it the attention it deserves, you’ll enjoy “No Time to Lose” from the start.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.

