Arts & Entertainment
Emerging epidemic
Belgian researcher recounts AIDS discoveries
(Image courtesy W.W. Norton)
Author and epidemiologist Peter Piot knows what it’s like to be on the ground floor of something important. He was there when two previously unknown viruses were identified and in “No Time to Lose,” he explains what that was like.
The package arrived in a blue plastic thermos. It wasn’t wrapped well; in fact, one of the vials inside had broken, mixing glass with blood that had been taken from a Belgian nun who bled to death in Zaire for reasons no one could explain.
Peter Piot was an infectious disease researcher in Antwerp, Belgium, and this kind of mystery made his “heart beat faster.” When his boss sent him to Kinshasa, along the river Congo, to learn more about the crisis, Piot was even more excited. He became part of a team that teased out the root of the sickness and how it traveled from patient to victim.
The virus, highly contagious and almost always deadly, was later named after a river in Africa. Piot is still aghast at the careless, cavalier attitude given to that initial, highly dangerous flask of Ebola he encountered.
After his work in Africa ended, Piot went to Swaziland to work with a colleague assigned to eliminate sexually transmitted disease there. The endeavor was, of course, ill-fated, but this led him to work with STD patients in Antwerp. There, an alarming situation was just starting to appear in the city’s gay population. It “seemed to be a new syndrome” and it seemed to be on the rise.
It was a virus that didn’t care “whether the sex is good, or about the color or gender of the person.” Researchers called it GRID at first, then renamed it AIDS.
Almost from the opening pages, “No Time to Lose” immerses readers in excitement. Author Peter Piot does such a fine job in describing his African surroundings and the people there that you can almost hear the surrounding jungle.
But Piot’s story is not meant for entertainment. There’s a heightened sense of urgency and force here; in fact, Piot repeatedly admits regret that he didn’t do enough, soon enough. Looking through a backward lens, though, readers will wonder why he questions himself. He writes of fighting bureaucracy and politics, establishing organizations to study and prevent of infection and the now-outrageous beliefs he battled.
That makes this a triumphant book with a coda of sadness for a job that seemed, to the author, unfinished.
This book is serious stuff and it’s filled with scientific terms, acronyms and world politics — but don’t let that scare you away. If you’ve got the time to give it the attention it deserves, you’ll enjoy “No Time to Lose” from the start.
a&e features
Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
Photos
PHOTOS: Capital Pride Festival and Concert
Annual LGBTQ celebration held on Pennsylvania Ave.
The 2026 Capital Pride Festival was held on Pennsylvania Ave. on Sunday, June 21.
(Washington Blade photos by Michael Key and Landon Shackelford)
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(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)
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