Arts & Entertainment
Coming attractions
Gay themes in both indie and mainstream fall film fare


Nicole Kidman as Charlotte Bless in Lee Daniel’s steamy ‘The Paperboy.’ (Photo courtesy the Karpel Group)
The LGBT fall film calendar gets off to an exciting start with the D.C. release of “How to Survive A Plague” on Sept. 28.
The inspirational documentary by first–time filmmaker David France tells the story of two coalitions — ACT UP (the AIDS Coalition to Unleash Power) and TAG (the Treatment Action Group) — and how they changed medical and political history. France, a journalist who has been covering the AIDS crisis for 30 years, draws on archival footage, much of it shot by the activists themselves, to tell the stories of the brave men and women who banded together to fight the plague.
The film examines how they saved the lives of millions of people by battling apathetic government bureaucrats and politicians, developing shocking outreach strategies to spur a complacent media into action, exposing greedy pharmaceutical companies and educating a scared and ignorant populace.
Lee Daniels, the openly gay director of “Precious,” returns to the big screen with “The Paperboy.” Based on the novel by Pete Dexter and set in the swamplands of Florida in 1969, The Paperboy offers a provocative, sexually charged tale of desire, ambition, prejudice and crime.
The film centers on two brothers returning to their hometown. Jack Jansen (Zac Efron) has been kicked out of college and is now working as a paperboy for his father, the local newspaper publisher. Miami journalist Ward Jansen (Matthew McConaughey) comes home to prove the innocence of death row inmate Hillary Van Welter (John Cusack). Ward’s investigation reveals of tangled web of sexual tension, mixed motives and shadowy facts.
The cast is rounded out by Nicole Kidman as vampy death-row groupie Charlotte Bless, David Oyelowo as Ward’s hotshot writing partner Yardley Acheman, and Macy Gray as Anita, the family maid. The film’s producers hint that a central plot twist involves a character’s emerging sexuality, but are tight-lipped about which character comes out. They do, however, confirm the tabloid rumors that Zac Efron dances in his underwear and frequently appears shirtless. It opens Oct. 5.
On a lighter note, “For a Good Time, Call …,” helmed by openly gay director Jamie Travis, is a comic look at two Manhattan women who get involved in the phone sex industry. Estranged college friends Katie Steele (Ari Graynor) and Lauren Powell (Lauren Miller, who also co-wrote the script with Katie Anne Nayton) are reintroduced by their gay mutual friend Jesse (Justin Long) when both face a housing emergency.
Katie is initially shocked when she overhears her new roommate talking to one of her clients, but quickly sees dollar signs. The two establish their own company, and are quickly raking in the cash as they resume their friendship — and possibly more. The film includes cameos by Seth Rogan, Ken Marino and Kevin Smith as three clients. It’s in theaters now.
“Keep the Lights On” is a drama about a closeted lawyer (Zachary Booth) and a documentary filmmaker (Thure Lindhardt) and their mercurial relationship. It opens Sept. 21 in D.C. at West End Cinema.
“Diana Vreeland: the Eye Has to Travel” is a documentary about the former Vogue editor. It opens Sept. 21.
And speaking of documentaries, details are still be worked out, but former Log Cabin president-turned-documentarian Patrick Sammon is finalizing details for a screening of his first film about the life of Alan Turing (called “Codebreaker”), the gay World War II-era legend. It’s tentatively slated for an October opening and a November wider release in 20-30 U.S. cities.
Other LGBT releases expected this fall include:
- “Pitch Perfect,” a battle-of-the-sexes comedy about the rivalry between two college a cappella singing groups (Oct. 5).
- “Bear City 2,” a sequel to the popular movie that takes the cast of bears and chasers from their New York City lairs to the wilds of Provincetown. It will be screened as part of Reel Affirmations in D.C. on Nov. 4.
- “Gayby,” about the problems that ensue when frustrated single Jenn asks her gay best friend Matt to help her conceive a child the old-fashioned way. It’s also in Reel Affirmations. Look for it Nov. 3.
Speaking of Reel Affirmations, D.C.’s annual international LGBT film festival, the 21st festival is scheduled for Nov. 1-4 and the selection committee is currently hard at work finalizing the schedule. In the meantime, RA XTRA offers monthly film screenings. September’s screening, a double feature of “Cloudburst” and “Men To Kiss,” will be held on Sept. 20 at the Carnegie Institute for Science.
“Cloudburst” is a romantic road movie about two lesbians (played by Oscar winners Olympia Dukakis and Brenda Fricker) who flee their nursing home in Maine and drive to Nova Scotia in an attempt to be legally married. “Men To Kiss” is about Ernst and Tobias, a gay couple in Berlin whose lives are upset when Ernst’s old friend Uta draws them into her schemes.
The Chesapeake Film Festival in nearby Easton and Oxford, Md., is Sept. 21-23 and includes two LGBT-themed films — “Trans” and “Queen of Country” (both screening Sept. 22 at the Academy Art Museum). Visit chesapeakefilmfestival.com for details.
The D.C. Shorts Film Festival continues through this weekend. It, too, has LGBT content in several films. Visit dcshorts.com for details.
The fall film season comes to a spectacular close with the much-anticipated release of the cinematic adaptation of the hit Broadway musical “Les Miserables” (Dec. 14). Based on the classic Victor Hugo novel with music by Claude-Michel Schonberg, lyrics by Alain Boublil and screenplay by William Nicholson, the epic movie traces the decades-long battle between escaped convict Jean Valjean and obsessed police inspector Javert. The all-star cast includes Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen and Helena Bonham Carter.

The Rainbow History Project will host “Pickets, Protests and Parade Exhibit Tour” at 7 p.m. at Freedom Plaza. This event honors the courage, resilience and resistance of D.C.’s gay community. For more details, visit Eventbrite.
Go Gay DC will host “LGBTQ Community Social” at 7 p.m. at Hyatt Centric Arlington (1325 Wilson Blvd.). This fun event is ideal for meeting new people and community building. Attendance is free and more details are available on Eventbrite.
Xavier Entertainment DC will host “Cowboy Carter Afterparty” at 10 p.m. at Nellie’s Sports Bar. There will be fireworks, parades, and patriotic fun. For more details, visit Eventbrite.
Mezcal Amaras will host “Sha Boing Boing Showdown” at 6 p.m. at Snappy’s Small Bar (3917 Georgia Ave., N.W.). Get ready to test your hotdog eating abilities. Tickets start at $12.51 and can be purchased on Eventbrite.
Illusions Drag Queen Show will host “Drag Queen Dinner Show” at 7 p.m. at 2323 18th St. N.W. Guests will be treated to the very best celebrity drag impersonations in entertainment. Tickets start at $12.97 and are available on Eventbrite.
Thurst Lounge will host “A Thirsty Cowboy Afterparty” at 5 p.m. DJ Apollo will be performing. For more details, visit Thurst’s website.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” at 9 p.m. The DJ will play plenty of disco hits from the 70s and 80s. Tickets cost $45.30 and can be purchased on Ticketmaster.
a&e features
Doug Spearman takes his chance
‘Noah’s Arc: The Movie’ debuted on Paramount+ last month

There’s no question that when Patrik-Ian Polk’s series “Noah’s Arc” premiered on Logo 20 years ago, it was a groundbreaking creation. The story of a group of Black gay men and their wonderful friendship. The titular arc was that of the cute main character, Noah (Darryl Stephens), and his close-knit circle of friends, including Chance played by gay actor Doug Spearman. This compelling and loving fraternity may, in fact, be what brought viewers back repeatedly, including a 2008 movie, “Noah’s Arc: Jumping the Broom,” as well as the 2020 “Noah’s Arc” short, and now, a new full-length feature “Noah’s Arc: The Movie,” debuting on Paramount+ on June 20. In the movie, filled with equal measures of laughs and tears, Chance, who has faced a devastating loss, finds his dependable friends there, ready to support and comfort him at a moment’s notice. I had the pleasure of speaking with Spearman the morning of the streaming premiere of “Noah’s Arc: The Movie.”
WASHINGTON BLADE: Doug, since the early 2000s, when the “Noah’s Arc” series premiered on Logo, you have been playing the character of Chance, including in the latest installment, “Noah’s Arc: The Movie.” What was it about Chance that appealed to you as an actor?
SPEARMAN: When Patrik (-Ian Polk) called me to ask me to play him (Chance), I was at JFK airport in the baggage claim, waiting for a suitcase. He explained what the part was. The thing that stuck out to me was the fact that Chance was in a long-term relationship with another Black man. And, they had a child; they had a 4-year-old daughter named Kenya. I had never seen two Black gay men raise a child on TV before. I thought it was the most revolutionary thing I’d ever seen. I immediately thought I’ve got to do this because that was something nobody had seen. I thought it was incredibly important to take the part.
BLADE: “Noah’s Arc: The Movie” was, once again, written and directed by Patrik-Ian Polk, who you just mentioned, is the creator of the entire franchise. What’s the secret to your long-standing working relationship?
SPEARMAN: [Laughs] the whole team, all of us, are like a band of brothers. We fight like brothers, we come together like brothers, we hash things out, we talk, because we’re all very different from our characters. I think the challenge of playing these guys and then uplifting these men, playing a part, especially something written by Patrik, is like solving a math equation. There’s always a challenge that’s enjoyable for me as an actor: to try to find out what it is that Patrik wants, and then how do I do it.
BLADE: I think you do a very good job of it.
SPEARMAN: Thank you very much
BLADE: In the years between “Jumping the Broom” and the new full-length movie, many changes have occurred, and the story addresses some of them, including gay widowhood, which is something that the aging community is now confronting, as well as mental health issues. Please say a few words about how you approached those subjects in the new movie.
SPEARMAN: I had a lot of loss in my life, right before we started shooting. Two months before we started shooting the first series, my mother died. I was going through the grief process through that whole first season. Since then, I’ve lost a lot of people in my life. In fact, when we started shooting the second season, the second week we were shooting, my ex died of a heart attack. I was having to fold that into what I was doing with my life on the set and off the set. You’ve got to show up and you’ve got to do your work. The first two seasons of “Noah’s Arc” are always tinged with the memory of grief. So, when I had to deal with the death that Chance faces (in the new movie), which is a significant death in his life, it wasn’t that hard to reach back, especially the scene in the graveyard. It was something that I unfortunately could pull from personal experience.
BLADE: Shifting gears, the movie features delightful cast surprises, including Jasmine Guy and TS Madison. Did you have a chance to interact with either or both when they were on set?
SPEARMAN: No, I didn’t have any scenes with Jasmine, and I missed her. I wish I had gotten to see her because I actually got to direct Jasmine for a CBS promo shoot for “Queen,” back in the early ‘90s. I had a huge crush on her when she was on “A Different World.” So, I really would have liked to reconnect. But TS and I got to see each other every day because I was in all her scenes. It was extraordinary being around somebody like that. That is one outspoken woman!
BLADE: Even though Beyoncé never makes an appearance in the movie, there’s a lot of talk about her. Would you say you are a Beyoncé fan?
SPEARMAN: Yes! I’m breathing! Yes, I’m a Beyoncé fan. I actually got the chance to meet her. I knew her mom. Her mom was extraordinary to me. She is in the second movie I directed. She also gave us a wedding gown to use in the very first scene of the movie. That family is extraordinarily important to me. Not only just to be a fan, but to be somebody who’s gotten to know them and work with them and see how hard they work. I don’t think anybody works as hard as Tina or Beyoncé.
BLADE: There was a recent news item about gay actor Benito Skinner of the Amazon Prime series “Overcompensating” being told not to bother auditioning for straight roles. As an out actor yourself, how important do you think it is for queer characters to be portrayed by queer actors, and vice versa?
SPEARMAN: Being queer is a multifaceted identity. There’s no one kind of queer person. I think finding the best actor that’s your first circle of casting. I think one of the joys about being an actor is that you get to play different parts. I play straight guys all the time. Dads and husbands and things like that. I think a lot of people are told not to do it. In fact, I wouldn’t be Chance if the actor who was originally cast as Chance hadn’t been pulled out of the series by his agents because they didn’t want him to play a gay character.
BLADE: That’s amazing! Thank you for sharing that. Without giving away too much, the ending of the movie is a little ambiguous, even ending with a question mark. If there was a “Noah’s Arc: The Movie” sequel, would you come back for that?
SPEARMAN: Yeah! A lot of it would depend on what Chance’s journey is going to be like. Patrik and I have conversations like that all the time. He’s very interested and supportive of input. I hope I would be, as we all would be, part of the creative growth with these characters. They live in Patrik’s head, and he writes them, but we’re the ones who have to flesh them out. It’s a conversation, it’s always a conversation.
BLADE: You are currently performing in Molière’s “The Imaginary Invalid” as part of the New Orleans Shakespeare Festival at Tulane. What has this experience been like for you?
SPEARMAN: It’s extraordinary! I started on stage when I was seven. There’s nothing like working with a live audience and having that immediacy. I’m working with an extraordinarily talented cast in a really great play, and I have some of the best scene partners I could ever want.
BLADE: Are there any upcoming film or TV projects you’d like to mention?
SPEARMAN: I’m still a writer, and I’m still a director, and I’ve still got scripts that I would like to make. I have a little something that’s a cross between “Treme” and “Bridgerton” that I want to do. I’m always trying to figure out what the next thing is.
Photos
PHOTOS: Montgomery County Pride in the Plaza
LGBTQ celebration held in downtown Silver Spring

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.
(Washington Blade photos by Michael Key)





















