Arts & Entertainment
‘Alive and Well’
Zippy ‘Jacques Brel’ revue a smartly paced sonic treat
‘Jacques Brel is Alive and Well and Living In Paris’
Through Oct. 21
MetroStage
1201 North Royal Street, Alexandria
$45-$50 (student and military discounts)
1-800-494-8497
Belgian-born singer songwriter Jacques Brel might have joined the family cardboard manufacturing business and lived a life of quiet desperation. Happily, he didn’t. Brel instead escaped to postwar Paris and became the musical voice of his generation, turning out popular French songs about war, death, love, bulls and carousels.
In “Jacques Brel is Alive and Well and Living in Paris,” the best of Brel’s vast songbook is featured in two cabaret-like acts; and lucky for us locals, a topnotch production of the musical is now up and running at MetroStage (Carolyn Griffin’s intimate and estimable playhouse on the edge of Old Town Alexandria) through mid-October.
Translated from the original French by American poet Eric Blau and songwriter Mort Shuman, “Jacques Brel” premiered off-Broadway in 1968. Subsequent successful revivals have run in New York over the years including a 2006 revised production (which MetroStage is presenting).
The show opens with “Le Diable/Ca Va,” a zippy tune noting that the devil rules supreme on earth. And while Brel might believe modern existence is essentially crap, other songs prove he does find some things to savor in life like wit, wistful memories and the exquisite pain of lost love and missed opportunity.
A lot of the music is nostalgic and sounds French (accordion and all), but overall there’s variation ranging from the catchy, bourgeois-denigrating drinking song titled “The Middle Class” to “Next” (a young vet’s sardonic recollection of his experience with camp followers) to Brel’s familiar “Amsterdam,” an earthy ode to the lowly seaman, powerfully sung by Bobby Smith who brilliantly embodies the world-weary boulevardier.
Each of the show’s almost 30 songs is a self-contained story with its own beginning, middle and end all drawn from past romances, reckless youth, disappointment and hard living. Lighting designer Jessica Winfield evocatively sets the mood for each melodic tale and all four cast members are superb storytellers with terrific diction and phrasing to boot. In addition to the aforementioned Smith, the terrific cast includes Natascia Diaz, Bayla Whitten and a shaggy-haired Sam Ludwig.
Diaz performed in the off-Broadway 2006 production and it shows. She gives life to the spirit of Brel’s Paris, capturing the sadness, wit and irony in equal measure. Her heartrending interpretation of “My Death” is not soon forgotten. She’s just as effective singing Brel’s gorgeous Piaf-esque ballad “Ne Me Quitte Pas” (“Don’t Leave Me”) as the quietly potent “Old Folks,” a sort of lullaby about the inevitability of old age and death. Hers is a stunning performance.
The younger cast members Ludwig and Whitten (a lovely soprano) are excellent too. He beautifully inhabits the angry-but-girl crazy young man while she is at turns both naïve and jaded.
This “Jacques Brel” brings together Studio Theatre’s producing artistic director Serge Seiden with Signature Theatre’s associate artistic producer Matthew Gardiner (both gay). Seiden’s staging is beyond solid. The production moves briskly and seamlessly without ever feeling rushed or forced. Gardiner’s cheery choreography is reserved mostly for the more lighthearted numbers. It’s fun, but more importantly, his dance sequences allow the players to interact in ways that might otherwise appear awkward.
Except for a pole with lights evocative of a street lamp and two simple café chairs that disappear when not needed, the shadowy stage is completely bare. Off to the side, the band (ably led by musical director Jenny Cartney on piano) is visible throughout the show. It could be the late night Parisian club scene where Brel got his start. For the first act, Janine Sunday smartly costumes the cast in vaguely late-‘60s gear, nicely conveying an era of protest and change. Puzzlingly, the second act — sartorially speaking — is more a hodgepodge of castoffs.
Contrary to the title, Brel is neither well nor alive. He died of lung cancer in 1978, but the music endures. Today his songs resonate as strongly as ever. For the uninitiated (which included myself prior to a recent matinee), MetroStage’s stylish effort serves as a marvelous introduction to Brel’s work. It’s also first rate entertainment.
Italy
Olympics Pride House ‘really important for the community’
Italy lags behind other European countries in terms of LGBTQ rights
The four Italian advocacy groups behind the Milan Cortina Winter Olympics’ Pride House hope to use the games to highlight the lack of LGBTQ rights in their country.
Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano organized the Pride House that is located in Milan’s MEET Digital Culture Center. The Washington Blade on Feb. 5 interviewed Pride House Project Manager Joseph Naklé.
Naklé in 2020 founded Peacox Basket Milano, Italy’s only LGBTQ basketball team. He also carried the Olympic torch through Milan shortly before he spoke with the Blade. (“Heated Rivalry” stars Hudson Williams and Connor Storrie last month participated in the torch relay in Feltre, a town in Italy’s Veneto region.)
Naklé said the promotion of LGBTQ rights in Italy is “actually our main objective.”
ILGA-Europe in its Rainbow Map 2025 notes same-sex couples lack full marriage rights in Italy, and the country’s hate crimes law does not include sexual orientation or gender identity. Italy does ban discrimination based on sexual orientation in employment, but the country’s nondiscrimination laws do not include gender identity.
ILGA-Europe has made the following recommendations “in order to improve the legal and policy situation of LGBTI people in Italy.”
• Marriage equality for same-sex couples
• Depathologization of trans identities
• Automatic co-parent recognition available for all couples
“We are not really known to be the most openly LGBT-friendly country,” Naklé told the Blade. “That’s why it (Pride House) was really important for the community.”
“We want to use the Olympic games — because there is a big media attention — and we want to use this media attention to raise the voice,” he added.

Naklé noted Pride House will host “talks and roundtables every night” during the games that will focus on a variety of topics that include transgender and nonbinary people in sports and AI. Another will focus on what Naklé described to the Blade as “the importance of political movements now to fight for our rights, especially in places such as Italy or the U.S. where we are going backwards, and not forwards.”
Seven LGBTQ Olympians — Italian swimmer Alex Di Giorgio, Canadian ice dancers Paul Poirier and Kaitlyn Weaver, Canadian figure skater Eric Radford, Spanish figure skater Javier Raya, Scottish ice dancer Lewis Gibson, and Irish field hockey and cricket player Nikki Symmons — are scheduled to participate in Pride House’s Out and Proud event on Feb. 14.
Pride House Los Angeles – West Hollywood representatives are expected to speak at Pride House on Feb. 21.
The event will include a screening of Mariano Furlani’s documentary about Pride House and LGBTQ inclusion in sports. The MiX International LGBTQ+ Film and Queer Culture Festival will screen later this year in Milan. Pride House Los Angeles – West Hollywood is also planning to show the film during the 2028 Summer Olympics.
Naklé also noted Pride House has launched an initiative that allows LGBTQ sports teams to partner with teams whose members are either migrants from African and Islamic countries or people with disabilities.
“The objective is to show that sports is the bridge between these communities,” he said.
Bisexual US skier wins gold
Naklé spoke with the Blade a day before the games opened. The Milan Cortina Winter Olympics will close on Feb. 22.
More than 40 openly LGBTQ athletes are competing in the games.
Breezy Johnson, an American alpine skier who identifies as bisexual, on Sunday won a gold medal in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, on the same day helped the U.S. win a gold medal in team figure skating.
Glenn said she received threats on social media after she told reporters during a pre-Olympics press conference that LGBTQ Americans are having a “hard time” with the Trump-Vance administration in the White House. The Associated Press notes Glenn wore a Pride pin on her jacket during Sunday’s medal ceremony.
“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking about being decent — human rights and decency,” said Glenn, according to the AP. “So that was really disappointing, and I do think it kind of lowered that excitement for this.”
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















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