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Anatomy of a victory

Behind the scenes of the Maryland marriage battle

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Question 6, same sex marriage, gay marriage, marriage equality, Maryland, gay news, Washington Blade

Question 6, Maryland, gay marriage, same sex marriage, marriage equality, gay news, Washington Blade

Question 6 supporters and opponents placed signs outside Northwood Elementary School in Baltimore on Nov. 6. (Washington Blade photo by Michael K. Lavers)

Edgewater, Md., residents Adri Eathorne and Kim-May Hinken arrived at Anne Arundel Medical Center in Annapolis to visit their friend, Scott Bowling, shortly before the polls closed at 8 p.m. on Election Day. The three of them nervously awaited the results of the referendum on Maryland’s same-sex marriage law as the slowly began to trickle in.

More than four hours later, they learned Question 6 had narrowly passed.

“We closed his hospital room door,” Eathorne, who has been with Hinken nine years, says. “We closed his hospital room door so we could [yell] ‘Yeah!’ and high-five each other and hug and kiss and cry.”

The passage of Question 6 by a 52-48 percent margin on Nov. 6 capped off an anxious night of waiting for the hundreds of people and dozens of reporters who had gathered at the Baltimore Soundstage.

One of Gov. Martin O’Malley’s staffers wrote on a napkin during lunch on Election Day that the referendum would pass with 53 percent support. Congressman Elijah Cummings made the same prediction during an interview with the Washington Blade earlier in the day outside a Northeast Baltimore polling place at which the governor, Baltimore Mayor Stephanie Rawlings-Blake and Brendon Ayanbadejo of the Baltimore Ravens greeted voters.

“I had a pretty good sense as we were heading into Election Day that it was going to hold,” O’Malley said in a Blade interview this week. “I had a pretty good sense in the course of those last 10 days that it was on a good positive trajectory.”

Josh Levin, campaign manager for Marylanders for Marriage Equality, was backstage with the governor, Rawlings-Blake and several other elected officials watching the results come in. President Obama had already won re-election by the time Politico reported shortly before midnight that Question 6 had passed with 84 percent of precincts reporting.

Levin and others remained hesitant to declare victory because Montgomery County had yet to report election results. (Question 6 passed in the county by a 65-35 percent margin.)

“Once we figured that out then I started breathing a little more deeply,” O’Malley says. “Then when the Montgomery County numbers came in and we were up to 51 [percent,] the night seemed to be coming into perspective. We were very reluctant to claim a victory of course until we had enough of the numbers in.”

Levin last week, while cleaning out Marylanders for Marriage Equality’s Baltimore office, says Question 6 was leading throughout the night.

“We watched it grow to 45,000 votes or so,” he says. “It shrank at one point to about 12,000. But right around midnight we felt like we had a pretty good sense of where things were. And so I went back to talk through what still could happen, what’s still out, where do we think that’s coming from and made the decision to go up on stage and declare victory from there.”

“There was confidence once the results started to come in,” says gay state Sen. Rich Madaleno (D-Montgomery County.) “There was confidence all night long, it’s just a matter of when do you say it. And because we had never won before, there’s no desire to jinx yourself. I think you’re more cautious than you would have ever been.”

The Washington Post projected Question 6 had passed just as O’Malley, Rawlings-Blake, Levin and others took to the stage to declare victory. Those gathered inside the Baltimore Soundstage became euphoric when lesbian state Del. Maggie McIntosh (D-Baltimore City) announced the referendum had passed. People began to cry. Gay state Dels. Luke Clippinger (D-Baltimore City) and Heather Mizeur (D-Montgomery County) were among those who started dancing once the governor and other dignitaries stepped away from the podium.

O’Malley instrumental in fundraising

Election Day capped off a long and often tumultuous effort for Maryland’s same-sex marriage advocates that began in 1997 when three state lawmakers introduced the first bill that would have allowed nuptials for gays and lesbians.

Equality Maryland, which nearly closed in June 2011, and the American Civil Liberties Union in 2004 filed a lawsuit on behalf of Lisa Polyak and Gita Deane and eight other same-sex couples and a gay widow who sought the right to marry in the state. The Maryland Court of Appeals in 2007 ultimately upheld the constitutionality of the state’s ban on marriage for gays and lesbians.

State lawmakers in 2011 narrowly defeated a same-sex marriage bill, but legislators approved it in February. O’Malley signed the law on March 1.

Martin O'Malley, Question 6, Maryland, election 2012, gay marriage, same sex marriage, marriage equality, gay news, Washington Blade

Governor Martin O’Malley speaks to reporters outside Northwood Elementary School in Baltimore on Nov. 6. (Washington Blade photo by Michael K. Lavers)

The governor soon emerged as the law’s most prominent supporter, especially after the Maryland Marriage Alliance collected more than 160,000 signatures to force a referendum on the issue. Marylanders for Marriage Equality turned to O’Malley, among others, in early August to help bolster their then-anemic fundraising efforts.

“We found ourselves in a situation where polling looked good, we felt good about what we were building, but we simply weren’t bringing in money at the rate that we needed to,” Levin says. “We as a campaign and with our board members we sort of rang the bell a little bit and talked to the governor, got Maggie McIntosh more involved. The ACLU redoubled their efforts. And I think brought to bear all the efforts that helped us [reach] the financial goals that we needed to.”

Levin said in June his group could effectively defend the law with between $5-$7 million, in spite of some observers who said Marylanders for Marriage Equality needed to raise up to $12 million.

O’Malley headlined a star-studded fundraiser gay former Republican National Committee Chair Ken Mehlman co-hosted at a New York City hotel in September that raised more than $100,000 for the pro-Question 6 group. The governor also appeared at an Oct. 2 fundraiser with D.C. Mayor Vincent Gray and House Minority Whip Steny Hoyer (D-Md.) at gay Democratic lobbyist Steve Elmendorf’s Logan Circle home. Former National Football League Commissioner Paul Tagliabue and his wife Chan announced a $100,000 donation to Marylanders for Marriage Equality during the fundraiser that Chip DiPaula, Jr., former Gov. Bob Ehrlich, Jr.’s gay chief-of-staff, attended alongside Mizeur and others.

The Human Rights Campaign contributed more than $1.5 million in cash and in-kind contributions to the pro-Question 6 campaign. Freedom to Marry, which initially declined to join the coalition defending the state’s same-sex marriage law, said it invested more than $200,000 into the campaign. This figure includes the $70,000 it gave that helped Marylanders for Maryland Equality air their radio ad highlighting President Obama’s support of marriage rights for same-sex couples in the days leading up to Election Day.

“HRC provided so much of the backbone to this whole effort,” Madaleno says. “They were absolutely critical.”

Marylanders for Marriage Equality ultimately raised $6 million — they consistently outraised the Maryland Marriage Alliance throughout the Question 6 campaign. The ACLU and other organized labor groups contributed more than $1 million to Marylanders for Marriage Equality.

New York City Mayor Michael Bloomberg and Republican hedge fund manager Paul Singer both donated $250,000 to the pro-Question 6 campaign. The bulk of the 11,000 people who contributed to Marylanders for Marriage Equality, however, live in Maryland.

“We proved from going to the state that nobody thought could win to being the second-widest margin after Maine among the four is pretty cool,” Levin says. “And I want to really say the team that was here through the legislative campaign that figured out, that believed in doing Maryland when nobody else did — the leadership of folks like Sultan [Shakir] and Kevin [Nix], Rich Madaleno and Luke Clippinger and all the others.”

One of the proudest moments of the campaign for Levin came when Marylanders for Marriage Equality was able to counter a Maryland Marriage Alliance television ad that claimed Question 6 would force schools to teach same-sex marriage with their own ad eight hours later that featured Baltimore County teacher Pamela Gaddy. Levin showed it to McIntosh, HRC President Chad Griffin, former O’Malley adviser Joe Bryce and his wife Kristen and a handful of others shortly after he arrived at a campaign fundraiser at DiPaula’s home before he put it on the air on Oct. 26.

“We were ready and able to do it that fast, versus the stories that so many other folks who worked in California [on the campaign against Proposition 8] told just having to figure it out there,” Levin says. “The lessons they learned they gave us and we applied. And we took a Maryland angle on it, putting up an African-American, Baltimore-area schoolteacher to just go, ‘That’s not true, you know.’ When we looked at it a week later, their argument wasn’t resonating. People just weren’t buying it, according to our research.”

Obama, NAACP endorsements key

O’Malley, Levin and Mizeur all noted Obama’s public support of marriage rights for gays and lesbians and his endorsement of the same-sex marriage law garnered additional support among black Marylanders.

In addition to the radio ad featuring the president, Marylanders for Marriage Equality also sent a mailing that contained his and first lady Michelle Obama’s statements in support of marriage rights for same-sex couples to 200,000 African-American households in the state. (Baltimore Black Pride co-chair Meredith Moise was handing out these fliers on Election Day as she spoke with voters outside a polling place at a Northeast Baltimore elementary school.)

“It was important that we echoed their support,” Levin says.

The NAACP’s support of Question 6 and particularly television ads that featured Julian Bond, the civil rights organization’s chair emeritus, and Revs. Delman Coates of Mount Ennon Baptist Church in Clinton and Donté Hickman of Southern Baptist Church in Baltimore appear to have resonated with voters in the predominantly black Charm City.

Question 6 passed by a 57-43 percent margin in Baltimore City. It lost by slightly more than 4,300 votes in Prince George’s County.

A Public Policy Polling survey in May found 55 percent of black Marylanders would vote for the law, compared to 36 percent who said they would oppose it. A Hart Research Associates survey conducted in late July found 44 percent of African-American voters would support Question 6, compared to 45 percent who said they would vote against it. A Gonzales Research poll in September noted 44 percent of black Marylanders backed marriage rights for same-sex couples, compared to 52 percent who oppose nuptials for gays and lesbians. An Associated Press exit poll indicates roughly half of black Maryland voters voted against Question 6.

Maryland Marriage Alliance Chair Derek McCoy, Bishop Harry Jackson, Jr., of Hope Christian Church in Beltsville and others who opposed the law repeatedly criticized and even mocked the NAACP, Obama, Coates, Hickman and other prominent black leaders who backed marriage rights for same-sex couples in the state. Some Question 6 opponents resorted to increasingly homophobic rhetoric during appearances at black churches and other public forums in the weeks leading up to Election Day. Pastor Luke Robinson of Quinn Chapel AME Church in Frederick even suggested during a sparsely attended rally against the same-sex marriage law at a city park on Nov. 4 that Superstorm Sandy struck New York City less than three weeks after Bloomberg donated $250,000 to Marylanders for Marriage Equality.

“It pretty clearly was having an effect,” Levin says. “I don’t think the other guys would have been bringing it up as often if it hadn’t been.”

The Maryland State Conference of the NAACP and the organization’s Prince George’s County and Baltimore branches in particular factored prominently in the pro-Question 6 campaign.

Bob Ross, president of the Prince George’s County Branch of the NAACP, organized phone banks and canvassing efforts ahead of Election Day. He also spoke about his gay brother who had lived in the closet for years during a Nov. 5 rally at the University of Maryland in College Park that O’Malley, Hoyer, Madaleno, state Sen. Allan Kittleman (R-Carroll and Howard Counties) and others attended.

“Surely we need to recognize not only the importance of their endorsement, but the amount of work that they did,” Levin says.

Couples busy planning weddings

With all the behind-the-scenes work that led to the passage of Question 6, the only thing that matters to those who plan to take advantage of the law once it officially takes effect on Jan. 1 is the fact they can legally marry the person they love.

“It was kind of like, ‘Oh my God, what are we doing about our wedding plans?’” says ShaDonna Jackson, a Hyattsville, Md., resident who plans to wed her partner of nearly four years, Latisha Smith. “We needed absolute certainty because it’s a serious matter. It’s like, ‘Oh my goodness everything depends on this, so we need to know.’ And now that we know, we are back to our wedding plans.”

Eathorne and Hinken, who chairs the annual Chesapeake Pride Festival, are planning to get married in Annapolis on the first day same-sex couples can legally marry in the state.

“We’ve waited so long for it to be legal in our home state that we really wanted to do it as soon as possible,” Eathorne says (they had a church wedding in 2007). Hinken also spoke in support of the same-sex marriage bill in front of the State House in Annapolis. “We just want to make that statement. And that’s one of the reasons why we want it to be ASAP. We’ve been together for nine years. We don’t need a big full-blown wedding. We had our thing. It is special and we do plan to acknowledge it and celebrate it in some way.”

Madaleno, who once again proposed to his husband Mark on stage at the Baltimore Soundstage after Question 6 passed, plans to have what he describes as their “renewal of vows” once they and their two children return from a family vacation at Walt Disney World in Florida in January. The couple married 11 years ago at their Bethesda church, but Madaleno said having the legal recognition will make it even more official.

“What will be different,” he says, “is we’re getting a license.”

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Music & Concerts

Indigo Girls coming to Capital One Hall

Stars take center stage alongside Fairfax Symphony

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The Indigo Girls are back in the area next week. (Photo courtesy of Vanguard Records)

Capital One Center will host “The Indigo Girls with the Fairfax Symphony Orchestra” on Thursday, June 19 and Friday, June 20 at 8 p.m. at Capital One Hall. 

The Grammy Award-winning folk and pop stars will take center stage alongside the Fairfax Symphony, conducted by Jason Seber. The concerts feature orchestrations of iconic hits such as “Power of Two,” “Get Out The Map,” “Least Complicated,” “Ghost,” “Kid Fears,” “Galileo,” “Closer to Fine,” and many more.

Tickets are available on Ticketmaster or in person at Capital One Hall the nights of the concerts. 

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Calendar: June 13-19

LGBTQ events in the days to come

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Friday, June 13

“Center Aging Friday Tea Time” will be at 2 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected]

Women in Their Twenties and Thirties will be at 8 p.m. at Wundergarten. An update will be posted the night of the event on where to find WiTT’s table. There’ll be a Pride flag to help people find the group. For more details, join WiTT’s closed Facebook group

Go Gay DC will host “LGBTQ+ Community Pride Month Happy Hour” at 7 p.m. at Freddie’s Beach bar and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite

Saturday, June 14

Go Gay DC will host “LGBTQ+ Community Pride Month Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Rainbow History Project will host “Behind the Scenes With the Senior Curator of ‘Pickets, Protests and Parades’” at 7:30p.m. at Freedom Plaza. This behind-the-scenes experience offers a rare glimpse into the creative process behind this groundbreaking showcase of DC’s LGBTQ+ history. Learn about the bold design decisions that shaped the Quote Wall and Hero Cubes and the powerful stories that almost made the cut. Tickets cost $82 and can be purchased on Eventbrite

Monday, June 16

“Center Aging Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected]

Genderqueer DC will be at 7 p.m. in person at the DC Center for the LGBT Community. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more information, visit their website at www.genderqueerdc.org or check us out on Facebook

Tuesday, June 17

Bi+ Roundtable and Discussion will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting. Check out Facebook or Meetup for more information.

Wednesday, June 18

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

“Legends Live Loud: A Queer Karaoke Experience” will be at 7 p.m. at the DC Center for the LGBT Community. This will be a dynamic, Center-wide karaoke event celebrating the brilliance and cultural impact of some of our most colorful queer icons. The Center will honor legends through music, pop culture, dance, and inextinguishable liberation. For more details and to sign up, visit the DC Center’s website

Thursday, June 19

Go Gay DC will host “LGBTQ+ Book Club” at 7:30 p.m. at Federico Ristorante Italiano. This book club is co-hosted by EQUALITY NoVa and is another opportunity to engage in a fun and rewarding activity. The group doesn’t discriminate when it comes to genres it reads – from classic literature to best selling novels to biographies to histories to gay fiction. For more details, visit Eventbrite

Cultivating Change Foundation will host “Cultivating Pride Happy Hour” at 5:30 p.m. at Dacha Beer Garden. This Pride month, the organization is inviting LGBTQ+ people and allies in food and agriculture to come together in communities nationwide. These informal gatherings are a chance to connect, celebrate, and build community, whether it’s over coffee, a cocktail, or a conversation. Attendance is free and more details are available on Eventbrite

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Movies

Wes Anderson’s elaborate ‘Scheme’

Director ditches the quirk for an esoteric experience

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The cast of ‘The Phoenician Scheme.’ (Photo courtesy of Focus Features)

There was a time, early in his career, that young filmmaker Wes Anderson’s work was labeled “quirky.” 

To describe his blend of dry humor, deadpan whimsy, and unresolved yearning, along with his flights of theatrical fancy and obsessive attention to detail, it seemed apt at the time. His first films were part of a wave when “quirky” was almost a genre unto itself, constituting a handy-but-undefinable marketing label that inevitably became a dismissive synonym for “played out.”

That, of course, is why every new Wes Anderson film can be expected to elicit criticism simply for being a Wes Anderson film, and the latest entry to his cinematic canon is, predictably, no exception.

“The Phoenician Scheme” – released nationwide on June 6 – is perhaps Anderson’s most “Anderson-y” movie yet. Set in the exact middle of the 20th Century, it’s the tall-tale-ish saga of Anatole “Zsa-Zsa” Korda (Benicio del Toro), a casually amoral arms dealer and business tycoon with a history of surviving assassination attempts. The latest – a bomb-facilitated plane crash – has forced him to recognize that his luck will eventually run out, and he decides to protect his financial empire by turning it over (on a trial basis, at least) to his estranged daughter Liesl (Mia Threapleton), currently a novice nun on the verge of taking her vows. She conditionally agrees, despite the rumors that he murdered her mother, and is drawn into an elaborate geopolitical con game in which he tries to manipulate a loose cadre of “world-building” financiers (Tom Hanks, Bryan Cranston, Riz Ahmed, Mathieu Amalric, and Jeffrey Wright) into funding a massive infrastructure project – already under construction – across the former Phoenician empire.

Joined by his new administrative assistant and tutor, Bjorn (Michael Cera), Korda and Liesl travel the world to meet with his would-be investors, dodging assassination attempts along the way. His plot is disrupted, however, by the clandestine interference of a secret coalition of nations led by an American agent code-named “Excalibur” (Rupert Friend), who seeks to prevent the shift of geopolitical power his project would create. Eventually, he’s forced to target a final “mark” – his ruthless half-brother Nubar (Benedict Cumberbatch), with whom he has played a lifelong game of “who can lick who” – for the money he needs to pull it off, or he’ll lose his fortune, his oligarchic empire, and his slowly improving relationship with his daughter, all at once.

It’s clear from that synopsis that Anderson’s scope has widened far beyond the intimate stories of his earliest works – “Bottle Rocket,” “Rushmore,” “The Royal Tenenbaums,” and others, which mostly dealt with relationships and dynamics among family (or chosen family) – to encompass significantly larger themes. So, too, has his own singular flavor of filmmaking become more fully realized; his exploration of theatrical techniques within a cinematic setting has grown from the inclusion of a few comical set-pieces to a full-blown translation of the real world into a kind of living, efficiently-modular Bauhaus diorama, where the artifice is emphasized rather than suggested, and realism can only be found through the director’s unconventionally-adjusted focus. 

His work is no longer “quirky” – instead, it has grown with him to become something more pithy, an extension of the surreal and absurdist art movements that exploded in the tense days before World War II (an era which bears a far-too-uncomfortable resemblance to our own) and expresses the kind of politically-aware philosophical ideas that helped to build the world which has come since. It is no longer possible to enjoy a Wes Anderson movie on the basis of its surface value alone; it is necessary to read deeper into his now-well-honed cinematic language, which is informed not just by his signature aesthetic but by intellectual curiosity, and by the art, history, and cultural knowledge with which he saturates his work – like pieces of a scattered puzzle, waiting to be picked up and assembled along the way. Like all auteurs, he makes films that are shaped by a personal vision and follow a personal logic; and while he may strive to make them entertaining, he is perhaps more interested in providing insight into the wildly contradictory, often nonsensical, frequently horrifying, and almost always deplorable behavior of human beings. Indeed, the prologue scene in his latest endeavor illustrates each of those things, shockingly and definitively, before the opening credits even begin.

By typical standards, the performances in “Phoenician Scheme” – like those in most of Anderson’s films – feel stylized, distant, even emotionally cold. But within his meticulously stoic milieu, they are infused with a subtle depth that comes as much from the carefully maintained blankness of their delivery as it does from the lines themselves. Both del Toro and Threapleton manage to forge a deeply affecting bond while maintaining the detachment that is part of the director’s established style, and Cera – whose character reveals himself to be more than he appears as part of the story’s progression – begs the question of why he hasn’t become a “Wes Anderson regular” long before this. As always, part of the fun comes from the appearances of so many familiar faces, actors who have become part of an ever-expanding collection of regular players – including most-frequent collaborator Bill Murray, who joins fellow Anderson troupers Willem Dafoe and F. Murray Abraham as part of the “Biblical Troupe” that enact the frequent “near-death” episodes experienced by del Toro’s Korda throughout, and Scarlett Johansson, who shows up as a second cousin that Korda courts for a marriage of financial convenience – and the obvious commitment they bring to the project beside the rest of the cast.

But no Anderson film is really about the acting, though it’s an integral part of what makes them work – as this one does, magnificently, from the intricately choreographed opening credit sequence to the explosive climax atop an elaborate mechanical model of Korda’s dream project. In the end, it’s Anderson himself who is the star, orchestrating his thoroughly-catalogued vision like a clockwork puzzle until it pays off on a note of surprisingly un-bittersweet hope which reminds us that the importance of family and personal bonds is, in fact, still at the core of his ethos.

That said, and a mostly favorable critical response aside, there are numerous critics and self-identified fans who have been less than charmed by Anderson’s latest opus, finding it a redundant exercise in a style that has grown stale and offers little substance in exchange. Frankly, it’s impossible not to wonder if they have seen the same movie we have.

“The Phoenician Scheme,” like all of its creator’s work, is ultimately an esoteric experience, a film steeped in language and concepts that may only be accessible to those familiar with them – which, far from being a means of shutting out the “unenlightened,” aims instead to entice and encourage them to think, to explore, and, perhaps, to expand their perspective. It might be frustrating, but the payoff is worth it. 

In this case, the shrewd political and economical realities he illuminates behind the romanticized “Hollywood” intrigue and his deceptively eccentric presentation speak so profoundly to the current state of world we live in that, despite its lack of directly queer subject matter, we’re giving it our deepest recommendation.

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