Arts & Entertainment
In the spirit
Region offers array of holiday entertainment
A dancer from Washington Ballet’s ‘The Nutcracker.’ (Photo by Steve Vaccariello; courtesy Washington Ballet)
The Gay Men’s Chorus of Washington presents “Winter Nights,” Nov. 30 and Dec. 1 at the Lisner Auditorium, (730 21st Street NW), featuring a pageant of glittering winter “Rockettes,” a Bollywood number and even a visit from Mrs. Claus with the song “Santa Won’t You Please Come Back.” Tickets range from $13 to $35 and can be purchased at gmcw.org.
Wolf Trap (1645 Trap Rd.) in Vienna presents its free annual holiday sing-a-long on Dec. 1, featuring Christmas carols and Hanukkah songs by choir and vocal groups and the United States Marine Band.
The Kennedy Center (2700 F St., N.W.) has several holiday performances and events coming up in December. First, Utah’s preeminent ballet company, Ballet West, brings America’ oldest complete “Nutcracker” to the center from Dec. 5-9. The beloved ballet features the Kennedy Center Opera House Orchestra and National Cathedral School Lower School Singers. Tickets range from $45-$150.
The Kennedy Center teams with National Public Radio for the annual “A Jazz Piano Christmas” on Dec. 8, featuring top jazz pianists such as Master Ellis Marsalis, Jason Moran, Geri Allen and Taylor Eigsti performing their favorite holiday songs. Tickets are $65.
Also at the Kennedy Center, the National Symphony Orchestra, conducted by Rolf Beck, will be performing Handel’s “Messiah” Dec. 20-23. Featured singers will be soprano Katherine Whyte, countertenor Anthony Roth Costanzo, tenor Sunnyboy Vincent Diadia and bass-baritone Panajotis Iconmou. Tickets range from $10 to $85.
The National Philharmonic will perform the “Messiah” on Dec. 8 and Dec. 22-23 with Stan Engebretson conducting at the Music Center at Strathmore (5301 Tuckerman Lane) in North Bethesda. Tickets range from $30 to $85.
Washington Symphonic Brass (Photo courtesy the company)
On Dec. 18, the National Philharmonic’s associate Conductor Victoria Gau will lead the Washington Symphonic Brass and National Philharmonic Chorale in a holiday concert at the Music Center. The critically acclaimed 17-member brass and percussion ensemble will ring in the holidays with arrangements of holiday favorites, including a medley by WSB Director Phil Snedecor called “Christmas Memories,” an arrangement by Tony DiLorenzo of “’Twas the Night Before Christmas” and an exuberant version of Beethoven’s “Ode to Joy” with the National Philharmonic Chorale. Tickets range from $28 to $48.
The National Philharmonic Singers, under the direction of conductors Stan Engebretson and Victoria Gau, will present a free holiday concert on Dec. 15 at Christ Episcopal Church (107 South Washington St.) in Rockville. The concert will feature famous carols, including the “Hallelujah Chorus,” Benjamin Britten’s “A Ceremony of Carols” with harp and “The Blessed Son of God from Hodie” by Ralph Vaughan Williams. Other highlights include music from various periods, with a special audience sing along.
Washington Ballet welcomes the holiday season by presenting “The Nutcracker” Nov. 30 through Dec. 23 at the historic Warner Theatre (3515 Wisconsin Ave, NW). Septime Webre’s critically acclaimed ballet transports audiences back in time to historic Washington in a one-of-a-kind production set in 1882 Georgetown and starring George Washington as the heroic Nutcracker, King George III as the villainous Rat King, Anacostia Indians, frontiersmen and many other all-American delights. Tickets range from $34-$99.
The Baltimore Symphony Orchestra performs its “Holiday Pops Celebration” from Dec. 12-16 at the Music Center at Strathmore under the baton of Robert Bernhardt. Daniel Narducci serves as host and guest vocalist. Tickets range from $25-$85.
For those looking for some non-traditional entertainment, they won’t be disappointed.
Town (2009 8th St. NW) will present “A Nightmare Before Xmas” with Sharon Needles, a drag queen famous for winning “RuPaul’s Drag Race,” on Dec. 15. The club will also feature DJ Summer Camp (aka Shea Van Horn in a fabulously slutty dress). The night begins at 10 p.m., but a private meet-and-greet cocktail party is available with Needles for $50. A limited amount of tickets are available at groovetickets.com.
Coyaba Dance Theater (3225 8th St NE) welcomes the young performers of the Coyaba Dance Academy and special guests Soul in Motion and Cheick Hamala Diabaté for its annual multi-generational Kwanzaa Celebration Dec. 14-16. The performance includes traditional dance and drumming. Tickets begin at $22.
Gay filmmaker John Waters will offer his take on the holiday season with his show “A John Waters Christmas” playing the Birchmere (3701 Mount Vernon Ave.) in Alexandria on Dec. 10. Delving into his passion for lunatic exploitation Christmas movies and the unhealthy urge to remake all his own films into seasonal children’s classics, “The Pope of Trash” will give you a Joyeaux Noel like no other. Tickets are $49.50.
Also at the Birchmere, The Four Bitchin Babes, combining humor with music, will be presenting its “Jingle Babes” celebration Dec.14-15. The four women play their own guitars, bass, piano, Irish Bodhran, mandolin and ukulele as they entertain for the holidays. Tickets are $35.
Looking for a little theater this holiday season? There are plenty of offerings to whet any theatrical appetite.
‘White Christmas.’ (Photo courtesy the Kennedy Center)
The Kennedy Center will stage Irving Berlin’s “White Christmas,” based on the popular movie, in its Opera House from Dec. 11 to Jan. 6. Tickets start at $25.
The National Theatre (1321 Pennsylvania Ave. NW) stages Cameron Mackintosh’s new 25th anniversary production of “Les Misérables” from Dec. 13-30. The new production features glorious new staging and spectacular reimagined scenery inspired by the paintings of Victor Hugo. Ticket prices start at $40.
The Olney Theater (2001 Olney-Sandy Spring Rd.) in Olney is bringing back storyteller Paul Morella in a one-man performance of “A Christmas Carol: A Ghost Story of Christmas.” Tickets for all shows at Olney start at $26 and can be purchased by calling the box office at 301-924-3400.
Olney will also stage Rodgers and Hammerstein’s classic musical “Cinderella” from now until Dec. 30. The musical includes memorable songs such as “In My Own Little Corner,” “Impossible” and “Ten Minutes Ago.” Tickets are $26-$54.
The BlackRock Center for the Arts (12901 Town Commons Drive) in Germantown is getting into the holiday spirit with a theatrical performance of “A Charlie Brown Christmas” on Dec. 8 and “It’s a Wonderful Life” on Dec. 15. Tickets range from $15-$29.
BlackRock also hosts “A Ceremony of Carols,” with the National Philharmonic Singers and harpist Rebecca Smith on Dec. 16. Tickets are $23-$25 and can be purchased at blackrockcenter.org.
Signature Theatre (4200 Campbell Ave.) in Arlington will present “Holiday Guys,” a two-man cabaret starring three-time Tony Award nominee and Signature favorite Marc Kudisch and Astaire Award nominee Jeffry Denman. The non-traditional holiday show is complete with song, dance and silliness and will play Dec. 11-16.
Back by popular demand to Signature is the festive series “Holiday Follies,” featuring a wonderful wintry line-up of special guest performers, along with a host of Signature’s closest friends and artists. Performances are scheduled from Dec. 18-23. Tickets for both Signature shows are $41.
Whether a fan of jazz, pop or classical, music lovers can get their fix all holiday season.
The Bohemian Caverns Jazz Orchestra (2001 Eleventh Street NW) performs its holiday concert, “A Bohemian Christmas,” featuring holiday classics from the libraries of Claude Thornhill, Count Basie, Stan Kenton and the entire Duke Ellington/Billy Strayhorn adaptation of “The Nutcracker Suite” on Dec. 10. Tickets are $10.
On Dec.8, Saxophonist Tim Warfield returns to Bohemian Caverns to host his annual Jazzy Christmas Show. Tickets are $25.
Saxophone extraordinaire Dave Koz, who’s openly gay, is celebrating his 15th annual “Dave Koz and Friends Christmas Concert” at the Music Center at Strathmore (5301 Tuckerman Lane) in North Bethesda on Dec. 3. Special guests include David Benoit, Javier Colon and Sheila E. The concert begins at 8 p.m. and tickets range from $38 to $72.
The Christ Church Episcopal (118 N. Washington St.) in Alexandria is presenting “A Festival of Nine Lessons and Carols” on Dec. 2 at 5 p.m. The Christ Church Choir, the Canterbury Choir, the Cherub Choir, guest organist Daniel Aune and a brass quintet will join to offer music for the Advent season. A wine-and-cheese reception will follow the free performance.
DC Swing!, with its new conductor, Matt Leonhardt, will perform a holiday benefit gala with live holiday music, hors d’oeuvres and a cash bar on Dec. 15th, at Nage Bistro (1600 Rhode Island Ave NW), from 7-10 p.m. The LGBT-friendly group is part of D.C. Different Drummers. Tickets start at $30.
Metropolitan Community Church of Washington (474 Ridge St. NW), D.C.’s largest mostly gay church, presents its annual Christmas concert “Christmas Miracles” Nov. 30 and Dec. 1 at 7:30 both nights. The church will also offer a special Christmas concert and community dinner on Dec. 7 and a family Christmas concert on Dec. 8. Visit mccdc.com for more information.
The Philadelphia Brass Quintet will perform a world premier-commissioned work for Candlelight Concert Society’s 40th anniversary on Nov. 24 at the Horowitz Performing Arts Center, Smith Theatre, on the campus of Howard Community College (10901 Little Patuxent Parkway) in Columbia. The concert features an array of classical and contemporary music by Susato, Bach, Durufle, Ewazn, Weill, Elgar, Lichtenberger, Van Heusen and Duke Ellington. Tickets range from $12-$30.
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)
Books
New book explores homosexuality in ancient cultures
‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome
‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages
Nobody likes you very much.
That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.
When he was a teenager, Harry Tanner says that he thought he “was going to hell.”
For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”
Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”
Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.
In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”
Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”
Says Tanner, “all is not what it seems.”
So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.
Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.
While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
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