Arts & Entertainment

In the spirit

Region offers array of holiday entertainment

Published

14 years ago

November 21, 2012

Keith Loria

A dancer from Washington Ballet’s ‘The Nutcracker.’ (Photo by Steve Vaccariello; courtesy Washington Ballet)

The Gay Men’s Chorus of Washington presents “Winter Nights,” Nov. 30 and Dec. 1 at the Lisner Auditorium, (730 21st Street NW), featuring a pageant of glittering winter “Rockettes,” a Bollywood number and even a visit from Mrs. Claus with the song “Santa Won’t You Please Come Back.” Tickets range from $13 to $35 and can be purchased at gmcw.org.

Wolf Trap (1645 Trap Rd.) in Vienna presents its free annual holiday sing-a-long on Dec. 1, featuring Christmas carols and Hanukkah songs by choir and vocal groups and the United States Marine Band.

The Kennedy Center (2700 F St., N.W.) has several holiday performances and events coming up in December. First, Utah’s preeminent ballet company, Ballet West, brings America’ oldest complete “Nutcracker” to the center from Dec. 5-9. The beloved ballet features the Kennedy Center Opera House Orchestra and National Cathedral School Lower School Singers. Tickets range from $45-$150.

The Kennedy Center teams with National Public Radio for the annual “A Jazz Piano Christmas” on Dec. 8, featuring top jazz pianists such as Master Ellis Marsalis, Jason Moran, Geri Allen and Taylor Eigsti performing their favorite holiday songs. Tickets are $65.

Also at the Kennedy Center, the National Symphony Orchestra, conducted by Rolf Beck, will be performing Handel’s “Messiah” Dec. 20-23. Featured singers will be soprano Katherine Whyte, countertenor Anthony Roth Costanzo, tenor Sunnyboy Vincent Diadia and bass-baritone Panajotis Iconmou. Tickets range from $10 to $85.

The National Philharmonic will perform the “Messiah” on Dec. 8 and Dec. 22-23 with Stan Engebretson conducting at the Music Center at Strathmore (5301 Tuckerman Lane) in North Bethesda. Tickets range from $30 to $85.

Washington Symphonic Brass (Photo courtesy the company)

On Dec. 18, the National Philharmonic’s associate Conductor Victoria Gau will lead the Washington Symphonic Brass and National Philharmonic Chorale in a holiday concert at the Music Center. The critically acclaimed 17-member brass and percussion ensemble will ring in the holidays with arrangements of holiday favorites, including a medley by WSB Director Phil Snedecor called “Christmas Memories,” an arrangement by Tony DiLorenzo of “’Twas the Night Before Christmas” and an exuberant version of Beethoven’s “Ode to Joy” with the National Philharmonic Chorale. Tickets range from $28 to $48.

The National Philharmonic Singers, under the direction of conductors Stan Engebretson and Victoria Gau, will present a free holiday concert on Dec. 15 at Christ Episcopal Church (107 South Washington St.) in Rockville. The concert will feature famous carols, including the “Hallelujah Chorus,” Benjamin Britten’s “A Ceremony of Carols” with harp and “The Blessed Son of God from Hodie” by Ralph Vaughan Williams. Other highlights include music from various periods, with a special audience sing along.

Washington Ballet welcomes the holiday season by presenting “The Nutcracker” Nov. 30 through Dec. 23 at the historic Warner Theatre (3515 Wisconsin Ave, NW). Septime Webre’s critically acclaimed ballet transports audiences back in time to historic Washington in a one-of-a-kind production set in 1882 Georgetown and starring George Washington as the heroic Nutcracker, King George III as the villainous Rat King, Anacostia Indians, frontiersmen and many other all-American delights. Tickets range from $34-$99.

The Baltimore Symphony Orchestra performs its “Holiday Pops Celebration” from Dec. 12-16 at the Music Center at Strathmore under the baton of Robert Bernhardt. Daniel Narducci serves as host and guest vocalist. Tickets range from $25-$85.

For those looking for some non-traditional entertainment, they won’t be disappointed.

Town (2009 8th St. NW) will present “A Nightmare Before Xmas” with Sharon Needles, a drag queen famous for winning “RuPaul’s Drag Race,” on Dec. 15. The club will also feature DJ Summer Camp (aka Shea Van Horn in a fabulously slutty dress). The night begins at 10 p.m., but a private meet-and-greet cocktail party is available with Needles for $50. A limited amount of tickets are available at groovetickets.com.

Coyaba Dance Theater (3225 8th St NE) welcomes the young performers of the Coyaba Dance Academy and special guests Soul in Motion and Cheick Hamala Diabaté for its annual multi-generational Kwanzaa Celebration Dec. 14-16. The performance includes traditional dance and drumming. Tickets begin at $22.

Gay filmmaker John Waters will offer his take on the holiday season with his show “A John Waters Christmas” playing the Birchmere (3701 Mount Vernon Ave.) in Alexandria on Dec. 10. Delving into his passion for lunatic exploitation Christmas movies and the unhealthy urge to remake all his own films into seasonal children’s classics, “The Pope of Trash” will give you a Joyeaux Noel like no other. Tickets are $49.50.

Also at the Birchmere, The Four Bitchin Babes, combining humor with music, will be presenting its “Jingle Babes” celebration Dec.14-15. The four women play their own guitars, bass, piano, Irish Bodhran, mandolin and ukulele as they entertain for the holidays. Tickets are $35.

Looking for a little theater this holiday season? There are plenty of offerings to whet any theatrical appetite.

‘White Christmas.’ (Photo courtesy the Kennedy Center)

The Kennedy Center will stage Irving Berlin’s “White Christmas,” based on the popular movie, in its Opera House from Dec. 11 to Jan. 6. Tickets start at $25.

The National Theatre (1321 Pennsylvania Ave. NW) stages Cameron Mackintosh’s new 25th anniversary production of “Les Misérables” from Dec. 13-30. The new production features glorious new staging and spectacular reimagined scenery inspired by the paintings of Victor Hugo. Ticket prices start at $40.

The Olney Theater (2001 Olney-Sandy Spring Rd.) in Olney is bringing back storyteller Paul Morella in a one-man performance of “A Christmas Carol: A Ghost Story of Christmas.” Tickets for all shows at Olney start at $26 and can be purchased by calling the box office at 301-924-3400.

Olney will also stage Rodgers and Hammerstein’s classic musical “Cinderella” from now until Dec. 30. The musical includes memorable songs such as “In My Own Little Corner,” “Impossible” and “Ten Minutes Ago.” Tickets are $26-$54.

The BlackRock Center for the Arts (12901 Town Commons Drive) in Germantown is getting into the holiday spirit with a theatrical performance of “A Charlie Brown Christmas” on Dec. 8 and “It’s a Wonderful Life” on Dec. 15. Tickets range from $15-$29.

BlackRock also hosts “A Ceremony of Carols,” with the National Philharmonic Singers and harpist Rebecca Smith on Dec. 16. Tickets are $23-$25 and can be purchased at blackrockcenter.org.

Signature Theatre (4200 Campbell Ave.) in Arlington will present “Holiday Guys,” a two-man cabaret starring three-time Tony Award nominee and Signature favorite Marc Kudisch and Astaire Award nominee Jeffry Denman. The non-traditional holiday show is complete with song, dance and silliness and will play Dec. 11-16.

Back by popular demand to Signature is the festive series “Holiday Follies,” featuring a wonderful wintry line-up of special guest performers, along with a host of Signature’s closest friends and artists. Performances are scheduled from Dec. 18-23. Tickets for both Signature shows are $41.

Whether a fan of jazz, pop or classical, music lovers can get their fix all holiday season.

The Bohemian Caverns Jazz Orchestra (2001 Eleventh Street NW) performs its holiday concert, “A Bohemian Christmas,” featuring holiday classics from the libraries of Claude Thornhill, Count Basie, Stan Kenton and the entire Duke Ellington/Billy Strayhorn adaptation of “The Nutcracker Suite” on Dec. 10. Tickets are $10.

On Dec.8, Saxophonist Tim Warfield returns to Bohemian Caverns to host his annual Jazzy Christmas Show. Tickets are $25.

Saxophone extraordinaire Dave Koz, who’s openly gay, is celebrating his 15th annual “Dave Koz and Friends Christmas Concert” at the Music Center at Strathmore (5301 Tuckerman Lane) in North Bethesda on Dec. 3. Special guests include David Benoit, Javier Colon and Sheila E. The concert begins at 8 p.m. and tickets range from $38 to $72.

The Christ Church Episcopal (118 N. Washington St.) in Alexandria is presenting “A Festival of Nine Lessons and Carols” on Dec. 2 at 5 p.m. The Christ Church Choir, the Canterbury Choir, the Cherub Choir, guest organist Daniel Aune and a brass quintet will join to offer music for the Advent season. A wine-and-cheese reception will follow the free performance.

DC Swing!, with its new conductor, Matt Leonhardt, will perform a holiday benefit gala with live holiday music, hors d’oeuvres and a cash bar on Dec. 15th, at Nage Bistro (1600 Rhode Island Ave NW), from 7-10 p.m. The LGBT-friendly group is part of D.C. Different Drummers. Tickets start at $30.

Metropolitan Community Church of Washington (474 Ridge St. NW), D.C.’s largest mostly gay church, presents its annual Christmas concert “Christmas Miracles” Nov. 30 and Dec. 1 at 7:30 both nights. The church will also offer a special Christmas concert and community dinner on Dec. 7 and a family Christmas concert on Dec. 8. Visit mccdc.com for more information.

The Philadelphia Brass Quintet will perform a world premier-commissioned work for Candlelight Concert Society’s 40th anniversary on Nov. 24 at the Horowitz Performing Arts Center, Smith Theatre, on the campus of Howard Community College (10901 Little Patuxent Parkway) in Columbia. The concert features an array of classical and contemporary music by Susato, Bach, Durufle, Ewazn, Weill, Elgar, Lichtenberger, Van Heusen and Duke Ellington. Tickets range from $12-$30.

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Books

Bros + romance + fantasy = ‘Bromantasy.’

New book a romp full of humor, dragons, kings, and adventure

Published

4 hours ago

August 15, 2026

Terri Schlichenmeyer

(Book cover image courtesy of G.P. Putnam's Sons)

‘Bromantasy’
By Maire Roche
c.2026, G.P. Putnam’s Sons
$20/339 pages

“Danger” just happens to be your middle name.

Any fray, any tussle, anytime anybody needs help, they count on you to step in and save the day. You’re brave, smart and strategic, kind to old people, children, and small animals and, as in the new book “Bromantasy” by Maire Roche, dragons.

Of all the things there were to do – preserving food, keeping house for himself and his best friend Morningthall “Mo” Elmthorn, advanced skincare, and drinking at the local tavern down the road – the one thing Juniper O’Reilly couldn’t resist was a good brawl. It happened so often that Juniper honestly looked forward to it, though Mo wasn’t a fan.

Mo was more grown-up, calm, thoughtful, able, and Juniper loved him for it. He loved Mo, in fact, since they were little boys. He loved Mo in ways that they didn’t talk about, so they kept a wall between their bedrooms in their cottage.

Except for that one time.

They didn’t talk about that, either.

Instead, as they did often, on a warm fall night, Juniper and Mo went to the tavern, where mead was served and they could learn about the king’s weekly quests. There, Juniper could also find a good brawl, which is how he and Mo accidentally got into trouble: Juniper trounced one of the king’s men and was forced into a quest.

He didn’t want to fight dragons and he felt bad that Mo had been dragged along. He felt even worse leaving their farm, sleeping on the ground, wearing the same clothes every day, and not having enough skincare product along. A campfire added to the problem. A roving, lying prince, also in search of dragons, didn’t help. And though a quest was no place for a child, Juniper and Mo found a frightened little girl they had no choice but to protect.

A child with strange eyes, sharp teeth, and fire on her breath.

“And just like that, Juniper and Mo had a dragon.”

Bros + romance + fantasy = “Bromantasy.” It also could equal one of two other things: a romp full of humor, dragons, kings, princes, and adventure.

Or it could equal a whole lot of eye-rolling.

It’s a fact that this book is funny, in the way that a 1980s high school comedy movie is funny – meaning that it’s dippy, giddy, and very caricaturish but you’ll laugh quite often. The story contains everything you want in a fantasy romance (a “romantasy”), including human-like alternate species, a life-changing journey, and plenty of nudge-nudge-wink skirting around the attraction the two main characters have for one another. It’s a decent story, convoluted in just the right way. Purely, it’s an escape.

So why wouldn’t you want to read it? See above, and depending on your favorite reading genre. High-brow literature, this ain’t.

For the right reader, “Bromantasy” is a decent-enough vacation read, something not too taxing or hard on the brain. It’s for novel lovers, dragon hunters, king’s questers, princes, and romantics. For everyone else, this tale is just middling.

The Blade may receive commissions from qualifying purchases made via this post.

Theater

National tour of ‘The Notebook’ retains its tearjerking power

Talented queer actor Grace Rundberg joins cast fresh out of college

Published

4 hours ago

August 15, 2026

Patrick Folliard

Grace Ohwensadeyo Rundberg (Photo courtesy of National Theatre)

‘The Notebook’
Aug. 18-30
National Theatre
1321 Pennsylvania Ave., N.W.
$89-$197
Broadwayatthenational.com

When Grace Ohwensadeyo Rundberg first imagined a career in musical theater, she wasn’t sure exactly how she’d fit in. As a gay actor would she play queer characters? Outside of “Rent” and a few other shows, would there be lesbian parts coming her way?

Rundberg, 23, remembers an acting class in college. “I was doing a romantic scene opposite a male actor when the professor interrupted to say it was ‘unconvincing.’ Well, I’d never had the experience of what it’s like to be with a man, so I’m not surprised it looked a little awkward.”

But for Rundberg, being in the national tour of “The Notebook” has quelled those misgivings. Of course, booking the show straight out of college bolstered her confidence, and playing a woman whose love interests are men has put Rundberg in a place where she’s fine playing straight or gay.

Opening this week in D.C.’s National Theatre (Aug. 18-30), “The Notebook” is a genuine tearjerker (the book, the film, and the musical). It’s the decades long love story of Noah and Allie who despite vast differences, fall in love as teenagers. Over the years, their romance faces separation, societal pressures, the challenges of Alzheimer’s disease, yet somehow prevails.

Shortly after graduating from ⁠Pace University’s musical theater program in 2025, the upfront and buoyant Rundberg was signed to play ensemble member Georgie and understudy for Middle Allie (a young woman caught between youthful passion and reflective memory).

A mezze soprano mixed belter experienced with folk, pop, contemporary styles, she proves an ideal performer to sing Ingrid Michaelson score and act Bekah Brunstetter’s romantic libretto.

And when she understudies the role of Middle Allie, whether by scheduled design or insanely short notice, she sings the familiar tune “My Days,” a standout track from the musical that serves as the show-stopping “11 o’clock number.” Here, she captures the emotional climax when Middle Allie chooses the life and loves she desires.

During a musical childhood spent in Pittsford, N.Y, just seven miles outside of Rochester, Rundberg began music classes at four; she learned piano and belonged to choirs. And though, she says, the family was not really into theater, her mom was a Cher impersonator for a while.

Significantly, Rundberg (whose middle name Ohwensadeyo translates from Cayuga as “Beautiful Earth”) is a citizen of the ⁠Cayuga Nation, an Indigenous nation native to New York state.

Recently, she began learning the Cayuga language, a very important part of the culture, particularly since it’s almost exclusively a spoken language. Rundberg’s cousin, a professor at Cornell University where he teaches Cayuga language and culture, has been a great help. She feels fortunate: “Not everyone has access to their ancestry I’m blessed in this way.”

The Brooklyn-based actor’s ambitions are bold and varied. While landing a national tour was high on her bucket list, she longs to work on Broadway and auditions for TV and film. Being the first to create a character in a new work, especially a lesbian character, is a big goal. “That would tie a lot of things together,” she says. “That’s the ultimate dream.”

In the meantime, Rundberg is working professionally and seeing the country. But touring isn’t without its drawbacks. “I miss New York a lot,” she says. “My girlfriend is there; long distance is a challenge for sure. I’m always in a different place often with different time zones. Still, she has come to see me in San Francisco, Miami, Cleveland, and a few other stops. And I fly to New York when I can. We make it work.”

As a kid, Rundberg watched and rewatched the movie version of ‘The Notebook.’ She says, “It’s one of my favorites. It’s kind of a cliché, I know, but I’m a hopeless romantic.”

The show touches a lot of people; it’s evident at every performance. From the stage, the cast sees audience members crying. In fact, “The Notebook” sells branded souvenir tissue boxes at its merchandise stands for five dollars a pop.

“Beyond elements of sadness there’s also joy,” she adds. “There’s the never-ending devotion and getting through hard times together too. We do our best to send the audience home with hope and love.”