Arts & Entertainment
Wade in the water
Former NFL player Davis to speak at Youth Pride Saturday
Wade Davis (Washington Blade file photo by Michael Key)
Youth Pride Day
Saturday
Noon-5 p.m.
Dupont Circle
Youthpridealliance.org
Youth Pride Day, the region’s largest event for LGBT youth staged each year by the Youth Pride Alliance, is Saturday and about 500 teens and 40 organizations are expected for an afternoon of music, videos, dance, drag and more.
Wade Davis, a former NFL player who came out last year as gay, will speak at the event. He entertained a bevy of questions during a phone interview this week from his Manhattan office where he works as assistant director of job readiness and academic enrichment at Hetrick-Martin Institute. Some comments have been edited for length and clarity.
BLADE: How did the invitation come about to visit Washington?
DAVIS: They reached out and asked if I could come. Anytime I have an opportunity to work with young people, I’m gung ho. I’m also nervous because the expectations with kids are a lot different than they are with adults, but they inspire me and give me strength when they share their stories with me.
BLADE: You’ve spoken before about being able to pass for straight and how that saved you from likely grief in the NFL. Do you think queer teens who are more likely to be perceived as LGBT have a tougher time overall?
DAVIS: Yes, because not all kids have the ability to exist as I did and if their gender representation is deemed to be, say, more effeminate, they are targeted. That’s one thing I try to do is illuminate the issue and point out that … it’s not OK to bully and demean those who don’t have the option of passing.
BLADE: Does your youth advocacy work on LGBT issues dovetail with the youth work you do with Hetrick-Martin?
DAVIS: Yes, they fit in perfectly.
BLADE: What recurring theme you hear from LGBT teens has been the most surprising?
DAVIS: One of the big things is they say people who identify as LGBT are actually the ones that are most critical of them. They say our young people have to exist in certain ways to further the gay movement, like not wear pants that sag or talk to loud. They think they should be more buttoned up and show a more pristine view of what it means to be LGBT. The kids feel they aren’t accepted in many adult LGBT circles because people want them to act differently. I think it’s very tragic.
BLADE: You’ve said before it was good you weren’t out during your years playing as you didn’t have enough LGBT experience or interaction to have contributed anything meaningful to the national dialogue at that time. Can you elaborate on what your feelings were at the time?
DAVIS: When I was playing from around 2000 to 2004, there were no conversations around gay athletes. It just wasn’t in my purview then and I had little if any contact with anyone who was gay. Even when I came out to myself in college finally — I still wasn’t able to say the words but I was very conscious of liking guys — but it was this unspoken thing that nobody was talking about so I certainly wasn’t going to talk about it either. When you’re not exposed to anything different, you don’t even have the language to really say what it is. I wouldn’t have even known how to articulate it. I didn’t know there was an acronym. I thought a transgender person was just drag. I had pretty much zero understanding so looking back I’m glad I didn’t say or do things at the time that would have been harmful to young people because of my lack of knowledge.
BLADE: Are you in a relationship now?
DAVIS: Yes. I’ve been in a relationship now for six years. He keeps me in line and makes sure I have a good work/life balance.
BLADE: You live together in Manhattan?
DAVIS: Yes, but he’s trying to convince me to move to Italy one day soon. He owns his own line of high end Italian furniture and thinks we should live there.
BLADE: He’s Italian?
DAVIS: No, Steven is Australian, he just loves Italy.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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