Arts & Entertainment
Amy Grant: live and unguarded
Gay-friendly gospel singer in generous mode at lengthy Birchmere show
Amy Grant at the Birchmere. (Blade photo by Joey DiGuglielmo)
Sometimes sacred/sometimes secular singer/songwriter Amy Grant played an exceedingly generous two hour-plus set at the Birchmere Thursday night, her first visit to the iconic Alexandria, Va., venue.
Her usual self-deprecating self, Grant (52) is touring behind current album “How Mercy Looks From Here,” which dropped in May and was her first album of all-new material in a decade. Thursday’s show found her darting all throughout her vast discography (she started in the late ’70s) from tender early gospel hits (“Father’s Eyes,” “El Shaddai” and “Thy Word”) to big pop hits (“Find a Way,” “Baby Baby” and “Every Heartbeat”), five cuts from the new album and several singles that had — at various times — spent eons out of set list rotation like “Sing Your Praise to the Lord” and “1974.” “You’re Not Alone,” a non-single from Grant’s landmark 1991 album “Heart in Motion,” was an especially nice opener.
Grant sometimes tours with just a small acoustic combo, but had her full band with her at the Birchmere. They’re a solid and robust group of seasoned pros. The only downside? Grant’s lead vocals — decent sounding but not as powerful as they were in the ’80s and ’90s — sounded buried in the mix for much of the night. This has been a problem at other shows for her. It would seem an easy enough thing to fix — simply raising her mic level slightly, yet this never seems to happen. A lengthy sound check open to fan club members in the afternoon seemed to address every issue but that.
Many gay and lesbian couples attended the show and represent a large chunk of Grant’s hardcore fan base. Wary for years of saying much one way or the other, Grant (who’s straight and married to Vince Gill) gave a gay press interview earlier this year expressing somewhat measured acceptance. An album of Grant’s hits remixed by top DJs is expected this fall.
Grant’s set list:
1. You’re Not Alone
2. Takes a Little Time
3. Father’s Eyes
4. Find a Way
5. What the Angels See
6. Saved By Love
7. Everywhere I Go
8. Every Heartbeat
9. Our Time is Now
10. Don’t Try So Hard
11. Oh How the Years
12. Here
13. 3rd World Woman
14. Free
15. Baby Baby
16. Sing Your Praise to the Lord
17. Better Than a Hallelujah
18. Thy Word
19. El Shaddai
20. Helping Hand medley
21. Emmanuel
22. Love of Another Kind
ENCORE:
23. Put a Little Love in Your Heart
24. Birthday (Beatles cover/Pat leads)
25. 1974
26. That’s What Love is For
27. Say Once More
The D.C. Front Runners held the 14th annual 5K Pride Run at Congressional Cemetery on Saturday, June 6.
(Washington Blade photos by Michael Key)
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Books
‘Mighty Real’ explores history of LGBTQ music
From Judas Priest to Whitney, something for every taste
‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages
Step, step, tap, back step.
Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.
Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.
Walters offers “just a few” examples.
Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.
John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.
David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.
Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.
Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.
In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.
Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”
Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.
This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.
The Blade may receive commissions from qualifying purchases made via this post.
The Gay Men’s Chorus of Washington performed “Soul Divas” at the Lincoln Theatre over the weekend. The show featured songs popularized by Tina Turner, Aretha Franklin, Diana Ross, Gladys Knight, Whitney Houston and more.
(Washington Blade photos by Michael Key)
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