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More ‘POP’ than ‘ART’

New Gaga effort catchy but hardly groundbreaking

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Artpop, Lady Gaga, gay news, Washington Blade
Artpop, Lady Gaga, gay news, Washington Blade

(Image courtesy Interscope)

Lady Gaga’s new album, “ARTPOP,” dropped in the U.S. this week. Her LGBT following is substantial enough that any new release from her is noteworthy, but if you’re looking for something fresh and unexpected, look elsewhere.

Taken merely as a series of instant dance hits, “ARTPOP” is perfect. The album sounds like a compilation of songs that almost made it onto her previous albums. Not surprisingly, it explores themes of fame and vanity, as her music has done countless times. Despite the lack of originality, as Gaga says herself in “Mary Jane Holland,” “It’s all right, because I am rich as piss.” Why change a working system?

Many songs from “ARTPOP” can and will be heavily featured on the radio, and there’s no shortage of new material for DJs to play. “MANiCURE” is one of these tracks, and, as the title suggests, it’s about how getting dolled up for a MAN can CURE insecurity. When the song comes on, finish your drink, hit the dance floor and ignore the lyrics. It’s one of several toe-tappers.

Most tracks use synthesizers and auto-tune liberally, making the album sound too robotic and over-produced, notably in the second single “Do What U Want” and in the title cut. “ARTPOP” is one of a few tracks that reference the album title, an effort to take as many opportunities as possible to remind listeners that pop music is art, a narrative Gaga has been pushing for years.

The first track, “Aura,” is a techno song with a flamenco-inspired guitar riff. Lyrically, the song compares Gaga to women who wear burqas, though she claims to wears one as a fashion statement, the first of many references to fashion on the album.

Another example is the track “Fashion!,” the second song in her discography by that name. In defense of “Fashion!,” it’s one of the few songs from “ARTPOP” where Gaga is singing rather than yelling into the microphone, albeit with a healthy amount of auto-tune. “Donatella” is simultaneously a critique of and an ode to the haughty lifestyle of models and Donatella Versace herself.

“Venus,” the first promotional single, is a dance track that alludes to the eponymous Roman goddess of love and sex. The cheeky bridge lists the planets and includes the line “Uranus, don’t you know my ass is famous?” It’s one of the more memorable moments from the album and is sure to incite giggles. For its music and lyrical themes, “G.U.Y.” may as well be called “Venus Part II,” as they’re almost indistinguishable to the casual listener. Together, they carry a Madonna-esque message of sexual empowerment.

Because the previous two tracks about sex were apparently too subtle, “Sexxx Dreams” is sure to be banned from all high school proms and be a club staple for the next year.

“Jewels N’ Drugs” features T.I., Too Short and Twista, and is a surprisingly catchy hip-hop track and a more refreshing part of the album. However, the hook’s lyrics are reminiscent of Ke$ha’s “Your Love Is My Drug,” while Gaga’s verse is yet another chance to emphasize her obsession with fame.

First single “Applause” may be the album’s worst offender. It’s the epitome of Gaga’s aforementioned fame obsession, even more so than “The Fame” from her debut album of the same name. The song actually features sounds of a cheering crowd. The pop-dance track hit No. 4 on the Billboard Hot 100, but fails to do anything more than beg her fans to keep loving her.

The album’s concepts may be tired, but it’s not without some great moments. A true gem is “Dope.” It’s very similar to her 2009 song “Speechless,” but for the best reasons. It focuses on Gaga’s vocal performance and piano skills and reminds fans of the talent underneath the spectacle.

If “Dope” is a callback to “Speechless,” “Gypsy” will remind fans of “The Edge of Glory,” as they’re both dance numbers with some of Gaga’s better vocal performances.

“Swine” is a change of pace for Gaga. It’s electronica without being a dance hit, but what’s most stunning is the intimate subject matter about a dark part of Gaga’s past. It’s angry almost to the point of being un-Gaga, but it’s a well-executed standout piece.

Ultimately, this new album fails to introduce fresh sounds the way Gaga’s first two full-length albums (“The Fame” and “Born This Way”) did. Revisiting the fame concept five years later feels tired and the new music does little to distinguish itself from previous efforts.

Does Gaga have enough good ideas to sustain a decades-long career or will she end up a late ‘00s/early ‘10s trivia question in the years to come? The jury’s still out on that, but revisiting concepts and musical styles this early in the game doesn’t bode particularly well.

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Theater

D.C. theater scene has something for everyone this holiday season

‘Nutcracker,’ ‘A Christmas Carol,’ and much more

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Michael Russotto in ‘A Christmas Carol: A Ghost Story of Christmas’ at Olney Theatre Center. (Photo by Teresa Castracane Photography)

With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.

Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent

At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org

Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.”  edcjcc.org

The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org 

With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show. 

This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org

At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org

Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.

Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.

Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org  

At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse. 

The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org 

And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history.  washingtonballet.org

And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org

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Drag

Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups

Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.

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Screenshot of Pattie Gonia's viral video now has over 600k likes and 31k shares. (Screenshot courtesy of Pattie Gonia Instagram)

Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.

“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.

The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.

Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”

Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.

Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.

Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.

Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.

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Photos

PHOTOS: Remove the Regime rally and march

Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial

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The Dropkick Murphys perform at the Remove the Regime rally outside of the Lincoln Memorial in Washington, D.C. on Saturday, Nov. 22. (Washington Blade photo by Michael Key)

The Remove the Regime rally and march was held on Saturday, Nov. 22.

(Washington Blade photos by Michael Key)

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