Arts & Entertainment
Cher and Cher alike
‘Believe’ legend isn’t only one with that name coming to town

Cher Lloyd (Photo courtesy Rams Head Live)
The D.C. spring concert season is every bit as gay and musically eclectic as one might expect.
Coming right up on Sunday evening is Washington Concert Opera which will perform a full-length concert version of the rare Verdi gem “Il Corsaro” with tenor Michael Fabiano and soprano Nicole Cabell. They will perform at 6 p.m. at the Lisner Auditorium (730 21st St. N.W.) at George Washington University. Go to concertopera.org for ticket information.
Pop legends Sting and Paul Simon will perform a benefit concert for the Duke Ellington School of the Arts’ 40th anniversary on March 12 at 8 p.m. at the Strathmore (5301 Tuckerman Lane, North Bethesda, Md). Tickets start at $250 and go up to $750.
Lesbian folk duo Indigo Girls come to the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) April 22. The folk/rock duo went from playing together in high school to becoming Grammy winners in 1990 with their hit single “Closer to Fine.” The sold-out show opens with Shirlette Ammons, a lesbian hip-hop artist from North Carolina. Visit birchmere.org for more information.
It’s unofficially lesbian rocker night April 19 at Jammin Java. disappear fear, featuring lesbian front-woman SONIA, plays the venue (227 Maple Ave., Vienna, Va.) at 7 p.m. The band, which formed in Baltimore, has toured the world and been an advocate for LGBT rights. Tickets are $18 in advance and $20 day of show. Antigone Rising, an all-lesbian alt-country band, opens with a 6 p.m. set. The band has performed alongside Joan Jett, the Rolling Stones and Aerosmith. Tickets are $15 in advance and $18 day of show. Doors open at 6 p.m. For more details, visit jamminjava.com.
Art-rock band My Darling Fury plays the Tree House Lounge (1006 Florida Ave., N.E.) on March 20th at 9 p.m. Danny Reyes, who is gay, is the lead singer of the Richmond, Va.,-based band. For details, visit treehouselounge.com.
“American Idol” season six runner-up Crystal Bowersox comes to Wolf Trap (1645 Trap Rd., Vienna, Va.) March 26. The singer, known for her soulful voice, has been cast as Pasty Cline in the upcoming Broadway production “Always … Patsy Cline.” This show is sold out. For more information, visit wolftrap.org.
Folk singer Cheryl Wheeler gives a performance at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) March 29 at 7:30 p.m. Tickets are $35. For more information and to purchase tickets, visit birchmere.com.
D.C. Different Drummers’s Capitol Pride Symphonic Band presents its spring concert “Dances!” at Columbia Heights Education Campus Auditorium March 29 at 7:30 p.m. This is the last performance for the ensemble’s conductor Joey Bello before his retirement. Tickets are $10. For more information and to purchase tickets, visit dcdd.org.
British pop songstress Cher Lloyd comes to Rams Head Live (20 Market Pl., Baltimore) April 3 at 8 p.m. Lloyd gained attention as one of Simon Cowell’s favorite contestants on “X Factor U.K.” Since the show Lloyd has found success in the U.S. with her hit single “Want U Back.” Lloyd also performed at Capital Pride last summer. Tickets are $22 in advance and $25 day of show. For more details, visit ramsheadlive.com.
Gay Men’s Chorus of Washington has several performances this spring. First they put on a performance of “Von Trapped,” a parody of “The Sound of Music,” at Lisner Auditorium (730 21st St., N.W.) March 14-16. Tickets are $29-54. Next, Potomac Fever and Rock Creek Singers perform “Forte” at New York Avenue Presbyterian Church (1313 New York Ave., N.W.) April 11 at 8 p.m. and at The Mead Center for American Theater (1101 6th St., S.W.) on April 19 at 5 p.m. Tickets are $39-44. Then, “A Gay Man’s Guide to Broadway, a performance of Broadway hits including “Book of Mormon” and “Kinky Boots,” comes to the Kennedy Center (2700 F St., N.W.) May 18 at 4 p.m. Tickets range from $25-$78. Full details at gmcw.org.
Cher comes back to the District for her “Dressed to Kill” tour at the Verizon Center April 4 at 8 p.m. Pop/rocker Pat Benatar and Benatar’s husband guitarist Neil Giraldo join Cher. Tickets range from $40.05-$180.50.

Rufus Wainwright (Photo courtesy Lincoln Theatre)
Singer/songwriter Rufus Wainwright, who is gay, performs at the Lincoln Theatre (1110 Vermont Ave., N.W.) Apr. 16 at 7 p.m. Tickets are $45. For more details and to purchase tickets, visit thelincolndc.com.
The sold-out Sweet Life Festival brings some popular acts in the indie music scene to Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.) on May 10. Artists performing include Lana Del Rey, Foster the People, 2 Chainz and many more. For a complete list of performances and more information, visit sweetlifefestival.com.
Pop star Katy Perry brings her “The Prismatic World Tour” to the Verizon Center June 24 at 7 p.m. Perry’s latest album “Prism” featured hit singles including “Roar” and “Dark Horse.” Her previous album “Teenage Dream” received multiple platinum and gold certifications. Tickets range from $41.10-$153.50. For more details and to purchase tickets, visit verizoncenter.monumentalnetwork.com.
Motown legend Diana Ross comes to Modell Performing Arts Center at the Lyric (140 W Mt. Royal Ave., Baltimore) June 28 at 8 p.m. Tickets range from $70.60-$190.40.
Iran and Egypt on Friday faced off during the World Cup’s “Pride Match” in Seattle.
Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death. Discrimination and persecution based on sexual orientation and gender identity is commonplace in Egypt.
Friday’s match coincided with Pride weekend in Seattle. The Egyptian Football Association and the Football Federation Islamic Republic of Iran both objected to playing in the “Pride Match.”
Egypt and Iran tied 1-1.
FIFA, for its part, allowed Pride flags inside the stadium during the match.
“The FIFA World Cup 2026 is an inclusive event that welcomes people from all backgrounds,” a FIFA spokesperson told the Washington Blade in a statement. “Fans of all sexual orientations and gender identities are welcome at matches and events. General statements of human rights, including rainbow flags and other flags representing sexual orientation and gender identity, are permitted under the FIFA World Cup 2026™ Stadium Code of Conduct and may be displayed inside stadiums provided they are used in a manner consistent with the code.”
Human Rights Watch welcomed FIFA’s decision to allow Pride flags inside the stadium. Outright International, a global LGBTQ and intersex rights group, distributed Pride flags in Seattle on Friday, which was Pride Match Day.
“Visibility matters,” said Outright International Executive Director Maria Sjödin. “Pride is now being celebrated in more than 100 countries, including this weekend in Seattle. For many LGBTIQ people, seeing a Pride flag in public is a reminder that they are not alone, and that their rights and dignity are recognized.”
FIFA President Gianni Infantino earlier this year told Die Weltwoche, a Swiss magazine, that “there will be no ‘Pride Match’ at the (FIFA) World Cup.”
“There will be a FIFA World Cup match in Seattle, and on the same day, events organized by external organizations will be taking place in the city,” said Infantino. “But that has nothing to do with the match itself.”
Peter Tatchell, a long-time LGBTQ activist from the U.K. who is director of the Peter Tatchell Foundation, was among those who traveled to Seattle for Friday’s match. Tatchell accused FIFA of not vetting World Cup teams — specifically Iran, Egypt, Saudi Arabia, Ghana, Senegal, Qatar, Tunisia, Morocco, Iraq, Uzbekistan, and Algeria — over whether they would allow gay players.
“FIFA is protecting LGBT+ visibility in the stands while failing to protect LGBT+ players on the pitch,” said Tatchell.
The second annual Frederick Pride Parade was held in the streets of downtown Frederick, Md. on Friday, June 26.
(Washington Blade photos by Michael Key)


View on Threads








































Theater
Carla Hall goes from ‘Top Chef’ to the stage
Solo show ‘Please Underestimate Me’ premieres at Olney
‘Please Underestimate Me’
Through July 12
Olney Theatre Center
at Mulitz-Gudelsky Theatre Lab
2001 Olney-Sandy Spring Rd.
Olney, Md.
$47-$101
Olneytheatre.org
Carla Hall gained celebrity status from Bravo TV’s “Top Chef.” She was funny and fun, and with her kooky signature catch phrase “Hooty hoo” and the southern-inspired recipes she lovingly cooked, Hall stood out in a kitchen crammed with contestants.
Now the D.C.-based Hall is taking revisiting her earliest love with the world premiere of her solo show “Please Underestimate Me,” currently running at Olney Theatre Center’s intimate and revamped Mulitz-Gudelsky Theatre Lab.
In the 90-minute piece (written by Hall, Lori Kaye, and Kaye’s partner Leslie Thomas; and directed by Lili-Anne Brown), Hall leads with food but quickly swerves into her personal and other aspects of her professional life. Built around an immersive fictional TV cooking show, her new play draws on experiences from her seven seasons (2011-2019) co-hosting cooking/chat show “The Chew”an ABC daytime proving ground, and her heady years on “Top Chef.” (2008, 2010).
Born and raised in Nashville, Hall wanted to attend Boston University to major in theater, but was rejected. Instead, she went to Howard University at her mother’s urging, where she ultimately majored in accounting. After graduating in 1986, she donned a bespoke business suit and briefly worked as a CPA for Price Waterhouse.
Business wasn’t for Hall. Tall and slender, she walked the runways in Paris for a while before ultimately finding her niche as a chef. Cooking seemed to come from her heart, something she learned from her grandmother who not incidentally bankrolled Hall’s way through culinary school.
Now she’s bringing the vibrancy and good humor that made her a “Top Chef” fan favorite and a popular TV host to the stage with “Please Underestimate Me.”
WASHINGTON BLADE: You seem a natural live performer. Were at all you nervous about doing this?
CARLA HALL: Anytime you step outside of what you’re known for you have to take a risk and make it happen. I’d been working on this the idea for seven years. I decided that I really wanted to do a variety show and really wanted to step back into my original love of theater.
I didn’t know what that looked like so I was asking a lot of people, actors and friends, about how to break into it. Can they see me as more than a chef? So, I told my agency to book me for voice overs, cameo roles. I got an acting coach and I was seeing a lot of single person shows. I literally embodied the thing that I wanted.
BLADE: Have you always been a vocal and public ally of the queer community?
HALL: For me, it’s natural. I came from the theater and dance world. I have a lot of gay and queer friends.
There’s something about people being gay and queer that goes with a need to be authentic to yourself. I think that’s why you find a lot of queer people in the arts. Dare to be you. Dare to be different, right? I like that.
BLADE: Long ago, I remember stopping by a Safeway in Wheaton to grab a sheet cake for a party. Your second or first episode of “Top Chef” had just aired. I wanted to yell “Hooty hoo” across the aisles, but was too shy.
CARLA HALL: My catering kitchen was near that Safeway.You should have yelled. I’d have given you a hug. I’ll hug almost anyone.
BLADE: Thanks. I think. You hear actors saying there’s nothing quite like TV fame because you’re invited into people’s living rooms. What were those days like when you started being recognized?
HALL: I like people. I tell Matthew [Matthew Lyons, Hall’s husband of 20 years], when fans say hello it’s my chance to get to learn about them. I owe them a lot; without them I wouldn’t be working.
BLADE: At Olney, Lauren M. Nichols’ surprise-filled set and Kelly Colburn’s projections of your personal snapshots from over the years are really wonderful.
HALL: It becomes really emotional. At the end of the show, I see 12-year-old me. I’m looking at that girl, and they did a put a little crown on my head, and I’m living her dream 50 years later.
BLADE: Is the pace hard?
HALL: Seven shows a week isn’t easy. I used to say “Top Chef” was my most grueling experience…well, that was before I did this.
BLADE: And is it gratifying?
HALL: At the end of the day, yes. Look, this play is filled with personal highs and lows and emotionally it’s exhausting. It’s also rewarding. Two weeks before the show started, I wasn’t sure I could do this.
BLADE: But of course, you are doing it. And you’re doing it so well.
HALL: A while back, I reached out to the executive producer of “The Chew” and thanked him for being the messenger of my lessons. Without those experiences I wouldn’t be here now doing “Please Underestimate Me.” My confidence has definitely grown. I’m a firm believer that everything that happens to you is for you.
-
Federal Government5 days agoTrump holds housing bill hostage to anti-trans SAVE Act
-
New York5 days agoJudge blocks DOJ from obtaining transgender patients’ medical records
-
Commentary5 days agoReligion, spirituality, and humanity: finding meaning in a complex world
-
District of Columbia4 days agoWashington Blade names new publisher
