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‘Fire and Air’

Classical ballet, modern dance, Cherry weekend and more among season’s dance highlights

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Dustin Kimball, Junichi Fukada, Bowen McCauley Dance, gay news, Washington Blade
Dustin Kimball, Junichi Fukada, Bowen McCauley Dance, gay news, Washington Blade

Dustin Kimball, left, and Junichi Fukada of Bowen McCauley Dance. (Photo by Jeff Malet; courtesy the company)

Washington Ballet, led by gay artistic director Septime Webre, is considered one the country’s finest ballet companies. This spring the company will put on several performances.

From March 5-9, the Ballet will perform “British Invasion: the Beatles and the Rolling Stones” at the Kennedy Center Eisenhower Theater (2700 F St., N.W.). This three-piece production includes Trey McIntyre’s “A Day In the Life,” Christopher Bruce’s “Rooster” and “There Where She Loved.” Tickets start at $25 and are available at kennedy-center.org.

From April 16-25, the company’s “Peter Pan” will take audiences on a highflying adventure to Neverland. This coming-of-age story is told through the vibrant and powerful dances choreographed by Webre. Tickets range from $25-125 and can be purchased at kennedy-center.org.

And on April 23-25, for just three performances, the Washington Ballet will be presenting “Tour-de-Force,” a program that contains provocative and engaging classical and contemporary ballets. The centerpiece of the evening is George Balanchine’s “Themes and Variations,” which evokes the great period in classical dance where Russian Ballet flourished. Tickets are only available to subscribers and start at $35.

Bowen McCauley Dance performs at Atlas Intersections Festival today at the Atlas Performing Arts Center (1333 H St., N.E.). The performance will explore the environment’s influence in movement in “Afoot in Vienna” and “Fire and Air.” It also includes a re-imagination of Shakespeare’s “Antony and Cleopatra” with a rare performance by Lucy Bowen McCauley herself. To purchase tickets, visit atlasarts.org.

The Atlas Intersections Festival ends Saturday. Intersections allows onlookers and artists to discover the collaborative energy of audiences and artists with eight days of boundary-crossing performances.

From April 1-6, the New York City Ballet performs Balanchine’s dazzling full-length piece “Jewels” at the Kennedy Center Opera House (2700 F St., N.W.). Tickets are on sale now and cost $25-95. To purchase tickets or for more information, visit kennedy-center.org.

On April 19 starting at 1 p.m., the gay-led Dana Tai Soon Burgess Dance Company performs a new work at the National Portrait Gallery (8th and F streets, N.W.) where this company maintains its residency and performs regularly. It’s free.

Sean Dorsey Dance performs May 9-10 at Joe’s Movement Emporium in Mount Rainier, Md., with a work called “Secret History of Love,” which reveals the ways that LGBT individuals found love and happiness in decades past. This work by transgender dance director is packed with full throttle dancing, riveting storytelling and truly reveals the strength of the human heart. Tickets are $22.

On May 16-17, Jessica Lang Dance premieres a new work at the Kennedy Center along with the National Symphony Orchestra (2700 F St., N.W.). For tickets visit kennedy-center.org.

Gay choreographer Kyle Abraham and his company Abraham.In.Motion will perform “Live: The Realest MC” on May 17-18 at the Atlas Performing Arts Center (1333 H St., N.E.). Abraham, who was awarded a 2013 MacArthur Genius Award, has created a production that explores what it means to be a real boy a la Pinocchio. Tickets are $31.50 in advance or $35.50 at the door. Visit atlas arts.org for details.

The Bolshoi Ballet performst at the Kennedy Center May 20-25 with “Giselle,” a powerful piece that deals with betrayal, physical fragility and spiritual strength. Tickets are available by visiting kennedy-center.org.

From June 9-20, gay-helmed Dana Tai Soon Burgess Dance Company partners with Georgetown Day School to allow advanced and intermediate dancers in seventh through 11th grades to have one-on-one instruction with members of the company.

Dance Place (3225 8th St., N.E.) is always the center of dance activity in Washington with performances every weekend as well as dance classes for adults and children.

In radically different dance news, the Chippendales male dance revue — geared to straight women but, like Playgirl, long a gay guilty pleasure — performs March 27 at 9 p.m. at the Fillmore in Silver Spring (8656 Colesville Rd.). Tickets are $25-35 and available at fillmoresilverspring.com.

And D.C.’s trademark benefit circuit party Cherry is the weekend of April 4-6 with DJs Eddie Elias, Paulo, Alain Jackinsky, Joe Gauthreaux, TWiN and Mike Reimer at the various locations throughout the weekend such as Cobalt and Town. This year’s event is dubbed “Metamorphosis.” Visit cherryfund.org for full details.

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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