Arts & Entertainment
‘Fire and Air’
Classical ballet, modern dance, Cherry weekend and more among season’s dance highlights

Dustin Kimball, left, and Junichi Fukada of Bowen McCauley Dance. (Photo by Jeff Malet; courtesy the company)
Washington Ballet, led by gay artistic director Septime Webre, is considered one the country’s finest ballet companies. This spring the company will put on several performances.
From March 5-9, the Ballet will perform “British Invasion: the Beatles and the Rolling Stones” at the Kennedy Center Eisenhower Theater (2700 F St., N.W.). This three-piece production includes Trey McIntyre’s “A Day In the Life,” Christopher Bruce’s “Rooster” and “There Where She Loved.” Tickets start at $25 and are available at kennedy-center.org.
From April 16-25, the company’s “Peter Pan” will take audiences on a highflying adventure to Neverland. This coming-of-age story is told through the vibrant and powerful dances choreographed by Webre. Tickets range from $25-125 and can be purchased at kennedy-center.org.
And on April 23-25, for just three performances, the Washington Ballet will be presenting “Tour-de-Force,” a program that contains provocative and engaging classical and contemporary ballets. The centerpiece of the evening is George Balanchine’s “Themes and Variations,” which evokes the great period in classical dance where Russian Ballet flourished. Tickets are only available to subscribers and start at $35.
Bowen McCauley Dance performs at Atlas Intersections Festival today at the Atlas Performing Arts Center (1333 H St., N.E.). The performance will explore the environment’s influence in movement in “Afoot in Vienna” and “Fire and Air.” It also includes a re-imagination of Shakespeare’s “Antony and Cleopatra” with a rare performance by Lucy Bowen McCauley herself. To purchase tickets, visit atlasarts.org.
The Atlas Intersections Festival ends Saturday. Intersections allows onlookers and artists to discover the collaborative energy of audiences and artists with eight days of boundary-crossing performances.
From April 1-6, the New York City Ballet performs Balanchine’s dazzling full-length piece “Jewels” at the Kennedy Center Opera House (2700 F St., N.W.). Tickets are on sale now and cost $25-95. To purchase tickets or for more information, visit kennedy-center.org.
On April 19 starting at 1 p.m., the gay-led Dana Tai Soon Burgess Dance Company performs a new work at the National Portrait Gallery (8th and F streets, N.W.) where this company maintains its residency and performs regularly. It’s free.
Sean Dorsey Dance performs May 9-10 at Joe’s Movement Emporium in Mount Rainier, Md., with a work called “Secret History of Love,” which reveals the ways that LGBT individuals found love and happiness in decades past. This work by transgender dance director is packed with full throttle dancing, riveting storytelling and truly reveals the strength of the human heart. Tickets are $22.
On May 16-17, Jessica Lang Dance premieres a new work at the Kennedy Center along with the National Symphony Orchestra (2700 F St., N.W.). For tickets visit kennedy-center.org.
Gay choreographer Kyle Abraham and his company Abraham.In.Motion will perform “Live: The Realest MC” on May 17-18 at the Atlas Performing Arts Center (1333 H St., N.E.). Abraham, who was awarded a 2013 MacArthur Genius Award, has created a production that explores what it means to be a real boy a la Pinocchio. Tickets are $31.50 in advance or $35.50 at the door. Visit atlas arts.org for details.
The Bolshoi Ballet performst at the Kennedy Center May 20-25 with “Giselle,” a powerful piece that deals with betrayal, physical fragility and spiritual strength. Tickets are available by visiting kennedy-center.org.
From June 9-20, gay-helmed Dana Tai Soon Burgess Dance Company partners with Georgetown Day School to allow advanced and intermediate dancers in seventh through 11th grades to have one-on-one instruction with members of the company.
Dance Place (3225 8th St., N.E.) is always the center of dance activity in Washington with performances every weekend as well as dance classes for adults and children.
In radically different dance news, the Chippendales male dance revue — geared to straight women but, like Playgirl, long a gay guilty pleasure — performs March 27 at 9 p.m. at the Fillmore in Silver Spring (8656 Colesville Rd.). Tickets are $25-35 and available at fillmoresilverspring.com.
And D.C.’s trademark benefit circuit party Cherry is the weekend of April 4-6 with DJs Eddie Elias, Paulo, Alain Jackinsky, Joe Gauthreaux, TWiN and Mike Reimer at the various locations throughout the weekend such as Cobalt and Town. This year’s event is dubbed “Metamorphosis.” Visit cherryfund.org for full details.
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Saturday, March 21
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, March 22
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 23
Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.
Tuesday, March 24
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.
Wednesday, March 25
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, March 26
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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