a&e features
‘Fantastical weight’ lifted
Neon Trees front man Tyler Glenn on fame, making music and finally being out

Tyler Glenn, left, with bandmates Elaine Bradley, Chris Allen and Branden Campbell. (Photo courtesy BB Gun Press)
Neon Trees: Pop Psychology Tour with Smallpools
20 Market Pl., Baltimore
Friday, 8 p.m.
$25
815 V St., N.W.
Sunday at 7 p.m.
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Tyler Glenn, lead singer of indie-rock band Neon Trees, revealed to the world he was gay and Mormon via an article in Rolling Stone in March. His decision to be open about who he was came after a string of therapy sessions that led to the creation of Neon Trees’ third album “Pop Psychology.”
Now on the “Pop Psychology” tour, which runs through September and plays our region twice this weekend, Glenn took some time from his busy tour schedule in Los Angeles to talk to us about their new album and how it feels to be out.
WASHINGTON BLADE: You publicly came out in an article in Rolling Stone. But in Time magazine, you wrote in your own words about coming out to your dad. Why did you decide to not publicly come out in your own words?
TYLER GLENN: I guess I wanted to make it music sensitive. It’s about the record, my identity, finding myself in the last years and being comfortable with who I am. I thought it would be better than just Tweeting something. I felt like press would get more reach. I guess there are still people who don’t know I came out which is interesting. I felt like I got to put a lot of my own perspective in the story. I was really pleased with the way it was written.
BLADE: You were pleased with the way it was handled?
GLENN: I guess I was nervous about how the writer was gonna take my words and put them into a story. But I was really pleased. I loved that she came out for a few days and spent real time with me. I wanted to show her I have a real reverence and respect for my life. But at the same time I wasn’t going to live a double life anymore.
BLADE: Has the industry or your fans treated you any differently since coming out?
GLENN: No, maybe in a positive way I’ve noticed those kinds of things. More people have told me their connection to the music and I do sense a more tangible connection at the shows, in the crowd. I feel there’s more of a connection that way.
BLADE: How do you personally feel since coming out?
GLENN: It wasn’t something that I just found out recently. It was a matter of me getting comfortable, figuring out it was something that I needed to do. There were a lot of rough spots and I think being raised religiously that struggle was trying to understand my place in how I feel toward faith and also how I feel sexually. It’s been a fantastical weight that’s been lifted, which is great. I feel so comfortable just existing now. It was never like I was shy about dressing a certain way or dancing a certain way or being myself. But there was always that fear of explaining to people. I think once I got over that hump it’s been a nice comfortable situation. It helped me realize who the people are that are important in my life and the connection to friends and family has grown stronger as well.
BLADE: What does your Mormon family think about you coming out? And your career?
GLENN: They’ve always been positive and interested in my life. Very supportive of my decisions, not that they’ve always completely understood my choice of being in music and how I was going to get to a successful point but they were always along for the ride. I always felt that was an important part of success because I had a great support system. There hasn’t been anything negative from them. I had mixed thoughts because I know their faith was strong and I didn’t want to create that wedge. I was definitely mistaken in feeling that way.
BLADE: How does your Mormon faith affect the way that you view fame?
GLENN: I feel like I have a pretty healthy outlook on fame. I don’t think that has anything to do with my faith.
BLADE: A few songs on “Pop Psychology” are about your struggles with your sexual identity. When you wrote them how did you feel getting so personal when you weren’t publicly out yet?
GLENN: There was something in me that wanted to just be honest. I think I used the music first as a buffer zone. It was kind of like a safe way of coming out. I was never shy about things in songs in the past. I finally reached a point in therapy where I was really happy and confident and that was the last thing that I had left in my life that I had to quote unquote come to terms with. It was just something that I decided to write about openly and honestly at that moment and that’s what came out. I ended up telling my producer what some of the songs were about and he was so supportive and his reaction was very loving and one of excitement for me. I think that caused a reaction in me wanting to come out to more people and eventually come out publicly. So I really consider music that thing that sort of helps me and protected me in a way.
BLADE: What is the significance behind the title “Pop Psychology?”
GLENN: I love the ring it has to it. I think that because I started writing a lot of the songs while I was seeing my therapist I felt like that was an interesting concept for a record. I felt like a lot of songs being about finding love in the modern age and my own identity and what was going on in my mind at the time and trying to fix it, I just felt like visually it came to me as colorful, sleek modern images. Like pop art. I think it all just fits to me.
BLADE: Have you noticed a change in the type of audience you’ve been getting on this tour compared to previous tours?
GLENN: A lot of different age groups and families show up. Different types of people that you wouldn’t expect to like our music. There are really young kids and passionate fan girls who show up super early to the venue. I feel like we’ve always had a passionate fan base but we have seen the result of our hard work over the years. They’re no longer showing up out of curiosity but they’re showing up with T-shirts and signs made and that’s a really fun moment to look out and see that.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
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