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Former Madonna dancer Slam recalls ‘Blond Ambition Tour,’ ‘Truth or Dare’

Salim Gauwloos revisits landmark film on its 25th anniversary

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Salim Gauwloos, gay news, Washington Blade

Salim Gauwloos today at work teaching dance in New York. (Photo courtesy Gauwloos)

ā€œTruth or Dare”

Monday, Sept. 12

 

9 p.m.

 

AFI Silver

 

$13

 

8633 Colesville Rd.

 

Silver Spring, Md.

 

afi.com/silver

 

ā€œMadonna: Truth or Dare,ā€ the landmark 1991 documentary (aka ā€œIn Bed With Madonnaā€) is widely remembered not only as an eye-popping memento of the singerā€™s legendary ā€œBlond Ambition Tour,ā€ but also as a gay cultural touchstone.

In some ways, itā€™s the gay equivalent of classic rockumentaries like ā€œGimme Shelterā€ or ā€œThe Last Waltzā€ but itā€™s more than that, too. Not only because it captures Our Lady at the peak of the zeitgeist, but also because its depiction of Madonnaā€™s back-up dancers (of the seven, only Oliver Crumes was straight) being so matter-of-factly out that it felt almost otherworldly to the gay boys who lapped it up in Peoria and everywhere else.

In honor of its anniversary ā€” it screens twice in the coming days at the AFI Silver ā€” we caught up with Salim ā€œSlamā€ Gauwloos, one of the ā€œBlond Ambitionā€ dancers whose onscreen kiss with the late Gabriel Trupin is one of the filmā€™s most memorable moments. His comments have been slightly edited for length.

Salim Gauwloos, gay news, Washington Blade

Madonna’s ‘Blond Ambition Tour’ dancers, made famous in the film ‘Truth or Dare,’ reunited for ‘Strike a Pose.’ Clockwise from left are Luis Camacho, Oliver Crumes, Carlton Wilborn, Kevin Stea, Jose Gutierez and Salim Gauwloos. (Photo by Robin De Puy)

WASHINGTON BLADE: Before we get to ā€œTruth or Dare,ā€ tell us a little about ā€œStrike a Pose,ā€ the reunion documentary youā€™re in with the other ā€œBlond Ambition Tourā€ dancers. When will we get to see it in Washington?

GAUWLOOS: Itā€™s a great movie, youā€™ll enjoy it. Theyā€™re working on a U.S. theatrical release early next year. Before everybody downloads it. Youā€™ll see it soon. Itā€™s a beautiful movie. They did a great job.

BLADE: But it has already been on the festival circuit, right?

GAUWLOOS: Yes. We mostly go out in twos, only in Berlin and Amsterdam they flew everybody over, but mostly just two of us to wherever. I went to Colombia, to Tel Aviv. It takes a lot of time always, but itā€™s fun. Almost like being on tour again.

BLADE: How did they pitch you on ā€œStrike a Poseā€?

GAUWLOOS: They approached me in 2013. I was doing a job, this big dance festival in Vienna and they contacted me. I said, ā€œOK, Iā€™ll meet with Reijer Zwaan,ā€ one of the directors. He came to meet me in Vienna and we must have talked for about eight hours. It just felt right, I donā€™t know. I think the directors, Ester Gould and Reijer Zwaan, these directors from Holland, theyā€™re amazing storytellers. I did kind of think, ā€œDo I really want to throw myself out there again to be judged really in some kind of way, I want to be careful about that,ā€ but I had a really good feeling about it.

BLADE: Did you talk to the other dancers before agreeing to it?

GAUWLOOS: No. I think the last one to jump on board was Jose (Gutierez). I felt it really should be all the dancers. Of course Gabriel (Trupin), he passed away a long time ago, but his mother represents him in the movie and thatā€™s really beautiful. It wouldnā€™t have been the same without all the dancers so in the end, we all agreed and started shooting in 2014.

BLADE: Had you seen the other five any since the ā€œTruth or Dareā€ premiere or kept in touch with them at all?

GAUWLOOS: No. For example, Carlton (Wilborn), Oliver (Crumes) and Kevin (Stea), I hadnā€™t seen for probably close to 25 years. Maybe 24 years. And Luis (Camacho) Iā€™d seen a little bit here and there but that was probably like 12 years. Jose (Gutierez) and I both live in New York so I saw him a little bit here and there but with most of them, Iā€™d had literally no contact at all. It was so amazing to see them all again after 25 years.

BLADE: What was different about this project?

GAUWLOOS: Weā€™ve been approached so many times but in the end, itā€™s just mostly about Madonna but these guys really wanted to know what happened with us during the tour and what was happening with us right now, 25 years later, what we were up to, so that was really nice.

BLADE: You said recently that Reijer Zwaan was almost like your psychiatrist. How so?

GAUWLOOS: You probably know I was diagnosed in 1987 as being HIV-positive and I wanted to be out with that for a long time. It just felt silly to not be. So then along came Reijer and we talked for eight hours and it just all came out you know, crying and it was really the first time I sat with somebody I didnā€™t really know and told them, ā€œYes, Iā€™ve been HIV for 29 years,ā€ 27 at the time. I was like, ā€œOh my God, I feel like Iā€™ve just been to a psychiatrist.ā€ Iā€™ve never been to a real one. Maybe I should (laughs).

BLADE: Madonna made a surprise appearance at a ā€œTruth or Dareā€ anniversary screening a couple weeks ago in New York. What did it feel like when she walked in the room unannounced?

GAUWLOOS: It was surreal. We were just sitting there and weā€™re thinking, ā€œOK, why isnā€™t the movie playing?ā€ and boom, she walks in. It was like the whole room just gasped for air. You couldnā€™t believe it was real. She just sat down, watched the movie and left. But it was amazing.

BLADE: Had you seen her at all in the last 25 years?

GAUWLOOS: I hadnā€™t seen her in a long, long, long time. People on social media were like, ā€œOh my God, did she talk to you guys?ā€ but we were in the front row and she was more in the back. Jose and I should have gone up to her but it wasnā€™t really the right moment. When she walked in it was just like, ā€œWhoah, Iā€™ve never felt that kind of energy in one room.ā€ It was interesting watching the movie with her. Itā€™s a good film. Very funny.

BLADE: How does it strike you seeing it now?

GAUWLOOS: I watched it a few years ago before we did ā€œStrike a Pose.ā€ When I see it Iā€™m like, ā€œOh my God, my hair.ā€ Me and my hair, itā€™s the only thing I can look at. I canā€™t stop flipping it, you know. Itā€™s like I was so busy with my hair always. Iā€™m just happy to have been part of such a big, iconic moment. If you look at the concert footage, it doesnā€™t look dated. The whole thing is just amazing. The least annoying thing for me is the kiss, the most important gay kiss in history. That I donā€™t have a problem watching but some of it Iā€™m like, ā€œOh my God, no I did not just say that.ā€ Itā€™s like going back in time. It was a good experience.

BLADE: Wasnā€™t your hair sort of annoying at that length always falling in your face?

GAUWLOOS: Well when you dance, your hair flies around so it has more of an effect. I liked having longer hair and swinging it around.

BLADE: Speaking of hair, why did Madonna change her hair halfway through the tour? That ponytail look was so iconic for her but then she did the curls, which became kind of a trademark look too. It feels odd to me watching ā€œTruth or Dareā€ because sheā€™s always backstage and itā€™s supposed to make you feel like sheā€™s walking out into the concert footage but it doesnā€™t match because she has the different hair.

GAUWLOOS: It was just like one day she had the ponytail and then she just went to the Shirley Temple curls. I donā€™t think there was any specific reason for it. With the ponytail sometimes it would fly around in your face so I think the curls were easier. Personally I liked the curls more.

BLADE: Iā€™m sure you got wacked in the face with that ponytail a few times.

GAUWLOOS: Yeah and as a girl dancing with a ponytail, itā€™s like a delayed slap and it must have been difficult for her too.

BLADE: But it wasnā€™t that her hair was falling out from too much bleaching or pulling up or anything?

GAUWLOOS: No. She had strong hair.

BLADE: Do you feel sheā€™s a bit aloof with you guys or do you think thatā€™s just the way any major star would pretty much be?

GAUWLOOS: I donā€™t know. After 25 years, you know, itā€™s a long time. People go on with their life and deal with things in different ways. I mean I just knew sitting there she wasnā€™t going to run up to us and be like, ā€œOh my God,ā€ you know? I knew that was not going to happen. Itā€™s not really in her character to be like that. But who am I to judge? You know how you donā€™t see other people for many years and people react all different ways, so I donā€™t really judge that.

BLADE: Is it true (ā€œTruth or Dareā€ director) Alek Keshishian said all the hundreds of hours of outtakes got accidentally deleted?

GAUWLOOS: Not deleted, but nobody knows where it is.

BLADE: I thought it was lame when the Blu-ray release came out a few years ago they didnā€™t put like 20 minutes or a half-hour of outtakes on it as bonus material. That would have been fun to see.

GAUWLOOS: Supposedly all these people claim not to know where it is. Itā€™s lost.

BLADE: Iā€™m sure it will surface maybe for the 50th anniversary or something.

GAUWLOOS: I know, right? Of course it will. It always does.

BLADE: Was there any dance move or routine that was especially tricky to learn for the tour?

GAUWLOOS: Well I had to learn to vogue, but it wasnā€™t particularly difficult. The only people who knew what that even was before were Luis, Jose and Madonna, who hired them. Being a classically trained dancer, it wasnā€™t really a challenge but it was one thing I had to learn. I think it came pretty naturally for everybody. The rest was just hard work. A lot of rehearsals. Thatā€™s how we got a really tight show together like that.

BLADE: Is it true you did like two weeks of twice-a-day run throughs before it premiered?

GAUWLOOS: Oh definitely. We were in the studio like 10-12 hours then at the end there were tech rehearsals at night too. It was a crazy, crazy schedule but you know, we were so young, talented and hungry so we didnā€™t care. We were all in it 100 percent.

BLADE: By the end, were you drenched in sweat and exhausted or were you in such great shape that you werenā€™t?

GAUWLOOS: People always think the numbers I was featured in like ā€œExpress Yourselfā€ or the Dick Tracy part would be the most exhausting but those were the ones you could enjoy more. The most exhausting number to do was ā€œLike a Prayerā€ because we had this whole big number while sheā€™s changing for the next number. That you were like, ā€œOK, now I canā€™t breathe.ā€ (laughs)

BLADE: Do you have any mementos from the tour? Any costumes or anything?

GAUWLOOS: I did but I lost all of them, just having moved so many times. When we started shooting ā€œStrike a Pose,ā€ they were like, ā€œShow us some picturesā€ and I was like, ā€œI donā€™t have anything.ā€ Itā€™s kind of sad. Only in my head.

BLADE: So you donā€™t have the rosary Madonna gave you?

GAUWLOOS: No, I definitely donā€™t have it. I should just buy one and say itā€™s the one she gave me. (laughs)

BLADE: Some of the choreography was so gay but you were kind of the straight hunk too in some passages. Did that strike you as ironic?

GAUWLOOS: No, itā€™s like being an actor. Some passages I was acting as a straight dance partner for Madonna so I was acting straight. Not every dancer could do it. But it mostly came natural and from just doing it over and over.

BLADE: Did you bulk up for the tour or were you always kind of built like that?

GAUWLOOS: Starting out in Antwerp, Belgium as a dancer I was really skinny. Then I came to America, I got a little bit bigger. For the tour we were supposed to go to the gym but of course we never went. It was just the cruel rehearsal schedule that kind of got everybody in shape. Itā€™s like 10 hours of dancing, how can you not be in shape from that? Thatā€™s how I got bigger and more muscular. I definitely didnā€™t look like that when we started, definitely not.

BLADE: Did you see ā€œIā€™m Going to Tell You a Secret,ā€ the ā€œTruth or Dareā€ sequel?

GAUWLOOS: I saw a little part of it, not the whole thing. I heard the dancers did not get as much of a part. No kissing, in other words. Not X-rated. (laughs)

BLADE: Did you grow up Catholic?

GAUWLOOS: No, not really. My mom would say she was Catholic but we never went to church. It was just kind of like, ā€œWell, we walk by the church.ā€ But definitely not. My father was Muslim. Iā€™m half Moroccan. He was from Morocco but he passed away and was only in my life a couple years and then he disappeared. Iā€™m a little bit of everything but I donā€™t go to church or practice.

BLADE: So did all the religious imagery in the show resonate with you at all?

GAUWLOOS: No, it was more of a theatrical thing for me with the crosses and the lights. I never felt like, ā€œOh my God, this is sacrilegiousā€ or anything. I just saw it as a show. I was probably the least knowledgeable about how controversial and taboo it was for the time.

BLADE: The ā€œVogueā€ VMA performance with the Marie Antoinette costumes, was that after the tour?

GAUWLOOS: Yes. That was nice because we were all sad when the tour ended but we knew weā€™d be going back in a few weeks to do that and weā€™d get to see each other and dance together again. We worked like a week and a half or two weeks getting ready for that just with the costumes and the girls had the fans and everything and just to make sure it was really tight. I think it was like a month or two months after the tour finished.

BLADE: Carlton was on ā€œThe Girlie Show,ā€ Madonnaā€™s next tour. What were you doing by ā€™93 and was there any discussion or possibility of any of the rest of you touring with Madonna again?

GAUWLOOS: No. The ride was over after everything was done with Madonna and I realized I had my own reality to deal with being HIV. I was just going through life really. I really partied so I didnā€™t have to deal with being HIV and it was like a really dark period for me for like six-seven years.

BLADE: How did you get through it?

GAUWLOOS: When I really got my shit together was in 2000. I met my husband and fell in love, that was it. That changed my whole life around. But before that, Iā€™d been diagnosed in 1987 and then I ended up in the hospital in 1997 with a really bad pneumonia. I didnā€™t do any treatment for 10 years, I just couldnā€™t deal with it. So I ended up in the hospital and that was really a reality check and a wakeup call. I donā€™t know, this is awfully personal, but I also had some issues with my working papers too. I was HIV-positive so I didnā€™t want to go to the hospital and get deported. Thatā€™s one of the reasons I never went. Thatā€™s also why coming out with my story, Iā€™m sure there are a lot of people in my situation. Theyā€™re HIV and illegal aliens and afraid to get help. I ended up in the hospital almost dead before I realized there are so many organizations out there that can help you get free medication and they donā€™t deport you and all that stuff.

BLADE: Tell me about your husband.

GAUWLOOS: He got my heart, you know? His name is Facundo Gabba. Heā€™s from Argentina. He just came into my life and blew me away. When I was diagnosed it was still the ā€˜80s and people were dropping like flies. You canā€™t imagine what it was like to have some guy come in and telling you this with your mother sitting there. They said, ā€œYou have the HIV virus and youā€™ve probably got about five years.ā€ So the first thing was like, ā€œOh my God, Iā€™m 18, what did I do wrong?ā€ It was a really dark, dark, dark thing. Thank God the whole Madonna experience happened because I needed something to hold onto. ā€¦ You think, ā€œWhoā€™s going to love me?,ā€ but you can be HIV and find love. That was the biggest thing for me to learn.

BLADE: What do you do now?

GAUWLOOS: I teach at Broadway Dance Center, a very nice school here in New York City, on a regular basis. I also do fashion shoots. When they approached me for ā€œStrike a Poseā€ in 2013, I had just finished working on Longchamp. I did that for two seasons so mostly teaching but also doing a lot of fashion productions.

BLADE: Did you go to Gabrielā€™s funeral?

GAUWLOOS: No. I didnā€™t know right away that heā€™d died. But since ā€œStrike a Pose,ā€ Iā€™ve been in contact with his mother, Sue, who is really nice. Itā€™s almost like being in touch with Gabriel. Sheā€™s such a sweet woman. We talk and itā€™s been a great experience going to her house in San Francisco. I get to find out more about Gabriel. Itā€™s really beautiful.

BLADE: Have you followed Madonnaā€™s career? Did you ever go see her other tours?

GAUWLOOS: I never went to her shows, but Iā€™d watch her on YouTube here and there if she had new stuff. I liked ā€œThe Girlie Showā€ and I thought ā€œThe Confessions Tourā€ where she came out of the disco ball and had all the Steven Klein stuff with the horses and everything was beautiful.

BLADE: You have to get tired of being asked about Madonna, no?

GAUWLOOS: Yeah, it gets a little tiring here and there but at the same time, itā€™s OK. Especially with this new movie, they do ask Madonna questions but there are also questions related to us, so itā€™s really nice. Iā€™m happy it happened. Especially now, weā€™re all in the spotlight again so itā€™s OK. Iā€™ll take that with it. I donā€™t mind.

BLADE: You said once you were also really into Janet Jackson back in the early ā€˜90s too, right?

GAUWLOOS: I was really into Janet Jackson and also Paula Abdul a lot, too. I know a lot of people didnā€™t really like Paula Abdul, but I liked her because here was another singer giving a lot of dancers work and it was real dance. You had to be a real dancer. So I think thatā€™s where that comes from. Did I like their music more than Madonnaā€™s? No, I donā€™t think so, but I liked the whole moving thing, the whole ā€œRhythm Nationā€ thing, I was into that too.

BLADE: One thing that came up when Oliver, Kevin and Gabriel sued Madonna over ā€œTruth or Dareā€ was a claim that they didnā€™t know it was going to be made into this big thing and so on. But you guys saw Alek and his team around constantly. Wasnā€™t that claim somewhat naive?

GAUWLOOS: Yeah, yeah, yeah. I donā€™t know what all they sued for. They all sued for different things. What wasnā€™t clear was that we were not going to make any money from ā€œTruth or Dareā€ and we didnā€™t. At the end of the day, thatā€™s what it came down to. To this day, weā€™ve never made a penny from ā€œTruth or Dare.ā€ Iā€™m not saying that to be shady or mean, itā€™s just a fact. Did I sue? No, no. If itā€™s that important to somebody, I donā€™t know. Iā€™m just not a suing person I think, especially for something like that.

BLADE: Did they ask you if you wanted to be part of it?

GAUWLOOS: No, no, no. That last time I saw them was in L.A. I saw them on some talk shows talking about the lawsuit but we all knew they were taping. I just think we didnā€™t know we werenā€™t going to make any money, which would have been nice. A lot of us could have used the money.

BLADE: Niki (Haris) and Donna (DeLory) toured with Madonna a lot in subsequent years but with a few exceptions, she mostly gets all new dancers for each tour. Why do you think that is?

GAUWLOOS: Probably just so she always had a new look, a fresh look, you know? I think with backup singers, Niki and Donna were the perfect backup singers for Madonna. They could move, they could sing, they looked nice, they had all the qualities. Itā€™s probably a lot harder to find all that, so they were like a perfect match. With the dancers, I just think itā€™s her thing. Aside from Carlton and maybe a few others, itā€™s just like her schtick to hire new dancers each tour.

BLADE: Have you ever met any of her other dancers? Any of them ever come up and say hi?

GAUWLOOS: No. I wonā€™t speak to dancers of other tours. No, Iā€™m joking. (laughs)

BLADE: Aside from your work with Madonna, what are you most proud of?

GAUWLOOS: Ugh, thatā€™s a tough question. I donā€™t know. I think the most proud thing would be being a dancer and still to this day, always having a voice and not really changing my belief system of dancing and everything. As an artist, Iā€™ve always believed in myself. I may ask other people for advice, but at the end of the day, Iā€™ve always listened to myself first.

Salim Gauwloos, right, with Madonna on the Blond Ambition Tour. (Screen capture via YouTube)

Salim Gauwloos, right, with Madonna on the Blond Ambition Tour. (Screen capture via YouTube)

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He loves Annieā€™s and will until the end

Mano continues to bring infectious passion to his job at iconic restaurant

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Mano remains a near constant presence at Annieā€™s. (Washington Blade photo by Michael Key)

It’s rare for a restaurant to thrive for more than 75 years. Rarer still is a restaurant whose history is so deeply intertwined with the growth and resilience of a minority community. Annie’s Paramount Steakhouse in Washington, D.C.ā€™s Dupont Circle is one of those exceptional places ā€” a cornerstone not only for the city of Washington, but also for its vibrant queer community.

Several factors contribute to a restaurant like Annie’s becoming a foundational space of cultural and historical significance. Its welcoming atmosphere, fostered by a warm and inclusive staff goes beyond mere hospitality. The decor doesnā€™t just acknowledge Washington’s LGBTQ community ā€” it proudly celebrates it. And, of course, the award-winning food and drinks leave a lasting impression, making Annie’s a true icon in the nation’s capital.

When walking down 17th Street, where Annieā€™s is located after 76 years (even after moving three blocks north of its original location on 17th in 1985), it becomes understandable how this stretch of street has always been the heart of the ā€œgayborhood,ā€ regardless of season or political administration. The rainbow flags on nearly every light pole and stickers in nearly every window signal this place is not only a safe space for the LGBTQ community, but a place where being queer is worth celebrating.

Annieā€™s Paramount Steakhouse has long been a beacon of unwavering support for the LGBTQ community, particularly during times when openly identifying as LGBTQ was met with societal stigma or worse. This dedication, which started back in 1948, has cemented Annieā€™s as more than just a restaurant ā€” itā€™s a queer haven and cultural landmark.

Georgia Katinas, the general manager of Annieā€™s and granddaughter of Annieā€™s founder George Katinas, told the Blade supporting the D.C. LGBTQ community is a key part of running Annieā€™s.

ā€œI see Annie’s as a pillar of the LGBTQ community, and it’s important to me to continue that legacy,ā€ said Katinas. ā€œGetting involved in our community in many different facets, supporting LGBTQ nonprofits and organizations, hosting kickball brunches, hiring LGBTQ/queer members of the community ā€” all of that’s incredibly important to me, and it’s an honor. I take the family legacy very seriously, and I really am proud to continue it and to show up on behalf of my family and on behalf of the community and continue to be here.ā€

One of Annie’s unique legacies is its connection to the High Heel Drag Race, a beloved LGBTQ event on the Tuesday before Halloween. It started as a race between Annieā€™s and gay bar JR.ā€™s in 1986, and has grown into a vibrant mini Pride celebration on 17th Street now managed by the mayorā€™s office.

Although it takes a collective effort to transform Annieā€™s into the James Beard Award-winning restaurant it is today, one server has stood out for decades. Since 1975, his infectious attitude and heartfelt care have made him a cornerstone of the Annieā€™s experience, drawing loyal customers back time and again.

Mano, with his instantly recognizable horseshoe mustache and ever-present smile, has been a key part of the institution that is Annieā€™s for as long as most regulars can remember. Hired as the first male staff member in 1975, Mano has remained a key face for the restaurant going back to when Annie herself served food on the dining room floor.Ā 

ā€œWe treat every customer like a member of our family,ā€ Mano told the Blade during a recent interview discussing his lengthy career in the restaurant. ā€œNinety-nine percent of the people feel like regulars, and that 1 percent are on their way to becoming them.ā€ 

For 49 years, Mano has been a beloved fixture at Annieā€™s, his passion for the job evident to everyone around him ā€” from coworkers behind the bar to guests in the booths. Known for gestures like cutting steaks for diners, Manoā€™s dedication once saw him working seven days a week, a testament to his love for being part of the Annieā€™s team.

ā€œI feel every day better than the day before,ā€ he said. ā€œI love the people more than the day before. I look forward to loving them more. I can’t predict the future. The past is experience. Right now, at the moment, I am enjoying it.ā€

Despite his glowing appreciation for Annieā€™s, Mano has had to cut back from working at the restaurant as much as he once did. As he has grown older, Mano has slowly taken a day or two off from his work schedule.Ā 

Katinas became emotional when reflecting on Manoā€™s history with the restaurant. 

ā€œHe wants the guests to have the perfect experience,ā€ Katinas said. ā€œHe takes training very seriously. He has his own systems for how he counts money and uses the computer. He’s very particular but always so kind about it. When I watch him train new people now, I remember when he trained me. It’s very intentional and intense in moments because he cares so much.ā€

Manoā€™s presence and unwavering commitment to delivering impeccable service at Annieā€™s elevates him above many in the food service industry. His contributions also reinforce Annieā€™s cornerstone role in Washingtonā€™s queer history. When asked what sets his legacyā€”and by extension, Annieā€™s legacy within the LGBTQ communityā€”apart from that of a server at any other restaurant, one word stood out in his response: respect.Ā 

ā€œGive yourself some respect,ā€ Mano said. ā€œGive them [the customers] all the respect you want for yourself. If you cannot respect yourself, you cannot respect anyone else. I am a mirror reflecting you. When you are sitting at the table, I am a mirror reflecting you.ā€

Mano (Washington Blade photo by Michael Key)

Katinas explained Manoā€™s passion for Annieā€™s is infectious and has helped shape the culture of the restaurant. She also explained that his passion reflects how Annie ran the restaurant in years prior, with caring about people at its center. Ā 

ā€œHe takes young servers under his wing,ā€ Katinas explained. ā€œHe takes busboys who don’t speak the shared language, and he treats them with such compassion and generosity. Annie was someone who would always sit and talk with you. She would put her hand on your shoulder and really listen. And Mano does that too.ā€

ā€œWe’re all busy, we’re all running around, but Mano really will sit and take the time to get to know you and to listen to your troubles or happy moments, anything,ā€ Katinas added. ā€œHe makes sure, even if he’s across the restaurant and someone walks in the door, he’ll yell ā€˜Welcome in!ā€™ The sense of hospitality is in his blood.ā€

Not only is he one of the most passionate people in Annieā€™s at any given moment, but Katinas also highlighted that he cares about the people and history of Annieā€™s in a truly unique way.  

ā€œHeā€™s like the lighthouse captain,ā€ she said, tearing up and smiling. ā€œHe has to be tethered to the building. He doesn’t get too far from it and is like, ā€˜No, no, I’m going to be at my post.ā€™ He’s always there in the front, and everyone knows to expect him there.ā€

ā€œHeā€™s got a heart bigger than his entire body,ā€ bar manager Scott Paxton chimed in. ā€œHe would do anything for just about anybody. He’s the first one to get here, he’s the last one to leave. He’s the most dedicated out of all of them. He’s always offering to help.ā€

ā€œFor a lot of us, heā€™s the first person that we met,ā€ Paxton added. ā€œThis place has been here for a long time with a long legacy, but he is a big part of that legacy. And so you wander in here for the first time and he’s the person that you meet first.ā€

ā€œYou don’t know where to sit or who’s who, but you probably end up sitting with Mano in his section and so it sort of becomes like your home base,ā€ he said. ā€œThere are hundreds and hundreds and hundreds of people that come through here and that’s their first contact with anyone and people that request him. And 40 years later, they come in on Wednesday night and they want to see him.ā€

Manoā€™s final thoughts about the restaurant reflected what multiple staff and guests have made clear ā€” he loves Annieā€™s and will until the end.Ā 

ā€œI wish them the best success,ā€ Mano said pointing to Katinas, Paxton, and other staff working at the bar. ā€œAnd they’re going to have it thanks to everybody, all these years of support for this place.ā€

Mano, center, with Annie Kaylor in 1985. (Washington Blade archive photo by Doug Hinckle)
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Local LGBTQ chefs share favorite Thanksgiving recipes

Happy holidays from Jamie Leeds, Patrick Oā€™Connell, Mr. Bake and more

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From left, Jamie Leeds, Patrick Oā€™Connell and Mr. Bake (Washington Blade photos by Michael Key and Joey DiGuglielmo)

Delightful dishes and cool cocktails are at least one guaranteed way to bring joy to Thanksgiving when the season may look challenging. This year, we asked prominent local LGBTQ chefs, mixologists, sommeliers, and restaurateurs to offer recipes and suggestions for Thanksgiving.Ā 

Jamie Leeds, Hankā€™s Oyster Bar

Jamie Leeds (Washington Blade file photo by Michael Key)

This recipe is the ultimate ode to Chesapeake Bay oysters, using both the oyster and its juice (known as the liquor) to season the stuffing. Leeds is a pioneer in the restaurant industry in Washington, D.C., and was also a a former Washington Blade Most Eligible Single.

Chesapeake Oyster Stuffing

(8 servings)

1 pint (approx. 24) Shucked Chesapeake oysters with liquor

1 cup Celery, small dice

1 cup Yellow onion, small dice

1 stick Butter

1 tsp Salt

1/2 tsp Old Bay seasoning

1/8 tsp Tarragon, fresh

1/8 tsp Thyme, fresh

1/2 tsp Lemon juice

4 Cups Bread, day old, 1ā€cubes

3 Tbsp Parsley, fresh, chopped

2 Each Eggs, beaten with 2 T water

Steps:

Strain oysters, reserving their liquid. Place oysters in a large mixing bowl with the cubed bread. Preheat oven to 400 degrees. Coat the inside of a 2-quart (or slightly larger) baking dish with cooking spray.

In a 10-inch sautĆ© pan, melt the butter and add celery and onions. Cook on medium heat until vegetables are tender, about five minutes. Add salt, thyme, tarragon and Old Bay seasoning, stir to incorporate. Add reserved oyster liquor and cook for 2-3 minutes. Remove from heat and cool to room temperature. Once cool pour over oysters and bread. Mix gently until moistened. 

Gently fold in the eggs, lemon juice and parsley until fully incorporated. Transfer to the baking dish, cover and bake for about 30 minutes, then remove the foil and bake for another 10 to 15 minutes, until top is browned. Can be prepared 1-2 days in advance and kept refrigerated before baking. Tip: If you do not have day-old bread, place cubed bread on a baking sheet and put in a 350 degree oven for about 10-15 minutes until the bread is crusty on the outside. Let cool completely before adding oysters.

Mr. Bakeā€™s Award-Winning Banana Pudding

Kareem “Mr. Bake” Queeman (Photo courtesy of Capital Pride Alliance)

Kareem ā€œMr. Bakeā€ Queeman is famous for not only his fabulous presence on social media and reality TV, but also his Banana Pudding, which is the perfect addition to your holiday table. In this recipe, the James Beard semifinalist baker and owner of Mr. Bake Sweets shares his award-winning banana pudding recipe that helped Kareem win his first-ever competition as a baker (the first of many!), and showcase it on the ā€œKelly Clarkson Showā€ this past Easter. This is Kareemā€™s variation on a Southern family recipe passed down by his late aunt Janet Wills.

This holiday dessert is a delicious combination of easy to find and affordable grocery store ingredients, and even includes an option to use store-bought pudding mix if youā€™re in a time crunch (just make sure to save time to put your pudding in the fridge). Just keep in mind that youā€™ll need to chilled a bowl in advance and a standard mixer to make sure you get that perfect fluffy texture in the pudding. If youā€™re feeling extra ambitious, you can make a homemade whipped topping or spring for store-bought in a pinch to add as a final topping on your pudding. Serve in bowls or eat it straight out of the bowl (we wonā€™t judge) this pudding is sure to impress all season long.

Technique Tip:

ā— Make sure you chill your bowl and mixer attachments before whipping your

heavy cream into cream. This helps ensure the heavy cream whips up nice

and high, and wonā€™t take as much time.

ā— Make sure the bowl isnā€™t touching the water when placing your custard bowl

over the double boiler. Youā€™re using just the steam to cook, dissolve and

double your custard in volume.

ā— Temper your eggs into the cream make sure you add about a cup of the hot

into the egg mixture. This helps make sure you donā€™t cook and scramble eggs.

Swap Option:

ā— You can use all heavy cream or whole milk for Half and Half. (Half and Half is

equal parts heavy cream and whole milk)

ā— You can use Cool Whip if you donā€™t have heavy cream to make whipped cream

(use about 3 to 4 cups of Cool Whip)

Serving Size: Serves 12 to 15 people

Yield: Makes about 5 to 6 cups of custard.

Prep Time: Custard 6-8 minutes for cook and prep, 2 hour- overnight for chilling

3-6 minutes to whip and blend in custard into the sweeten whipped cream

6-10 minutes to assemble

30 min chill time in the fridge once everything is layered

Cook Time: 6-8 minutes

Serve and keep chilled and enjoy.

Hand mixer/stand mixer

Banana Pudding Trifle (From Scratch)

ā— 8 large egg yolks

ā— Ā½ cup granulated sugar

ā— 6 tablespoons cornstarch

ā— Ā½ teaspoon kosher salt

ā— 3 cups half & half

ā— 2 tablespoons pure vanilla extract

ā— 3 tablespoons unsalted butter, room temperature

ā— 14 oz can condensed milk

ā— 2 cups heavy cream

ā— 3 tablespoon confectioners sugar

ā— Vanilla wafer cookies 3 to 5 standard boxes (Nabisco preferred)

ā— 4-5 large bananas, sliced

ā— Optional: Whipped cream for topping

Preparation:

1. In a large heatproof bowl, whisk together egg yolks, sugar, cornstarch and

salt until well blended. The mixture will be thick and pale in color. Set aside.

2. In a medium saucepan, heat the half & half to a rolling boil (do not actually

boil). Remove pot from the heat.

3. Whisk 1 cup of the half and half into the egg-yolk mixture. Mix until

combined, then whisk in the rest of the half and half.

4. Set the bowl over a pot of simmering water (make sure the bottom of the

bowl doesnā€™t touch the water in the pot). Cook and whisk constantly, until the

mixture has thickened, 5 to 7 minutes.

5. Remove the bowl from the heat and whisk in vanilla until combined. Let the

mixture sit and cool, 2 to 3 minutes.

6. Whisk in the butter until it is melted and the pudding is smooth and silky.

7. Place a piece of plastic wrap directly on top of the pudding and let cool to

room temperature, about 30 minutes to an hour.

8. Whisk in the condensed milk and chill for 2 hours or overnight.

9. In the bowl of a standard mixer, use the whisk attachment to whip the heavy

cream on medium speed until it starts to thicken. Add the sugar and beat

until the cream holds stiff peaks. (Whipped cream should stand straight up

and stand in place when you remove your attachments.

10. Add the chilled pudding custard to the sweetened whipped cream, gently

folding it into each other.

11. To assemble the trifle, spoon 1/3 of the pudding into a glass trifle bowl. Top

with sliced bananas then wafer cookies. Repeat this process ending with

custard at the top, then add fresh sliced bananas, crushed wafer cookies and

fresh whipped cream (optional) as dƩcor.

Executive Chef Harley Peet, Bas Rouge

As a longtime resident of the Eastern Shore and an avid waterman, seafood naturally takes center stage in Peetā€™s dishes. Holidays conjure warmth, and the very essence of comfort food is the pot pie. On the Eastern Shore, where salty air mingles with generations of watermen’s tales, the choice was clear. Sweet, tender lobster and delicate sea scallops elevate this timeless classic, where rustic tradition meets refined flavor and presentation in a dish that captures a sense of place.

Scallop and Lobster Pot Pie on a Scallop Shell

Yield: 4 servings

ā€¢ 1 sheet puff pastry, cut into quarter-size circles

ā€¢ 1 each egg

ā€¢ 1 tablespoon milk

ā€¢ 5 slices smokey bacon, cut into half-inch pieces

ā€¢ 2 tablespoons unsalted butter

ā€¢ 1/2 cup celery, small diced

ā€¢ 1/2 cup onion, small diced

ā€¢ 1/2 cup carrots, small diced

ā€¢ 3 tablespoons all-purpose flour

ā€¢ 1 quart heavy whipping cream, cold

ā€¢ To taste pepper, freshly ground

ā€¢ To taste lemon, juiced

ā€¢ 2 ounces Parmesan cheese, grated

ā€¢ 1 each lemon, sliced into wedges

ā€¢ Salt to taste

ā€¢ 4 each large sea scallops, raw and sliced into quarters [ask for scallop shells]

ā€¢ 2 each [2.5 lbs.] steamed lobster, diced into half inch pieces

ā€¢ Parmesan cheese, grated, to taste

Preheat the oven to 400 degrees. In a small mixing bowl, beat the egg and add the milk to create an egg wash. Place the quarter-size circles of puff pastry on a baking sheet and brush the puff pastry with the egg wash. Bake in the oven for 12-15 minutes, or until the pastry is puffed and golden brown. Set the puff pastry aside.

Brown the bacon in a heavy-bottom Dutch oven or saucepan, such as Le Creuset or Staub. Once the bacon is browned, remove it from the Dutch oven and set it aside. Do not discard the bacon fat. Add the butter to the bacon fat in the Dutch oven. Add the celery, onion, and carrot to the pot, and sweat out the vegetables until they are translucent and soft. Take the Dutch oven with the vegetables off of the heat and sprinkle the flour over the vegetables to make a roux. Return the Dutch oven with the roux to the stove over medium heat. Add the cold heavy whipping cream and whisk to remove roux balls. Season the mixture with freshly ground pepper, to taste, and a squeeze of lemon juice, to taste, for a bit of acidity. Simmer the mixture until it gets thick. Once the mixture has thickened, remove it from the heat. Fold in the scallops and lobster into the mixture. Grate the Parmesan cheese into the mixture and stir to incorporate all ingredients. Set the mixture aside, and let it cool in the refrigerator. To note ā€“ the mixture can be made up to a couple of days in advance and kept in the refrigerator. (Add the seafood after to extend the lifetime of the mixture or use it immediately.)

Preheat the oven to 350 degrees Fahrenheit. Arrange the scallop shell on a flat baking tray. If needed, arrange with some salt or oven-safe ware to hold the shells upright, in order to keep them from tipping over and losing the topping mixture [they will not fall or warp]. Scoop a [generous] tablespoon of the cold mixture into a scallop shell and top it with a sprinkling of Parmesan cheese. Bake in the oven until the cheese is bubbling and golden brown, or approximately 6-8 minutes. Top each stuffed scallop shell with a pre-baked puff pastry round. Garnish with lemon wedges and serve.

Chef Patrick Oā€™Connell, Inn at Little Washington

Patrick O’Connell (Washington Blade file photo by Joey DiGuglielmo)

Chef Patrick O’Connell, renowned for his three Michelin stars at The Inn at Little Washington, is excited to share one of his beloved recipes for the holiday season.

For nearly four decades, a shot of this soup was served as the first course on The Inn at Little Washingtonā€™s tasting menu during the winter months. This beloved classic from Chef Patrick Oā€™Connell found a new life at Patty Oā€™s CafĆ© and has been touted as ā€œThe worldā€™s most refined version of bean soup.ā€ Pureeing the beans and adding a touch of cream makes for a delicate soup, but all the hearty flavors remain intact. The best of both worlds, and a perfect beginning for a fall or cold weather dinner.

White Bean Soup with Virginia Country Ham 

Ingredients (serves 8)

ā€¢ 1/2 pound dried Cannellini or Great Northern Beans

ā€¢ 5 strips of bacon

ā€¢ 2 medium onions, coarsely chopped

ā€¢ 5 leeks, chopped and thoroughly cleaned

ā€¢ 1 cup chopped celery

ā€¢ 4 bay leaves

ā€¢ 4 quarts chicken stock, preferably homemade

ā€¢ 1 ham bone (optional)

ā€¢ 2 cups heavy cream

ā€¢ Salt and cayenne pepper to taste

ā€¢ Optional garnishes: shaved country ham; fresh cream, whipped; cracked black pepper; minced chives

Directions: 

1. In a medium saucepan, cover the beans with cool water and soak overnight.

2. In an 8 quart stock pot, cook the bacon over medium high heat until browned. Add the onion, leeks, celery, and bay leaves and cook until the vegetables are tender, about 15 minutes.

3. Drain and rinse the beans and add them to the stock pot along with the heated stock and ham bone (if using). Simmer until the beans are very soft, about 1 hour.

4. Remove the ham bone and bay leaves from the soup. Puree the soup in small batches in a blender or food processor and strain.

5. Return the soup to the heat and add the cream. If the soup is too thick, add more stock or cream. Season with salt and cayenne.

6. At Patty Oā€™s CafĆ©, we pour the soup tableside over a bed of shaved local Virginia ham, and garnish with fresh cream whipped with cracked black pepper and fresh chives.

Jonathan Dearden, KNEAD Corporate Chef

KNEAD, one of the largest D.C.-based restaurant groups, is owned by gay couple Jason Berry and Michael Reginbogin.

Chef Deardenā€™s favorite recipe from the Succotash Prime menu that is perfect for Thanksgiving: “Gochujang Brussels Sprouts on our Succotash Prime menu is one of my favorite unique Thanksgiving sides. At the restaurant we fry in the deep fryer. This recipe has been adjusted to use an Air Fryer.”

Air Fried Gochujang Brussels Sprouts

Gochujang Vinaigrette

ā€¢ 380g gochujang (hot)

ā€¢ 150g orange juice

ā€¢ 20g garlic, minced

ā€¢ 30g ginger, minced

ā€¢ 20g Fresno chilies, finely chopped

ā€¢ 100g lime juice

ā€¢ 100g rice wine vinegar

ā€¢ 10g salt

ā€¢ 750g canola or vegetable oil (approx. 1 quart)

In a blender or food processor, combine gochujang, orange juice, garlic, ginger, Fresno chilies, lime juice, rice wine vinegar, and salt. Blend until smooth.

With the blender running, slowly stream in the canola or vegetable oil to emulsify. Adjust seasoning if needed.

For Plate-Up

ā€¢ 500g Brussels sprouts (about 1 pint)

ā€¢ 50g gochujang vinaigrette

ā€¢ 15g garlic chili crunch

ā€¢ 3g sesame seeds (white and black, mixed)

ā€¢ 3g scallions, sliced

ā€¢ Salt and black pepper, to taste

Preheat air fryer to 400Ā°F (200Ā°C).

Toss the Brussels sprouts with a small amount of oil (just enough to lightly coat them) and season with a pinch of salt.

Place the Brussels sprouts in the air fryer basket in a single layer. Cook for 12-15 minutes, shaking the basket halfway through, until the sprouts are golden brown and crispy.

Transfer the air-fried Brussels sprouts to a large bowl. Drizzle with 50g of the gochujang vinaigrette, tossing lightly to coat but keeping them crispy. Season with salt and black pepper as needed.

Plate the Brussels sprouts in a serving bowl and garnish with garlic chili crunch, sesame seeds, and sliced scallions.

Anthony Aligo, Barkada Wine Bar

Aligo Aligo and business partners Nicholas Guglietta and Nathan Fisher, all gay men, founded their cozy wine bar in late 2020. They are offering two recipes this season: mushroom stuffing and a cranberry royale drink.

Mushroom Stuffing

This savory and earthy dish is perfect for Thanksgiving, featuring tender mushrooms, aromatic herbs, and hearty bread. Itā€™s an excellent alternative or complement to traditional stuffing, especially for vegetarians or mushroom lovers. The dish balances rich flavors and comforting textures, making it a great side that pairs well with other Thanksgiving favorites like turkey, gravy, and cranberry sauce. With its umami depth and seasonal ingredients, this stuffing brings warmth and variety to the holiday table.

Mushroom Stuffing

Ingredients

ā€¢ 12 cups of one-inch dried bread cubes or dried stuffing mix

ā€¢ 1/2 cup salted butter

ā€¢ 2 onions

ā€¢1 cup celery

ā€¢1 clove garlic

ā€¢1/2 lb of your favorite mushrooms

ā€¢ 2 cups chicken or turkey broth

ā€¢1/3 cup fresh parsley

ā€¢ 2 tsp fresh rosemary

Melt butter in a large saucepan over medium heat. Add sliced mushrooms, onions, celery and minced garlic. Cook until tender. Pour in chicken/turkey stock. Add minced parsley and rosemary and salt and pepper to your liking. Let simmer for 1-2 minutes.

Add bread cubes to a large bowl. Pour the mixture in a bowl and mix. Stuffing should be moist but not mushy. If not moist enough, add water.

Grease a 2-quart baking dish. Add stuffing. Bake for 40-50 minutes at 375 until stuffing is slightly browned on top.

Cranberry Royale

This drink is a festive and refreshing cocktail, perfect for Thanksgiving celebrations. With a blend of tart cranberry juice, a hint of orange, and a splash of dry Lambrusco, it offers a beautiful balance of flavors and a light, sparkling finish. The cranberry brings a seasonal twist, while the Lambrusco adds effervescence, making it an ideal aperitif to start the holiday. Its bright red hue adds a festive touch to the Thanksgiving table, celebrating the flavors and colors of the season.

ā€¢ 0.5 oz Vodka

ā€¢ 0.5 oz Orange Juice

ā€¢ 1.5 oz Cranberry Juice

ā€¢ 3.0 oz Lambrusco (dry)

Shake the cranberry, orange, and vodka with ice, and strain into a flute or coupe. Top with Lambrusco and garnish with orange peel.

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Should gay snowbirds cancel Florida amid anti-LGBTQ attacks?

The ethics of soaking up the sun while DeSantis targets our own

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Some gay travelers are wondering if they should boycott Florida over its anti-LGBTQ laws. (Photo by catella/Bigstock)

The sunny state of Florida has long been a draw for many members of the LGBTQ community, particularly those from cold Northeast states who flock there in winter. 

With temperatures cooling off, the annual migration is underway, despite Florida Gov. Ron DeSantis and his agenda attacking queer rights. Floridaā€™s hostile environment has a long history, including the failed attempt by Anita Bryant to keep gay teachers out of the Miami school district some 40 years ago. 

That homophobic tradition continues. In addition to the current administrationā€™s draconian ā€œDonā€™t Say Gayā€ law, and DeSantisā€™s threats to Disney World in Orlando, the LGBTQ section was recently removed from the Visit Florida website. 

Travel is perhaps the most important industry for much of Florida, especially the Southeast and many gay couples decide to retire to the land of eternal summer permanently. Then there are those who flock to ā€œwinterā€ in the state. 

Tony Adams is a journalist, editor, playwright, and former contributor to the South Florida Gay News. In 2016, he published a book, ā€œEnding Anita: How Two Key West Bartenders Won Gay Marriage for Florida.ā€ He and his husband spend time there every winter. But he finally had enough.

ā€œI didnā€™t like paying taxes to the DeSantis administration,ā€ he said. ā€œI sold my place in Fort Lauderdale.ā€ 

But he cautions against an all out boycott of the state. 

ā€œIf we desert Florida now, we are depriving our LGBTQ+ businesses of the revenue they need to stay alive,ā€ he said. ā€œFor that reason, I still visit Florida whenever I can, especially Key West and stay at the Island House. ā€¦ Florida has a long tradition of homophobia in politics. In my book I assembled timelines of hatred going back to the 1977 campaign of Anita Bryant against gay teachers in public schools. Floridians get angry and then come to their senses, but maybe it’s just the flatness of the Florida terrain that allows that pendulum to swing more violently than in other states.ā€

The Blade reached out to several gay snowbirds from the Northeast for comment for this story; all declined to comment.

Ed Salvato, a leader in LGBTQ marketing and education for the tourism and hospitality industry, weighed in on the deletion of the LGBTQ tourism page. 

ā€œThe removal felt like erasure, it also felt gratuitous,ā€ Salvato said. ā€œWhat harm was that information doing to anyone? I speak to many tourism and hospitality professionals as well as frequent travelers, almost all of whom were dismayed and angered by these actions.ā€ 

Anecdotally, Salvato said he has heard from friends who are fed up and want to move out. Those who visit frequently are rethinking their upcoming visit to the Sunshine State, he said.

ā€œRecently, I spoke to a woman in Florida very active in hospitality and the diversity, equity, and inclusion space who said she just heard from a large conference of mostly African Americans from Historic Black Colleges and Universities who are canceling their big annual conference there,ā€ Salvato said. ā€œSince they feel that these anti-LGBTQ actions as well as others feel racist. Like the attack on ā€˜critical race theoryā€™ teaching and attacks on DEI create an unsafe environment for their constituents. This is not good for the economy or reputation of Visit Florida.ā€ He added, this will ā€œtake a long time to repair.ā€

On those like Adams who sold their property but still visit, Salvato notes, ā€œIn fact that actually feels like a better reaction than friends who are boycotting the state entirely. To me that makes no sense. The folks in the capital will still draw their salary whether or not you visit your favorite gay guesthouse in Florida. However, the gay owners of that guesthouse or the queer staff will suffer so your boycott hurts the very community who you wish to protect.ā€

The sheer number of queer people, especially young gay men often escaping hostile families when they graduate high school or before, who find work in the nightlife industry is staggering. Each June, throngs of these young men arrive hoping to find a welcoming community, a job, and a sunny beach. 

ā€œIn the instance you cite,ā€ meaning snowbirds who may wish to sell property and visit long-term, ā€œthis shifts the benefits around the state so thatā€™s better than a boycott but I think the best thing we can do is to go and support those destinations and suppliers that are daring to continue to reach out to LGBTQ travelers despite the signals sent out by the conservative state government.ā€

Nadine Smith, executive director of Equality Florida, took a similar stance as Salvato. How much money does the state earn from the ā€œgay dollar?ā€ She said ā€œbillions.ā€

ā€œThe state not only disrespects a significant contributor to its tourism economy but also sends a dangerous and exclusionary message,ā€ Smith said. ā€œThis wasnā€™t just a petty move ā€” it’s part of a calculated campaign to push LGBTQ people out of public life in Florida. When questioned about why they did this, Visit Florida officials confirmed that this removal was done to align with DeSantis’s hostile policies and rhetoric toward the LGBTQ community.ā€

Like Salvato, Smith and Equality Florida recommend spending your dollars at LGBTQ-friendly businesses. 

ā€œResidents and visitors can also channel their economic influence toward companies that align with their values, sending a strong message that equality and inclusivity matter to them,ā€ Smith said. ā€œEquality Florida is a proud partner of Open To All, a growing coalition of businesses large and small that pledge to be welcoming and inclusive. Customers can search ā€˜open to allā€™ businesses on YELP,Ā empowering us to vote with our dollars and support businesses that prioritize and actively advocate for LGBTQ rights.Ā 

ā€œIn Fort Lauderdale,ā€ she added, ā€œVisitLauderdale.com launched a new social media campaign, ā€œNo End to the Rainbows,ā€ to reaffirm their commitment to promoting a welcoming and inclusive environment for all.ā€

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