Arts & Entertainment
‘Moonlight’ is first LGBT film to win Best Picture after ‘La La Land’ mix-up
PricewaterhouseCoopers apologizes for critical mistake
After the biggest mistake in Academy Awards history “Moonlight” won Best Picture, making it the first LGBT film to win the category, after a surprise mix-up that initially gave its awards show rival “La La Land” the honor.
Presenters Faye Dunaway and Warren Beatty, who were reunited on stage in honor of the 50th anniversary of their film “Bonnie and Clyde,” announced the winner at the end of the more than three-hour long ceremony. Beatty opened the envelope and after checking the envelope twice, causing the crowd to chuckle, handed it over to Dunaway who announced “La La Land.”
While the cast and crew of “La La Land’ began giving their acceptance speeches, a stage hand could be seen running out to check the envelopes. “La La Land” producer Jordan Horowitz then took the correct piece of paper from Beatty’s hands and declared to the “Moonlight” cast, “You guys won Best Picture. This is not a joke.”
Beatty explained to the crowd that when he double-checked the envelope he wasn’t trying to be funny but was confused when he saw Emma Stone and “La La Land” written on the paper.
“I blame myself,” Jimmy Kimmel, who hosted the 89th annual Academy Awards, joked to the crowd.
“Very clearly, very clearly, even in my dreams, this could not be true,” Jenkins said after the “La La Land” team left the stage and “Moonlight” finally received its recognition. “āBut to hell with dreams, Iām done with it, because this is true.”
I’m dead at this whole thing ?? #Oscars pic.twitter.com/3qN7Z9zdNL
ā Funny Vines (@FunnyVines) February 27, 2017
U.K.-based accountancy firm PricewaterhouseCoopers, which has handled the Oscars’ ballot-counting for 83 years and manages “all aspects” of the voting process, apologized in a statement, CNN reports.
“We sincerely apologize to ‘Moonlight,’ ‘La La Land,’ Warren Beatty, Faye Dunaway, and Oscar viewers for the error that was made during the award announcement for Best Picture,” the statement reads. “The presenters had mistakenly been given the wrong category envelope and when discovered, was immediately corrected. We are currently investigating how this could have happened, and deeply regret that this occurred.”
“Moonlight” already had a decent winning streak from earlier in the night. Barry Jenkins received Best Adapted Screenplay along withĀ Tarell Alvin McCraney, who penned the screenplay “In Moonlight Black Boys Look Blue,” for which the film’s script was based. Mahershala Ali also won Best Supporting Actor for his role as Juan making him the first Muslim actor to win an Academy Award.
Other big winners of the night included Best Actor for Casey Affleck’s role in “Manchester by the Sea,” who beat out Ryan Gosling for “La La Land.” Gosling’s co-star Emma Stone took home a golden statue instead for Best Actress.Ā Damien Chazelle also won Best Director for “La La Land” making him the youngest director to win the award at age 32.
Iranian film “The Salesman” won for Best Foreign Film but its director Asghar Farhadi was not present at the ceremony. Farhadi’s opted out of appearing at the show in protest of President Donald Trump’s immigration ban.
For a complete list of winners, visit here.
Best Picture: āMoonlightā
Best Director:Ā Damien Chazelle for āLa La Landā
Best Actor: Casey Affleck for āManchester by the Seaā
Best Actress: Emma Stone for āLa La Landā
Best Supporting Actor: Mahershala AliĀ for āMoonlightā
Best Supporting Actress: Viola Davis for āFencesā
Best Adapted Screenplay: āMoonlightā byĀ Barry Jenkins, Tarell Alvin McCraney
Best Original Screenplay: āManchester by the Seaā byĀ Kenneth Lonergan
Best Cinematography: Linus SandgrenĀ for āLa La Landā
Best Foreign Language Film: āThe Salesmanā
Best Animated Feature: āZootopiaā
Best Documentary Feature: āO.J.: Made in Americaā
Best Original Song: “City of Stars” by Justin Hurwitz
Best Original Score: āLa La Landā by Justin Hurwitz
Theater
Round House explores serious issues related to privilege
āA Jumping-Off Pointā is absorbing, timely, and funny
āA Jumping-Off Pointā
Through May 5
Round House Theatre
4545 East-West Highway, Bethesda, Md.
$46-$83
Roundhousetheatre.org
In Inda Craig-GalvĆ”nās new play āA Jumping-Off Point,ā protagonist Leslie Wallace, a rising Black dramatist, believes strongly in writing about what you know. Clearly, Craig-GalvĆ”n, a real-life successful Black playwright and television writer, adheres to the same maxim. Whether further details from the play are drawn from her life, is up for speculation.
Absorbing, timely, and often funny, the current Round House Theatre offering explores some serious issues surrounding privilege and who gets to write about what. Nimbly staged and acted by a pitch perfect cast, the play moves swiftly across what feels like familiar territory without being the least bit predictable.
After a tense wait, Leslie (Nikkole Salter) learns sheās been hired to be showrunner and head writer for a new HBO MAX prestige series. What ought to be a heady time for the ambitious young woman quickly goes sour when a white man bearing accusations shows up at her door.
The uninvited visitor is Andrew (Danny Gavigan), a fellow student from Leslieās graduate playwriting program. The pair were never friends. In fact, he pressed all of her buttons without even trying. She views him as a lazy, advantaged guy destined to fail up, and finds his choosing to dramatize the African American Mississippi Delta experience especially annoying.
Since grad school, Leslie has had a play successfully produced in New York and now sheās on the cusp of making it big in Los Angeles while Andrew is bagging groceries at Ralphās. (In fact, weāll discover that heās a held a series of wide-ranging temporary jobs, picking up a lot of information from each, a habit that will serve him later on, but I digress.)
Their conversation is awkward as Andrewās demeanor shifts back and forth from stiltedly polite to borderline threatening. Eventually, he makes his point: Andrew claims that Leslieās current success is entirely built on her having plagiarized his script.
This increasingly uncomfortable set-to is interrupted by Leslieās wisecracking best friend and roommate Miriam who has a knack for making things worse before making them better. Deliciously played by Cristina Pitter (whose program bio describes them as āa queer multi-spirit Afro-indigenous artist, abolitionist, and alchemistā), Miriam is the perfect third character in Craig-GalvĆ”nās deftly balanced three-hander.
Cast membersā performances are layered. Salterās Leslie is all charm, practicality, and controlled ambition, and Gaviganās Andrew is an organic amalgam of vulnerable, goofy, and menacing. Heās terrific.
The 90-minute dramedy isnāt without some improbable narrative turns, but fortunately they lead to some interesting places where provoking questions are representation, entitlement, what constitutes plagiarism, etc. Itās all discussion-worthy topics, here pleasingly tempered with humor.
New York-based director Jade King Carroll skillfully helms the production. Scenes transition smoothly in large part due to a top-notch design team. Scenic designer Meghan Rahamās revolving set seamlessly goes from Leslieās attractive apartment to smart cafes to an HBO writersā room with the requisite long table and essential white board. Adding to the graceful storytelling are sound and lighting design by Michael Keck and Amith Chandrashaker, respectively.
The passage of time and circumstances are perceptively reflected in costume designer Moyenda Kulemekaās sartorial choices: heels rise higher, baseball caps are doffed and jackets donned.
āA Jumping-Off Pointā is the centerpiece of the third National Capital New Play Festival, an annual event celebrating new work by some of the countryās leading playwrights and newer voices.
Nightlife
Ed Bailey brings Secret Garden to Project GLOW festival
An LGBTQ-inclusive dance space at RFK this weekend
When does a garden GLOW? When itās run by famed local gay DJ Ed Bailey.
This weekend, music festival Project GLOW at RFK Festival Grounds will feature Baileyās brainchild the Secret Garden, a unique space just for the LGBTQ community that he launched in 2023.
While Project GLOW, running April 27-28, is a stage for massive electronic DJ sets in a large outdoor space, Secret Garden is more intimate, though no less adrenaline-forward. Heās bringing the nightclub to the festival. The garden is a dance area that complements the larger stages, but also stands on its own as a draw for festival-goers. Its focus is on DJs that have a presence and following in the LGBTQ audience world.
āThe Secret Garden is a showcase for what LGBTQ nightlife, and nightclubs in general, are all about,ā he says. āTrue club DJs playing club music for people that want to dance in a fun environment that is high energy and low stress. Itās the cool party inside the bigger party.ā
Project GLOW launched in 2022. Bailey connected with the operators after the first event, and they discussed Bailey curating his own space for 2023. āThey were very clear that they wanted me to lean into the vibrant LGBTQ nightlife of D.C. and allow that community to be very visibly a part of this area.ā
Last year, club icon Kevin Aviance headlined the Secret Garden. The GLOW festival organizers loved the its energy from last year, and so asked Bailey to bring it back again, with an entire year to plan.
This year, Bailey says, he is ābringing in more D.C. nightlife legends.ā Among those are DJ Sedrick, āa DJ and entertainer legend. He was a pivotal part of Tracks nightclub and is such a dynamic force of entertainment,ā says Bailey. āI am excited for a whole new audience to be able to experience his very special brand of DJing!ā
Also, this year brings in Illustrious Blacks, a worldwide DJ duo with roots in D.C.; and āhouse music legendsā DJs Derrick Carter and DJ Spen.
Bailey is focusing on D.C.ās local talent, with a lineup including Diyanna Monet, Strikestone!, Dvonne, Baronhawk Poitier, THABLACKGOD, Get Face, Franxx, Baby Weight, and Flower Factory DJs KS, Joann Fabrixx, and PWRPUFF.
Secret Garden also brings in performers who meld music with dance, theater, and audience interactions for a multi-sensory experience.
Bailey is an owner of Trade and Number Nine, and was previously an owner of Town Danceboutique. Over the last 35 years, Bailey owned and operated more than 10 bars and clubs in D.C. He has an impressive resume, too. Since starting in 1987, heās DJād across the world for parties and nightclubs large and intimate. He says that he opened āin concert for Kylie Minogue, DJed with Junior Vasquez, played giant 10,000-person events, and small underground parties.ā Heās also held residencies at clubs in Atlanta, Miami, and here in D.C. at Tracks, Nation, and Town.Ā
With Secret Garden, Bailey and GLOW aim to bring queer performers into the space not just for LGBTQ audiences, but for the entire music community to meet, learn about, and enjoy. While they might enjoy fandom among queer nightlife, this Garden is a platform for them to meet the entirety of GLOW festival goers.
Weekend-long Project GLOW brings in headliners and artists from EDM and electronic music, with big names like ILLENIUM, Zedd, and Rezz. In all, more than 50 artists will take the three stages at the third edition of Project GLOW, presented by Insomniac (Electric Daisy Carnival) and Club Glow (Echostage, Soundcheck).
Out & About
Washington Improv Theatre hosts āThe Queeriesā
Event to celebrate queer DMV talent and pop culture camp
The Washington Improv Theatre, along with the Mayorās Office of LGBTQ Affairs and the Gay Menās Chorus of Washington DC, will team up to host āThe Queeries!ā on Friday, April 26 at 9:30 p.m. at Studio Theatre.
The event will celebrate Queer DMV talent and pop culture camp. With a mixture of audience-submitted nominations and blatantly undemocratically declared winners, āThe Queeries!ā mimics LGBTQ life itself: unfair, but far more fun than the alternative.
The event will be co-hosted by Birdie and Butchie, who have invited some of their favorite bent winos, D.C. “D-listers,” former Senate staffers, and other stars to sashay down the lavender carpet for the selfie-strewn party of the year.
Tickets are just $15 and can be purchased on WITVās website.Ā
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