Arts & Entertainment
D.C. fall dance scene includes summits, festivals, nightlife parties and more
2017 Fall Arts Preview: Dance

A dancer with Company Danzante Contemporary Dance shows off her moves at the Kennedy Center. (Photo by Natalia Terry; courtesy VelocityDC)
Dance Loft on 14 (4618 14th St., N.W.) and Dance Metro D.C. hosts the D.C. Dance Summit this weekend (Sept. 15-17). Various dance genres from ballet and hip hop to Afro-Caribbean and contemporary will have workshops led by top local dance instructors in the field.
Vladimir Angelov, Steve Barberio, Cameron Bennett, Stephen Clapp and more will be featured speakers and workshop leaders. Performances, yoga, networking events, an “undoing racism” workshop and other actives will also be offered over the two days.
A full weekend pass is $75. Single day passes are $40. Evening-only passes for performances, talks and a party are $10. Undoing Racism workshop is $20 for non-members and free for members. Details at dcfirstdancesummit2017.com.
Light Switch Dance Theatre hosts “Importance of Touch: Fifth Anniversary Launch Party” at Capitol Hill Arts Workshop (545 Seventh St., S.E.) on Saturday, Sept. 23 at 5 p.m. The Importance of Touch explores if people are more comfortable with touch technology than the human touch. There will be a performance and a party including food and drink from local businesses, an appearance by local artist Jade Essence and other activities. Tickets are $15. Details at lightswitchdance.wixsite.com.
Festival of South African Dance takes place at George Mason University’s Center for the Arts (4400 University Dr., Fairfax, Va.) on Saturday, Sept. 30 at 8 p.m.
The Russian Grand Ballet presents “Swan Lake: at Rachel M. Schlesinger Concert Hall (4915 E Campus Dr., Alexandria, Va.) on Thursday, Oct. 5 at 7:30 p.m. The performance tells the story of Princess Odette who falls under an evil spell that Prince Siegfried tries to break.Tickets range from $35-85. Details at russiangrandballet.com.
The ninth annual VelocityDC Dance Festival is at Sidney Harman Hall (610 F St., N.W.) on Friday, Oct. 6 at 8 p.m. and Saturday, Oct. 7 at 2 and 8 p.m. Nineteen local dancers and dance companies representing a variety of styles such as contemporary, African, Indian, ballet, urban and more. Participating dancers will be Company Danzante Contemporary Dance, El Teatro de Danza Contemporanea, Farafina Kan, Gin Dance Company and more. The National Hand Dance Association will give free post-show dance lessons after the evening performances. This will also be the first year the festival will include a family-friendly matinee performance. Regie Cabico hosts the two-day event. Tickets start at $18. Details at velocitydc.org.
George Mason University’s Center for the Arts (4400 University Dr., Fairfax, Va.) presents “Pilobolus: Shadowland,” on Friday, Oct. 13 at 8 p.m.The multimedia performance uses projected shadow play and acrobatic dance to tell the story of a teenage girl who wants to be independent. When she falls asleep, she enters the land of the shadows. Tickets range from $29-48. Details at cfa.gmu.edu.
D.C. Fall Salsa and Bachata Dance Festival is at Crystal City Hilton at Washington Reagan National Airport (2399 S Clark St., Arlington, Va.) Oct. 19-23. There will be more than 25 workshops, dance performances and five nights of theme parties with a salsa room, bachata room and zouk and kizomba room. Tickets range from $45-169. Search for the event on Facebook for details.
The Kennedy Center (2700 F St., N.W.) presents “DEMO by Damian Woetzel: Jerome Robbins–American Dance Genius” Oct. 20-21 at 7:30 p.m. Woetzel hosts a lecture, demonstration-style performance that honors iconic gay choreographer Jerome Robbins known for his work on “West Side Story,” “Fancy Free,” “The Cage” and more. Tickets range from $39-49. Details at kennedy-center.org.
Joy of Motion Dance Center hosts “Dreamweaver: Studio to Stage,” at the Jack Guidone Theater (5207 Wisconsin Ave., N.W.) on Saturday, Nov. 18 at 8 p.m. and Sunday, Nov. 19 at 7 p.m. The modern dance performance inspired by dreams will be presented in the forms of hip hop, modern, tap and Horton technique. Details at joyofmotion.org.
Washington Ballet presents Septime Webre’s “The Nutcracker” at Warner Theater (513 13th St., N.W.) Nov. 30-Dec. 24. The classic tale takes place in a Georgetown mansion with historical figures such as George Washington and King George III. On Sunday, Dec. 3 at 1 p.m. Family Day will allow children of all ages to enjoy a matinee performance and then participate in crafts, a character meet and greet, an open rehearsal and more. On Sunday, Dec. 10 at 3 p.m. the Nutcracker Tea Party will include tea, a photograph opportunity with the cast and other activities. Tickets range from $30-120. Details at washingtonballet.org.
And in a whole other kind of dance, the nightlife scene will be booming all fall as usual.
Distrkt C is at the D.C. Eagle (3701 Benning Rd., N.E.) the second Saturday of every month from 10 p.m.-6 a.m. The next one is Sunday, Oct. 8 with Nina Flowers. Alto Voltagje is the fourth Saturday of each month at 9 p.m. The next is Saturday, Sept. 23. Details at distrktc.com.
DC Jane, a new party for women, is every fourth Friday of the month at 9 p.m. at the Eagle. DJ Rosie spins on Friday, Sept. 22. Details at dcjaneparty.com.
The next CTRL party is Friday, Sept. 23 at Town (2009 8th St., N.W.). Details at towndc.com.
Television
‘The Pitt’ stars discuss what season two gets right about queer representation
Noah Wyle and Taylor Dearden spoke with Blade in LA
As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.
“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”
Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”
Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”
Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.
“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”
The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
