Arts & Entertainment
Trans filmmaker claims Marsha P. Johnson doc director stole her work
Janet Mock defends Reina Gossett who says her idea was stolen

Marsha P. Johnson (Photo courtesy of Netflix)
Transgender filmmaker and researcher Reina Gossett has accused “The Death and Life of Marsha P. Johnson” director David France of stealing her idea for the documentary.
The film, which is streaming on Netflix, examines Johnson’s involvement in the Stonewall riots, her transgender activism and mysterious death. Gossett, who is an activist-in-residence at the Barnard College Center for Research on Women’s Social Justice Institute, worked on the short film “Happy Birthday, Marsha!” with Sasha Wortzel.
In an Instagram post, Gossett explains that France stole her film idea and research to make the Netflix documentary.
“This week while I’m borrowing money to pay rent, David France is releasing his multimillion-dollar netflix deal on Marsha P. Johnson. This kind of extraction/excavation of black life, disabled life, poor life, trans life is so old and so deeply connected to the violence Marsha had to deal with throughout her life,” Gossett writes.
Gossett says that she and Wortzel sent a grant application video to the Kalamazoo/Arcus Foundation while France was visiting.
“He told the people who worked there — I shit you not — that he should be the one to do this film,” Gossett writes. [He] got a grant from Sundance/Arcus using my language and research about STAR, got Vimeo to remove my video of Sylvia’s critical ‘y’all better quiet down’ speech, ripped off decades of my archival research that I experienced so much violence to get, had his staff call Sasha up at work to get our contacts, then hired my and Sasha’s ADVISOR to our Marsha film Kimberly Reed to be his producer.”
Janet Mock posted Gossett’s statement on Twitter and slammed France for taking the opportunity away from a transgender woman.
Filmmaker David France released a Netflix doc Friday about Marsha P. Johnson. It is based on Reina Gossett’s work (her statement below). pic.twitter.com/YtQiVMuOjm
— Janet Mock (@janetmock) October 7, 2017
Reina Gossett is a black trans woman who reintroduced our gen to ourselves by uncovering/recentering trans women of color revolutionaries.
— Janet Mock (@janetmock) October 7, 2017
Her digital archives of movement foremothers Marsha P. Johnson & Sylvia Rivera are integral to current understanding of their contributions.
— Janet Mock (@janetmock) October 7, 2017
She researched/archived/digitized content inaccessible for decades. She interviewed Marsha & Sylvia’s peers. She did this work without pay.
— Janet Mock (@janetmock) October 7, 2017
A black trans woman’s work about a black trans woman was used to make a film by a credentialed white cis man aided by Netflix’s millions.
— Janet Mock (@janetmock) October 7, 2017
Meanwhile Reina is borrowing money to pay rent as viewers around the world watch a film based on her unpaid & uncredited work. Not OK.
— Janet Mock (@janetmock) October 7, 2017
Support Reina Gossett — she made @hbdmarsha w/ @sashawortzel! Book her as a speaker! Let others know about her work! https://t.co/CM86S8ckYF
— Janet Mock (@janetmock) October 7, 2017
France defended himself by posting his own statement saying that he was friends with Johnson and had been considering the project for a long time.
“Reina Gossett has suggested that I’ve stolen both the concept and footage for ‘The Death and Life of Marsha P. Johnson’ from her work, the experimental short narrative, ‘Happy Birthday, Marsha!,’” France writes. “Nothing in the film’s concept, research or execution came from anyone outside of this process.”
Hi Janet. Please see below. pic.twitter.com/sHjz9CvU7T
— David France (@ByDavidFrance) October 7, 2017
Mock took issue with France’s phrasing that he “fully” supports Gossett and Wortzell’s film. She fired back that France should have given the project to a transgender woman of color.
“Fully support” is an action, not an intention/thought. Support looks like stepping aside, using your access/priv to produce Reina’s work. https://t.co/urZx6YkTtW
— Janet Mock (@janetmock) October 7, 2017
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)















