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LGBT critics weigh in on rights and wrongs of this year’s Oscar noms
‘A Fantastic Woman,’ ‘Mudbound’ among recurring favorites
Thankfully, after 2017’s “Moonlight” Oscar victory fiasco, nominations for 90th annual Academy Awards (to be handed out Sunday evening) thankfully reflect more LGBT diversity than ever before. But while this pleases some critics, the choices fall short with others. Los Angeles Blade talked with film critics about their favorite films.
Jimmy Kimmel hosts the Academy Awards live from the Dolby Theatre in Los Angeles on Sunday, March 4. ABC will broadcast the ceremony.
Brian T. Carney, Washington Blade
From art house indies to the Academy Awards, 2017 was a great year for LGBT film. In a groundbreaking move, a mainstream movie that actually stars a transgender woman playing a transgender woman is nominated for an Oscar. The Chilean film “A Fantastic Woman,” is on the Oscar ballot for Best Foreign Language Film and star Daniela Vega will be onstage as a presenter.
Three of the nine movies nominated for Best Picture include gay characters (one’s a spoiler), and many members of the cast and crew of those movies have been nominated as well. One of the nominees for Best Documentary was directed by Yancy Ford, a trans man. For her outstanding work on “Mudbound,” Rachel Morrison, a black lesbian, is the first woman to be nominated for the Best Cinematography Oscar.
With “Negative Space” and “In A Heartbeat,” even the Short Features are becoming an LGBT showcase.
Unfortunately, there are some LGBT films and filmmakers who didn’t get the nominations they deserve. Dee Rees should have been nominated as Best Director and Michael Stuhlbarg should have been nominated for Best Supporting Actor. “BPM” and “God’s Own Country” did not make it through the nomination process for Best Foreign Film, and “Wonder Woman” did not get any Oscar love.
Sadly, the best queer movie of the year, Angela Robinson’s “Professor Marston and the Wonder Women” did not even get an Oscar campaign from Annapurna Pictures. Hopefully the brilliant Robinson will find a more supportive studio for her next film.
Nonetheless, there will certainly be a lot to celebrate Sunday. I’ll be cheering on the breathtaking and revolutionary “The Shape of Water.”
Daniel Montgomery, GoldDerby.com
This has been an encouraging year for LGBT movies. Twelve years after “Brokeback Mountain” was the subject of so much debate and controversy, and one year after “Moonlight” broke new ground by winning Best Picture at the Oscars, the presence of “Call Me by Your Name” in the awards conversation has seemed almost matter-of-fact.
And the fact that it wasn’t the only option for awards voters this year felt refreshingly ordinary. I thought the French film “BPM” and the British film “God’s Own Country” deserved a lot more awards attention — they’re both among my favorite films of 2017.
Beth McDonough, AfterEllen.com
My favorite 2017 film was “Battle of the Sexes,” which I think was hugely overlooked this year during awards season. I did love “Call Me By Your Name” though. “Thelma” and “My Days of Mercy” were really great films that didn’t get enough attention. “A Fantastic Woman” was incredible and will hopefully won the Foreign Film award.
Jeremy Blacklow, GLAAD
Two-thousand-seventeen has been a banner year for LGBT representation at the Academy Awards, albeit mostly still relegated to limited release or independent films. Following the huge breakthrough moment of “Moonlight” winning Best Picture at the Academy Awards, we’ve seen a record amount of diverse LGBT inclusion among this year’s nominees.
While a lot of the buzz has focused on “Call Me by Your Name” (and its nominations for Best Picture, for Timothée Chalamet for Lead Actor, for James Ivory for Adapted Screenplay and for Sufjan Stevens for Original Song “Mystery of Love”), when you look a bit deeper, you’ll see a tremendous amount of LGBT talent nominated for their work behind the camera.
Some of the most exciting nominations are for women, transgender people, and people of color, showing the beginning of a concerted effort by activists and advocates, the film industry, and the Academy to be recognize more diverse nominees. For “Mudbound,” Dee Rees is the first black woman ever nominated for Adapted Screenplay, and Rachel Morrison is the first woman ever nominated for Cinematography (they are both out lesbians).
Trish Bendix, Into
LGBT-themed films I would liked to have seen recognized this year: “Professor Marston & The Wonder Women,” for its progressive queer take on polyamory, kink and feminist themes from out director, Angela Robinson.
“Thelma,” the lesbian-themed horror film, was one of the most overlooked offering of the year, despite getting early Oscar buzz. I also liked the documentary, “Whitney: Can I Be Me?” an inside look at one of the most tragic stories of homo and biphobia as it related to one of the most talented pop stars of our time.
Frank J. Avella, GALECA
I don’t think there are necessarily more gay characters/movies than last year. It seems that way because a few big name films (“Call Me By My Name” in particular but also “BPM,” “God’s Own Country,” “A Fantastic Woman”) have been written about more than most LGBT fare most years. And “Call Me” has been especially controversial for many because of the non-nudity clause in both lead’s contracts which many LGBT media writers have mixed feelings about, myself included. I personally feel it compromised Ivory’s brilliant script.
“BPM” (Beats Per Minute) deserved to, at least have gotten a Foreign Language Film nomination. It’s a daring and startling depiction of LGBT life (something “Call Me” is not) and far better than any of the five nominees in that category. Also “God’s Own Country” which BAFTA recognized, deserved some love. This was my favorite because it never compromised in hopes of reaching a larger audience. It’s real and resonant.

Timothee Chalamet, left, is up for an Oscar for his role in ‘Call Me By Your Name.’ He’s seen here with director Luca Guadagnino, center, and co-lead Armie Hammer. (Photo courtesy Sony Pictures Classics)
Matthew Todd, author “Straight Jacket”/former editor of U.K.’s Attitude
“Call Me By Your Name” is a love story and that always plays well with audiences and the great performances really ensure it’s a must-see film. That said, despite it winning the Dorian award, and huge support from the LGBT community, it has also created some controversy.
Some believe it doesn’t show the power of the gay identity that was emerging then, they believe it perpetuates the everlasting idea that gay people can’t have happy endings. It’s a reminder that LGBT audiences still don’t have a variety of stories to choose from from big studios. There is an audience for them who are keen for fresh stories and hopefully even more will be made.
Erik Anderson, AwardsWatch
Every year we will see more and more LGBT characters who are their own, fully realized people and not just the props they used to be. This is both because of the positive progression LGBT rights have taken as well as a response to the pushback over the last year from the current regressive administration. Art and the voices that supply it will always stand up and speak louder when told to sit down and keep quiet.
I wish “The Wound” had gotten a nod for Foreign Language Film. I was shocked and heartbroken that “In a Heartbeat” was snubbed in Animated Short. And I was really happy that “Strong Island” made it in Documentary Feature.
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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