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George Takei responds to sexual assault accuser’s retraction

The former model had accused the ‘Star Trek’ star of drugging and groping him

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George Takei (Screenshot via YouTube)

George Takei has responded to former model Scott Brunton retracting his story that the “Star Trek” actor drugged and groped him in the mid-’80s.

In November, Brunton, 60,  told the Hollywood Reporter that when he was 23 he had drinks at Takei’s condo that made him “very disoriented and dizzy.” Brunton said he  “must’ve passed out” and when he woke up Takei “had my pants down around my ankles and he was groping my crotch and trying to get my underwear off and feeling me up at the same time, trying to get his hands down my underwear.”

In a new interview with the Observer, Brunton retold the story saying he passed out after a couple of cocktails.

“One hand is on my underwear, and the other hand is kind of like on my butt, trying to pull the elastics, you know? I mean, all of my weight is on the underwear,” Brunton says.

Brunton says Takei left him alone after he rejected his advances. After sobering up, Brunton went home.

When Brunton is asked if Takei touched his genitals he says “You know…probably… He was clearly on his way to…to…to going somewhere.” Bruton then told the Observer he did not remember that detail in the story.

He continued that he considered the incident “a great party story” that “didn’t scar him” and “wasn’t painful.” Brunton says he “rarely thought of” that night until Takei’s “name popped up.” Brunton says he didn’t consider the incident an attack but an “unwanted situation. It’s just a very odd event.”

Brunton says it wasn’t until after the Bill Cosby scandal that he considered he could have been drugged.

“He was 20 years older than me and short,” Brunton says.“And I wasn’t attracted to Asian men. … I was a hot, surfer, California boy type, that he probably could have only gotten had he bought, paid for or found someone just willing to ride on his coattails of fame.”

Brunton also revealed he fabricated that he and Takei later met for a coffee date in the ’90s. Takei had commented that he didn’t recall the coffee date and denied the sexual assault allegations.

The actor took to Twitter to respond to Brunton’s retractions and to “wish him peace.”

“As many of you know, this has been a very difficult period for myself and my husband Brad as we have dealt with the impact of these accusations, but we are happy to see that this nightmare is finally drawing to a close,” Takei wrote.

“As I stated before, I do not remember Mr. Brunton or any of the events he described from forty years ago, but I do understand that this was part of a very important national conversation that we as a society must have, painful as it might be. It is in that spirit that I want folks to know, despite what he has put us through, I do not bear Mr. Brunton any ill will, and I wish him peace. Brad and I are especially grateful for the many fans who stood by me throughout this ordeal. Your support kept us going, and we are so immensely thankful for you,” he continued.

 

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Celebrity News

Fashion icon Bob Mackie dead at 87

Designing legend to all the divas, gone but not forgotten

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Bob Mackie (Photo courtesy of Mackie's Instagram page)

To those still reeling from the loss of Dolly Parton and Tim Curry, we have another queer icon to add to the In Memoriam of 2026: Bob Mackie. A designer known for being extra, before that was even a thing, has left us with a legacy of looks and an indelible mark on fashion. 

The news broke on his Instagram account Monday, Sept. 14, with the message:

“It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a fashion and costume designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world.” According to People magazine, he passed away in Palm Springs, Calif., due to pneumonia. 

At 87, Mackie is the definitive designer for divas. Mackie has literally dressed them all, including Diana Ross, Whitney Houston, Barbara Streisand, Dolly Parton, Tina Turner, Bette Midler, Bernadette Peters, and even RuPaul. He’s dressed film and television icons like Raquel Welch, Lynda Carter, Goldie Hawn, and Jennifer Lopez. It’s not just female divas; he’s also done many of Elton John’s famous costumes as well as David Bowie’s.

His first major mark was drawing the first design of Marilyn Monroe’s famous “Happy Birthday, Mr. President” dress. Next, he was an assistant to costume designer Ray Aghayan on “The Judy Garland Show.” The two would carry on a professional and romantic partnership for 50 years until Aghayan’s passing in 2011.  

Mackie then went on to do all of the costumes for “The Carol Burnett Show,” creating an estimated 17,000 costumes for her show’s 11-year run. This gave him much critical acclaim and notoriety, making him a permanent fixture in the variety show market. 

He became a frequent collaborator of Cher, having made her famous midriff-revealing Oscar gown, her “If I Could Turn Back Time” costume, and being her designer for her various television shows, including “The Sonny and Cher Show.” He even designed costumes for her Farewell Tour. The two are synonymous with him having lent his artistic sensibilities to give her a distinct look. Cher even said in 2024, “He helped me create a different me.” 

Mackie has left his mark on fashion with a distinct style of glamorous, over-the-top looks. He received the monikers the “Sultan of Sequins,” the “Rajah of Rhinestones,” and the “Guru of Glitter” for challenging the line between costume and fashion with lots of fringe, flash, and over-the-top eye-catching elements. He’s managed to retain a presence not just in entertainment but in the fashion industry for decades. Most recently, one of his outfits was a major plot point for the final season of “Hacks.” 

Mackie has received his share of awards and acknowledgments. In addition to dressing many people for the Oscars, he received three nominations, including dressing Diana Ross for “Lady Sings the Blues.” He won a Tony Award for “The Cher Show.” He won nine Emmy Awards and received 30 nominations for his prolific television work. 

Luckily, Mackie’s life was celebrated before his passing, receiving various Lifetime achievement awards including the Geoffrey Beene CFDA Lifetime Achievement Award, being honored by the Television Hall of Fame, and receiving “RuPaul’s Drag Race”‘s Giving Us Life-time Achievement Award. He was the first guest judge on the popular series. 

It’s clear that not only was Mackie talented, he was magical. He gave a bit of stardust to countless celebrities, luminaries, and public figures with looks that not only defied expectations but managed to be truly spectacular. He’s part of the glitz we think of when we think of Hollywood, and while often elaborate costumes, the shrewd fashion sense and elegance cannot be denied. Mackie will be missed, but his work lives on in the countless pieces still in circulation and forever captured on film and in media.

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PHOTOS: SMYAL Fall Brunch

LGBTQ youth services organization holds 29th annual event

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Performer Felicia Curry sings 'Tomorrow' at the SMYAL Fall Brunch on Sunday. (Washington Blade photo by Michael Key)

The 29th annual SMYAL Fall Brunch was held at the Marriott Marquis on Sunday, Sept. 13. 

(Washington Blade photos by Michael Key)

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Books

Dolly Parton biography puts her hardships into context

‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed

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(Book cover image courtesy of St. Martin's Press)

‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages

Not too bright.

That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.

When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.

Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.

Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.

She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.

As a friend said, “’She had her head on pretty good.’”

Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.

Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story. 

Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.

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