Arts & Entertainment
Bowser, city ‘committed’ to meeting needs of LGBT homeless
Shelter operators required to undergo competency training
D.C. Mayor Muriel Bowser has made it known that addressing the city’s homeless problem remains a top priority. (Photo by Elvert Barnes via Wikimedia Commons)
(Editor’s note: The Washington Blade is one of many local media outlets partnering with Street Sense Media, a local news outlet that publishes a biweekly newspaper and other content in a mission to end homelessness in Washington, on its third annual media day.
Inspired by an 88-outlet collaboration in San Francisco in 2016, Washington had its first installment that same year with three outlets. Six outlets joined in 2017. This is the Blade’s first year participating.
Look for Street Sense on your favorite social media outlet (streetsensedc on Facebook or @streetsensedc on Twitter) for links to complementary coverage in other regional publications.
Street Sense’s mission is to end homelessness in Washington by empowering people in need with skills, tools and confidence to succeed. The Blade’s coverage spotlights how homelessness acutely affects Washington’s LGBT community. Find out more at streetsensemedia.org.)
The D.C. Department of Human Services, which oversees the city’s homeless programs, has put in place policies and procedures to ensure that LGBT homeless people, both adults and youth, are treated with respect and receive the services they need, according to two department officials.
DHS spokesperson Dora Taylor said that since taking office in 2015, D.C. Mayor Muriel Bowser has made it known that aggressively addressing the city’s homeless problem, including specific issues pertaining to LGBT homeless people, are among her administration’s highest priority.
Taylor noted that among DHS’s actions since Bowser became mayor has been its implementation of the LGBTQ Homeless Youth Reform Amendment Act, which the D.C. Council passed unanimously in 2014. Council member Mary Cheh (D-Ward 3) and then-Council member Bowser (D-Ward 4) were the co-introducers of the legislation.
Among other things, the measure allocates city funds for expanding existing homeless facilities, including shelters, to include additional beds for “youth who identify themselves as lesbian, gay, bisexual, transgender, or questioning.”
The legislation also requires service providers, including operators of homeless shelters, to put in place “best practices for the culturally competent care of homeless youth” that identify as LGBT or questioning.
Taylor and DHS Senior Advisor Carter Hewgley said implementation of the law included a policy change adopted by DHS that requires all homeless shelters operated by the city or by city contractors to allow transgender people – youth or adults — seeking to enter a shelter to choose the one that is consistent with their gender identity.
The two noted that under the city’s shelter system, shelters are segregated by gender except for those designated for families with children.
Hewgley said DHS has an ongoing program for training shelter employees, including case managers, on how to appropriately deal with LGBT homeless people.
“The expectation is that you are meeting every person where they are and treating them with dignity and respect,” he said.
According to Hewgley, the shelter system has a comprehensive grievance process for situations where a shelter resident believes he or she has been treated improperly by a staff member or a fellow shelter resident.
He said DHS’s training programs are aimed at greatly minimizing if not completely eliminating reports from LGBT activists in the past about how LGBT shelter clients were bullied or harassed by other shelter residents because of their sexual orientation or gender identity.
Hewgley told the Blade that DHS and the Mayor’s Office of LGBTQ Affairs in September organized a joint “listening session” to obtain suggestions from LGBT activists familiar with the city’s homeless programs, along with other experts, on how to improve homeless services for LGBT people in need.
Sheila Alexander-Reid, director of the Office of LGBTQ Affairs, who described the listening sessions as focus groups, said her office has been involved in providing competency training for employees of all city agencies and is especially interested in assisting with trainings for shelter workers.
Hewgley said the listening sessions or focus groups were divided into four subgroups that discussed the needs and concerns of four categories of LGBT people using the city’s homeless shelter system – unaccompanied women, unaccompanied men, couples and families, and transgender and non-binary individuals.
He said the sessions resulted in a decision by DHS to prepare a 10-page report summarizing the findings and recommendations of the participants in the four groups called “LGBTQ+ Homeless Services: Identifying Service Gaps for LGBTQ+ Adults and Youth Experiencing Homelessness and Creating a Vision and Strategy for Improving Support to this Community.”
Among those who participated in the listening sessions were officials with LGBT and other organizations that provide services for homeless clients, including Casa Ruby, Whitman-Walker Health, SMYAL, the Wanda Alston House, Catholic Charities, HIPS, and the Fiscal Policy Institute.
Some of the recommendations of the participants include anecdotal reports by LGBT clients of shelters about instances of less than adequate treatment by staff and other shelter clients showing that improvement is still needed.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
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