Arts & Entertainment
Bowser, city ‘committed’ to meeting needs of LGBT homeless
Shelter operators required to undergo competency training
D.C. Mayor Muriel Bowser has made it known that addressing the city’s homeless problem remains a top priority. (Photo by Elvert Barnes via Wikimedia Commons)
(Editor’s note: The Washington Blade is one of many local media outlets partnering with Street Sense Media, a local news outlet that publishes a biweekly newspaper and other content in a mission to end homelessness in Washington, on its third annual media day.
Inspired by an 88-outlet collaboration in San Francisco in 2016, Washington had its first installment that same year with three outlets. Six outlets joined in 2017. This is the Blade’s first year participating.
Look for Street Sense on your favorite social media outlet (streetsensedc on Facebook or @streetsensedc on Twitter) for links to complementary coverage in other regional publications.
Street Sense’s mission is to end homelessness in Washington by empowering people in need with skills, tools and confidence to succeed. The Blade’s coverage spotlights how homelessness acutely affects Washington’s LGBT community. Find out more at streetsensemedia.org.)
The D.C. Department of Human Services, which oversees the city’s homeless programs, has put in place policies and procedures to ensure that LGBT homeless people, both adults and youth, are treated with respect and receive the services they need, according to two department officials.
DHS spokesperson Dora Taylor said that since taking office in 2015, D.C. Mayor Muriel Bowser has made it known that aggressively addressing the city’s homeless problem, including specific issues pertaining to LGBT homeless people, are among her administration’s highest priority.
Taylor noted that among DHS’s actions since Bowser became mayor has been its implementation of the LGBTQ Homeless Youth Reform Amendment Act, which the D.C. Council passed unanimously in 2014. Council member Mary Cheh (D-Ward 3) and then-Council member Bowser (D-Ward 4) were the co-introducers of the legislation.
Among other things, the measure allocates city funds for expanding existing homeless facilities, including shelters, to include additional beds for “youth who identify themselves as lesbian, gay, bisexual, transgender, or questioning.”
The legislation also requires service providers, including operators of homeless shelters, to put in place “best practices for the culturally competent care of homeless youth” that identify as LGBT or questioning.
Taylor and DHS Senior Advisor Carter Hewgley said implementation of the law included a policy change adopted by DHS that requires all homeless shelters operated by the city or by city contractors to allow transgender people – youth or adults — seeking to enter a shelter to choose the one that is consistent with their gender identity.
The two noted that under the city’s shelter system, shelters are segregated by gender except for those designated for families with children.
Hewgley said DHS has an ongoing program for training shelter employees, including case managers, on how to appropriately deal with LGBT homeless people.
“The expectation is that you are meeting every person where they are and treating them with dignity and respect,” he said.
According to Hewgley, the shelter system has a comprehensive grievance process for situations where a shelter resident believes he or she has been treated improperly by a staff member or a fellow shelter resident.
He said DHS’s training programs are aimed at greatly minimizing if not completely eliminating reports from LGBT activists in the past about how LGBT shelter clients were bullied or harassed by other shelter residents because of their sexual orientation or gender identity.
Hewgley told the Blade that DHS and the Mayor’s Office of LGBTQ Affairs in September organized a joint “listening session” to obtain suggestions from LGBT activists familiar with the city’s homeless programs, along with other experts, on how to improve homeless services for LGBT people in need.
Sheila Alexander-Reid, director of the Office of LGBTQ Affairs, who described the listening sessions as focus groups, said her office has been involved in providing competency training for employees of all city agencies and is especially interested in assisting with trainings for shelter workers.
Hewgley said the listening sessions or focus groups were divided into four subgroups that discussed the needs and concerns of four categories of LGBT people using the city’s homeless shelter system – unaccompanied women, unaccompanied men, couples and families, and transgender and non-binary individuals.
He said the sessions resulted in a decision by DHS to prepare a 10-page report summarizing the findings and recommendations of the participants in the four groups called “LGBTQ+ Homeless Services: Identifying Service Gaps for LGBTQ+ Adults and Youth Experiencing Homelessness and Creating a Vision and Strategy for Improving Support to this Community.”
Among those who participated in the listening sessions were officials with LGBT and other organizations that provide services for homeless clients, including Casa Ruby, Whitman-Walker Health, SMYAL, the Wanda Alston House, Catholic Charities, HIPS, and the Fiscal Policy Institute.
Some of the recommendations of the participants include anecdotal reports by LGBT clients of shelters about instances of less than adequate treatment by staff and other shelter clients showing that improvement is still needed.
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
PHOTOS: Petal Release Party
Madonna headlines World Pride Music Festival in Amsterdam
Reggie White relishing first season as artistic director of Woolly Mammoth
PHOTOS: Amsterdam Pride Canal Parade
Amsterdam Pride Canal Parade draws hundreds of thousands
Madonna to perform at World Pride in Amsterdam
BLADE ENDORSEMENT: Susan Stewart for mayor of Rehoboth Beach
PHOTOS: Lambda Legal in the Pines
Calendar: July 31-August 6
